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Relevant bibliographies by topics / History of humor

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Academic literature on the topic 'History of humor'

Author: Grafiati

Published: 11 September 2021

Last updated: 4 February 2022

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Journal articles on the topic "History of humor"

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Limon, J. "American Humor in History." American Literary History 21, no. 2 (February 19, 2009): 306–15. http://dx.doi.org/10.1093/alh/ajp002.

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Bennett, Mary Payne, and Cecile A. Lengacher. "Humor and Laughter may Influence Health. I. History and Background." Evidence-Based Complementary and Alternative Medicine 3, no. 1 (2006): 61–63. http://dx.doi.org/10.1093/ecam/nek015.

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Articles in both the lay and professional literature have extolled the virtues of humor, many giving the impression that the health benefits of humor are well documented by the scientific and medical community. The concept that humor or laughter can be therapeutic goes back to biblical times and this belief has received varying levels of support from the scientific community at different points in its history. Current research indicates that using humor is well accepted by the public and is frequently used as a coping mechanism. However, the scientific evidence of the benefits of using humor on various health related outcomes still leaves many questions unanswered.

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Dudden, Arthur Power. "American Humor." American Quarterly 37, no. 1 (1985): 7. http://dx.doi.org/10.2307/2712759.

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Henry, M. "History and Humor: A Natural Partnership." OAH Magazine of History 14, no. 2 (January 1, 2000): 64–65. http://dx.doi.org/10.1093/maghis/14.2.64.

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Crescêncio, Cintia Lima. "“El humor es una guerra que no produce muerte sino risa”: uma análise histórica do humor gráfico feminista latino-americano de Diana Raznovich (1990)." Revista Tempo e Argumento 12, no. 31 (December 21, 2020): e0103. http://dx.doi.org/10.5965/2175180312312020e0103.

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O humor gráfico feminista de Diana Raznovich configura-se como instrumento de intervenção que visa problematizar a discriminação sofrida pelas mulheres em todas as áreas, desmascarando as estruturas que as aprisionavam nos anos finais do século XX, contexto de lutas feministas. Entendido como humor-guerra que tem como efeito o riso, a produção da cartunista argentina, uma das primeiras humoristas gráficas assumidamente feministas na América Latina, demonstra a complexidade e a fluidez do humor produzido com perspectiva de gênero, um desafio às limitadas abordagens da História Cultural do Humor, marcada por um cânone e por elaborações teóricas masculinas. Diante desse cenário teórico e histórico, este artigo pretende realizar uma análise histórica do humor gráfico feminista de Diana Raznovich. Com foco nas discussões sobre o papel das mulheres na produção humorística, no debate sobre as ideias de privado/público no humor, no potencial de mudança do humor feminista e nos impactos dos discursos sobre feminilidade na produção do riso, pretendo, a partir de textos e cartuns publicados em jornais latino-americanos na década de 1990, refletir sobre o potencial político revolucionário do humor feminista de Diana Raznovich. Palavras-chave: Diana Raznovich. Feminismo. Humor Gráfico. Humor-guerra. América Latina.

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Axtell, James L. "Humor in Ethnohistory." Ethnohistory 37, no. 2 (1990): 109. http://dx.doi.org/10.2307/482538.

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McWhirter, Christian. "Lincoln’s Sense of Humor." American Nineteenth Century History 20, no. 1 (January 2, 2019): 73–74. http://dx.doi.org/10.1080/14664658.2019.1606502.

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Proczkowska, Kwiryna. "Denotacja – humor – tabu." Między Oryginałem a Przekładem 25, no. 43 (March 31, 2019): 67–83. http://dx.doi.org/10.12797/moap.25.2019.43.04.

