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Journal articles on the topic 'HISTORY OF TV/DENMARK'

Author: Grafiati

Published: 29 July 2024

Last updated: 7 July 2025

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1

Gomery, Douglas. "Rethinking TV History." Journalism & Mass Communication Quarterly 74, no. 3 (1997): 501–14. http://dx.doi.org/10.1177/107769909707400305.

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The writing of the early history of U.S. television has long concentrated on the rise of dominating national networks. Based on principles of social, demographic, policy, and urban history, I propose we rethink historical analysis, and begin at the local level. To illustrate the power of this approach, I offer a case study of the place of Washington, D.C., as a site for network news. In the mid-1950s, it was also an important example of live locally produced country music. As a community, Washington presents an important site where forces such as migration and suburbanization shaped the early history of television.

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2

Nilssen, Tore, and Lars Sørgard. "Time Schedule and Program Profile: TV News in Norway and Denmark." Journal of Economics & Management Strategy 7, no. 2 (1998): 209–35. http://dx.doi.org/10.1162/105864098567407.

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3

Nilssen, Tore, and Lars Sorgard. "Time Schedule and Program Profile: TV News in Norway and Denmark." Journal of Economics Management Strategy 7, no. 2 (1998): 209–35. http://dx.doi.org/10.1111/j.1430-9134.1998.00209.x.

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4

Lersch, Edgar, and Reinhold Viehoff. "Geschichte als TV-Serie / History as TV-series." SPIEL 2016, no. 2 (2016): 7–19. http://dx.doi.org/10.3726/spiel.2016.02.01.

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5

Bruun, Hanne. "The changing role of a video-on-demand service in the strategies of public service media: A production study of Danish TV 2 Play and its impact on the production culture of the schedulers, 2016–2022." Nordicom Review 44, no. 2 (2023): 235–52. http://dx.doi.org/10.2478/nor-2023-0013.

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Abstract This article highlights and discusses the main findings from three different media production studies (2016, 2019, and 2022) investigating the changing production culture of the schedulers in public service media. The inclusion of a broadcaster video-on-demand (BVoD) service in the broadcaster's portfolio affected the production culture. First, the article argues that profound changes happened to the organisational framing of the BVoD service's status and its impact on the production practices. Second, the article shows the BVoD service's impact on the content priorities among the schedulers at TV 2 in Denmark and third, how the public service branding of TV 2 became more explicit in the production culture. However, across these three points of impact and the shifts in the strategic focus at TV 2, the business model at TV 2 and its interplay with the public service obligations runs as an undercurrent.

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6

Holm, Nancy Graham. "Best Practices of Television Journalism in Europe: How Anglo-American On-Camera Styles Violate Cultural Values, Denmark as a Case Study." Journalism & Mass Communication Educator 60, no. 4 (2005): 376–89. http://dx.doi.org/10.1177/107769580506000406.

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The so-called “Bologna process” is an effort to standardize higher education in Europe. Among journalism educators in particular, the goal is a harmonization of best practices in order to establish common training protocols. Contrary to assumptions, however, best practices often conflict with cultural values. Specifically, there has been little attention paid to on-camera behavior of TV journalists. Denmark is a case study where standard Anglo-American on-camera presentation styles violate deeply held cultural values. This paper argues that cultural differences matter and have serious consequences for European TV journalism educators in the age of globalization.

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7

Thonsgaard, Kirsten. "Tuukkaq – de første år." Peripeti 16, S7 (2019): 25–37. http://dx.doi.org/10.7146/peri.v16is7.115115.

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This article deals with the beginnings of the Tuukkaq Theatre in Denmark, focusing on the first stages in the creation of the play Inuit 1975-77 and its first performance and reception by Greenlandic audiences in Greenland on the two months´ tour in the spring of 1978. Theatre being a volatile art form I´ve also found it useful to dwell on how Inuit was televised and broadcasted by DR-TV 1977-78, as the TV-edition offers a reasonably fair impression of how the play was performed from its opening night and during the first years.

