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Journal articles on the topic 'History of arms and armor'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Witkowski, Terrence H. "Arms and armor collecting in America: history, community and cultural meaning." Journal of Historical Research in Marketing 12, no. 4 (2020): 421–47. http://dx.doi.org/10.1108/jhrm-12-2019-0050.

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Purpose This study aims to present a history and critical analysis of arms and armor collecting in America from the late 19th century until the present day. Design/methodology/approach The research draws from the literature on arms and armor, from primary written, visual and material evidence, and from the author’s long experience as an antique gun and sword collector. Findings American arms and armor collectors have included men of great wealth, museums and their curators and many enthusiasts of more modest means. Collectors, dealers and curators have created a substantial arms literature. Co

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2

Martin, Michel Louis, and Christopher Spring. "African Arms and Armor." International Journal of African Historical Studies 27, no. 3 (1994): 688. http://dx.doi.org/10.2307/220794.

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3

Toichkin, Denys. "Second International Research Conference on the History of Arms and Armor in Kyiv, Ukraine." Revista de Artes Marciales Asiáticas 11, no. 2 (2016): 116. http://dx.doi.org/10.18002/rama.v11i2.4727.

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The present report provides a short description of a conference titled “Second International Research Conference on the History of Arms and Armor in Kyiv, Ukraine”. It was the second scientific conference dedicated to the study of historical weapons in Ukraine. A number of international experts in the field of historical arms and armor were invited to the conference. Each researcher had been asked to provide a short and a long article on a specific research subject. The short articles had already been published in a peer-review booklet that was handed out before the start of the conference. Th

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4

Grindley, Carl James. "Arms and the Man: The Curious Inaccuracy of Medieval Arms and Armor in Contemporary Film." Film & History: An Interdisciplinary Journal of Film and Television Studies 36, no. 1 (2006): 14–19. http://dx.doi.org/10.1353/flm.2006.0009.

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5

KUBIK, Adam. "The Kizil Caves as an terminus post quem of the Central and Western Asiatic pear-shape spangenhelm type helmets. The David Collection helmet and its place in the evolution of multisegmented dome helmets." Historia i Świat 7 (June 30, 2018): 141–56. http://dx.doi.org/10.34739/his.2018.07.09.

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Current paper consists of two main parts. In the first part the author discusses arms and armor presented in the Kizil Caves depictions, suggesting a datation of the two well-known caves, namely so-called Maya Cave and Cave of the Painter. In the second part of this paper the author discusses a helmet found in Iran and currently held in the David Collection, Copenhagen. On the basis of a detailed comparative analysis, the author puts forward a thesis of correlation between the lamellar and spangen pear-shape helmets dating the objects to late 6th beginning of the 7th century CE. Specifically,

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Macaraeg, Ruel A. "Piratas de las Filipinas: un ejercicio de pensamiento crítico." Revista de Artes Marciales Asiáticas 4, no. 4 (2012): 40. http://dx.doi.org/10.18002/rama.v4i4.150.

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<p>Piracy had a formative impact on Filipino history, yet modern practitioners of Filipino Martial Arts generally do not acknowledge its influence. This brief study reconstructs the pirates’ martial practices through comparative historical analysis of their weapons, costume, and organization in order to draw conclusions about their relationship to martial cultures in the Philippines and across the region. Using analogous historical studies on piracy worldwide and examination of traditional arms and armor, this article restores the Iranun pirates to their rightful place as primary contrib

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Salgirli, Saygin. "Polished History: The Arms and Armor Collection of the Metropolitan Museum of Art and the Glamorization of Violence." International Journal of the Arts in Society: Annual Review 1, no. 2 (2006): 109–14. http://dx.doi.org/10.18848/1833-1866/cgp/v01i02/35564.

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8

Borg, A. "A Companion to Medieval Arms and Armour." English Historical Review 118, no. 477 (2003): 760–61. http://dx.doi.org/10.1093/ehr/118.477.760.

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Lazar, Tomaž. "Early studies of the arms and armour collection in the National Museum of Slovenia." Kronika 72, no. 1 (2024): 155–80. http://dx.doi.org/10.56420/kronika.72.1.11.

