Academic literature on the topic 'Hit magazine'
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Journal articles on the topic "Hit magazine"
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Pabst, Philipp, and Hannah Zipfel. "„Bye SPEX! What’s next?“ Zur Historisierung einer Pop-Kulturzeitschrift." Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, no. 1 (June 4, 2020): 135–49. http://dx.doi.org/10.1515/iasl-2020-0008.
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AbstractIn 2018, the crisis of print media hit German pop journalism hard. Following Groove, Intro and Melodie und Rhythmus, Spex – the most influential magazine of German pop journalism – too ceased production. This article examines the history of Spex as one fraught with frequent endings and crises – a process that ultimately led to the self-historicization of the magazine.
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Priatna, Priatna. "Mengapa Pembaca Berlangganan Majalah Berita?" Jurnal Pewarta Indonesia 1, no. 2 (October 11, 2019): 115–32. http://dx.doi.org/10.25008/jpi.v1i2.15.
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Publishing industry is a business that relies on the advertising and circulation. As part of it, the print magazine industry’s total revenue mainly is received from its subscription and retail. As the rapid development of online media nowadays, the print magazine company is hit hard. Its revenue were decreased, especially from both revenue sources. On the side of online media, the total revenue is growing significantly. Although the percentage growth is only about 10% at the moment, the figure continues to grow. Although the trend in recent years continues to decline, the print magazine company still depend on its business to generate greater revenue. In the same time, they develops its digital media business. Several theoretical studies and previous research revealed how to maintain the print magazine business. One of it says that publishers should enlarger the number of customers compared to retail buyers, because the growing number of subscribers could give the assurance for its revenue. In the long run, it could bring more power to the company to survive. For this reason, this study aims to determine the factors that affect the magazine readers to subscribe. The method used quantitative approach by relying on the survey through questionnaires. The data processing tools were using Excel, SPSS 16 and Structural Equation Model (SEM). The result of this study is, service quality of the magazine publisher become the most dominant factor that attract people to subscribe. Then it followed by customer service quality, physical magazine quality, corporate reputation and brand, price, objectivity and promotion.
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Bal, Abhijit M. "Hit for six: BMJ needs to decide whether it is a journal or magazine." BMJ 328, no. 7454 (June 17, 2004): 1500.1. http://dx.doi.org/10.1136/bmj.328.7454.1500.
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Fleming, Tyler, and Toyin Falola. "Africa's Media Empire: Drum's Expansion to Nigeria." History in Africa 32 (2005): 133–64. http://dx.doi.org/10.1353/hia.2005.0008.
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Publishing in Africa remains so difficult an enterprise that many publishers have collapsed, their dreams disappearing with them. This is especially true of the print media, particularly newspapers and magazines. During the past century, many magazines and newspapers failed to establish a loyal readership, keep costs down, insure wide circulation, or turn a huge profit. Consequently, not many African magazines can be viewed as “successful.” Drum magazine, however, remains an exception.In 1951 Drum, a magazine written for and by Africans, was established in South Africa. Drum enjoyed a great deal of success and is now widely recognized as having been a driving force in black South African culture and life throughout the 1950s and 1960s. In the South African historiography Drum has been thoroughly researched. The magazine's impact on South African journalism, literature, gender configurations, African resistance, and urban South African culture has been documented and often lauded by various scholars. Many former members of the South African edition's payroll, both editors and staff alike, have gone on to become successes in literature, journalism, and photography. Often such staff members credit Drum for directly shaping their careers and directly state this in their writings. Consequently, Drum is often associated only with South Africa. While Drum greatly influenced South Africa, its satel¬lite projects throughout Africa were no less important. These satellite projects cemented Drum's reputation as the leading magazine newspaper in Africa and each edition became fixtures in west African and east African societies.
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Parker, Martin. "Reading the charts – making sense with the hit parade." Popular Music 10, no. 2 (May 1991): 205–17. http://dx.doi.org/10.1017/s0261143000004517.
