Relevant bibliographies by topics / History of theatre

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'History of theatre'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "History of theatre"

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van den Berg, Klaus. "The Geometry of Culture: Urban Space and Theatre Buildings in Twentieth-Century Berlin." Theatre Research International 16, no. 1 (1991): 1–17. http://dx.doi.org/10.1017/s0307883300009986.

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In her 1983 book, Semiotik des Theaters, Erika Fischer-Lichte referred to theatre as part of ‘die Geometrie der Kultur’, a network of relationships materialized in space that symbolizes cultural experience. The concept of the geometry of culture may enable us to show how, in an urban space, different strands of human activities find their expression in the outline of urban space. Lewis Mumford demonstrates in The City in History that political programmes, economic interests, and cultural concepts influence the city's organization as well as the functions which individual buildings take in the
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Banerji, Arnab. "Take Back Our Histories: The Colonialist Bias of Theatre History Surveys and Some Practical Steps to Dismantling an Unfair System." Theatre Topics 35, no. 2 (2025): 111–22. https://doi.org/10.1353/tt.2025.a965108.

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Abstract: Theatre history studies in US universities began with racist assumptions. These assumptions, including which theatres get curricularized, continue to be reinforced by textbooks and the “traditional” theatre history surveys ubiquitous in most undergraduate theatre programs in the country. Surveys of this nature are rarely lessons in historiography but are rather exercises in rote learning and regurgitating historical facts. The curricular biases and the inequities inherent in the academy also plague the way theatre history is studied and understood. The essay offers ways in which poss
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Kollár, Zsuzsanna. "Az akadémia hatása az intézményesülő magyar színjátszásra az 1830-as években." Theatron 16, no. 1 (2022): 93–112. http://dx.doi.org/10.55502/the.2022.1.93.

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From the beginning, the Hungarian Academy of Sciences considered it its task to oversee the Hungarian-speaking theatres. From the 1830’s the Academy tried to provide original dramas and translations, and the task of the “Standing Committee on Theatre” was to review the dramas and repertoire presented in permanent Hungarian-speaking theatres. Pest County also set up a permanent delegation, which exercised a supervisory role similar to that of the Academy. The directory board of the Magyar Theatre of Pest, that opened in 1837, and the body called the Acting Committee were also responsible for ar
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Wetmore Jr., Kevin J. "A History of Theatre in Africa. Edited by Martin Banham. Cambridge: Cambridge University Press, 2004, pp. xvii + 478; $140 cloth." Theatre Survey 46, no. 2 (2005): 313–15. http://dx.doi.org/10.1017/s0040557405220203.

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One of the greatest challenges to teaching world theatre history in the United States is that the vast majority of survey history books spend two dozen chapters on the theatre of the West, giving the theatres of Africa, Asia, and the Middle East a single chapter each at best. In addition, there have to date been no comprehensive histories of African theatre covering the entire continent, Africa north of the Sahara being linked for cultural reasons with the Middle East instead of geographically with the rest of the continent. A History of Theatre in Africa, edited by the pioneer of African-thea
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Balme, Christopher, and Tracy C. Davis. "A Cultural History of Theatre: A Prospectus." Theatre Survey 56, no. 3 (2015): 402–21. http://dx.doi.org/10.1017/s0040557415000320.

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If theatre historians had been paying attention to the proceedings at a Gilbert and Sullivan conference in Lawrence, Kansas in 1970, they would have heard a gauntlet strike the ground when Michael R. Booth delivered “Research Opportunities in Nineteenth-Century Drama and Theatre.” He called for research on audiences (“cultural levels, class origins, income, tastes, and development”), performance in the hinterlands (“we know that in 1866 60% of the theatre seats in metropolitan London were outside the West End”), economics (“theatre profits and losses, actors' wages, authors' income, management
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Patonay, Anita. "The Development of Children’s and Youth Theatre in Hungary: the Path of Institutionalization and Beyond the Professional Sphere (1949–1989/1992)." Theatron 17, no. 4 (2023): 40–52. http://dx.doi.org/10.55502/the.2023.4.40.

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It was after the Second World War and the nationalisations that autonomous theatres for children and youth and theatre performances targeting this age group were first established in Hungary. In my study, I will present the institutional history of children’s and youth theatres in the period 1949–1989/1992 and the children’s and youth theatre-makers who were amateur theatre-makers alongside the institutionalised theatres. I will give an insight into the productions that were produced during this period, the problems faced by the children’s and youth theatre community, and the contradictions th
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Kudina, Ekaterina O. "To the creative history of Yuri Belyaev’s play Psisha." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 72–77. http://dx.doi.org/10.18500/1817-7115-2022-22-1-72-77.

