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Books on the topic 'History/drama collaboration'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Consult the top 26 books for your research on the topic 'History/drama collaboration.'

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1

Textual intercourse: Collaboration, authorship, and sexualities in Renaissance drama. Cambridge: Cambridge University Press, 1997.

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2

Joint enterprises: Collaborative drama and the institutionalization of the English Renaissance theater. Amherst: University of Massachusetts Press, 2004.

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3

Theatre as witness: Three testimonial plays from South Africa : in collaboration with and based on the lives of the original performers. London: Oberon Books, 2008.

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4

Rizk, Beatriz J. Creación colectiva, el legado de Enrique Buenaventura. Buenos Aires: Atuel, 2008.

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5

Enrique, Buenaventura, Buenaventura Enrique, and Vidal Jacqueline, eds. Creación colectiva, el legado de Enrique Buenaventura. Buenos Aires: Atuel, 2008.

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6

Rizk, Beatriz J. Creación colectiva, el legado de Enrique Buenaventura. Buenos Aires: Atuel, 2008.

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7

Hope, Jonathan. The authorship of Shakespeare's plays: A socio-linguistic study. Cambridge: Cambridge University Press, 1994.

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8

Laere, Stefaan van. Een klein dorp, een zware tol: Het drama van collaboratie en verzet in Meensel-Kiezegem. Antwerpen: Manteau, 2004.

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9

Finkelpearl, Philip J. Court and country politics in the plays of Beaumont and Fletcher. Princeton, N.J: Princeton University Press, 1990.

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10

Paul Claudel et la rénovation du drame musical: Etude de ses collaborations avec Darius Milhaud, Arthur Honegger, Paul Collaer, Germaine Tailleferre, Louise Vetch. Sprimont: Mardaga, 2004.

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11

Shakespeare and Manuscript Drama: Canon, Collaboration and Text. Cambridge University Press, 2016.

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12

Purkis, James. Shakespeare and Manuscript Drama: Canon, Collaboration and Text. Cambridge University Press, 2018.

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13

1958-, Barton Bruce, ed. Collective creation, collaboration and devising. Toronto: Playwrights Canada Press, 2008.

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14

Middleton and Rowley: Forms of Collaboration in the Jacobean Playhouse. University of Toronto Press, 2012.

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15

Lynn, Ahrens, and Viagas Robert, eds. The alchemy of theatre: The divine science : essays on theatre & the art of collaboration. New York: Playbill Books, 2006.

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16

Irène, Mamczarz, ed. Dramaturgie et collaboration des arts au théâtre: Actes du 4e séminaire international, Paris-Fontainebleau-Versailles, 24.XI.-4.XII. 1988. [Firenze]: Leo S. Olschki editore, 1993.

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17

John, Ayers, ed. Drama days: Collaborative history teaching. Trowbridge: Wiltshire County Council, 1990.

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18

Sylvie, Jouanny, and Université de Paris XII Val-de-Marne. Centre d'études du théâtre., eds. Marginalités et théâtre: Pouvoir, spectateurs et dramaturgie : actes du Colloque international organisé par le Centre d'Études du Théâtre de l'Université de Paris XII (EA 3483, "Poétiques modernes comparées") les 19 et 20 septembre 2002, en collaboration avec l'IUFM de Créteil. [Paris]: Nizet, 2003.

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19

Hope, Jonathan. The Authorship of Shakespeare's Plays: A Socio-linguistic Study. Cambridge University Press, 2007.

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20

Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton University Press, 2016.

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21

Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton University Press, 2014.

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22

Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton University Press, 2014.

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23

Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton University Press, 2014.

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24

Shakespeare's Errant Texts: Textual Form and Linguistic Style in Shakespearean 'Bad' Quartos and Co-Authored Plays. University of Cambridge ESOL Examinations, 2010.

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25

Shakespeare's Errant Texts: Textual Form and Linguistic Style in Shakespearean 'Bad' Quartos and Co-Authored Plays. Cambridge University Press, 2013.

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26

Hamilton, Paul, ed. The Oxford Handbook of European Romanticism. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199696383.001.0001.

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This volume in the Oxford Handbook series is on the subject of European Romanticism, an intellectual, literary, philosophical, and political movement usually described as taking place between 1789 and 1848. The book first examines texts written by major writers in different European languages: French, German, Italian, Spanish, Russian, Hungarian, Greek, Polish, and Scandinavian. Chapters on these are written by leading scholars in the field. Then follows a second section elaborating the naturally interdisciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time set up an internal comparative dynamic. The chapters are written by specialists to highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding. Romantic variety of this kind is also typically written against the Enlightenment project of an Encyclopedia cast as a literal inventory rather than a conversation in which different views of the world figure each other. Discourses push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples here are history, geography, drama, theology, language, philosophy, political theory, the sciences, and the media. The chapters are original interpretations of aspects of an inherently interactive world of individual writers and the discursive idioms to which they are historically subject but which grant them unusual articulacy as well.
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