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8

Christensen, Dorthe Refslund, and Karen Klitgaard Povlsen. "Mad, terroir og tv: Smag på Danmark!" MedieKultur: Journal of media and communication research 24, no. 45 (2008): 14. http://dx.doi.org/10.7146/mediekultur.v24i45.512.

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Mad fylder mere i medierne, men hvordan underholder fx et madprogram på tv? Med afsæt i de 13 afsnit af Claus Meyer-serien Smag på Danmark! undersøger vi, hvordan serien er konstrueret og fortalt. Især ser vi på, hvilken rolle de 13 forskellige steder, som serien foregår på, har. Vi diskuterer begreber som terroir og mytologisering. Serien etablerer dobbeltheder og relationer, og i tråd med dette forlenes sted som terroir både med al og med ingen betydning. Mad knyttes som et tegn, med Barthes in mente, til stedet, men på en måde, der leverer rum for seerens eget forestillingsarbejde. Serien demonstrerer for seerne, hvordan smagsdomme kan foregå med Meyer som seerens stedfortræder i et ferie- og fritidsunivers. Den nydelse, som serien konstant etablerer, demonstrerer og anticiperer, kan seeren deltage i med sit eget fantasiarbejde: Det er god underholdning, fordi så meget er overladt til seernes forestillingsarbejde. Food, Terroir, and Television: Taste Denmark! Food has become more dominant in the media landscape, but how does a food programme on television entertain us? We analyse how the 13 episodes of the Claus Meyer series Smag på Danmark (Taste Denmark!)are constructed and narrated. We pay particular attention to the different locations of the episodes and discuss the terms terroir and mythologization. The series establishes ambiguities and relations, and in this connection the location understood as terroir means everything – and at the same time means nothing at all. With reference to Barthes, the series links food as a sign to location, but in such a way that room is left for the viewer’s own imagination. The series demonstrates to the viewers how judgements of taste can be made in a time of leisure and a universe of holidays, with Meyer acting as the viewer’s proxy. The series is constantly establishing, demonstrating and anticipating a pleasure in which the viewer can participate in his or her own imagination. This makes excellent entertainment because so much is left to be worked through in the viewer’s own imagination.

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9

Hinks, Peter, and David Robertson. "Denmark Vesey." Journal of Southern History 67, no. 2 (2001): 446. http://dx.doi.org/10.2307/3069884.

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10

Andersen, Kim, Camilla Bjarnøe, Erik Albæk, and Claes H. De Vreese. "How News Type Matters." Journal of Media Psychology 28, no. 3 (2016): 111–22. http://dx.doi.org/10.1027/1864-1105/a000201.

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Abstract. Today, citizens have the possibility to use many different types of news media and participate politically in various ways. This study examines how use of different news types (hard and soft TV news as well as printed and online versions of broadsheet and tabloid newspapers) indirectly affects changes in offline and online political participation through current affairs knowledge and internal efficacy during nonelection and election time. We use a four-wave national panel survey from Denmark (N = 2,649) and show that use of hard TV news and broadsheets as well as online tabloids positively affects changes in both offline and online political participation through current affairs knowledge and internal efficacy. Use of soft TV news and printed tabloids has a negative indirect effect. These results are more pronounced for online political participation and during election time. However, use of soft TV news also has a positive direct effect on changes in political participation, which suggests a positive impact via other processes.

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11

Ebbrecht, Tobias. "Docudramatizing history on TV." European Journal of Cultural Studies 10, no. 1 (2007): 35–53. http://dx.doi.org/10.1177/1367549407072969.

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12

Jelušić, Iva. "TV socialism." European Review of History: Revue européenne d'histoire 27, no. 3 (2019): 418–20. http://dx.doi.org/10.1080/13507486.2019.1659601.

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13

Nilssen, Tore, and Lars Sørgard. "Erratum: "Time Schedule and Program Profile: TV News in Norway and Denmark"." Journal of Economics & Management Strategy 8, no. 1 (1999): 161–62. http://dx.doi.org/10.1162/105864099567613.

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14

Nilssen, Tore, and Lars Sorgard. "Erratum: "Time Schedule and Program Profile: TV News in Norway and Denmark"." Journal of Economics Management Strategy 8, no. 1 (1999): 161–62. http://dx.doi.org/10.1111/j.1430-9134.1999.00161.x.