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The paper examines the creative history of the play Psisha by Yuri Belyaev – a theatre critic, fiction writer and dramatist of the Silver Age. While working on the article cycle A night at “The Opera House” about theatre history of the times of Catherine II, the critic researched historical sources: periodical, fiction, documents of the second half of the 18th – early 19th centuries. There Belyaev must have found the material for his early fictional experience – the historical short story Psisha. Among the characters of the story were a landowner – аn avid theatergoer, and the actors of his se
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JENSEN. "THE THEATRE COLLECTION MAKES THEATRE HISTORY." Princeton University Library Chronicle 49, no. 3 (1988): 289. http://dx.doi.org/10.2307/26404155.

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Howson-Griffiths, Teri. "Locating sensory labyrinth theatre within immersive theatres' history." Studies in Theatre and Performance 40, no. 2 (2019): 190–205. http://dx.doi.org/10.1080/14682761.2019.1663649.

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Aprent (Vienna/Munich), Patrick, and Magret Berger (Vienna/St. Pölten). "Female Theatre Managers in ‘Peripheral Spaces’. Re-Mapping the 19th-Century Habsburg Monarchy Theatre Landscape." Forum Modernes Theater 35, no. 1-2 (2024): 39–54. https://doi.org/10.1353/fmt.2024.a957525.

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Abstract: This article focuses on female theatre managers in the nineteenth-century Habsburg Monarchy, specifically within the territory of present-day Austria. Combining qualitative and quantitative research and utilising methods from geography and the digital humanities, it aims to reintroduce the many women who led theatres and thereby made substantial contributions to the theatrical and cultural life of their time, but who have been excluded or inaccurately represented in later theatre history writing. By analysing the content of around 230 theatre almanacs, this article illustrates the ge
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Dissertations / Theses on the topic "History of theatre"

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Oliver, Sarah Miranda Londré Felicia Hardison. "Kansas City's Community Children's Theatre a history /." Diss., UMK access, 2008.

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Thesis (M.A.)--Dept. of Theatre. University of Missouri--Kansas City, 2008.<br>"A thesis in theatre." Typescript. Advisor: Felicia Hardison Londreʹ Vita. Title from "catalog record" of the print edition Description based on contents viewed Sept. 12, 2008. Includes bibliographical references (leaves 118-120). Online version of the print edition.
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Merrifield-Beecher, Jane A. 1952. "The history of the Gaslight Theatre." Thesis, The University of Arizona, 1994. http://hdl.handle.net/10150/292022.

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Tony Terry founded The Gaslight Theatre in Tucson, Arizona, in 1977. The thesis examines The Gaslight Theatre in order to validate the company's artistic relevancy as a contemporary producer of melodramas and to further understand the reason behind the theatre's current success. The structure of the work begins with a history of melodrama, a look at the producer, Tony Terry, and his background and influence on The Gaslight Theatre, followed by a history of The Gaslight's three phases: The Victorian melodramas, the musical comedy melodramas, and the comedy spoof melodramas. A history of The Gas
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Mekeel, Lance. "From Irreverent to Revered: How Alfred Jarrys Ubu Roi and the "U-Effect" Changed Theatre History." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1371827527.

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Booth, Philip 1937. "The Montreal Repertory Theatre, 1930-1961 : a history and handlist of productions." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61143.

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The Montreal Repertory Theatre mounted a regular series of play productions every year from 1930 to 1961. They deliberately set out to follow the Little Theatre tradition of Antoine while profiting from later developments in England, Ireland and the United States. At a time when no alternatives existed in Montreal they provided theatre education at a high level and helped in the formation of many distinguished careers.<br>This study examines the work of MRT in a historical context, and as revealed in the company's surviving documents and in contemporary reports. The written record is supplemen
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Sollish, David S. "Musical Theatre in the Mountains: An Examination of West Virginia Public Theatre's History, Mission, Practices, and Community Impact." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276802020.

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Jenkins, Jeffrey Eric. "Making Theatre 'History' (Re)Writing the Record." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527628.

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Lasik, Franklin James. "Documentary theatre: dramatizing history and historicizing dram." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407236436.

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De, Somogyi Nicholas Jan. "Shakespeare's theatre of war." Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/272391.

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Chon, ChuYoung Joy. "Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1388624592.