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One of the formations which helps to shape the meaning of modern pop music is the charts. In theory, the charts define the most popular of popular musics, the goal, the pinnacle of success. Both professionals and audience dedicate large amounts of time and money to producing and consuming this series of comparative market histories produced at rapid and regular intervals. Technology is bent to the service of the research in order that the figures be produced more quickly and with the appearance of accuracy. But why should we be interested in the Top 40 itself rather than its music? Writers on pop have provided us with some detailed descriptions of the charts (Frith 1978; Harker 1980; Wallis and Malm 1984; Street 1986), but few have noted that this level of consumer obsession with sales figures is almost unique to the record industry. Consumers of other commodities do not usually consult a specialist book or magazine in order to discover the past sales history of their favourite brand, nor do they listen to particular radio stations in order to ascertain the best selling product of the week. Why then should the sales results of EMI, Polygram, WEA and others be of interest to their consumers when the same data about multi-national corporations in other market sectors are primarily of interest to market insiders and analysts? An important caveat needs to be added in that popular music is now not the only type of cultural production that foregrounds sales figures. More recently popular literature (the ‘Bestsellers List’), video and films have all begun to use this format but in none of these cases is the chart as central as it is with pop music.
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Saito, Fumihiko. "A fragile seed of social and solidarity economy in post-disaster affected areas of Tohoku, Japan." Revista Calitatea Vieții 31, no. 2 (2020): 97–114. http://dx.doi.org/10.46841/rcv.2020.02.01.
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The world today faces a series of crises, and many observers have started to realize that the root cause of these crises is market capitalism. In such a context, the triple disasters of earthquake, tsunami, and nuclear power plant accident hit the north-eastern part of Japan on 11 March 2011. “3.11” has accelerated the long-term structural changes of rural Japan such as depopulation. Nine years since the disasters, one positive sign is the emergence of networks between producers and consumers who are now reciprocally connected. This article pays particular attention to a new monthly delivery package of magazine and food called, Tohoku Food Communication (TFC), first released in July 2013. The experiences of TFC can be interpreted as a fragile yet significant seed to promote social and solidarity economy (SSE). This paper critically examines both possibilities and limitations of SSE, which may contribute to making our society more sustainable than now. Keywords: “3.11”; natural disaster; Tohoku Food Communication (TFC); social and solidarity economy (SSE); sustainability.
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O'Donnell, Catherine. "Magazines and the Making of America: Modernization, Community, and Print Culture, 1741–1860." Business History Review 91, no. 2 (2017): 377–81. http://dx.doi.org/10.1017/s0007680517000721.
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Someone could go a long way toward telling the story of my life through its magazines: the Highlights my parents gave me, determined that my small self should be as entertained and enlightened as possible; my grandparents’ neatly collected Readers’ Digests, which I eagerly read until learning my freshman year in college that they were hopelessly bourgeois; the New Yorkers I loved and displayed in my graduate student apartment, the Vanity Fairs I loved and hid under the bed. Magazines tell the story of who I was supposed to be and who I wanted to be. Or perhaps they don't; how much of what the magazines meant to me is visible in the historical record? I didn't purchase all that I read, after all, nor did I read all that I purchased. A magazine I loved one year might embarrass me the next, and then find its way back into favor, my subscription all the while remaining unchanged. Magazines, in short, are both perplexing and promising subjects of analysis, with the question of how they create communities of readers posing perhaps the most promising and perplexing question of all.
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Rip, Berber. "Uitgelicht: Het Bedrijfsmaatschappelijk werk Magazine." Vakblad Sociaal Werk 18, no. 2 (April 2017): 42–43. http://dx.doi.org/10.1007/s12459-017-0036-3.
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Purba, Eni Tiganni, Siti Kudriyah, and Jujur Siahaan. "DIE NOMINALISIERUNG IN DER DEUTSCHEN UND INDONESISCHEN SPRACHE IM VERGLEICH." STUDIA Jurnal Pendidikan Bahasa Jerman 7, no. 1 (May 7, 2019): 111. http://dx.doi.org/10.24114/studia.v7i1.9952.
