Dissertations / Theses on the topic 'History of the Czech Theolgoy'
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Duggan, Lucy. "Reading the city : Prague in Czech and Czech-German narrative fiction since 1989." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.
Full textHone, C. Brandon. "Smoldering Embers: Czech-German Cultural Competition, 1848-1948." DigitalCommons@USU, 2010. https://digitalcommons.usu.edu/etd/666.
Full textWalvoord, Kreg A. (Kreg Anthony). "Czechoslovakia's Fortifications: Their Development and Impact on Czech and German Confrontation." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500554/.
Full textDusza, Erin M. "Epic Significance: Placing Alphonse Mucha's Czech Art in the Context of Pan-Slavism and Czech Nationalism." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/103.
Full textSchelle, Karel [Verfasser]. "Competition Law in the Czech Republic (History and Present) / Karel Schelle." München : Verlag Dr. Hut, 2010. http://d-nb.info/1009095307/34.
Full textAldorde, Nicholas. "German-Czech conflict in Cisleithania : the question of the ethnographic partition of Bohemia, 1848-1919." PDXScholar, 1987. https://pdxscholar.library.pdx.edu/open_access_etds/3663.
Full textOcchipinti, Laurie. "Women and property in the Czech Republic and Slovakia." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22612.
Full textFuelling, Mathias. "Europa's Bane Ethnic Conflict and Economics on the Czechoslovak Path From Nationalism to Communism, 1848-1948." DigitalCommons@USU, 2016. https://digitalcommons.usu.edu/etd/4724.
Full textEdwards, Constance Marie. "The diversity of Czech music for bassoon and piano during the Communist era (1947-1989)." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/298802.
Full textGlascock, Jake. "Exhumation History of the Orlica Snieznik Dome, Northeastern Bohemian Massif (Poland and Czech Republic)." Ohio University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1107879485.
Full textBuck, Ryan D. "The Czech Republic's Transition: The Environment and Human Rights." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4231/.
Full textSkinner, Patrick Joseph. "Relational cohesion in Palaeolithic Europe : hominin-cave bear interactions in Moravia and Silesia, Czech Republic, during OIS3." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609226.
Full textPargac, Petr. "What issues does the Czech Republic face concerning offsets in the context of military purchases." Thesis, Monterey, California. Naval Postgraduate School, 2006. http://hdl.handle.net/10945/2611.
Full textWatson, Amy. "'Needscapes' in post-socialist Czech Republic : gendered experiences of work, care and social security interventions." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7943/.
Full textWayson, Donald Wayne. "“Woodrow Wilson’s Diplomatic Policies in the Russian Civil War”." University of Toledo / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1241638204.
Full textKossarova, Lucia. "Assessing the performance of the Slovak and the Czech health systems : a case study examining the double transition and beyond." Thesis, London School of Economics and Political Science (University of London), 2014. http://etheses.lse.ac.uk/890/.
Full textWilson, Tim. "Boundaries, identity and violence : Ulster and Upper Silesia in a context of partition, 1918-1922." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670141.
Full textVimont, Michael. "The anthropological construction of Czech identity : academic and popular discourses of identity in 20th century Bohemia." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:bb316968-60a1-472c-bee4-b8de3af5ebbd.
Full textSehnal, Jiří. "Jiří Sehnal, Adam Michna of Otradovice - composer: perspectives on seventeenth-century sacred music in Czech lands. Transl. by Judith Fiehler. Olomouc,Palacký University 2016, 236 S. DOI 10.55607/ff.16.24449869. ISBN 978-80-244-4986-9. Summary." Gudrun Schröder Verlag, 2019. https://ul.qucosa.de/id/qucosa%3A70779.
Full textTomšů, Hana. "Srovnání účetní a daňové problematiky České republiky a Finska." Master's thesis, Vysoká škola ekonomická v Praze, 2016. http://www.nusl.cz/ntk/nusl-264571.
Full textŠafařík, Tomáš. "Analýza nabídkové strany ICT trhu." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-12429.
Full textFehr, Laura. "A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703392/.
Full textKofira, Matej. "Porovnání práce geodeta v Norsku a v České republice." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-390202.
Full textWalling, Carl Harry III. "Exhibiting Scenographic Identities at the 2007 & 2011 Prague Quadrennials." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1419006710.
Full textKuße, Holger. "Tat’ána Vykypělová: Wege zum Neutschechischen. Studien zur Geschichte der tschechischen Schriftsprache: Buchbesprechung." De Gruyter, 2014. https://tud.qucosa.de/id/qucosa%3A71374.