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The study of historical arms and armour has no firmly established tradition in Slovenian scholarship. This may be attributed to various factors – on the one hand, the widely entrenched notions of Slovenia’s past reduced to a mythologised nation of peace-loving country folk, and on the other hand, the lack of representative arms and armour collections belonging to noble elites, such as may be found in the neighbouring political centres. A rather unreflective approach to military historical heritage could be observed during the formative period of the Carniolan Provincial Museum in Ljubljana, th

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10

Łopatecki, Karol, and Aleksander Boldyrew. "Meanders of the Polish Military Revolution — Standardization of Cavalry Units." Vestnik of Saint Petersburg University. History 66, no. 2 (2021): 464–89. http://dx.doi.org/10.21638/11701/spbu02.2021.209.

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The objective of the article is to show the phenomenon of the internal standardization of the units of the Polish cavalry in the 16th century. The references to this process, during which the diversisty of arms and equipment of soldiers was abandoned, are scarce in descriptive sources and are only reflected in normative acts. The only type of sources which enables to reconstruct the combat potential of units is inspection (rejestry popisowe). Consequently, the process of specialization of units and of formation of different types of cavalry was basically marginalized. In the Crown, as late as

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Shpakovsky, V. O. "English Historian D. Nicolle about the Warriors of Byzantine, theirs Arms and Armour (Historiography of the Problem)." Izvestiya of Saratov University. History. International Relations 11, no. 1 (2011): 75–77. http://dx.doi.org/10.18500/1819-4907-2011-11-1-75-77.

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12

Gupta, Vivek. "Images for Instruction: A Multilingual Illustrated Dictionary in Fifteenth-Century Sultanate India." Muqarnas Online 38, no. 1 (2021): 77–112. http://dx.doi.org/10.1163/22118993-00381p04.

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Abstract This article focuses on the Miftāḥ al-Fużalāʾ (Key of the Learned) of Muhammad ibn Muhammad Daʾud Shadiyabadi (ca. 1490). The Miftāḥ is an illustrated dictionary made in the central Indian sultanate of Malwa, based in Mandu. Although the Miftāḥ’s only illustrated copy (British Library Or 3299) contains quadruple the number of illustrations as Mandu’s famed Niʿmatnāmah (Book of Delights) and is a unicum within the arts of the Islamicate and South Asian book, it has received minimal scholarly attention. The definitions in this manuscript encompass nearly every facet of Indo-Islamicate a

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Banks, Iain, and Tony Pollard. "Arms and Armour: The Nuts and Bolts of Conflict Archaeology." Journal of Conflict Archaeology 8, no. 1 (2013): 1–2. http://dx.doi.org/10.1179/1574077312z.00000000018.

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NIKONENKO, Sergey. "Representations of Antique Arms and Armour in the Architectural decor of St. Petersburg." Historia i Świat 6 (September 14, 2017): 267–76. http://dx.doi.org/10.34739/his.2017.06.25.

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The matter of the article is the representation of ancient arms and armour in Saint Petetrburg’s architecture. Classisism style (1770-1840) and New Classicism style (1905-1915) are studied. The main point of the article is the representation of helmets in military décor. The article contains: 1. Typology of ancient military décor; 2. The full list of buildings with ancient military décor of Saint Petersburg; 3. Examples of ancient helmets in military décor of Saint Petersburg; 4. Aesthetical Analysis of the art, symbolic and ideological reasons for using ancient military décor in Saint Petersb

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15

Ford, Robert C., and Keenan D. Yoho. "The government’s role in creating an innovation ecosystem: the Springfield Armory as hub in the Connecticut River Valley." Journal of Management History 26, no. 4 (2020): 557–79. http://dx.doi.org/10.1108/jmh-02-2020-0016.

