Academic literature on the topic 'History of Photography'

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Journal articles on the topic "History of Photography"

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Kanicki, Witold, and Geoffrey Batchen. "Magical Thinking: Conversation with Geoffrey Batchen." Magic, Vol. 5, no. 1 (2020): 4–9. http://dx.doi.org/10.47659/m8.004.int.

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His long-standing interest in the history of early photography makes Geoffrey Batchen the appropriate speaker to discuss the question of photographic magic. Therefore, our conversation oscillates between magic and realism, but also other antonyms within the medium: negative and positive, analogue and digital. Taking in consideration all these oppositional notions, Batchen suggests that theoreticians “need to acknowledge and embrace photography’s abstractions and contradictions”. Different contradictions within photography’s theory and history became pivotal in our conversation. We also discuss
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von Brevern, Jan. "Fototopografia: The “Futures Past” of Surveying." reproduire, no. 17 (September 8, 2011): 53–67. http://dx.doi.org/10.7202/1005748ar.

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This article examines a particular problem in the early history of photographic land surveying: the unwavering desire to use photography to capture accurate topographical information for map-making, even in light of practical difficulties. It considers how both the practical survey work and the status of photography changed when, instead of the landscape itself, photographs were measured. Photography’s promise to simplify strenuous fieldwork was almost as old as photography itself—but in practice, it took decades of experimenting until the process was feasible.
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Foliard, Daniel. "Photography as Absence: Implicit Histories (Africa, Late Nineteenth and Early Twentieth Centuries)." Sources 6 (2023): 65–84. http://dx.doi.org/10.4000/11tb8.

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Photographic material can sometimes pose an overwhelming and distorting presence, especially when it comes to the writing of history. Some of the first visual recordings of African social worlds via photography would long serve as a model for images of the continent. This phenomenon has only been reinforced by recirculations of images from the late nineteenth and early twentieth centuries. Intended as a counterpoint, this article will contemplate a paradoxical history of photography by considering it based not on its presence but on its very absence. A work of history supported by photographic
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Chervonik, Olena, and Geoffrey Batchen. "Negative Thinking - A History of the Photographic Negative as a Repressed Other: Conversation with Geoffrey Batchen." Master, Vol. 5, no. 2 (2020): 106–10. http://dx.doi.org/10.47659/m9.106.int.

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Olena Chervonik talks with Geoffrey Batchen about his two most recent publications: Apparitions: Photography and Dissemination, that reached bookshelves in 2018, and Negative/Positive: A History of Photography, slated for release later in 2020. The conversation revolves around the photographic condition of reproducibility, repetition and difference, embedded in the medium from the time of its inception. While Apparitions explores photography’s relation to various newsprint outlets of the nineteenth century, Negative/Positive traces a comprehensive history of the medium’s propensity for multipl
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Markiewicz, Małgorzata. "„Takie jak w rzeczywistości”. Obraz fotograficzny - obiektywne odwzorowanie czy subiektywna kreacja? Fotografia w badaniach archeologicznych." Folia Praehistorica Posnaniensia 28 (December 27, 2023): 207–30. http://dx.doi.org/10.14746/fpp.2023.28.09.

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The article reviews the current state of knowledge on photography and the use of photographs in archaeological research. The discovery of photography was a breakthrough in the history of archaeology. The mechanical method of image registration, considered to be devoid of subjective human intervention, was supposed to guarantee the neutrality and objectivity of the visual representation. Belief in realism of photography has led to it becoming the primary form of documentation in archaeology, for both the research process and the relics themselves. This article will attempt to answer the questio
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Kloster Poulsen, Steffen. "Når eksplosioner er kunst." Periskop – Forum for kunsthistorisk debat, no. 31 (June 13, 2024): 100–115. http://dx.doi.org/10.7146/periskop.v2024i31.146623.

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This article argues for an expanded effort to search for, and actively utilize, concepts and methods from the sociolinguistic periphery of the otherwise anglocentric academic lit- erature on photography in order to achieve a more level playing field between vernacular concepts and purportedly universal ones. Taking the history of public debate on photo- graphy in Japan as a departure point, this article aims to map out a new area of explora- tion for photographic research in the academic field of art history. Japan has been home to a vivid public and intellectual debate on photography since th
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Padmanabhan, Lakshmi. "A Feminist Still." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.