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Denotation – Humour – TabooThis analysis takes as its subject jokes about Poles that appeared in two US-American sitcoms: The Big Bang Theory (Teoria wielkiego podrywu) and 2 Broke Girls (Dwie spłukane dziewczyny), as well as their official Polish TV translations made for Comedy Central Polska channel. The selected examples refer to Polish traditions, history, and stereotypes about Polish people. They were divided into three categories according to their subject: a joke based on a stereotype, jokes making Poles look exotic, and jokes referring to Polish-Jewish relations, and the history of World War II. The aim here is accordingly: to characterize the original jokes, to analyze their official Polish voice-over translation, and to consider the potential differences in the reception of given fragments by the sourceculture and target-culture viewers. This paper refers to the characteristics of sitcom as a text genre and Eugene A. Nida and Charlesa R. Taber’s theory of functional equivalence.

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AUSTERLITZ, ROBERT. "MYTH, PLAY, HUMOR." Canadian-American Slavic Studies 22, no. 1-4 (1988): 35–38. http://dx.doi.org/10.1163/221023988x00050.

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Kirchdorfer, Ulf. "Don’t Do It on My Carpet: The Humor of William Faulkner’s “Barn Burning”." American Studies in Scandinavia 46, no. 2 (September 1, 2014): 3–15. http://dx.doi.org/10.22439/asca.v46i2.5133.

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William Faulkner’s “Barn Burning” has been appreciated critically in just about every way but for its humor. While appreciations not concerned with humor are crucial to understanding the work, they can also be limiting. This discussion of Faulkner and humor in “Barn Burning” will acknowledge that humor stoops to low levels and crudity. But it also soars to great heights, with Faulkner’s command of the English language and ability to draw allusions effortlessly into the fabric of his story.

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Dissertations / Theses on the topic "History of humor"

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Palmer, Marcus S. "History, humor, and introspection experiencing "Argentinidad" /." abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442853.

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Vanderford, Audrey L. "Political pranks : the performance of radical humor." Thesis, University of Oregon, 2000. http://hdl.handle.net/1794/11764.

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xi, 112 p. : ill. A print copy of this title is available through the UO Libraries under the call number: KNIGHT PN6149.P64 V36 2000
This thesis examines the performance of political pranks by contemporary radical activists and anarchists. Pranks, used symbolically to subvert authority and collapse hierarchy, have become important tools for grassroots political movements. Activists utilize pranks as a form of "culture jamming" to undermine, humiliate, and educate. This thesis documents political pranks pulled by Earth First!, the Yippies, the Biotic Baking Brigade, and the Eugene Anarchists for Torrey (EAT) Campaign to show how pranks are performed and narrated within anarchist subcultures. Drawing on cultural and performance studies, as well as on anarchist theories, this thesis demonstrates how pranks can become performances of resistance and criticism that disrupt the status quo.
Committee in charge: Dr. Daniel N. Wojcik, Chair; Dr. Suzanne Clark; Dr. Carol Silverman

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Bouteneff, Peter. "The history, hagiography and humor of the fools for Christ." Theological Research Exchange Network (TREN) Access this title online, 1990. http://www.tren.com/search.cfm?p015-0201.

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Chik, Pik Yuk. "Some correlates of children's humor." Monash University, Institute of Human Development and Counselling, 2001. http://arrow.monash.edu.au/hdl/1959.1/9144.

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Pavam, Rosane Barguil. "O cineasta historiador: o humor frio no filme Sábado, de Ugo Giorgetti." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-25052012-164144/.

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Herdeiro da comédia italiana de Dino Risi e Mario Monicelli, o diretor paulistano Ugo Giorgetti faz no longa-metragem Sábado um exercício de reflexão que o aproxima da tradição melancólica e autoderrisória dos escritores Laurence Sterne, Xavier de Maistre e Machado de Assis. O humor frio do diretor não nega a piada, embora prescinda dela seguidas vezes em busca da conscientização histórica de seu público para um estado de ruína social. É um filme em que os meios-tons, não a calidez cômica, evocam o abandono de comando do país, desprovido da mediação de instituições como o governo e a justiça.
Heir to the Italian comedy of Dino Risi and Mario Monicelli, Ugo Giorgetti, movie director from São Paulo, reflects in his feature film Sábado the tradition of melancholy and self-derision represented by the writers Laurence Sterne, Xavier de Maistre and Machado de Assis. The cold mood director does not deny the joke, although he forgoes to it sometimes in search of an historic awareness of their audience to a state of social ruin. It is a movie in which the halftones, not the comic warmth, evoke the abandonment of running the country, devoid of the mediating institutions as government and justice.

