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Relevant bibliographies by topics / History theory

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Dissertations / Theses

Academic literature on the topic 'History theory'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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Dissertations / Theses on the topic "History theory"

1

Duncan, John C. "Nature, history and critical theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/NQ33530.pdf.

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2

Золотова, Світлана Григорівна, Светлана Григорьевна Золотова, Svitlana Hryhorivna Zolotova, and V. V. Petrov. "The history of coding theory." Thesis, Видавництво СумДУ, 2008. http://essuir.sumdu.edu.ua/handle/123456789/16065.

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3

Halsall, Francis. "Art, art history and systems-theory." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/5392/.

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4

Smartt, Elizabeth Thalhimer. "Thalhimers Department Store: Story, History, and Theory." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1447.

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This thesis looks at Thalhimers department store through the lenses of story, history, and theory. It first introduces the intertwining narratives of the author's paternal family and the store's history, then shares the author's personal story of Thalhimers. The second half outlines the master narrative of the American department store then applies "fantasy-theme analysis" and the symbolic convergence theory to stories and artifacts related to Thalhimers. A conclusion discusses the end of the department store era including a deeply personal goodbye from the author.

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5

Fisher, Patricia. "Evaluating financial education : history, theory & application." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1181157357.

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Thesis (M.S.)--Ohio State University, 2003.<br>Co-advisors: Jonathon Fox and Sharon Seiling, Dept. of Family Resource Management. Includes bibliographical references (leaves 100-104). Available online via OhioLINK's ETD Center

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6

Rockhill, Paul Hunter. "The Reception Theory of Hans Robert Jauss: Theory and Application." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5153.

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Hans Robert Jauss is a professor of literary criticism and romance philology at the University of Constance in Germany. Jauss co-founded the University of Constance and the Constance group of literary studies. Hans Robert Jauss's version of reception theory was introduced in the late 1960s, a period of social, political, and intellectual instability in West Germany. Jauss's reception theory focused on the reader rather than the author or text. The original reception of a text was compared to a later reception, revealing different literary receptions and their evolution. Jauss's Rezeptionsgesch

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7

Riedel, Marion, and Tino Schwarze. "Machine Translation (MT) - History, Theory, Problems and Usage." Universitätsbibliothek Chemnitz, 2001. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-200100437.

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8

Shand, Ryan John. "Amateur cinema : history, theory and genre (1930-80)." Thesis, University of Glasgow, 2007. http://theses.gla.ac.uk/4923/.

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This thesis, Amateur Cinema: History, Theory, and Genre (1930-1980), draws largely on primary material from the Scottish Screen Archive and related museum sources. The project establishes a critical dialogue between university-based Film Studies and the archive sector, via a series of case studies of influential groups, individuals, and movements. Prefaced by a chapter entitled 'Theorising Amateur Film: Limitations and Possibilities' detailing the domination of amateur cinema studies by discussion of the 'home mode', I suggest that work to date has obscured an understanding of films made by ci

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9

Carvalho, Mario Estevao. "An intellectual history of modern city planning theory." Thesis, University of Edinburgh, 1986. http://hdl.handle.net/1842/18082.

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10

Smith, Othniel Elias. "The playwright as filmmaker : history, theory and practice." Thesis, University of South Wales, 2006. https://pure.southwales.ac.uk/en/studentthesis/the-playwright-as-filmmaker(9f13bb19-e3bb-4512-987d-e1881ae0ef14).html.

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The central hypothesis of this study is that where playwrights have succeeded as film directors, it is as a result of building on those qualities which make them effective as authors within theatre. After establishing the existence of a substantial body of work by a variety of playwright-filmmakers upon which to draw, I review the literature examining the relationship between theatre and film. Following on from this, I critically assess the status of the author within film theory, as a means of justifying my approach to the analysis of relevant film texts. The next stage of my research involve

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