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1

Beardslee, Michael D. "The Dogma of History." Religion & Theology 24, no. 3-4 (2017): 295–320. http://dx.doi.org/10.1163/15743012-02403006.

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This essay considers the role of historiography in doctrinal criticism from a hermeneutical perspective and in light of postcolonial and postmodern criticisms. First, historiography is defined using a Gadamerian typology, providing the basis for an analysis of Kenneth Scott Latourette’s well-respected essay on Christian historiography. This reading of Latourette illuminates the dogmatic nature of the prejudices informing Christian historical scholarship. Finally, these insights are applied to doctrinal criticism, arguing that the relationship between doctrine and historiography is dialectical, rather than one element having dominance over the other. It concludes by suggesting a chastened, “two-tiered” approach to doctrinal criticism capable of responding to the charges mentioned and to current trends in global Christianity.
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2

McH., B., and Dominick LaCapra. "History and Criticism." Poetics Today 7, no. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

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3

Walker, Lawrence D., and Dominick Lacapra. "History and Criticism." American Historical Review 91, no. 2 (1986): 359. http://dx.doi.org/10.2307/1858142.

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4

Docherty, Thomas. "Criticism, history, Foucault." History of European Ideas 14, no. 3 (1992): 365–78. http://dx.doi.org/10.1016/0191-6599(92)90214-w.

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5

Siegel, Katy. "Art, History, and Criticism." Art Journal 71, no. 1 (2012): 5–7. http://dx.doi.org/10.1080/00043249.2012.10791077.

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6

Botstein, Leon. "On Criticism and History." Musical Quarterly 79, no. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.

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7

Shiff, Richard. "On Criticism Handling History." History of the Human Sciences 2, no. 1 (1989): 63–87. http://dx.doi.org/10.1177/095269518900200104.

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8

Leach, Andrew, and Antony Moulis. "History, Criticism, Judgment, Project." Architectural Theory Review 15, no. 3 (2010): 298–311. http://dx.doi.org/10.1080/13264826.2010.524305.

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9

Griffin. "“Comparative Literary History”." Criticism 57, no. 4 (2015): 691. http://dx.doi.org/10.13110/criticism.57.4.0691.

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10

Griffith, R. Drew, and George A. Kennedy. "The Cambridge History of Literary Criticism. 1: Classical Criticism." Phoenix 46, no. 2 (1992): 170. http://dx.doi.org/10.2307/1088477.

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11

Ann Reynolds. "A History of Failure." Criticism 56, no. 2 (2014): 187. http://dx.doi.org/10.13110/criticism.56.2.0187.

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12

KUPRIYANOV, A. "WESTPHALIAN MYTH: HISTORY AND CRITICISM." Analysis and Forecasting. IMEMO Journal, no. 3 (2019): 37–50. http://dx.doi.org/10.20542/afij-2019-3-37-50.

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13

Cunningham, Stuart. "Docker: Criticism, History and Policy." Media Information Australia 59, no. 1 (1991): 27–30. http://dx.doi.org/10.1177/1329878x9105900104.

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14

Williams, Joyce. "Design discourse: History/theory/criticism." Journal of Social and Evolutionary Systems 15, no. 3 (1992): 327–31. http://dx.doi.org/10.1016/1061-7361(92)90014-5.

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15

Triggs, Teal. "Writing Design Criticism into History." Design and Culture 5, no. 1 (2013): 33–38. http://dx.doi.org/10.2752/175470813x13491105785505.

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16

Gibert, John C., and George A. Kennedy. "The Cambridge History of Literary Criticism: Volume I: Classical Criticism." Classical World 84, no. 6 (1991): 514. http://dx.doi.org/10.2307/4350972.

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17

Peradotto, John, and George A. Kennedy. "The Cambridge History of Literary Criticism, Volume I: Classical Criticism." American Journal of Philology 113, no. 3 (1992): 473. http://dx.doi.org/10.2307/295476.

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18

Gotera, V. "Practical Criticism." Radical History Review 1994, no. 58 (1994): 171–74. http://dx.doi.org/10.1215/01636545-1994-58-171.

