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Dissertations / Theses on the topic 'History of television'

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1

Irwin, Mary. "BBC television documentary 1960-70 : a history." Thesis, Glasgow Caledonian University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492389.

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In recent years British television drama of the 1960s has been the subject of significant academic scholarship and popular retrospective interest. The British television documentary of the period is, in contrast, markedly under researched. Initial investigation suggested that while the independent television network produced two very influential documentary series in Granada's World in Action (1963-1998) and ABC/Thames This Week (1956-1992), both of which have already been the subject of academic study, it was, in the main, at the BBC that the most critically acclaimed and popularly remembered
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2

Gordon, James Thomas. "A history of local television news presentation." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343754433.

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3

Sills-Jones, Dafydd. "History documentary on UK terrestrial television, 1982-2002." Thesis, Aberystwyth University, 2009. http://hdl.handle.net/2160/ce5f1edf-1dba-4b89-b0c3-7f70cbcc00c8.

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This thesis is an examination of the connection between the changes in the political economy of television, and changes in history documentary form, between 1982 and 2002 on UK terrestrial television. It reviews the literature on the political economy of the media, including public service broadcasting (PSB), and on documentary form, including history documentary form. The thesis then poses three research questions which aim to explore changes in the political economy of television, the effect these changes had on the production of history documentary, and the effect these changes in productio
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4

Sandonato, Nicole. "The History of Gender Representations in Teen Television." Thesis, Boston College, 2014. http://hdl.handle.net/2345/3869.

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Thesis advisor: William Stanwood<br>This research examines the history of gender representations in television programs designed for adolescents to discover how these portrayals have developed and changed over time in order to determine the perceived messages about stereotypical gender norms and roles for adolescents. These messages are important to decode as adolescent males and females can learn gender roles and behaviors from the teen programming that they watch on television. The study investigated the most popular teen television programs from each of the last three decades including Beve
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5

Chun, Jayson Makoto. "A nation of a hundred million idiots : a social history of Japanese television, 1953-1973 /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120616.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 405-428 (v. 2)). Also available for download via the World Wide Web; free to University of Oregon users.
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6

Osei-Hwere, Enyonam M. "Children's Television in Ghana: History, Policy, Diversity, and Prospects in a Changing Media Environment." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1218685896.

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7

Borrowman, Shane Christopher. "Making history: Rhetoric, historiography, and the television news media." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/290635.

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Drawing on work in communications, media studies, and history, I argue that the historiographical methods of rhetoric and composition need to move beyond written discourse to consider the use of visual historical representations of the past. To explicate my argument, I analyze multiple examples of local and national television news coverage of the Vietnam War, the Gulf War, and the recent fighting in Kosovo. Based upon these examples, I argue that the television news media work within a dysfunctional, narrative-driven genre that is entirely inadequate in its attempts to analyze current world e
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8

Westwell, Guy. "History-in-images/images in history : American cultural memory and film representations of the Vietnam War." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340278.

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This thesis charts points of convergence between the fields of historical studies and film studies that generate a line of inquiry which questions how the development and dissemination of film and television have significantly shaped historical conscIOusness. Taking this line of inquiry as a starting point, this thesis identifies the ways in which film (and television) representations have informed American cultural memory of the Vietnam War. The thesis describes how the reporting of the war in newspapers and on television results in the production of a number of vivid and powerful 'nodal imag
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Bevan, Carin. "Putting up screens a history of television in South Africa, 1929-1976 /." Diss., Pretoria : [S.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-05212009-182219.

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10

Maloney, Christopher John. "Lights, Cameras, Quorum Call: A Legislative History of Senate Television." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625611.

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11

McHugh, Richard D. "High definition television HDTV's effect on television history and the adjustments the industry must make for a digital future /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2000. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 2000.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2715. Typescript. Includes bibliographical references (leaves 175-180) and abstract.
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12

Harrison, S. R. "American society, cinema and television, 1950-1960." Thesis, University of Manchester, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356104.

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Wentz, Kaleb Q. "The Reality of COMBAT!: An Analysis of Historical Memory in Broadcast Television." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/333.

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This thesis is an analysis of the World War II television drama COMBAT!, which ran from 1962 to 1967, and how this program dealt with and addressed the national memory of the Second World War. The way in which the “Good War” is remembered has changed over time. In the years of the conflict and immediately following its conclusion, there was a sense of zealous patriotism surrounding the war, but as our culture changed, a more critical approach was taken. This paper examines the way in which the show deals with its two main subjects – the American forces and the Germans which opposed them. This
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14

Franklin, Ieuan. "Folkways and airwaves : oral history, community and vernacular radio." Thesis, Bournemouth University, 2009. http://eprints.bournemouth.ac.uk/15995/.