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Argent, William T. "Humor Recognition: A Comparative Analysis." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/4955.

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There are various approaches to the explanation of humor in the field of humor research. Some of these theories, while providing interesting insight into the phenomenon known as humor, remain limited in their ability to account for how humor is recognized. Others do not even address the issue. This thesis compares five different theories in humor research by analyzing the humorous short story "My Watch" by Mark Twain. These theories are: 1. a typological approach to humor, 2. a social- functional model, 3. incongruity theory, 4. Grice's Cooperative Principle taken from linguistic pragmatics, and 5. the General Theory of Verbal Humor devised by V. Raskin and S. Attardo. The comparative analysis, following an extensive review of the literature, first interprets the humor in the short story in the light of each theoretical model. During the course of the analysis, the limitations inherent in each theories' treatment of humor are illustrated and these argue and provide evidence for the adoption of the General Theory of Verbal Humor because of its greater sophistication in building a model of humor recognition. Furthermore, in analyzing Twain's short story this thesis establishes the generalizability of this more sophisticated theory to at least some types of literary humor, specifically the tall tale. Finally, further research implications and general connections between the theoretical approaches discussed in this thesis and the teaching of the English language to non-native speakers highlight the practicality of applying insights from humor research to the field of teaching.

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Martin, Ralph S. "Laughing Our Way To Revolution: A History and Analysis of African American Humor." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/599.

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The goal of this thesis is to explain the nature of ethnic humor in American society. This will be achieved through three different processes. First, this thesis will explain the history of African American humor and recount it’s development into it’s own brand of comedy. Second, it will explain the nature of African American humor and how it is a tool used to revolt against the oppressive and hegemonic nature of western society. Additionally, this paper aims to prove that African American humor is a coping mechanism for African Americans. This thesis will also discuss the duality of African American humor as both comedy and social critique. Another aspect this work will explore is how comedians deal with unintended stereotype perpetuation and also how different audiences respond to the racial jokes of the comedians. Finally, this thesis will outline how to better present jokes so that the perpetuation of racism and stereotypes does not happen. As a coping mechanism, African American humor takes stereotypes about African Americans, both positive and negative, and converts them into humorous topics that can make the stereotypes positive (Daube, 2010). This play on stereotypes, although it can be incredibly funny and also makes for great social commentary, is also very dangerous (Apte, 1987). Without proper context and understanding of the joke, it is possible that the intended social critique is not conveyed to the audience and instead the humor unintentionally perpetuates negative stereotypes. The value of African American humor as both entertainment and a coping mechanism is immeasurable (Cater, May, & Bird, 2012)

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Johnson, Courtney C. "Nobody Else Was Laughing: Dani Levy's Use of Film Humor to Approach German History." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/193365.

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Swiss-German director Dani Levy uses humor to explore recent German history in his films "Alles auf Zucker" (2004) and "Mein Führer: Die wirklich wahrste Wahrheit über Adolf Hitler" (2007). In a move unusual for German-speaking film directors, Levy pokes fun at Adolf Hitler and his regime in "Mein Führer." Levy also plays with the tension among formerly estranged members of a Jewish family in "Alles auf Zucker" to create a metaphor for the strained relations in reunified Germany.This project explores how Levy uses humor to break taboos in contemporary German society and prompt audiences through humor to critical debate about recent German history and its implications for contemporary and future society. This analysis is important to the German-speaking world and global audiences because Levy's work begs viewers to ponder what they can laugh at, who is allowed to make jokes, and how comedy can promote debate about societal norms and taboos.

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Bartholomew, Sherlene Hall. "An Annotated Bibliography of Literary Mormon Humor." Diss., CLICK HERE for online access, 1998. http://contentdm.lib.byu.edu/u?/MTAF,40619.

