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Books on the topic 'History of animated film'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Stoffman, Daniel. The Nelvana Story: Thirty Animated Years. Nelvana Publishing, 2001.

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2

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2005. Pendragon, 2005.

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3

Before Mickey: The animated film, 1898-1928. University of Chicago Press, 1993.

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4

Future, Film Festival (9th 2007 Bologna Italy). Future Film Festival, 2007: Www.futurefilmfestival.org. Pendragon, 2007.

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5

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2006: Www.futurefilmfestival.org. Pendragon, 2006.

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6

Giovanni, Ricci, and Vanelli Marco, eds. Animazione in cento film. Le mani, 2013.

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7

Sitkiewicz, Paweł. Miki i myszy: Walt Disney i film rysunkowy w przedwojennej Polsce. Słowo/obraz terytoria, 2012.

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8

Créateurs & créatures: 50 ans de festival international du film d'animation d'Annecy = Creators & creatures : 50 years of the Annecy International Animation Film Festival. Glénat, 2010.

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9

1962-, Daly Steve, ed. Toy story: The art and making of the animated film. Hyperion, 1995.

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10

Lasseter, John. Toy story: The art and making of the animated film. Disney Editions, 2009.

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11

Cavallaro, Dani. Anime and the art of adaptation: Eight famous works from page to screen. McFarland, 2010.

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12

Spalińska-Mazur, Joanna. Inwencje i kontynuacje: Polski autorski film animowany w latach 1980-1990. Wydawn. Uniwersytetu Opolskiego, 2009.

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13

The animated film encyclopedia: A complete guide to American shorts, features, and sequences, 1900-1979. McFarland & Co., 2006.

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14

Webb, Graham. The animated film encyclopedia: A complete guide to American shorts, features and sequences 1900-1979. McFarland, 2000.

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15

Animierte Musik, beseelte Zeichen: Tonspuren anthropomorpher Tiere in Animated Cartoons. Franz Steiner Verlag, 2013.

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16

Cosandey, Roland. Langages et imaginaire dans le cinéma suisse d'animation, avec un répertoire de la production 1977-1988. Groupement suisse du film d'animation, 1988.

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17

Guido, Michelone. Bibidi bobidi bu: La musica nei cartoni animati da Betty Boop a Peter Gabriel. Castelvecchi, 1998.

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18

Manuele, Cecconello, and Michelone Guido, eds. Coloriture: Voci, rumori, musiche nel cinema d'animazione. Pendragon, 1995.

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19

French animation history. Wiley-Blackwell, 2011.

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20

The encyclopedia of animated cartoons. 2nd ed. Facts on File, 1999.

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21

Lenburg, Jeff. The encyclopedia of animated cartoons. Oxford, 1992.

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22

Lenburg, Jeff. The encyclopedia of animated cartoons. Facts on File, 1991.

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23

Lenburg, Jeff. The encyclopedia of animated cartoons. Facts on File, 1991.

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24

John, Sundholm, and Söderbergh-Widding Astrid, eds. A history of Swedish experimental film culture: From early animation to video art. National Library of Sweden, 2010.

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25

1940-, Patten Frederick Walter, and Ranney Douglas Mackay 1954-, eds. The complete anime guide: Japanese animation film directory & resource guide. Tiger Mountain Press, 1995.

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26

The anime paradox: Patterns and practices through the lens of traditional Japanese theater. Global Oriental, 2013.

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27

Schoemann, Annika. Der deutsche Animationsfilm: Von den Anfängen bis zur Gegenwart 1909-2001. Gardez!, 2003.

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28

Hanʼguk aenimeisyŏn yŏnghwasa. Sinhan Midiŏ, 2002.

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29

La pantalla dibujada: Animación desde Santa Fe. Editorial Ciudad Gótica, 2012.

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30

Nihon animēshon no chikara: 85-nen no rekishi o tsuranuku futatsu no jiku. NTT Shuppan, 2004.

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31

20 shi ji Zhongguo dong hua yi shu shi. Shanxi ren min mei shu chu ban she, 2002.

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32

Zhongguo dong hua dian ying zao xing yi zhi ji qi li shi yan jin (1926-2009). Beijing lian he chu ban gong si, 2011.

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33

Le origini dell'animazione italiana: La storia, gli autori e i film animati in Italia, 1911-1949. Tunué, 2013.

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34

Animated life: A lifetime of tips, tricks, techniques and stories from a Disney legend. Focal Press, 2012.

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35

Smoodin, Eric. Animating culture: Hollywood cartoons from the sound era. Rutgers University Press, 1993.

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36

The world history of animation. University of California Press, 2011.

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37

Enchanted drawings: The history of animation. Wings Books, 1994.

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38

Enchanted drawings: The history of animation. Knopf, 1989.

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39

Of mice and magic: A history of American animated cartoons. New American Library, 1987.

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40

The animated film encyclopedia: A complete guide to American shorts, features and sequences, 1900-1999. 2nd ed. McFarland & Co., 2011.

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41

Poš, Jan. Výtvarníci animovaného filmu. Odeon, 1990.

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42

The animated bestiary: Animals, cartoons, and culture. Rutgers University Press, 2009.

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43

Enviro-toons: Green themes in animated cinema and television. McFarland & Company, Inc., Publishers, 2012.

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44

Fu chi dong man chan ye fa zhan bu ji lian xi hui yi ban gong si, ed. Zhongguo dong hua shi yan jiu = Research on the history of China's animation. Shang wu yin shu guan, 2011.

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45

Anime no katarogu, 1990-1999. Kawade Shobō Shinsha, 2014.

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46

Kyŏng-mi, Yang, ed. Han'guk aenimeisyŏn kyŏlchŏngjŏk sun'gandŭl. K'ubuk, 2010.

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47

Breve historia del dibujo animado en la Argentina. Libros del Rojas, 2004.

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48

Anime and the art of adaptation: Eight famous works from page to screen. McFarland & Company, Inc., Publishers, 2010.

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49

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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Abstract:

The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre argues that this international body of work constitutes a unique genre of mainstream cinema. It applies, for the very first time, genre theory to the landscape of contemporary digital animation, and identifies how computer-animated films can be distinguished in generic terms. This book therefore asks fundamental questions about the evolution of film genre theory within both animation and new media contexts. Informed by wider technological discourses and the status of animation as an industrial art form, The Computer-Animated Film: Industry, Style and Genre not only theorises computer-animated films through their formal properties, but connects elements of film style to animation practice and the computer-animated film’s unique production contexts.

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50

Neupert, Richard. French Animation History. Wiley & Sons, Incorporated, John, 2011.

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