Academic literature on the topic 'History of literary ideas in Hispanic America'

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Journal articles on the topic "History of literary ideas in Hispanic America"

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Ette, Ottmar. "Literature as Knowledge for Living, Literary Studies as Science for Living." PMLA/Publications of the Modern Language Association of America 125, no. 4 (2010): 977–93. http://dx.doi.org/10.1632/pmla.2010.125.4.977.

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In 2001, the official year of the “life sciences” in germany, ottmar ette began pulling together ideas for what was to become the programmatic essay excerpted and translated here. Ette is known for different things in different places: in Spain and Hispanic America, he is renowned for his work on José Martí, Jorge Semprún, Mario Vargas Llosa, Gabriel García Márquez, and a host of other authors. In the francophone world, he is best known for his writings on Roland Barthes and, more recently, on Amin Maalouf, while his reputation in his native Germany rests on his voluminous work on Alexander vo
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Gustafson, Sandra M. "Reimagining the Literature of the Modern Republic." PMLA/Publications of the Modern Language Association of America 131, no. 3 (2016): 752–58. http://dx.doi.org/10.1632/pmla.2016.131.3.752.

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Raúl Coronado'S Ambitious and Beautifully Realized Book About The Literature Of Failed Republican Revolution in Late-eighteenth- and early-nineteenth-century Texas is a major contribution to the expanding field of scholarship that recovers, contextualizes, and interprets Tatino/a writing. This wide-ranging study traces the influence of scholastic thought in Spain and Spanish America, culminating in a discussion of the resonances of that intellectual tradition after 1848, as newly conquered Tejanos faced expropriation and violence by United States Americans. Coronado shows how the ideas of Thom
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Murillo, Edwin. "Existencial Poetics in the 19th Century Latin America." Revista de Filología y Lingüística de la Universidad de Costa Rica 45, no. 1 (2019): 115–32. http://dx.doi.org/10.15517/rfl.v45i1.36674.

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Typically, the origin story of Existentialism has depicted Latin America’s contributions as subsequent and tributary to its European counterpart. Nevertheless, a select few critics have approached this history in Hispanic America from a chronologically inclusive perspective, by calling attention to an Existential Poetics in modernismo. This article expands the borders of Existential Poetics to fashion a Latin American literary imaginary. Given the work already done on Rubén Darío and José Martí, both of whom have been studied independently, my analysis will be collective, favoring philopoetic
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Preuss, Ori. "Discovering "os ianques do sul": towards an entangled Luso-Hispanic history of Latin America." Revista Brasileira de Política Internacional 56, no. 2 (2013): 157–76. http://dx.doi.org/10.1590/s0034-73292013000200009.

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The article reconstructs the largely forgotten role of key Brazilian intellectuals in the Latins-versus-Anglo-Saxons debates that developed around 1898, emphasizing the embeddedness of their thinking in the transnational crossings of men and ideas within South America. It thus challenges the common depiction of late-nineteenth-century Latin Americanism as a purely Spanish American phenomenon and of the United States as its major catalyst, allowing a more nuanced understanding of this movement' s nature.
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Altamirano Meza, Gerardo Román. "Application of the theory of linguistic change to studies of Hispanic literature." Signos Literarios 19, no. 38 (2023): 8–35. http://dx.doi.org/10.24275/slit.v19n38.01.

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"On this work, the author proposes that the theory of language change is useful on the study of Hispanic Literature, where we can talk about a hypothetical theory of literary change. To prove this, this text is divided into three sections. Firstly, the author focuses on the concept of language change. After that, verifies how linguistics has usedliterature to justify the existence of language change, and finally proposes the application of this theory in the studies of Hispanic Literatures, mainly by two vias: a) the analogy between the theory of language change and a hypothetical theory of li
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O'Neill, John. "The Medieval Holdings of the Hispanic Society of America: A Brief History and Update." La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 50, no. 1-2 (2021): 419–33. http://dx.doi.org/10.1353/cor.2021.a910137.