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Heili, Benjamin J. "Humor and Cynicism in the German Democratic Republic." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383309234.

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Books on the topic "History of humor"

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MacHovec, Frank J. Humor: Theory, history, applications. Springfield, Ill., U.S.A: C.C. Thomas, 1988.

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Pān̐ḍe, Rāmakumāra. Nepalese humor: Himalayan humor. Kathmandu: Muskan Prakashan, 2000.

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Death matters: History, humor, advice. Westminster, Md: Heritage Books, 2008.

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Vélez, Antonio. El humor. Medellín: Fondo Editorial Universidad EAFIT, 2012.

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Suhadi, M. Agus. Humor itu serius: Pengantar ke "ilmu humor". Jakarta: Pustakakarya Grafikatama, 1989.

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ALTA: Its history, humor & hors d'oeuvres. Jasper, Ga: John Williams, 2003.

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Horst, Siebert. Die bunte Welt des Humors: Komik und Humor, pädagigusch betrachtet. Frankfurt: VAS Verlag für Akademische Schriften, 2003.

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Civil War humor. Jackson, Miss: University Press of Mississippi, 2010.

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Barrios, Rolando Camozzi. Aproximaciones al humor. Madrid: Ediciones Endymión, 2001.

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Sexual humor. New York: Philosophical Library, 1987.

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Book chapters on the topic "History of humor"

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Benado, Miguel Orellana. "Scepticism, Humor and the Archipelago of Knowledge." In Scepticism in the History of Philosophy, 235–52. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-017-2942-0_17.

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Figueira, Rosa Attié. "Humor and language acquisition: Anecdotal data and their route in the history of language acquisition studies." In History of Linguistics 2002, 157. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/sihols.110.17fig.

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Dickason, Renée. "The Nuanced Comic Perspectives of the Cartoons in Mr. Punch’s History of the Great War." In Humor, Entertainment, and Popular Culture during World War I, 123–34. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137436436_8.

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Bobel, Chris, and Breanne Fahs. "The Messy Politics of Menstrual Activism." In The Palgrave Handbook of Critical Menstruation Studies, 1001–18. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_71.

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Abstract In this chapter, Bobel and Fahs first describe a brief history of menstrual activism alongside its more recent iterations in both policy and radical social activism. They review the collective call to reduce stigma and shame around menstruation as part of the enduring project of loosening the social control of women’s bodies. The authors then turn to an analysis of menstrual humor, menstrual art, and menstrual activism today, respectively. This is followed by an examination of the hazards and possibilities of doing menstrual activist work, including politics of menstrual language and the trivializations and hostilities that can plague this work. Finally, Bobel and Fahs offer a politically charged outline for the future of menstrual activism.

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Burrows, Hannah. "No Sense of Humour? ‘Humour’ Words in Old Norse." In The Palgrave Handbook of Humour, History, and Methodology, 43–70. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_3.

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Grove, Laurence. "Putting Humour on Display." In The Palgrave Handbook of Humour, History, and Methodology, 481–98. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_25.

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Gardner, Richard A. "Humour and Religion: New Directions?" In The Palgrave Handbook of Humour, History, and Methodology, 151–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_8.

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Kessel, Martina. "Introduction. Landscapes of Humour: The History and Politics of the Comical in the Twentieth Century." In The Politics of Humour, 1–21. Toronto: University of Toronto Press, 2011. http://dx.doi.org/10.3138/9781442695122-003.

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Poma, Andrea. "Cadenza 2 Humour as a Sign of History." In Studies in German Idealism, 141–63. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52812-0_9.

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DuVal, John. "Translating Humour in The Song of Roland." In The Palgrave Handbook of Humour, History, and Methodology, 431–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_22.

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Conference papers on the topic "History of humor"

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Méndez, Lorena López. "Un gesto una historia: proyecto artístico como herramienta de identidad y reminiscencia en personas mayores con Demencia temprana." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8963.