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Purpose The purpose of this paper is to illustrate, through the example of the Springfield Armory and its role in the development of interchangeable parts, the critical role of government in establishing a cluster of organizations that evolved into an innovation ecosystem primarily located in the Connecticut River Valley in the 1800s. Using the Springfield Armory example, we use the related but largely unjoined concepts of ecosystem and networks to show that these organizational forms are effective in driving innovation. Design/methodology/approach The design uses an in-depth analysis of the r

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16

Magnavacca, Adalberto. "ARMS AND ARMOUR: AN EMENDATION TO STATIUS, SILVAE 4.4.66." Classical Quarterly 69, no. 2 (2019): 925–27. http://dx.doi.org/10.1017/s0009838819000764.

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In Silv. 4.4 Statius pays homage to Vitorius Marcellus, the young dedicatee of the poem (for this small but meaningful detail, see Stat. Silv. 4.4.45 iuuenes … annos; 4.4.74 iuuenemque … parentem), praising his skills as an orator (4.4.39–45) and foreseeing a brilliant military career for him (4.4.61–4). The last point is highlighted in a brief portrait of Marcellus as a perfect foot soldier and horseman (4.4.64–9):… nec enim tibi sola potentiseloquii uirtus: sunt membra accommoda bellis 65quique grauem tarde subeant thoraca lacerti.seu campo pedes ire pares, est agmina supranutaturus apex, se

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Spencer, Dan. "Italian arms and armour for the royal household of Edward IV." Arms & Armour 17, no. 2 (2020): 111–21. http://dx.doi.org/10.1080/17416124.2020.1830595.

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18

Straube, Beverly A. "‘Unfitt for any moderne service’? Arms and armour from James Fort." Post-Medieval Archaeology 40, no. 1 (2006): 33–61. http://dx.doi.org/10.1179/174581306x160116.

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19

Jäger, Felix. "Body of Knowledge: Renaissance Armor and the Engineering of Mind = Cuerpos del conocimiento: armaduras del Renacimiento y la ingeniería de la mente." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 6 (December 7, 2018): 89. http://dx.doi.org/10.5944/etfvii.6.2018.22948.

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This essay charts the role of armor in Renaissance practices of knowledge. Since the advent of gunpowder warfare, armor was largely unfit for combat, yet still became a centerpiece of princely representation and was prominently displayed in early collection spaces. Rather than illustrating chivalric virtues or antiquarian taste, such suits in my reading signal a shift towards a physiological fashioning of learning. Through juxtaposing two key sets of armor – one ‘gothic’ suit situated in the studiolo, the other a ‘grotesque’ garniture for a chamber of curiosities –, my paper traces how these e

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MICHELL, GEORGE. "ROBERT ELGOOD: Hindu Arms and Ritual, Arms and Armour from India 1400–1865. 312 pp. 342 figures. Delft: Eburon Academic Publishers, 2004. £55." Bulletin of the School of Oriental and African Studies 69, no. 1 (2006): 157–58. http://dx.doi.org/10.1017/s0041977x06290074.

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Bennett, Natasha. "Arms & Armour of India, Nepal & Sri Lanka: Types, Decoration and Symbolism." Arms & Armour 16, no. 2 (2019): 219–22. http://dx.doi.org/10.1080/17416124.2019.1659636.

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22

Maniotis, Errikos. "Investigating Identities in Late Antiquity: A Case Study of the Roman Weapons Burial Deposit from the Sintrivani Basilica in Thessaloniki." Comitatus: A Journal of Medieval and Renaissance Studies 54, no. 1 (2023): 151–76. http://dx.doi.org/10.1353/cjm.2023.a912675.

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Abstract: The identification of “peoples” is the oldest purpose that the study of burial rites has been made to serve. Written sources tell us that in late antiquity different peoples migrated into the Roman Empire, both in the Western and in the Eastern half. Cemetery archaeology provides one of the most important sources for early medieval social history. Weapon deposits should not be excluded from this process. The current paper investigates the armament of a soldier’s burial found in a grave attached to the so-called Sintrivani Basilica in Thessaloniki, Greece, dated to the early fifth cen

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23

TSURTSUMIA, Mamuka. "Book review:Piotr L. GROTOWSKI. Arms and Armour of the Warrior Saints: Tradition and Innovation in Byzantine Iconography (843-1261). Translated by Richard Brzezinski. Leiden, Boston: Brill, 2010." BYZANTINA SYMMEIKTA 22 (November 13, 2012): 363. http://dx.doi.org/10.12681/byzsym.1085.