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Chamberlain-Snider, Sandra. "Arts Umbrella's Theatre Troupes : a history of theatre training for children and youth." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44203.

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Arts Umbrella is a not-for-profit arts education centre for children and youth ages two to nineteen. Its Theatre program has been providing artistic theatre training to young people in the Metro Vancouver area for almost thirty years. This study's objective is to present the history of the Theatre Troupes within a historiographical methodology that takes into account all the contributing factors towards the program's successful development. The material archive resources of Program Guides, Reports to the Board, Newsletters, Show Programs and the original Business Plan are documented in a chron
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Books on the topic "History of theatre"

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Alvin, Goldfarb, ed. Living theatre: History of the theatre. 5th ed. McGraw-Hill, 2008.

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Alvin, Goldfarb, ed. Living theatre: History of the theatre. 6th ed. McGraw-Hill, 2010.

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Schneider, Rebecca. Theatre & History. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-45657-1.

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Rebello, Luiz Francisco. History of theatre. Comissariado para a Europália 91--Portugal, 1991.

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Marker, Frederick J. A history of Scandinavian theatre. Cambridge University Press, 1996.

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Brockett, Oscar Gross. History of the theatre. 7th ed. Allyn and Bacon, 1995.

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Cochrane, Claire, and Jo Robinson, eds. Theatre History and Historiography. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137457288.

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1953-, Hildy Franklin J., ed. History of the theatre. 8th ed. Allyn and Bacon, 1999.

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Kernodle, George Riley. The theatre in history. University of Arkansas Press, 1989.

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Brockett, Oscar Gross. History of the theatre. 5th ed. Allyn and Bacon, 1987.

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Book chapters on the topic "History of theatre"

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Aebischer, Pascale, and Nicolas Tredell. "Theatre History." In Jacobean Drama. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_3.

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Arnott, J. F. "Theatre History." In Drama and the Theatre with Radio, Film and Television. Routledge, 2023. http://dx.doi.org/10.4324/9781003398790-2.

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Schneider, Rebecca. "“Theatre”." In Theatre & History. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-45657-1_3.

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Shem-Tov, Naphtaly. "Performing history." In Israeli Theatre. Routledge, 2021. http://dx.doi.org/10.4324/9781351009089-3.

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Schneider, Rebecca. "“History”." In Theatre & History. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-45657-1_2.

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Schneider, Rebecca. "Whose history is theatre’s history?" In Theatre & History. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-45657-1_6.

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Watson, Donald G. "Theatre, History, Politics." In Shakespeare’s Early History Plays. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11035-3_1.

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Jackson-Schebetta, Lisa. "Theatre-Fiction-History." In The Routledge Companion to Theatre-Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003204886-4.

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Nellhaus, Tobin. "Philosophy, History, Theatre." In Theatre, Communication, Critical Realism. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230107953_2.

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Leonhardt, Nic. "Global theatre history." In The Routledge Handbook of Transregional Studies. Routledge, 2018. http://dx.doi.org/10.4324/9780429438233-61.

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Conference papers on the topic "History of theatre"

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Harry, John. "Moisture in Historic Commercial Building Walls – Approaches to Assessment and Restoration." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00026.

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The City of Rocky Mount, NC has several historic brick buildings throughout downtown areas, built during the early to mid 1900’s. These buildings were constructed during times when segregation was rampant in the southern states and African-Americans were treated unequally. African-Americans faced race-inspired violence and harsh treatment causing them to live a different type of lifestyle from the rest of society. Many were barred from classrooms, bathrooms, theaters and other public facilities during this era. The City of Rocky Mount wanted to restore 6 of their historic buildings that were l
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SOREANU, Ioana. "Theatre and radio – ethical dilemmas in the doctoral research of common history." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0022.

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Theatre and the radio have systematically intersected since the beginning of the existence of this means of mass communication. It is known that the radio included in its modes of expression those of the theatre. Entertainment shows, radio theatre, children's stories, poetry recitals are just a few examples of elements that have become inseparable in radio programmes. Moreover, the role of the theatre professional on the radio has also evolved over time, and the main influences relate to the historical, political and cultural changes in Romania. The study anticipates a number of ethical dilemm
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CHIMITDORZHIEVA, L. S. "ABOUT THE HISTORY OF THE RUSSIAN DRAMA THEATRE FOUNDATION IN BURYATIA." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-219-221.