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This thesis investigates a variety of uses of actuality (recorded speech), oral history and folklore (vernacular culture) in radio broadcasting in Britain and Newfoundland (Canada). The broadcasting of vernacular culture will be shown to foster intimate and interactive relationships between broadcasters and audiences. Using a theoretical framework that draws upon the work of communications theorists Harold Innis and Walter Ong, the thesis will explore the (secondary) orality of radio broadcasting, and will consider instances in which the normative unidirectional structure and 'passive' orality
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Chan, Wing-hung Jeffrey, and 陳永雄. "The television station that failed to sparkle: a study of the turnaround of Asia Television Limitedduring 1988-93." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31265972.

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16

Gaal-Holmes, Patricia. "Decade of diversity : a history of 1970s British experimental film." Thesis, University of Portsmouth, 2011. https://researchportal.port.ac.uk/portal/en/theses/decade-of-diversity(5130421f-c0de-4588-9aa1-d8232a9113a8).html.

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This thesis sets out to demonstrate the diversity in 1970s British experimental filmmaking, and acts as a form of historical reclamation. The intention is to integrate films that have not received adequate recognition into the field alongside those that stand as accepted texts. In accounts of the decade structural and material film experimentation, taking place predominantly at the London Filmmakers’ Co-operative (LFMC), has tended to dominate the histories, at the expense of overshadowing more personal, expressive and representational forms of filmmaking. This thesis therefore seeks to redres
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17

Jewett, Lorraine E. "Technological innovations and the evolving role of the television news broadcaster : towards a U.S. history." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63805.

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18

Morris, Austin. "YouTube in continuity with broadcast media history." Thesis, Boston University, 2014. https://hdl.handle.net/2144/21223.

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Thesis (M.F.A.) PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>Online streaming video portal YouTube began life with the slogan "Broadcast Yourself" as its guiding ethos. Those words invite a critical exploration of YouTube’s relationship to broadcast media history and the current economic,
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19

Sobotka, Tamara Jo. "An examination of the evolution of US television commercials to explore how stereotypical depiction's of women have changed through history." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1998. http://www.kutztown.edu/library/services/remote_access.asp.

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20

Magee, Sara C. "That's Television Entertainment: The History, Development, and Impact of the First Five Seasons of "Entertainment Tonight," 1981-86." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1217427973.

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21

PENATI, CECILIA. "Il focolare elettronico. Una storia culturale dell'ingresso della televisione nello spazio domestico (1954-1960)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1100.

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Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana delle origini, concentrandosi sui percorsi attraverso i quali il medium è diventato parte integrante delle routine quotidiane del suo primo pubblico, cercando di dare senso a come la prima audience del piccolo schermo abbia sperimentato l’arrivo della televisione nello spazio della casa, nel corso degli anni di istituzionalizzazione del medium in Italia (1954-1960). Dopo una ricognizione della letteratura scientifica sul tema della domestication dei mezzi di comunicazione, della biografia cultura
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22

Sandon, Emma Cathy. "From vision to mundanity : television at Alexandra Palace, London 1936-1952 : memories of production : an oral history approach to the reassessment of the early period of British television history." Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400025.

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23

Roush, Edward W. (Edward Wesley). "The Emergence of Christian Television: the First Decade, 1949-1959." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc504286/.

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The purpose of this research was to describe the relationship and to compare the programming of major Christian ministries during the first decade of Christian television. A historical perspective was the method used in identifying and explaining the events and activities that constituted Christian television from 1949 to 1959. The results of the research concluded that Christian television began at a time of social trauma, unrest, and confusion in America. Competition for a viewing audience was not a factor. Leading personalities presented themselves as independent thinkers who also saw thems
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24

Hackett, Gable. "That 80's Show! - The Politics, Film, and Television of the Reagan Years." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3048.

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The 1980’s were a transformative era for the United States of America. The nation had been through a very tumultuous and difficult period following the Kennedy assassination, the Vietnam War, Watergate Scandal, and recession that had plagued the late 1970’s. The fortieth President of the United States, Ronald Reagan, sought to alter this direction by bringing the United States back into a conservative renaissance. He accomplished this in part by using his history in and knowledge of Hollywood. Films and television shows were used by President Reagan to paint the image he had of a better Americ
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25

Fain, Rob Jason. "Uncovering local history : 16 mm TV news film remaining in U.S. television stations /." Online version of thesis, 2007. http://hdl.handle.net/1850/5957.