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15

Have, Iben, and Mille Raaby Jensen. "Audio-bingeing." Passage - Tidsskrift for litteratur og kritik 35, no. 83 (2020): 101–18. http://dx.doi.org/10.7146/pas.v35i83.121611.

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   The article discusses Storytel Original as a hybrid between digital audiobooks and TV-series. Through an interview with Mofibo’s Head of Content & Publishing in Denmark and the production Black Dolphin as a case-study, the article discusses how Storytel Original can be analysed as a TV-series in audio format from a production-, text-, and reception perspective. The first part of the article focuses on how Storytel Originals and Black Dolphin draw on institutional, distributional, narratological, and stylistic conventions known from TV-drama series. In the second part of the article, the reception and user-behavior are discussed in relation to the term bingeing. The article introduces two terms: binge-streaming and audio-bingeing. While the former suggests an extension of the term binge-watching, the latter term, audio-bingeing, narrows the perspective by accentuating specific affordances of audio-series in relation to binge-streaming.  

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16

Plekon, Michael, and Martin Schwarz. "A Church History of Denmark." Sixteenth Century Journal 34, no. 4 (2003): 1121. http://dx.doi.org/10.2307/20061654.

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17

Waldenström, Amanda. "Inside the TV Newsroom – Profession under Pressure: A Newsroom Ethnography of Public Service TV Journalism in the UK and Denmark." Digital Journalism 7, no. 10 (2019): 1355–56. http://dx.doi.org/10.1080/21670811.2019.1636694.

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18

Nelson, Robin, and Lez Cooke. "Television Archives: Accessing TV History." Critical Studies in Television: The International Journal of Television Studies 5, no. 2 (2010): xvii—xix. http://dx.doi.org/10.7227/cst.5.2.2.

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19

الزعبي, سلافة فاروق. "التلفزيون عبر التاريخ = TV History". مجلة الزرقاء للبحوث و الدراسات الإنسانية 14, № 1 (2014): 184–99. http://dx.doi.org/10.12816/0020141.

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20

McCarthy, Anna. "Make Room for TV History." European Journal of Cultural Studies 7, no. 2 (2004): 143–46. http://dx.doi.org/10.1177/1367549404042486.

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21

Kristensen, Marie Møller. "At opleve krig i Danmark - et essay." Slagmark - Tidsskrift for idéhistorie, no. 63 (March 9, 2018): 17–30. http://dx.doi.org/10.7146/sl.v0i63.104081.

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How does an individual experience war in Denmark? The author leaves her TV and looks for war and military defences in the city of Copenhagen. The journey takes her to the Museum of Weapons and Defense (the 17th, 18th, and 19th centuries), the Copenhagen Fortification (end of 19th century), and to a subterranean fortress from the Cold War. She asks whether there is peace in Denmark, while we are at war in Afghanistan. She comments on Danish soldiers abroad and veterans and “the secret war on terror”. How do we experience this “war” and how does the civilian experience this “war”? Throughout the essay, the author reflects and comments on different types of war in Danish past and present and, in the end, on the status of the civilian in present wars and conflicts.

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22

Jespersen, Leon. "TheMachtstaatin seventeenth‐century Denmark." Scandinavian Journal of History 10, no. 4 (1985): 271–304. http://dx.doi.org/10.1080/03468758508579069.

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23

Sylvanus, Emaeyak Peter. "A Brief History of TV and TV Music Practice in Nigeria." Muziki 15, no. 1 (2018): 37–57. http://dx.doi.org/10.1080/18125980.2018.1432992.

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24

Johansen, Katinka. "Wind Energy in Denmark: A Short History [History]." IEEE Power and Energy Magazine 19, no. 3 (2021): 94–102. http://dx.doi.org/10.1109/mpe.2021.3057973.

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25

Von Frank, Albert J. "Remember Denmark Vesey." Reviews in American History 29, no. 1 (2001): 40–48. http://dx.doi.org/10.1353/rah.2001.0021.