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<p style="text-align: center; line-height: 110%; text-indent: 36pt" class="MsoNormal" align="center"><span style="font-family: 'Times New Roman','serif'">Book review of:Piotr L. Grotowski. Arms and Armour of the Warrior Saints: Tradition and Innovation in Byzantine Iconography (843-1261). Translated by Richard Brzezinski. Leiden, Boston: Brill, 2010. pp. XXV, 483. ISBN 978 90 04 18548 7.</span></p><p style="line-height: 110%; text-indent: 36pt" class="MsoNormal"> </p>

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24

WERRETT, SIMON. "GERHARD W. KRAMER, The Firework Book: Gunpowder in Medieval Germany. The Journal of the Arms and Armour Society, 17(1). London: Arms and Armour Society, 2001. Pp. 89. ISSN 00004-2439. £10 (paperback)." British Journal for the History of Science 37, no. 4 (2004): 469–70. http://dx.doi.org/10.1017/s0007087404246179.

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25

Skupniewicz, Patryk, and Katarzyna Maksymiuk. "The Warrior on Claps from Tillya Tepe." Vestnik of Saint Petersburg University. History 66, no. 2 (2021): 567–84. http://dx.doi.org/10.21638/11701/spbu02.2021.215.

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Among the objects excavated in 1978 at the site of Tillya Tepe (Northern Afghanistan) by the Soviet-Afghan archaeological expedition led by Victor I. Sarianidi, the twin golden clasps from Burial III attract special and instant attention of any military historian or a researcher of ancient arms and armour. The identity of the personage(-s) on the Tillya Tepe clasps has quite rarely been studied. Scholars are usually satisfied with a generic term a “warrior”. Kazim Abdullaev has identified the personage as Ares-Alexander. Jeannine Davis-Kimball has identified the personage as Enaree, the castra

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26

Chevedden, Paul E., and David Nicolle. "Arms and Armour of the Crusading Era, 1050-1350, vol. 1, Western Europe and the Crusader States." Journal of Military History 65, no. 1 (2001): 168. http://dx.doi.org/10.2307/2677436.

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27

Kurasiński, Tomasz, Jerzy Maik, and Witold Świętosławski. "The Use of Textiles in Arms and Armour in Medieval Poland." Textile History 41, sup1 (2010): 7–16. http://dx.doi.org/10.1179/174329510x12646114289428.

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28

Tanner, Harold M. "Learning Through Practice." Journal of Chinese Military History 3, no. 1 (2014): 3–46. http://dx.doi.org/10.1163/22127453-12341259.

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Abstract American scholars of Chinese history have generally explained the outcome of China’s civil war (1945-1949) by reference to social, economic, and political factors rather than by looking at the conduct of the war itself. Recently, military historians have begun to shift the focus to Communist strategy and operations. However, the question of how the Chinese Communist forces made the transition from guerrilla to conventional warfare has still not received sufficient attention. Using Mao Zedong’s theories of guerrilla warfare and Peter Senge’s model of the “learning organization” to anal

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Moffat, Ralph, James Spriggs, and Sonia O'Connor. "The use of Baleen for Arms, Armour and Heraldic Crests in Medieval Britain." Antiquaries Journal 88 (September 2008): 207–15. http://dx.doi.org/10.1017/s0003581500001402.

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The recent identification of whale baleen from a medieval archaeological context in Perth raises the issue of what uses were made of baleen in the medieval period. This note investigates the military uses to which this unusual material was put.

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Lazenby, J. F., and David Whitehead. "The myth of the hoplite's hoplon." Classical Quarterly 46, no. 1 (1996): 27–33. http://dx.doi.org/10.1093/cq/46.1.27.

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‘Hoplites are troops who take their name from their shields’. ‘The individual infantryman took his name, hoplites, from the hoplon or shield’. Such is the orthodox view. This paper will endeavour to show that its basis is inadequate. Rather, we shall argue, hoplites took their name from their arms and armour as a whole, their hopla in that all-encompassing sense; so that the original and essential meaning of the word hoplite was nothing more than ‘(heavily-)armed (infantry-)man’.