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Abstract: Founded in 1904 by American scholar, philanthropist and collector, Archer M. Huntington, The Hispanic Society of America was established on the premise of a passion and curiosity for Hispanic and Latin American art, cultures and history. The Department of Manuscripts and Rare Books houses approximately 15,000 books printed before 1701 (250 of which are incunables), 16,000 books printed between 1701–1830, and roughly 200,000 manuscripts, letters, and documents. Although the bulk of the collection was formed by Huntington in the early 1900s, the Society has never ceased to expand its c
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Sadaba, Teresa, and Mónica Herrero. "Cancel Culture in the Academia: The hispanic perspective." methaodos revista de ciencias sociales 10, no. 2 (2022): 312–21. http://dx.doi.org/10.17502/mrcs.v10i2.594.

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Although many cases of the so-called Cancel Culture in the American and British colleges and are taking place nowadays, social science researchers claim for a better understanding of the phenomenon and a clarification of the concept. In this context, cultural perspectives can be an interesting tool to illuminate facts and meanings. This paper tries to contribute to this debate introducing theoretical aspects as well as case studies from the Hispanic context. To achieve this goal, first three different approaches to the Cancel Culture (critical, institutional, and moral) are explained. Then, we
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López Bermúdez, Andrés. "Cultura y tradición literaria de España en Jorge Zalamea Borda. Temas, momentos y corrientes en discusión con la tradición crítica hispanoamericana." Estudios de Literatura Colombiana, no. 24 (August 11, 2011): 81–106. http://dx.doi.org/10.17533/udea.elc.9861.

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Resumen: Desde el siglo XIX, la reinterpretación del legado cultural y literario español ha interesado a intelectuales del mundo ibérico e hispanoamericano. A partir del siglo XIX dicho asunto fue de sumo interés para escritores como Rubén Darío, Manuel González Prada, Pedro Henríquez Ureña y Jorge Zalamea Borda. Este artículo analiza las opiniones de Zalamea Borda sobre la cultura y la tradición literaria de España, haciendo énfasis en el Siglo de Oro, la Generación del 98 y la Generación del 27. Descriptores: España; Cultura; Modelos literarios; Tradición; Renacimiento literario; Hispanoamér
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Soriano Robles, Lourdes. "Els viatges dels incunables del Tirant (1490 i 1497) fins a la Hispanic Society of America." Magnificat Cultura i Literatura Medievals 9 (December 7, 2022): 281. http://dx.doi.org/10.7203/mclm.9.23758.

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Will, W. Marvin. "A Nation Divided: The Quest for Caribbean Integration." Latin American Research Review 26, no. 2 (1991): 3–37. http://dx.doi.org/10.1017/s0023879100023748.

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Recognizing that the traditional five-state subregion of Central America departed from European colonialism as a federated entity, Ralph Lee Woodward subtitled his seminal history of Central America 'A Nation Divided.“ In his view, ”the social and economic history of the isthmus suggests that its peoples share considerably in their problems and circumstances, even though their political experience has been diverse. But it is also clear that their social and economic unity has been limited by their political disunity“ (Woodward 1985, vii). Following a period of colonial tutelage equal to that o
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Dissertations / Theses on the topic "History of literary ideas in Hispanic America"

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Uribe, Flores Eduardo. "Le discours théorique sur la poésie en Amérique hispanique entre 1819 et 1919 : Andrés Bello, José María Heredia, Manuel González Prada et Ricardo Jaimes Freyre." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030034.

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L’objectif général de cette thèse est d’étudier le discours théorique sur la poésie entre 1819 et 1919, à partir de quatre auteurs fondamentaux de cette période. Une fois remise en cause la poétique néoclassique et manquant d’une théorie d’ensemble de la littérature, ces auteurs ont proposé des approches théoriques de la chose littéraire dans des textes d’ordre divers : des traités, des manuels, mais aussi des articles, des comptes rendus ou des paratextes auctoriaux. Nous proposons de lire ce corpus hétérogène comme les réalisations d’un discours théorique sur la poésie, dans lequel la théori
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Alves, Ulisses Viana. "Valle-Inclán: o intelectual e suas perspectivas sobre América Hispânica (1920-1931)." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-29082016-104306/.