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Thesis (M.S.)--Rochester Institute of Technology, 2007.<br>Typescript. Accompanying CD-ROM contains versions of the thesis in Word document and PDF forms. Includes bibliographical references (leaves 35-42).
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26

Burgh, Hugo de. "The beliefs and practices of Chinese regional television journalists." Thesis, Nottingham Trent University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343543.

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27

Bangert, Axel. "Reviewing the German experience : the Third Reich in post-reunification cinema and television." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608915.

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28

Gonzalez, de Bustamante Celestine. "Tele-Visiones (Tele-Visions): The Making of Mexican Television News, 1950-1970." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195895.

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Between 1950 and 1970 television emerged as one of the most important forms of mass communication in Mexico. An analysis of television news scripts and film clips located at the Televisa (the nation’s largest television network) Archives in Mexico City exposed tensions and traditions in television news. The tensions reveal conflicts between: the government and media producers; modernity and the desire to create traditions and maintain those already invented; elite controllers of the media and popular viewers; a male dominated business and female news producers and viewers; an elite (mostly whi
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29

Preston, Alison. "The development of the UK television news industry 1982-1998." Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/1425.

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This thesis examines and assesses the development of the UK television news industry during the period 1982-1998. Its aim is to ascertain the degree to which a market for television news has developed, how such a market operates, and how it coexists with the 'public service' goals of news provision. A major purpose of the research is to investigate whether 'the market' and 'public service' requirements have to be the conceptual polarities they are commonly supposed to be in much media academic analysis of the television news genre. It has conducted such an analysis through an examination of th
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30

Petruska, Karen C. PhD. "The Critical Eye: Re-Viewing 1970s Television." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/38.

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In my dissertation entitled “The Critical Eye: Re-Viewing 1970s Television,” I argue that TV scholars would benefit greatly by engaging in a more nuanced consideration of the television critic’s industrial position as a key figure of negotiation. As such, critical discourse has often been taken for granted in scholarship without attention to how this discourse may obscure contradictions implicit within the TV industry and the critic’s own identity as both an insider and an outsider to the television business. My dissertation brings the critic to the fore, employing the critic as a lens through
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31

Warner, Kathleen Marie. "Historical theory, popular culture and television drama /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19144.pdf.

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32

Malik, Sarita. "Representing Black Britain : a history of Black and Asian images on British television /." London : Sage, 2002. http://catalogue.bnf.fr/ark:/12148/cb37742086d.

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33

Joseph, Robert Gordon. "Playing the Big Easy: A History of New Orleans in Film and Television." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522601211962016.

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34

Bernardi, Daniel. "Star trek and history : race-ing toward a white future /." New Brunswick, NJ [u.a.] : Rutgers University Press, 1999. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018615232&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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35

AlFardi, Abdullah A. A. "The Development of Commercial Advertising in Saudi Television from 1986-1988." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501034/.

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The story of Saudi television began in 1962 when King Faisal, who was then the crown prince, pointed out that the government intended to utilize the medium of television as a tool for information, guidance, culture, and recreation (Saudi Arabia, Ministry of Information, 1985). From July 17, 1965, when the first transmission signal went out simultaneously from stations in Riyadh and Jeddah until the transfer to the new Riyadh Television Complex in 1982. Saudi television has gone through many phases of development. The most recent development was the introduction of commercial advertising in 198
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36

Marshall, Paul. "Inventing television : transnational networks of co-operation and rivalry, 1870-1936." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/inventing-television-transnational-networks-ofcooperation-and-rivalry-18701936(3b368b90-9755-4511-9b77-7edc9644f91f).html.

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In this thesis, I seek to understand what shaped the development of television, tracing the technology back to its earliest roots. In existing literature, the history of television in its formative years (before World War II), has largely been presented in technologically deterministic terms, culminating in the ‘goal’ of adding ‘sight to sound’ – producing a wireless set with pictures. Most of the existing literature focuses on ‘hero’ figures such as British inventor John Logie Baird and his electro-mechanical television systems, or on corporate narratives such as that of RCA in the United Sta
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37

Hamada, Ahmad. "The Integration History of Kuwaiti Television from 1957-1990: An Audience-Generated Oral Narrative on the Arrival and Integration of the Device in the City." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4066.

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This study attempts to compose an account of television history in Kuwait, one that focuses on its integration into society and is told from the audience's perspective and experience. This study represents a cultural alternative to the overwhelmingly national, institutional, and biographical focus that accompanies television history works in Kuwait and the Arab world. The narrative is gathered and generated through the individual oral stories of 25 Kuwaitis over the age of 50, who generally represent the six geographical districts of Kuwait. Through their oral stories, the narrators examine th
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38

Couture, André Michel. "Elements for a social history of television : Radio-Canada and Quebec Society 1952-1960." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61992.