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26

VALLGÅRDA, SIGNILD. "The History of Medicine in Denmark." Social History of Medicine 8, no. 1 (1995): 117–23. http://dx.doi.org/10.1093/shm/8.1.117.

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27

Tfelt-Hansen, P. "History of headache research in Denmark." Cephalalgia 21, no. 7 (2001): 748–52. http://dx.doi.org/10.1046/j.1468-2982.2001.00242.x.

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28

PETERSEN, KAJ STRAND. "The Late Quaternary History of Denmark." Journal of Danish Archaeology 4, no. 1 (1985): 7–22. http://dx.doi.org/10.1080/0108464x.1985.10589932.

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29

Tfelt-Hansen, P. "History of Headache Research in Denmark." Cephalalgia 21, no. 7 (2001): 748–52. http://dx.doi.org/10.1177/033310240102100702.

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Headache research in Denmark started with the description in 1949 by Dalsgaard-Nielsen of the percutaneous nitroglycerin test. In 1976 Jes Olesen started The Copenhagen Acute Headache Clinic and from that time modern headache research began in Denmark. Specific changes in regional cerebral blood flow during attacks of migraine with aura, spreading oligaemia, were described for the first time in 1980. The first headache classification with operational diagnostic criteria was published in 1988 and used in a Danish population study from 1989. The lifetime prevalence of migraine was 8% in men and 25% in women. An intravenous nitroglycerin test was introduced in 1989 and has been developed as an experimental headache model. In 1993 it was suggested by Jes Olesen et al. that NO supersensitivity could be a possible molecular mechanism of migraine pain. Recent genetic studies have supported the distinction between migraine with aura and migraine without aura. From the middle of the 1980s the pathophysiology of tension-type headache has been investigated and recent results indicate central sensitization in patients with chronic tension-type headache.

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30

Kavanagh, Jacquie, and Adam Lee. "Accessing TV History: Accessing BBC Archives." Critical Studies in Television: The International Journal of Television Studies 5, no. 2 (2010): 68–72. http://dx.doi.org/10.7227/cst.5.2.8.

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31

Burns, R. W., and Albert Abramson. "Books of the Month: TV History." Communication Booknotes 18, no. 9-10 (1987): 84. http://dx.doi.org/10.1080/10948008709488196.

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32

Lersch, Edgar, and Reinhold Viehoff. "Vom Vorwort zum Nachwort – Geschichte als TV-Serie / History as TV-series." SPIEL 2017, no. 1 (2017): 163–72. http://dx.doi.org/10.3726/spiel.2017.01.10.

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33

LAMMERS, KARL CHRISTIAN. "Living Next Door to Germany: Denmark and the German Problem." Contemporary European History 15, no. 4 (2006): 453–72. http://dx.doi.org/10.1017/s0960777306003493.

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This article analyses Danish relations with the two German states. After 1949 Denmark found itself in a special position as the only West European country that was neighbour to both Germanys, having a land border with the Federal Republic and a sea border and important communications links with the German Democratic Republic. But Denmark recognised only the Federal Republic as the legitimate representative of Germany. Germany had historically constituted a serious problem for Denmark, and even in the after-war period Danish relations with its big neighbour were beset with problems. After 1955, when the minority question was settled and Denmark and the FRG were both members of NATO, relations with West Germany improved. Relations with the GDR were much more troubled because Denmark was to an extent forced to bow to West German interests, but could not ignore the existence of the East German neighbour state.

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34

Petersen, Nikolaj. "The gold war and Denmark." Scandinavian Journal of History 10, no. 3 (1985): 191–209. http://dx.doi.org/10.1080/03468758508579063.

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35

Frandsen, Kirsten. "Tour de France in a digital television paradigm." MedieKultur: Journal of media and communication research 39, no. 75 (2023): 032–52. http://dx.doi.org/10.7146/mk.v39i75.138616.