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Esta pesquisa tem por objetivo analisar a trajetória intelectual do escritor Ramon del Valle-Inclán que transitou entre os círculos intelectuais de Madrid e da Cidade do México produzindo interpretações sobre a América Hispânica num contexto de tentativas de reaproximação entre a metrópole e suas ex-colônias na década de 1920. Também objetivamos analisar o significado dos contatos intelectuais entre o escritor e intelectuais hispano-americanos que foram relevantes para a gestação e produção de seu romance Tirano Banderas (1926). Em um contexto de comemoração dos centenários de independência, e
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Books on the topic "History of literary ideas in Hispanic America"

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Cypess, Sandra Messinger. Women authors of modern Hispanic South America: A bibliography of literary criticism and interpretation. Scarecrow Press, 1989.

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1947-, Quintana Alvina E., ed. Reading U.S. Latina writers: Remapping American literature. Palgrave Macmillan, 2003.

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Louise, Mujica Barbara, ed. Premio Nóbel: Once grandes escritores del mundohispánico : antología con introducciones críticas. Georgetown University Press, 1997.

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Guillermo Schmidhuber de la Mora. The three secular plays of Sor Juana Inés de la Cruz: A critical study. University Press of Kentucky, 2000.

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Kummels, Ingrid, Claudia Rauhut, Stefan Rinke, and Birte Timm, eds. Transatlantic Caribbean. transcript Verlag, 2014. http://dx.doi.org/10.14361/9783839426074.

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»Transatlantic Caribbean« widens the scope of research on the Caribbean by focusing on its transatlantic interrelations with North America, Latin America, Europe and Africa and by investigating long-term exchanges of people, practices and ideas. Based on innovative approaches and rich empirical research from anthropology, history and literary studies the contributions discuss border crossings, south-south relations and diasporas in the areas of popular culture, religion, historical memory as well as national and transnational social and political movements. These perspectives enrich the theore
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Urban Images of the Hispanic World, 1493-1793. Yale University Press, 2000.

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A History of Peruvian Literature (Liverpool Monographs in (Liverpool Monographs in Hispanic Studies, No 7). Francis Cairns Publications, 1987.

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Circulación: Movement of Ideas, Art, and People in Spanish America. Denver Art Museum, 2018.

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En torno a Betances: Hechos e ideas. Ediciones Callejón, 2017.

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Zavala, Lorenzo de, Wallace Woolsey, and Lorenzo De Zavala. Journey To The United States Of America/ Viaje A Los Estados Unidos Del Norte De America (Recovering the Us Hispanic Literary Heritage). Arte Publico Press, 2005.

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Book chapters on the topic "History of literary ideas in Hispanic America"

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Franco Harnache, Andrés. "“Mostrar, no decir”: The Influence of and Resistance Against Workshop Poetics on the Hispanic Literary Field." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_14.

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AbstractUntil recently, due to the Romantic imaginary of the artist-as-genius, the Hispanic literary tradition has been wary of a literary advice industry or academic programs of creative writing. This wariness hindered the professionalization of Hispanic authors, but at the same time it kept Hispanic literature out of anglicized uniformity which permitted, by the mid-twentieth century, a reinterpretation of western literature by writers such as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas Llosa. Nonetheless since the early 2000s a series of MFA programs in creative writing, fir
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Hookway, Christopher. "1878 “How to Make Our Ideas Clear”." In A New Literary History of America. Harvard University Press, 2012. http://dx.doi.org/10.4159/9780674054219-078.

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Gunn, Giles. "Beyond Transcendence or Beyond Ideology: The New Problematics of Cultural Criticism in America." In The American Literary History Reader. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195095043.003.0006.

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Abstract If one were looking for a way to describe contemporary American literary and cultural studies, one could scarcely do better than associate it not, as in Daniel Bell’s phrase, with the “end of ideology,” but rather with its rebirth. By this I mean that almost everywhere in humanistic scholarship these days, one finds people exploring cultural mind-sets that are presumed to define the conceptual and emotional frames within which readers like writers, historical actors like historical interpreters, determine what constitutes meaning. Nor is this analysis of ideology the preoccupation of
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Smith, Paul Julian. "Writing Women In The Golden Age." In The Body Hispanic. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198158745.003.0002.