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La presente comunicación, expone un proyecto artístico titulado “Usuario en Línea”, compuesto por un archivo configurado por una serie de fotografías de personas en actitud de trabajar en diferentes profesiones, sujetos anónimos pero reconocibles a través de objetos que configuran la imagen y dan paso a descubrir cuál es el trabajo que desarrolla la persona representada. Este proyecto posteriormente fue vinculado y dio paso a la elaboración de uno de los talleres realizados en el Centro de Referencia Estatal de Atención a Personas con Enfermedad de Alzheimer y otras Demencias (CREA) del Imserso en Salamanca. El Taller denominado “Un gesto una Historia” permitió la conexión con la historia de vida de los participantes y en concreto de sus actividades laborales, las cuales fueron descritas e incluso representadas gráficamente, con el fin de evocar recuerdos y vivencias pasadas. Las obras seleccionadas del proyecto, fueron analizadas con el objetivo de mantener activo el cerebro del usuario, es decir, invitan al espectador a un juego de percepción visual, (Arnheim, 2005), en el que se utiliza el Arte de Camuflaje (Méndez Baiges, 2007) para crear la imagen, donde las personas mayores con Demencia pueden ver objetos que en su conjunto forman una imagen de una persona desarrollando una actividad de la vida diaria (AVD) como es el trabajar. Estas obras nos permiten abrir el diálogo hacia varios caminos, permitiéndonos averiguar cuál y cuantos objetos se esconden tras el cuadro mediante el análisis de su silueta. El ejercicio precisa de atención sostenida y centrada en cada objeto que compone la figura. Este juego visual (Winnicott, 2008) ha sido utilizado con participantes en Fase leve y leve-moderada, obteniendo resultados positivos por el interés que despierta el juego visual y adivinanza entre los y las participantes, generándose episodios de humor y risas compartidas.

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Reports on the topic "History of humor"

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Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid regard to graphic registration of magazines, which, without regard to absence of the proper publisher-polydiene bases, marked structuralness and expressiveness. A repertoire of periodicals of Ukrainian migration is in the American, English and French areas of occupation of Germany and Austria after Second world war, which consists of 200 names, strikes the tipologichnoy vseokhopnistyu and testifies to the high intellectual level of the moved persons, desire of yaknaynovishe, to realize the considerable potential in new terms with hope on transference of the purchased experience to Ukraine. On ruins of Europe for two-three years the network of the press, which could be proud of the European state is separately taken, is created. Different was a period of their appearance: from odnogo-dvokh there are to a few hundred numbers, that it is related to intensive migration of Ukrainians to the USA, Canada, countries of South America, Australia. But indisputable is a fact of forming of conceptions of newspapers and magazines, which it follows to study, doslidzhuvati and adjust them to present Ukrainian realities. Here not superfluous will be an example of a few editions on the thematic range of which the names – «Plastun» specify, «Skob», «Mali druzi», «Sonechko», «Yunackiy shliah», «Iyzhak», «Lys Mykyta» (satire, humour), «Literaturna gazeta», «Ukraina і svit», «Ridne slovo», «Hrystyianskyi shliah», «Golos derzhavnyka», «Ukrainskyi samostiynyk», «Gart», «Zmag» (sport), «Litopys politviaznia», «Ukrains’ka shkola», «Torgivlia i promysel», «Gospodars’ko-kooperatyvne zhyttia», «Ukrainskyi gospodar», «Ukrainskyi esperantist», «Radiotehnik», «Politviazen’», «Ukrainskyi selianyn» Considering three riznovektorni magazines «Teatr» (edition of Association Mistciv the Ukrainian Stage), «Studentskyi prapor» (a magazine of the Ukrainian academic young people is in Austria), «Yuni druzi» (a plastoviy magazine is for senior children and youth) assert that maintenance all three magazines directed on creation of different on age and by the professional orientation of national associations for achievement of the unique purpose – cherishing and maintainance of environments of ukrainstva, identity, in the conditions of strange land. Without regard to unfavorable publisher-polydiene possibilities, absence of financial support and proper encouragement, release, followed the intensive necessity of concentration of efforts for achievement of primary purpose – receipt and re-erecting of the Ukrainian State.

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