Full textVančurová, Barbora. "Manažersko-ekonomická analýza fungování Oddělení urgentního příjmu Nemocnice Jindřichův Hradec, a.s." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-194085.
Full textFlock, Sarah Sylvie. "Rayonnement de la poétique d'Otomar Krejca en Belgique francophone." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209963.
Full textL’arrivée de Krejča, dans les années 1960, sur la scène du Théâtre National de Belgique s’inscrit dans la dynamique des échanges théâtraux européens et dans une volonté diplomatique de rapprochement entre la Tchécoslovaquie et la Belgique. La thèse insiste sur ces rencontres entre les artistes belges francophones et les artistes internationaux car elles jouent un rôle fondamental, auquel prend part Krejča, dans l’histoire du théâtre belge de langue française. Fort de sa réappropriation de la tradition théâtrale tchèque et des concepts de Stanislavskij, Krejča est l’un des premiers à apporter en Belgique francophone un regard dépassant la dimension représentationnelle de la première lecture du texte et à proposer une alternative au manque laissé par le retard de l’avant-garde théâtrale belge francophone. Sa poétique, principalement influencée par le théâtre atelier d’E.F. Burian, le théâtre poétique de Frejka, le civilisme d’Hilar, les théories préfigurant la sémiologie théâtrale initiée par l’école de Prague et par les développements du « Mchat », rencontre un accueil mitigé parmi les journalistes polygraphes mais ne manque pas d’impressionner certains animateurs de la scène théâtrale belge à l’instar de Janine Patrick ou de Marc Liebens. Aussi trouve-t-elle notamment un prolongement dans le Théâtre du Parvis.
La thèse situe l’apport le plus évident de la poétique krejčaïenne en Belgique francophone dans le traitement dramaturgique, polyphonique et préfigurant le théâtre postdramatique, que le metteur en scène propose. A Louvain-la-Neuve, c’est à nouveau la puissance de la tradition tchèque et la conviction philosophique de Krejča qui impressionnent ses collaborateurs et se déclinent à travers les excroissances théâtrales francophones belges dont la plus manifeste est une expérience théâtrale, toujours en cours aujourd’hui :le théâtre de l’Éveil.
La dissertation délimite d’abord les spécificités de la poétique théâtrale de Krejča, puis, après une analyse des mises en scène de Krejča, elle retrace et détaille les diverses formes sous lesquelles son esthétique se manifeste :transmission d’un héritage théâtral (avant-garde historique tchèque, sémiologie théâtrale développée par l’Ecole de Prague) et littéraire (mise à l’honneur de Schnitzler et de Nestroy), prolongement de la recherche théâtrale jusqu’à l’approche postdramatique (révélation de la dramaticité des pièces de Tchékhov, importation du théâtre musical), regards dramaturgique et philosophique, écriture dramatique (influence sur l’écriture d'auteurs dramatiques, Krejča-personnage dans des pièces d’acteur)…
/ The thesis focuses on Czech theatre from first avant-garde to second avant-garde; mainly it is focusing on Otomar Krejča’s theatre and its relationship with Belgian theatre within the second Czech avant-garde theatre to the end of the Normalization.
Krejča worked an intensive part of his artistic life in Belgium. His Belgian theatrical activity can be divided into two distinct periods. The first one was coinciding with the foundation of his “Theatre Beyond the Gate” (Divadlo za branou) in Prague in 1965 and took place in the Belgian National Theatre in Brussels. Those years were squaring with Czechoslovakian destalinization and were particularly productive in the artistic field. In Brussels Krejča directed four plays: in 1965, Hamlet, in 1966, The Seagull, in 1970, Three Sisters, in 1978, Romeo and Juliet. The first three plays occurred before the Normalization and his departure in specific exile. The last one marked the beginning of his second period in Belgium, closely bound to Louvain-la-Neuve city. The two following Krejča’s productions were first created for the Festival d’Avignon: in 1978, Waiting for Godot and Lorenzaccio in 1979, before being performed at Atelier théâtral Jean Vilar in Louvain-La-Neuve. The three following plays were the last of Krejča’s Belgian works: Three Sisters in 1980, A. Schnitzler’s The Green Cockatoo in 1981 and Dostoevsky’s The Possessed adapted by Krejča himself in 1982.