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Abstract In the presidential address he delivered to the Modern Language Association of America in 1986 J. Hillis Miller’ notes how the ‘triumph of theory’ has been linked to an additional (and sometimes contradictory) move towards the study of the material base: history, culture, society, politics, and gender (p. 283). This internal cleavage (which cannot be reduced to simple opposition) is reproduced within the most successful of the new critical movements, that of women’s studies. One great contribution made by this field is that it has superseded the old dichotomies of public and private,
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Horrall, Andrew. "Mass culture: the Victorian world picture." In Inventing the Cave Man. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526113849.003.0001.

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This chapter explores aspects of nineteenth-century popular culture that contributed to the emergence of the cave man character. References are made to previous works from history, cultural and literary studies and the history of science. These show how long-standing ideas about the earth’s history were challenged by geological, archaeological and paleontological evidence of ancient and extinct mammals, dinosaurs and hominids. Elite ideas were popularised for a mass public by scientists themselves, and through evolutionary freak shows that exploited scientific controversies for profit. Increas
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Gilbert, Armida. "Emerson in the Context of the Woman’s Rights Movement." In A Historical Guide to Ralph Waldo Emerson. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120936.003.0007.

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Abstract In order to understand Emerson’s developing attitudes toward the woman s rights movement, it is necessary to appreciate the way in which the movement began, grew, and changed and the issues around which the early debates were centered. Before even the earliest stages of the woman’s rights movement in America, Emerson had been introduced to the ideas that would inform it, especially through the pioneering work of his friend Margaret Fuller. As explained by her, first in “The Great Lawsuit,-Man Versus Men, Woman Versus Women” in the Transcendentalist literary journal, the Dial, in 1843,
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Uden, James. "Introduction." In Spectres of Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190910273.003.0001.

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The book begins by briefly surveying the origin and history of the word Gothic from the Roman Empire to the first canonical novel of the English Gothic tradition, Horace Walpole’s The Castle of Otranto (1764). It then surveys relevant debates about the classical world and its legacy in eighteenth-century England, including the aftershocks of the French “Quarrel of the Ancients and Moderns” and appropriations of classical ideas and images in politics, art, and literature. The Gothic was a “pan-European” phenomenon. Although this book focuses largely on literary works from Britain and America, t
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Galipeau, Claude J. "Introduction." In Isaiah Berlin’s Liberalism. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198278689.003.0001.

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Abstract Sir Isaiah Berlin is a British man of letters of Russian-Jewish origins. Born in Riga, Latvia, in 1909, his family emigrated to Britain in 1919, fleeing the Russian Revolution. He was brought up and educated in Britain, and has spent most of his professional life studying and lecturing at Oxford University, or at universities in America and Israel while on leave. To the international scholarly community he is best known as the author of ‘Two Concepts of Liberty’ (1958),1 yet his professional interests cover many fields in addition to moral and political philosophy: music and literary
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Fokin, Sergey L. "Tzvetan Todorov and Notes from Underground." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-319-330.

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The article dwells upon the reception of Fyodor Dostoevsky’s oeuvre in the works of one of the most prominent literary critics of the second half of the XXth century’s France Tzvetan Todorov. Following the history of ideas method aimed not so much at a systematic reconstruction of a doctrine but on intent attention to different contexts of realization of thought — biographical, historical, political, sociological — the author comes to conclusions unveiling a multilevel organization of the novel Notes from Underground, presented in a program article of the French scholar. He talks about the her
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Wenzel, Jennifer. "From Waste Lands to Wasted Lives: Enclosure as Aesthetic Regime and Property Regime." In The Disposition of Nature. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286782.003.0004.

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This chapter traces relationships between material processes and cultural logics of enclosure. Waste land—land not under cultivation, producing no revenue for the state—was the raw material of colonial capitalism. Waste also names the by-products of such transformations: lives and lands laid waste. These processes entail ways of seeing and knowing; aesthetic regimes help to naturalize property regimes. The literary personification of nature (as in the pathetic fallacy) is bound up with the objectification of humans: aesthetic renderings of landscape can reinforce a dehumanizing, anti-commons c
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