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What can photographic form teach us about feminist historiography? Through close readings of photographs by visual artist and documentary photographer Sheba Chhachhi, who documented the struggle for women’s rights in India from the 1980s onward, this article outlines the political stakes of documentary photography’s formal conventions. First, it analyzes candid snapshots of recent protests for women’s rights in India, focusing on an iconic photograph by Chhachhi of Satyarani Chadha, a community organizer and women’s rights activist, at a rally in New Delhi in 1980. It attends to the way in whi
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Mauzy, Carl. "Hiding in plain sight: visual histories in Greece." Byzantine and Modern Greek Studies 49, no. 1 (2025): 78–87. https://doi.org/10.1017/byz.2024.15.

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Photographs are seldom at the centre of Greek historical research, despite their frequent use as illustrations. Despite this neglect of photography, modern Greek history would seem unimaginable without photographs, highlighting photography's integral role in our thinking about the past. In this article I offer some theoretical reflections on the impact of photography on historical imagination. Thereafter I take a closer look at some examples that do consider photography's role in the practice of Greek history, showing how photographs have been both mistrusted and embraced in historical researc
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Witkovsky, Matthew S. "Photography as Model?" October 158 (October 2016): 7–18. http://dx.doi.org/10.1162/octo_a_00267.

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Witkovsky argues that decades into photography's institutional acceptance as art, widespread inadequacies remain in the art historical treatment of photographs, which can no longer be defended as manifestations of a separate or distinctive “medium.” Insufficient attention to formal procedures, such as darkroom interventions between the stages of negative and print, as well as to disciplinary history—including the introduction of the very term “medium” in photographic discourse around 1930—remain commonplace. Yet despite a persistent tendency to totalize photography as a creative domain, photog
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Viditz-Ward, Vera. "Photography in Sierra Leone, 1850–1918." Africa 57, no. 4 (1987): 510–18. http://dx.doi.org/10.2307/1159896.

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Opening ParagraphIn recent years scholars have shown considerable interest in the early use of photography by non-Western peoples. Research on nineteenth-century Indian, Japanese and Chinese photography has revealed a rich synthesis of European and Asian imagery. These early photographs show how non-Western peoples created new forms of artistic expression by adapting European technology and visual idioms for their own purposes. Because of the long history of contact between Sierra Leoneans and Europeans, Freetown seemed a logical starting point for similar photographic research in West Africa.
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Dissertations / Theses on the topic "History of Photography"

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Cooper, Elena Sophia Christina. "Art, photography, copyright : a history of photographic copyright, 1850-1911." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.

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Napier, Ellen Bethany. "Thomas Struth's Museum Photographs and the Textual Experience of Photography." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1364223682.

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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Baird, Jaime. "Looking at Ethiopia history, photography, and power /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0011902.

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Ruminski, Jarret. "“A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism." Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162.

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Skidmore, Colleen Marie. "Women in photography at the Notman Studio, Montreal, 1856-1881." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq46921.pdf.

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Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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Books on the topic "History of Photography"

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Hannouch, Hanin. Gabriel Lippmann's Colour Photography. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reasses
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1947-, Shore Stephen, ed. History images. Steidl, 2006.

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Liam, Kelly. Photographs and photography in Irish local history. Four Courts Press, 2008.

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Marston, Hope. Photography and history. St. Lawrence County Historical Association, 1995.

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Peter, Turner. History of photography. Hamlyn, 1987.

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1913-, Gernsheim Helmut, Sui Claude W, Wieczorek Alfried, and Forum Internationale Photographie, eds. Helmut Gernsheim: Pionier der Fotogeschichte = Pioneer of photo history. Hatje Cantz, 2003.

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Freund, Alexander, and Alistair Thomson, eds. Oral History and Photography. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099.

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Marien, Mary Warner. Photography: A cultural history. 3rd ed. Pearson Prentice Hall, 2011.

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Marien, Mary Warner. Photography: A cultural history. 3rd ed. Pearson Prentice Hall, 2011.

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Marien, Mary Warner. Photography: A cultural history. Laurence King, 2002.

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Book chapters on the topic "History of Photography"

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Hood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)." In Scientific Visual Representations in History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.