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Hawryszkow, P., K. Galik, and M. Bocian. "Synergy of Culture and Civil Engineering – Project "Bridge Builders" Organised by Wroclaw European Capital of Culture." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0364.

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&lt;p&gt;Wrocław in Poland and San Sebastian in Spain were awarded the title “European Capital of Culture 2016”. The project “Bridge Builders” was one of many events organised within the cultural programme organised under this patronage taking place in Wrocław in 2015. For one day 27 bridges were converted into theatre scenes, concert spaces and art studios. Visitors had an opportunity to experience cinematography, dance, theatre, literature, and spatial installations. The project “Bridge Builders” is presented in this paper in many of its offerings. A particular attention is given to the proj
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Jara Calabuig, Aaron. "Urban stages: when cities and architecture become a theatre." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15109.

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Throughout history, the theatre has played a decisive part in urban space configuration, not only because of the location of theatre buildings within the city. Outdoor performances in squares, streets and community facilities have also assumed an essential role in the organisation of public space. In this sense, touring theatre must be understood as a resource for transforming and revitalising cities. Festivals such as Avignon, Bilbao and Tàrrega are clear examples of how theatre can appropriate the urban or architectural context and generate new atmospheres. The study of these three cases aim
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Brihunet, Maria. "The relationship between theatre and folklore in the stage art of the Republic of Moldova (1950-1980)." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.08.

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The article serves as an introduction to the topic concerning the relationship between the oral folk creation and theatrical performance, with some references to the history of the emergence of the Romanian national theatre, but especially to the theatrical art in the Republic of Moldova. The main research method for this subject is the cultural-historical approach, along with analysis and synthesis. We highlight the importance of traditional folk creation in shaping the theatre in Moldova and its manifestations in the performing arts at different stages of national theatre development. A spec
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Saulini, Mirella. "Twenty-Five Years of Research on Jesuit Drama: an Italian Contribution to the History of Theatre." In Új eredmények a színház- és drámatörténeti kutatásban (17-19. század). Eszterházy Károly Katolikus Egyetem Líceum Kiadó, 2022. http://dx.doi.org/10.17048/ujeredmenyekaszinhaz.2022.145.

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Miljanović, Slađana, Aida Idrizbegović Zgonić, and Jasenka Čakarić. "Despic house - History of the city. Structural repair and restoration of the first theatre in Sarajevo." In PROCEEDINGS OF THE 10TH WORKSHOP ON METALLIZATION AND INTERCONNECTION FOR CRYSTALLINE SILICON SOLAR CELLS. AIP Publishing, 2022. http://dx.doi.org/10.1063/5.0105312.

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LingChun, Kuo. "Resee the Beauty of the Temples: A Case Study on Performance in Front of Temple by a Children’s Theatre Workshop Combined an Oral History Story Theatre as an Example." In The Barcelona Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2435-9475.2023.21.

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Snyman, Bailey. "L.I.F.E.: Articulating an Embedded Choreographic Process." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35882.

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This paper explores the evolving landscape of choreographic research in South Africa, focusing on the interdisciplinary nature of contemporary choreography and its reliance on embodied knowledge. The paper examines the theory of tacit knowledge proposed by Michael Polanyi and its intersections with embodiment theories. It further investigates the four interpretations of tacit knowledge presented by Harald Grimen. The study documents the intuitive and implicit choreographic processes behind the creation of “L.I.F.E.: A History of Distance,” a dance-based physical theatre performance. The presen
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Reports on the topic "History of theatre"

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Pond, Robert. The history of community theatre in Anchorage, Alaska, 1946-1976. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2970.

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Mahnken, Thomas G. Commander-In-Chief Theater Missile Defense Assessment Program. Program History and Exercise Findings, 1989 - 1994. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada302248.

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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na
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Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid re
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O'Connell, Kelly, David Burdick, Melissa Vaccarino, Colin Lock, Greg Zimmerman, and Yakuta Bhagat. Coral species inventory at War in the Pacific National Historical Park: Final report. National Park Service, 2024. http://dx.doi.org/10.36967/2302040.

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The War in the Pacific National Historical Park (WAPA), a protected area managed by the National Park Service (NPS), was established "to commemorate the bravery and sacrifice of those participating in the campaigns of the Pacific Theater of World War II and to conserve and interpret outstanding natural, scenic, and historic values on the island of Guam." Coral reef systems present in the park represent a vital element of Guam?s cultural, traditional, and economical heritage, and as such, are precious and in need of conservation. To facilitate the management of these resources, NPS determined t
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