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39

Hills, Adrian R. "An early history of British military television with special reference to John Logie Baird." Thesis, University of Strathclyde, 2002. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21159.

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Since the Publication in 1986 of The Secret Life of John Logie Baird by Tom McArthur and Dr. Peter Waddell the subject of J.L. Baird and his company's involvement with British military technologies has been brought to public attention. There has previously been no comprehensive academic assesment using primary sources of the suggestions offered in these books. Here is recorded British military television investigations from 1926 to 1946, with special reference to J.L. Baird, using previously ignored Public Record Office files and other sources. The precise role of J.L.Baird in Baird Television
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40

Chris, Cynthia. "Watching wildlife : on the nature genre in film and television, its history and meanings /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3044794.

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41

Bratslavsky, Lauren. "From Ephemeral to Legitimate: An Inquiry into Television's Material Traces in Archival Spaces, 1950s -1970s." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13445.

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The dissertation offers a historical inquiry about how television's material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials "worthy" of preservation and academic study. Institutions, pa
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42

Rodeheffer, Marielle D. "A study of cult television, Buffy the vampire slayer, and the uses and gratifications theory." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1379437.

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This study builds on the Uses and Gratifications body of knowledge as applies to motivations surrounding television use, specifically the cult television program Buffy the Vampire Slayer. Through the distribution of online survey it was found that respondents who read and/or wrote fanfiction were more likely to engage in the variable of parasocail relationships. One hypothesis was disregarded due to the invalidity of the variable. Through two research questions it was found that the variable of affinity was indicative of a viewer's involvement with the show. The second research question found
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43

Scott, Alistair James. "Raploch Stories : continuity and innovation for television documentary production." Thesis, Edinburgh Napier University, 2013. http://researchrepository.napier.ac.uk/Output/7245.

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This thesis provides an ‘insider account' of the process of making contemporary ‘observational' documentaries from within the broadcasting industry. Raploch Stories (2002) and Raploch Stories Revisited (2007) are seven television documentary programmes written, produced and directed by me for BBC Scotland. This critical appraisal examines the pathway from the formulation of the creative idea, through project research and development, filming, post-production, delivery and transmission, in order to assess and demonstrate the originality of these published works. This is supported by a reflexive
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Bueno, Alex. "Media Consume Tokyo: Television and Urban Place Since the Bubble." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493298.

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Much has been made of the proliferation of fictions in the contemporary city, coming together under the hegemony of globalization to obliterate the particularities of place. The pervasiveness of media in daily life gives the impression of inescapability, and it appears impossible to conceive of the city in “traditional” physical terms. Among the nations of the so-called First World, Japan, the center of which is unquestionably the metropolis of Tokyo, has been at the fore of the social, economic and technological changes that revel in these fictions. This dissertation is a critique of the cul
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Attallah, Paul Michael 1954. "TV before TV : the emergence of American network broadcast television and its implications for audiences, content, and study." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73970.

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Garza, Peña Verónica L. "Presidential rule and the privatization of media in Mexico : the case of television." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24081.

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This thesis examines the issues behind the Mexican government's decision to privatize television in the 1950s. It will be argued that a private system was thought to respond best to Mexico's economic, social, political and cultural conditions. The president's personal interest in this industry together with his power to do his will strongly influenced his decision to encourage a commercial system. There were other factors that accelerated this process: the structure of the radio industry, which was (and still is) characterized by its commercial tone and the fact that it was highly monopolized
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Essig, Andrew C. "Analyzing Whedon's FireflyAs Impetus for a Development StrategyFor an Alternate History, Sci-Fi Television Series." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1461250504.

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48

Mahoney, Cathy. "A historical sensibility : television, postfeminism and the Second World War." Thesis, Northumbria University, 2017. http://nrl.northumbria.ac.uk/35041/.

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Postfeminism is not an ideological position or coherent theoretical framework that can be applied externally to the analysis of texts. Indeed popular postfeminism – as distinguished in this thesis from academic postfeminism – is knowable only through its workings in culture, specifically in the representation of gender in “postfeminist” media texts. Therefore, this thesis does not adopt a postfeminist position or approach to analyse the source texts, but rather seeks to identify and deconstruct a postfeminist sensibility within them. This sensibility became apparent in 1990s depictions of char
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Biressi, Anita Ruth. "True crime : a study of contemporary books and magazines in context." Thesis, University of East London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322426.

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50

Hammond, Michael. "The big show : cinema exhibition and reception in Britain in the Great War." Thesis, Southampton Solent University, 2001. http://ssudl.solent.ac.uk/1226/.

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