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AbstractPreparing to set off from England in 1872 on an oceanographic expedition around the globe, the officers and crew of HMS Challenger gathered on board the ship for a photographic portrait. It was one of the first photographs of crew on a scientific voyage of exploration ever taken. Over eight hundred photographs were taken or acquired on the Challenger in addition to drawings and paintings. This chapter uses these photographs to reexamine Daston and Galison’s theory that photography was successful in nineteenth-century science on account of its perceived “objectivity” as an epistemic ide
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Roberts, Gordon. "History and development." In Mastering Photography. Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-13506-6_1.

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Friedman, Avner, and David S. Ross. "History of Photography." In Mathematics in Industry. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-642-55755-2_2.

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Raymond, Claire. "Reclaiming History." In Photography and Resistance. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96158-9_9.

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Bogre, Michelle. "History and Social Reform." In Photography as Activism, 2nd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003154488-2.

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Miles, Melissa. "Photography, time and history." In Photography, Truth and Reconciliation. Routledge, 2020. http://dx.doi.org/10.4324/9781003103820-4.

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Miles, Melissa. "Photography, history and place." In Photography, Truth and Reconciliation. Routledge, 2020. http://dx.doi.org/10.4324/9781003103820-5.

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Pasquali, Paola. "History of Medical Photography." In Photography in Clinical Medicine. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24544-3_4.

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Nasim, Omar W. "Hybrid photography in the history of science." In Hybrid Photography. Routledge, 2021. http://dx.doi.org/10.4324/9781003157854-3.

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Arnold, David. "Subaltern Photography." In The Routledge Handbook of Subalterns across History. Routledge, 2025. https://doi.org/10.4324/9781003441434-3.

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Conference papers on the topic "History of Photography"

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Hodges, Todd, Susan Gorton, and Karen Jackson. "Historical Contributions to Vertical Flight at the NASA Langley Research Center." In Vertical Flight Society 72nd Annual Forum & Technology Display. The Vertical Flight Society, 2016. http://dx.doi.org/10.4050/f-0072-2016-11334.

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The NASA Langley Research Center has had a long and distinguished history in powered lift technology development. This research has formed the foundation of knowledge for the powered lift community worldwide. From aerodynamics to structures, aeromechanics, powered lift, acoustics, materials, stability & control, structural dynamics and human factors, Langley has made significant contributions to the advancement of vertical lift technologies. This research has encompassed basic phenomenological studies through subscale laboratory testing, analytical tool development, applied demonstrations
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Suess, S. J. "Avoidance of Feature Misinterpretation in SCC Failures." In CORROSION 2006. NACE International, 2006. https://doi.org/10.5006/c2006-06505.

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Abstract When failure occurs to a component, the use of a systematic analytical approach is the first step in properly identifying the root cause of the failure. This approach should include acquisition of the pertinent background data and service history, followed by thorough visual examination, photographic documentation and laboratory evaluation as needed. It is imperative during the course of any such evaluation to take the known service history into account, particularly when the features do not clearly indicate the failure mode. It is equally important to conduct all of the necessary eva
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Lauzzana, Raymond. "An Art History Installation Of Electronic Still Photography." In 1988 Los Angeles Symposium--O-E/LASE '88, edited by Ronald J. Clouthier, Gary K. Starkweather, Andrew G. Tescher, and Thomas L. Vogelsong. SPIE, 1988. http://dx.doi.org/10.1117/12.944694.

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Hoffmann, Rüdiger. "Photography and cinematography at the Hamburg Phonetics Laboratory. Part 1: photography and cinematography of the larynx." In Fifth International Workshop on the History of Speech Communication Research (HSCR 2022). ISCA, 2022. http://dx.doi.org/10.21437/hscr.2022-6.

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Endelman, Lincoln L. "Hubble Space Telescope: mission, history, and systems." In 19th Intl Congress on High-Speed Photography and Photonics. SPIE, 1991. http://dx.doi.org/10.1117/12.23985.

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Tikhonov, Igor'. "Role of photography in studies of the history of archaeology." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-185-193.

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BOLDUMA, Viorel. "Sugestii de utilizare a fotografiei ca sursă istorică vizuală la lecțiile de istorie." In Educația în contextul provocărilor societale: paradigme, inovații, transfer tehnologic. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.17-11-2023.p92-100.