In Belgium, the reception of his plays was mitigated. Duality between critics can be explained by Krejča’s new regard on plays, by Krejča’s use of dramaturgy. Krejča’s productions in Belgium were innovating because through dramaturgy they paved the way for something new :it was the end of a romantic Hamlet in the Shakespearian tradition and the end of Pitoëff’s aesthetic in Chechov’s productions.
Krejča’s work of art, impregnated by Czech tradition theatre of avant-garde, influenced his Belgian collaborators. Krejča was influenced by leaders in Czech first avant-garde theatre such as Burian, Frejka, theatrical theory of Honzl and Hilar’s theatre conception. When Krejča started to work in Belgium, the country was undergoing a theatrical revolution. At the end of the 1960s, French-speaking Belgium lived at the rhythm of its first avant-garde in staging. According to me, this fact is the main explanation to Krejča’s significance in French-speaking Belgium. Thanks to Krejča’s Belgian productions, a part of the first Czech theatrical avant-garde and the second Czech theatrical avant-garde penetrated in Belgium.
All of Krejča’s concepts (human beings, ethic of responsibility, importance of dramaturgy, personal appropriation of Stanislavski’s approach) slowly instilled French-speaking Belgian theatrical life. Sure an evident mark of continuity of his aesthetic cannot be seen in the long time, nevertheless Krejča’s influence was considerable and briefly materialized in many fields. It is obviously still vivid in the way some actors play, feel and teach theatre.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Kábele, Tomáš. "Cesta filozofie náboženství, potažmo filozofické teologie: R. Schaeffler - T. de Boer - C. Jež." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-327741.
Full textSklenář, Michal. "Vývoj a proměny české katolické liturgiky v české liturgické literatuře (1752) 1780-1962 a (1616) 1841-1962." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-386780.
Full textŘeháková, Veronika. "Buditel, historik, apologeta Matěj Procházka (1811-1889)." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-434887.
Full textDörrová, Irena. "Christologie a soteriologie v kazatelském díle Dr.Ph. Josefa Čeňka z Wartenburku (1765 - 1843)." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-384270.
Full textKonůpka, Petr. "Bernard Bolzano a české myšlení, 1945-1989." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-365469.
Full textŠOLCOVÁ, Kateřina. "Jan Karafiát v kontextu doby." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-47918.
Full textZeman, Jiří. "Církev, jak ji žil a myslel Oto Mádr." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-351787.
Full textNohel, Petr. "Výuka církevního práva na teologických a právnických fakultách v Českých zemích v letech 1918-1989." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-355934.
Full textZámbó, Lilla. "Preservation History of Art Nouveau Heritage in Hungary, Czech Lands and France." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329370.
Full textGarfinkle, Deborah Helen. "Bridging east and west Czech surrealism's interwar experiment /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3119646.
Full textRaska, Jan. "Freedom's Voices: Czech and Slovak Immigration to Canada during the Cold War." Thesis, 2013. http://hdl.handle.net/10012/7862.
Full textDrysdale, Margaret Melanie. "Three times betrayed : the Sudeten Germans of Tomslake, BC." 2005. http://hdl.handle.net/1828/853.
Full textBush, Graham. "Differences Between National Memory of Communism in Poland and the Czech Republic." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-337712.
Full textVlasáková, Magdalena. "České historické reálie ve výuce češtiny pro cizince." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-393653.
Full text"Notes from the Underground: Explorations of Dissent in the Music of Czech-born Composers Marek Kopelent and Petr Kotík." Master's thesis, 2015. http://hdl.handle.net/2286/R.I.36428.
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Masters Thesis Music 2015
Tomeš, Josef. "Česká strana státoprávně pokroková (1908-1918)." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322536.
Full textKrejčová, Alena. "Naturalismus ve francouzské a evropské literatuře." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435432.
Full textČapek, Martin. "Historie českého šermu od jeho počátků do roku 1938." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-308729.
Full textBridges, Eliška. "Indiánská subkultura v České republice." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-365194.
Full textLIŠKOVÁ, Tereza. "Dějiny Obchodní akademie v Českých Budějovicích v letech 1901-1948." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-43191.
Full textHrušková, Šárka. "Tradice Českého Meránu." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-297476.
Full textSchwarzová, Zuzana. "Aspekty překládání komiksu. Překládání německého komiksu do češtiny." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306635.
Full textLUKÁŠOVÁ, Hana. "Dějiny české obecné školy v Šindlových Dvorech od jejího vzniku do 50. let 20. století." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-395423.
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