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This article analyses sports events as mega-events with global appeal and increasing socio-economic and cultural significance, and as genres which have now become important in the television industry’s transformation from broadcast to online streaming. It presents findings from a qualitative production analysis of how the Tour de France 2022 was shaped in a twofold strategic context. Genre specific aspects of the media event in the ongoing transformation of the television industry and wider strategic interests behind the hosting and organization of the start of the race in Denmark 2022 are discussed and their intertwinements are described. Based on interviews, documents, observations, screenshots and select broadcasts, the article presents a thematic analysis of how the event in Denmark was shaped in a shared concern for television’s ability to provide exposure of the race and the Danish context and public service broadcaster TV 2’s particular strategic branding interests in the event.

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36

baughman, james l. "The Complications of Early TV." Diplomatic History 29, no. 4 (2005): 739–42. http://dx.doi.org/10.1111/j.1467-7709.2005.00515.x.

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37

Cokley, John. "Review: Media Trends 2006, in Denmark, Finland, Iceland, Norway and Sweden: Radio, TV and Internet." Media International Australia 124, no. 1 (2007): 183–84. http://dx.doi.org/10.1177/1329878x0712400122.

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38

Warburg, Margit. "Forest burials in Denmark." Approaching Religion 13, no. 1 (2023): 73–89. http://dx.doi.org/10.30664/ar.121418.

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Burial in the forest is a recent, non-confessional alternative to the established cemeteries owned and run by the Evangelical Lutheran Church in Denmark. Danish forest burials fulfil common criteria for non-religion and they are an example of institutionalized non-religion. Their non-confessional character is emphasized in the information material directed towards potential buyers of forest burial plots. Forest burials appeal to both non-members and members of the Evangelical Lutheran Church; in fact, nearly two-thirds of those who had a forest burial by the end of 2021 were members of the church. I have participated in seven tours conducted at different forest burial sites, and I have interviewed nearly fifty participants about their motives for considering buying a forest burial plot. In my analyses, I structure the interviews along the three dimensions, knowing, doing, and being. I found that the motives for people to choose a forest burial reflected both non-religious and religious/spiritual considerations. Forest burials exemplify a religious complexity where nature, non-religion, religion, and spirituality intersect. In this complexity, I see the institution of forest burial as a non-religious vessel, which the buyers fill with their individual thoughts and acts.

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39

LUND, JOACHIM. "Denmark and the ‘European New Order’, 1940–1942." Contemporary European History 13, no. 3 (2004): 305–21. http://dx.doi.org/10.1017/s0960777304001742.

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This article explores the meaning and impact of the Nazi concept of a ‘New Order’ for Europe on German-occupied Denmark. The first German civil authority in power in Denmark was the Foreign Ministry, which struggled to conclude an economic union with Denmark in summer 1940. Then Goering's Four-Year Plan and the Reich Economics Ministry took command and economic union was abandoned by Berlin, since a pragmatic, day-to-day approach now prevailed. Other initiatives were taken in order to facilitate Denmark's incorporation in the European New Order, such as the setting up of a ministerial Eastern Committee with the purpose of re-establishing Danish industry in the occupied USSR. The article shows how, in Denmark, German short-term politics actually coincided with long-term plans. Germany's ideas of becoming the economic centre of a self-sufficient continental Europe were closely connected to the idea of securing foodstuffs from its neighbours, and this idea, too, was implemented in spring and early summer 1940, when, after the swift occupation of Denmark and the subsequent severance of its trade with Britain, agricultural exports were diverted to the German market.

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40

Spady, James. "The Denmark Vesey Affair: A Documentary History." History: Reviews of New Books 46, no. 4 (2018): 93–94. http://dx.doi.org/10.1080/03612759.2018.1464321.

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41

Harrits, Kirsten Folke, and Ditte Scharriberg. "Worker education and oral history in Denmark." Socialism and Democracy 8, no. 1 (1992): 113–23. http://dx.doi.org/10.1080/08854309208428123.

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42

Ludvigsen, Peter. "History of the Workers' Museum in Denmark." International Labor and Working-Class History 76, no. 1 (2009): 44–53. http://dx.doi.org/10.1017/s0147547909990068.