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A competence specific to the discipline History of Romanians and universal for the gymnasium and high school cycle, is: Knowledge and interpretation of historical sources. Therefore, this article looks at photography as a visual historical source, as well as how we can use photography in history lessons, in the teaching-learning-assessment process. Visual sources play an important role in the understanding and knowledge of historical facts, thus developing the student’s imagination and critical thinking.
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Mori, Yasuhito, and Kunihito Nagayama. "Streak recording of shock velocity history in polymers around 0.5-GPa stress region." In 24th International Congress on High-Speed Photography and Photonics, edited by Kazuyoshi Takayama, Tsutomo Saito, Harald Kleine, and Eugene V. Timofeev. SPIE, 2001. http://dx.doi.org/10.1117/12.424340.

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Safronova, Anna. "FEATURES OF THE VISUAL LANGUAGE OF DOCUMENTARY PHOTOGRAPHY IN UKRAINIAN PHOTO BOOKS DEDICATED TO REVOLUTIONARY EVENTS IN UKRAINE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.09.

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The purpose of the article is to analyze the features of the visual language of documentary photography and the actual ways of its presentation in the media space on the example of Ukrainian photo books dedicated to revolutionary events in Ukraine. The main problems of modern photojournalism connected with the development of digital technologies are presented, the value of a photo book as an independent project of a photographer is argued, since commercial photojournalism is largely determined by the narratives of its customer. The issues of the transformation of the language of photography bo
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Hoffmann, Rüdiger. "Photography and cinematography at the Hamburg Phonetics Laboratory - Part 2: Applications in education and research." In Sixth International Workshop on the History of Speech Communication Research (HSCR 2024). ISCA, 2024. http://dx.doi.org/10.21437/hscr.2024-6.

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Reports on the topic "History of Photography"

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Dong, Huanjiao. History of Fashion Photography in America Teaching Portfolio. Iowa State University, 2021. http://dx.doi.org/10.31274/cc-20240624-833.

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Enscore, Susan, Dawn Morrison, Adam Smith, and Sunny Adams. Fort Huachuca ranges : a history and analysis. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/42720.

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Fort Huachuca Environmental and Natural Resources Division (ENRD) sent funds to ERDC-CERL to develop a historic context that assists Fort Huachuca personnel in identifying the likely history and provenance of numerous historic range features located across Fort Huachuca's training lands. The historic context will be used by cultural resources personnel to evaluate and manage the resources appropriately. Various historic training range features (e.g., structures, fragments, and items left over from previous activities) are located across the ranges of Fort Huachuca, representing its long and st
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Piccolo, Angiola. White Rock Historic Photographs. Office of Scientific and Technical Information (OSTI), 2023. http://dx.doi.org/10.2172/1962776.

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Piccolo, Angiola. NSRC Research Request - Historic Photographs. Office of Scientific and Technical Information (OSTI), 2022. http://dx.doi.org/10.2172/1907760.

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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh
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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w
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Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark
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Avery, Christy, and Anne Matsov. Olympic National Park Consensus Determination of Eligibility: Sol Duc Road (ineligible). National Park Service, 2025. https://doi.org/10.36967/2310377.

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Sol Duc Road (Olympic National Park) consensus Determination of Eligibility (cDOE) of ineligible for the National Register of Historic Places. Document includes text, sources, maps, photographs, signed by Acting Park Superintendent, and includes concurrence letter from WA State Historic Preservation Office. Document also includes evaluation of 2 additional buildings (OLYM buildings 1155 and 1156) and one site (Sol Duc RV Park), also determined ineligible for the National Register. The Consensus Determination of Eligibility process allows Federal decision makers, in consultation with SHPOs, FPO
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Shaw, J., and D. G. Lintern. Marine geology, geomorphology of Chatham Sound, British Columbia, parts of NTS 103-G, H, I, and J. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/329405.

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This map depicts the geomorphology of the Chatham Sound area, British Columbia, and is based on bathymetry and backscatter data from multibeam sonar surveys, complemented by 3.5 kHz subbottom profiler data, grab samples, cores, and bottom photographs. The map encompasses three physiographic areas: 1) the easternmost portion of Dogfish Banks; 2) the north-south oriented Hecate trough; and 3) the maze of channels and inlets east of Hecate trough. The morphological and textural complexity reflects the underlying bedrock, glacial history, a complex pattern of postglacial relative sea-level change,
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