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Jäger, Felix. "The Prince’s Prosthetic Body: Orthopedic Armor and Material Self-Fashioning in Sixteenth-Century Europe." Art Bulletin 105, no. 3 (2023): 61–89. http://dx.doi.org/10.1080/00043079.2023.2176666.

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DeVries, Kelly. "Arms and Armour of the Crusading Era, 1050-1350. David C. Nicolle." Speculum 64, no. 4 (1989): 1016–18. http://dx.doi.org/10.2307/2852923.

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33

Moffat, Ralph. "Pietro Monte’s Collectanea: The Arms, Armour and Fighting Techniques of a Fifteenth-Century Soldier, ed. and tr. Jeffrey L. Forgeng." English Historical Review 136, no. 579 (2021): 413–14. http://dx.doi.org/10.1093/ehr/ceab034.

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SKUPNIEWICZ, Patryk. "The bullae of the spahbedan. Some iconographic remarks." Historia i Świat 6 (September 14, 2017): 107–20. http://dx.doi.org/10.34739/his.2017.06.08.

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The seals of Sasanian highest military officials, the spahbedan which contain depiction of armoured rider create consistent iconographic group. It is possible however to distinguish five sub-groups within it, which in turn might serve as supplementary argument for their chronology or might suggest differentiation of the role of the office in time. The iconography of the spahbedan is related to 3-5th century, Roman models of imperial adventus which seems adequate for high ranking officers who needed iconographic layout emphasizing power however not entering royal prerogative. Iconography of the

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35

Gosk, Daniel. "Ancient Brimmed Helmets as Introduction to Medieval Kettle Hats?" Fasciculi Archaeologiae Historicae 34 (December 13, 2021): 139–52. http://dx.doi.org/10.23858/fah34.2021.010.

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In many publications about arms and armour it is argued that kettle hats were known in antiquity or are derived from ancient helmets. This thesis led to the publication of European Armour circa 1066 to circa 1700 by Cloude Blair, published in 1958. This article aims to argue with Blair’s thesis by tracing the history of ancient brimmed helmets, showing that brimmed helmets were used from the 7th century BC to the first century AD in many regions and by many troop formations. However, these ancient brimmed helmets disappeared from battlefields at the beginning of the 2nd century AD, whereas the

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Hood, Jamie S. "William Burges — Designer, Scholar and Collector: Accurate Representations of Arms and Armour in the Architecture of Cardiff Castle." Arms & Armour 6, no. 2 (2009): 144–74. http://dx.doi.org/10.1179/174962609x417581.

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37

Pyts, T. "NAMES OF METAL-PROCESSING CRAFTSMEN IN GERMAN DIALECTS." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 3(98) (December 23, 2022): 171–82. http://dx.doi.org/10.35433/philology.3(98).2022.171-182.

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The article studies the Silesian, Low Prussian, and East Pomeranian names of metal-processing craftsmen of the 14th–16th centuries. The article substantiates the topicality of studying the German dialects that disappeared due to the World War II, analyses specialized literature, characterizes the history of studying the German names of craftsmen in the former East-German dialects, determines the level of their coverage, formulates the objective and task of the publication and outlines the perspectives of further academic research. Besides, the article provides the insight into the word-formati

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38

Nickel, Helmut, and Stuart W. Pyhrr. "Arms and Armor." Recent Acquisitions, no. 1987/1988 (1987): 23. http://dx.doi.org/10.2307/1513723.

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LaRocca, Donald J. "Arms and Armor." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 51. http://dx.doi.org/10.2307/3269171.

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Pyhrr, Stuart W., and Donald J. LaRocca. "Arms and Armor." Metropolitan Museum of Art Bulletin 49, no. 2 (1991): 22. http://dx.doi.org/10.2307/3258930.

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41

Pyhrr, Stuart W., and Leonid Tarassuk. "Arms and Armor." Metropolitan Museum of Art Bulletin 48, no. 2 (1990): 22. http://dx.doi.org/10.2307/3258950.