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19

Ignatova, Irina, and Elena Zubarkina. "Media Criticism in Germany: History and Theory." Theoretical and Practical Issues of Journalism 8, no. 3 (2019): 512–23. http://dx.doi.org/10.17150/2308-6203.2019.8(3).512-523.

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The article is dedicated to the study of the history and theory of media criticism in Germany and the importance of the phenomenon of media criticism for the development and successful functioning of the mass media in German-speaking countries. The theoretical preconditions for the development of media criticism in Germany and its historical stages play an important role in understanding the modern institution of media criticism and the mechanisms of its impact on the recipient. Media criticism has existed since the media themselves appeared, and the existence and emergence of new media is always accompanied by positive or negative feedback on them. The development of the media inevitably leads to their criticism. The article considers media criticism as a global criticism of the media and as a study of individual specific phenomena in the media environment. The estimated role of media criticism is recognized by German-speaking researchers as one of the main functions. And it must be understood that media criticism provides an opportunity for a reasoned discussion about the media, without which neither the existence of the media, nor indeed the society as a whole is possible. Media criticism generates an open discussion and thereby contributes to the enlightenment of society. To some extent, setting norms and standards for the quality of journalism, it forms ethical boundaries of communication, both for journalists and for the audience. The stages of development of media criticism in Germany, described in the article, cover the period from the late 1980s to the present. The main subsystems of mass media are considered: television media criticism, media criticism on the radio, in print media, media criticism in the Internet space. Thanks to this, we get a full picture of the formation and development of media criticism in Germany.
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20

Əflatun qızı Pirəliyeva, Elnurə. "History of the development of epistolary style: from the past to the present." SCIENTIFIC WORK 15, no. 2 (2021): 107–9. http://dx.doi.org/10.36719/2663-4619/63/107-109.

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The first example of epistolary style in world literature is Horace`s Letter to the Pisons. It has been used in the history of Azerbaijani literature in three genres of epistolary style: verse letter, literary letter and open letter. The first example of a poetic letter is in the works of G. Tabrizi in the 11th century by M.F.Akhundov. We meet withopen letters in Akhundov`s works. Open letter is a genre of literary criticsm, verse letter and literary letter are genres of literary criticism. Key words: criticism, epistolary style, verse letter, literary letter, open letter
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21

Ian Mason Kennedy. "Redeeming the Aural: Amodal Resonance and Media History." Criticism 55, no. 3 (2013): 507. http://dx.doi.org/10.13110/criticism.55.3.0507.

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22

Trimpi, Wesley. "The Cambridge History Of Literary Criticism." Ancient Philosophy 12, no. 2 (1992): 505–22. http://dx.doi.org/10.5840/ancientphil199212235.

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23

Jarvie, I. C. "Criticism and the History of Science." International Studies in Philosophy 31, no. 2 (1999): 111–13. http://dx.doi.org/10.5840/intstudphil199931218.

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24

Farkas, Zoltán. "Literary criticism in Psellus’ short history." Acta Antiqua Academiae Scientiarum Hungaricae 48, no. 1-2 (2008): 187–92. http://dx.doi.org/10.1556/aant.48.2008.1-2.21.

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25

Cain, William E., and Vincent B. Leitch. "Writing the History of Literary Criticism." College English 51, no. 3 (1989): 320. http://dx.doi.org/10.2307/377724.

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26

Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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27

Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (1989): 917. http://dx.doi.org/10.2307/3731173.

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28

Hornsby, Joseph, and David Aers. "Medieval Literature: Criticism, Ideology and History." South Atlantic Review 53, no. 1 (1988): 107. http://dx.doi.org/10.2307/3200408.

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29

Martins, Estevão C. de Rezende. "Crisis and criticism of contemporary history." Revista Estudos do Século XX, no. 10 (2010): 85–100. http://dx.doi.org/10.14195/1647-8622_10_5.

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30

McConkey, Matthew. "John Clare: nature, criticism and history." Textual Practice 32, no. 2 (2018): 361–64. http://dx.doi.org/10.1080/0950236x.2017.1420602.