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The Workers' Museum in Copenhagen was formally inaugurated on April 12, 1982, at a meeting held at the historic Workers' Assembly Hall at Rømersgade in Copenhagen, the prime location near the Royal Gardens and Rosenborg Palace where the museum is located. At that time the museum had a governing board with representatives of The National Museum, The Museum of Copenhagen, The Library and Archives of the Danish Labour Movement, The University of Copenhagen, the National College of the Danish Confederation of Trade Unions (LO), the Friends of the Workers' Museum, and the General Council of the Federation of Trade Unions.

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43

Lockley, Tim. "The Denmark Vesey affair: a documentary history." Slavery & Abolition 39, no. 1 (2018): 225–26. http://dx.doi.org/10.1080/0144039x.2018.1432530.

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44

Keller, Teresa. "Trash TV." Journal of Popular Culture 26, no. 4 (1993): 195–206. http://dx.doi.org/10.1111/j.0022-3840.1993.2604_195.x.

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45

Tamm, Ditlev. "Law and Protestantism in Denmark." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 102, no. 1 (2016): 406–18. http://dx.doi.org/10.26498/zrgka-2016-0116.

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Abstract This contribution deals with the influence of the Reformation on the law in Denmark. The Reformation was basically a reform of the church, but it also affected the concept of law and state in general. In 1536, King Christian III dismissed the catholic bishops and withheld the property of the church. The king, as custos duarum tabularum, guardian of both the tablets of law, also took over the legislation for the church. Especially in subjects of morals and criminal law new principles and statutes were enacted. Copenhagen University was reformed into a protestant seminary even though the former faculties were maintained. For that task Johannes Bugenhagen was summoned who also drafted the new church ordinance of 1537. In marriage law protestant principles were introduced. A marriage order was established in 1582.

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46

McElroy, Ruth, Jakob Isak Nielsen, and Caitriona Noonan. "Small is beautiful? The salience of scale and power to three European cultures of TV production." Critical Studies in Television: The International Journal of Television Studies 13, no. 2 (2018): 169–87. http://dx.doi.org/10.1177/1749602018763566.

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As television production becomes increasingly global, television studies must advance its understanding of how the global and the local intersect and impact upon the cultures of production. Drawing on original comparative research of three small European nations – Denmark, Ireland and Wales – this article offers empirical insights into the distinct challenges and opportunities for non-Anglophone producers and public service broadcasters (PSBs). The concept of small nations is employed critically to reveal how distinctions of scale and power make a tangible difference to how television is produced and distributed, and to how smaller, national PSBs are trying to secure a sustainable future.

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47

Due‐Nielsen, Carsten. "Denmark and the first world war." Scandinavian Journal of History 10, no. 1 (1985): 1–18. http://dx.doi.org/10.1080/03468758508579053.

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48

Miller, Taylor Cole. "Camp TV: trans gender queer sitcom history." New Review of Film and Television Studies 17, no. 4 (2019): 508–10. http://dx.doi.org/10.1080/17400309.2019.1665244.

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49

Lin, Xiaoqing Diana. "Playing with history and tradition: television educational programs in contemporary China." Media, Culture & Society 42, no. 6 (2019): 823–37. http://dx.doi.org/10.1177/0163443719876623.

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TV educational programs mushroomed in China in the 1990s and beyond. They combined education and entertainment, and for the first time in Communist Chinese history, used TV ratings to determine the continued existence of these programs. This article addresses the predominant focus on history and traditional learning in the lectures at the most famous of these programs, China Central Television’s Lecture Room (baijiajiangtan) since its inception in 2001. Borrowing Pierre Bourdieu’s concept of habitus, it studies how a confluence of state policies, TV station decisions, market imperatives, and educators who presided over the programs created, through storytelling, a modern, open yet culturally conservative world, to keep the audience oriented to modern ideas and practices while deterring excessive individualism or freedom, and a vibrant social milieu favorable to these ideas and practices through audience input via TV program ratings.

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50

Curry, J. "'DISCOVERY HISTORY' TV channel does not infringe 'THE HISTORY CHANNEL'." Journal of Intellectual Property Law & Practice 8, no. 7 (2013): 505–7. http://dx.doi.org/10.1093/jiplp/jpt070.

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