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42

Nickel, Helmut, and Stuart W. Pyhrr. "Arms and Armor." Metropolitan Museum of Art Bulletin 47, no. 2 (1989): 20. http://dx.doi.org/10.2307/3259894.

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43

Balter, Stephen. "Arms and armor." Catheterization and Cardiovascular Interventions 79, no. 1 (2012): 103. http://dx.doi.org/10.1002/ccd.23488.

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Mercer, Malcolm. "Samuel Meyrick, the Tower Storekeepers, and the rearrangement of the Tower’s historic collections of arms and armour, c. 1821–69." Arms & Armour 10, no. 2 (2013): 114–27. http://dx.doi.org/10.1179/1741612413z.00000000024.

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45

Lopatecki, Karol, and Aleksander Boldyrew. "Depreciation of Military Service Costs in the Fifteenth and Sixteenth Centuries in Central-Eastern Europe." Medieval History Journal 26, no. 1 (2023): 84–112. http://dx.doi.org/10.1177/09719458221103910.

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The article presents the depreciation of soldiers’ equipment in the fifteenth–sixteenth centuries in Central-Eastern Europe based on the data from a dedicated financial institution existing in the Polish Kingdom until the 1560s. Soldiers received their pay, and the king additionally paid them compensation for any war damage. Owing to meticulous records, data were collected on 9,371 individuals. Based on the collected data, it has been established that the average losses in cavalry were equivalent to 40% of the pay and in infantry, the corresponding ratio was 13.7%. This formation was not only

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46

Howard, Robert A. "The Fireworks Book: Gunpowder in Medieval Germany. Edited by Gerhard W. Kramer. Translated by, Klaus Leibnitz. Foreword by, Claude Blair. (Journal of the Arms and Armour Society, March 2001, 117 [1].) 90 pp., illus., indexes. Halisham, East Sussex: Arms and Armour Society, 2001. £10 (paper)." Isis 94, no. 3 (2003): 518–19. http://dx.doi.org/10.1086/380678.

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47

Terjanian (book author), Pierre, and David R. Lawrence (review author). "Princely Armor in the Age of Dürer: A Renaissance Masterpiece in the Philadelphia Museum of Art." Renaissance and Reformation 35, no. 2 (2013): 182–84. http://dx.doi.org/10.33137/rr.v35i2.19389.

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48

Dymydyuk, Dmytro. "The Relief on the Door of the Msho Arakelots Monastery (1134) as a Source for Studying Arms and Armour of Medieval Armenian Warriors." Studia Ceranea 9 (December 30, 2019): 207–50. http://dx.doi.org/10.18778/2084-140x.09.12.

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Byzantium’s arms and armours were researched by many historians. For that reason, the military history of the medieval Roman Empire enjoyed a dominant position in medieval historiography, with the consequence that very often the military history of small nations (under Roman influences) was written from the perspective of the Eastern Romans historians. The aim of the paper is to change this perspective and give the subject of the medieval Armenian military the attention it deserves. The idea is to perform an analysis of the relief on the Door of the Msho Arakelots monastery, where four equestr

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49

Nalimova, Nadezhda A., and Anton V. Dedyulkin. "“Joying in War as in a Feast”. The Construction of Imagery in Greek Ceremonial Armor of the 4th Century B. C." Actual Problems of Theory and History of Art 11 (2021): 76–91. http://dx.doi.org/10.18688/aa2111-01-07.

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Júlia, Papp. "Adatok Ii. Lajos magyar király páncélos ábrázolásaihoz." Művészettörténeti Értesítő 69, no. 2 (2021): 269–302. http://dx.doi.org/10.1556/080.2020.00013.

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Most of the posthumous portraits of Louis II, who died in the battle of Mohács in 1526, show him in armour. In some pictures he is wearing fictitious armour, but in other portraits he is clad in the armour which until 1939 was believed to had once been his, but actually had been made in 1533 for the Polish king Sigismund II Augustus and is currently kept in the Hungarian National Museum. The author of the study has examined the latter group of artworks. She describes the armours of Louis II, some only mentioned in archival sources or historical works. Some items that can certainly or presumabl

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