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31

Grishechko, O. S., A. S. Akopova, and E. G. Grishechko. "English linguistic purism: history, development, criticism." Proceedings of Southern Federal University. Philology, no. 4 (2015): 185–92. http://dx.doi.org/10.18522/1995-0640-2015-4-185-192.

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32

Marshall, I. Howard. "Book Review: History, Criticism and Theology." Expository Times 116, no. 2 (2004): 67–68. http://dx.doi.org/10.1177/001452460411600217.

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33

Gunderson, Robert G. "Reflections on history and rhetorical criticism." Communication Education 35, no. 4 (1986): 408–10. http://dx.doi.org/10.1080/03634528609388367.

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34

PYKETT, L. "Literary History and Criticism: General Works." Year's Work in English Studies 63, no. 1 (1985): 1–23. http://dx.doi.org/10.1093/ywes/63.1.1.

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35

DAVISON, P. "Literary History and Criticism: General Works." Year's Work in English Studies 64, no. 1 (1986): 1–30. http://dx.doi.org/10.1093/ywes/64.1.1.

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36

Andrew, Dudley. "Historical Critique and History as Criticism." Camera Obscura: Feminism, Culture, and Media Studies 6, no. 3 (1988): 127–36. http://dx.doi.org/10.1215/02705346-6-3_18-127.

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37

Dancer, Thom. "Literary Criticism: A Concise Political History." Comparative Literature 71, no. 1 (2019): 117–21. http://dx.doi.org/10.1215/00104124-7217100.

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38

Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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39

Gearhart, Suzanne, and Dominick LaCapra. "History as Criticism: The Dialogue of History and Literature." Diacritics 17, no. 3 (1987): 56. http://dx.doi.org/10.2307/464835.

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40

Zohar Weiman-Kelman. "Touching Time: Poetry, History, and the Erotics of Yiddish." Criticism 59, no. 1 (2017): 99. http://dx.doi.org/10.13110/criticism.59.1.0099.

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41

Spellman, Robert L. "The Critic's Delight: Constitutional Protection for Criticism." Journal of Popular Culture 21, no. 3 (1987): 47–61. http://dx.doi.org/10.1111/j.0022-3840.1987.2103_47.x.

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42

Adair-Toteff, Christopher. "Capitalism and criticism." History of the Human Sciences 26, no. 1 (2013): 128–39. http://dx.doi.org/10.1177/0952695113476565.

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43

Colin Dewey. "Crafty Sailors, Unruly Seas: Margaret Cohen’s Oceanic History of the Novel." Criticism 56, no. 4 (2014): 861. http://dx.doi.org/10.13110/criticism.56.4.0861.

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44

Martin, Phyllis M. "Sources and Source-Criticism." Journal of African History 29, no. 3 (1988): 537–40. http://dx.doi.org/10.1017/s0021853700030619.

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45

Gendzier, Irene. "Meditations on Arab History, Criticism, and Culture." Journal of Palestine Studies 18, no. 4 (1989): 135–37. http://dx.doi.org/10.2307/2537504.

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46

Mumovic, Ana. "History of Serbian literary criticism as culture." Godisnjak Uciteljskog fakulteta u Vranju, no. 6 (2015): 297–303. http://dx.doi.org/10.5937/gufv1506297m.

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47

Gunn, Giles, and Rene Wellek. "A History of Modern Criticism, 1750-1950." Poetics Today 8, no. 1 (1987): 205. http://dx.doi.org/10.2307/1773017.

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48

Yoon,Jin-sup. "History and Criticism on Korean Avant-Garde." Korean Bulletin of Art History ll, no. 49 (2017): 7–27. http://dx.doi.org/10.15819/rah.2017..49.7.

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49

Williams, Carolyn D., and Heidi Hutner. "Rereading Aphra Behn: History, Theory, and Criticism." Modern Language Review 90, no. 1 (1995): 147. http://dx.doi.org/10.2307/3733277.

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50

Brown, Calvin S., and Rene Wellek. "A History of Modern Criticism, 1750-1950." Comparative Literature 40, no. 1 (1988): 67. http://dx.doi.org/10.2307/1770644.

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