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AUSZUGDas Ziel dieser Untersuchung ist es, die Nominalisierung aus den Adjektiven und aus den Verben in der magazin “Bild der Frau”Edition April/Mai Nr.2 2017 und Dezember Nr.49.2017. In dieser Untersuchung wird die deskriptive qualitative Methode verwendet. Die Datenquelle dieser Untersuchung ist die Nominalisierung aus den Verben und Nominalisierung aus den Adjektive verwendet. Die Untersuchung verwendete die Tecknik der Datensammlung, um die zu kennen, zu markieren, zu versammeln, zu analysieren, und zu Vergleichen mit den angesammelten die Nomen zu verallgemeinen. Die Ergebnisse dieser Untersuchung gibt es 222 die Nominalisierung, darunter sind 156 die Nominalisierung aus den Verben und 66 die Nominalisierung aus den Adjektiven. Das Ergebnis zeigt, dass die Nominalisierung aus den Verben mit dem Suffixen; -ung, -er, -ion/tion, -nis, -n gebildet werden. Die Nominalisierung aus den Adjektiven mit dem Suffixen; -keit, -heit, -nis, -tät, -schaft gebildet werden. Schlüsselwörter : Die Nominalisierung, Magazine“Bild der Frau”
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Cibes, Margaret. "The Sierpinski Triangle: Deterministic versus Random Models." Mathematics Teacher 83, no. 8 (November 1990): 617–21. http://dx.doi.org/10.5951/mt.83.8.0617.
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Recently a book on mathematics—Gleick's Chaos: Making a New Science (1987)—hit the best-seller lists and bookclub catalogs. Graphics displays on the subject have found their way into art galleries and magazines.
Dissertations / Theses on the topic "Hit magazine"
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Johnson, Tova Joanna. "Performances of Black Female Sexuality in a Hip Hop Magazine." W&M ScholarWorks, 2008. https://scholarworks.wm.edu/etd/1539626546.
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Legge, Janet Helen. "Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1005956.
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Cosmopolitan and For Him Magazine (FHM) are, at present, both the most widely read and, therefore, the most popular "white" consumer magazines in South Africa. They both appeal to young audiences of between 18 and 34 years of age, approximately, and target middle-class, educated groups of readers. My interest in Cosmopolitan and FHM lies in their ability to influence and shape their readers' actions, values, identities and relationships, in particular with the other gender. My analysis is focused on the cover pages and the Editor's letters of six copies of each magazine, ranging from April to September 2003, providing me with a corpus of 12 cover pages and 12 Editor's letters. I adopt a critical perspective through the use of Fairclough's (1989) Critical Discourse Analysis, supported by Mills (1995) Feminist Stylistics, McLoughlin's (2000) textual analysis of cover pages and Kress & van Leeuwen's (1996) visual analysis tools. By combining these different methodologies my research falls into what is newly termed Feminist Critical Discourse Analysis (Lazar 2005). The cover page analyses used primarily McLoughlin and Kress & van Leeuwen and provides an element of pure genre analysis, while the analysis of the Editor's letters were subject to Fairclough's three inter-related stages of analysis, namely: a Description of the formal textual elements of the letters, an Interpretation which analyses the processes of text production and interpretation, and lastly an Explanation of the socio-historical context. Through an analysis of these magazines, whose interests are being served and how the readers are shaped and positioned by the magazines can be identified. My analyses revealed conflicting discourses within each magazine, however it was Cosmopolitan that revealed more tension and conflict in terms of identifying and representing women, while FHM subscribed, for the most part, uniformly to the "new lad" ideology. However, while Cosmopolitan attempted to show a forward-thinking and emancipatory view of the roles of men and women in society, both magazines covertly sustain patriarchal dominance and hegemonic masculinity. In conclusion, I reveal the need for consumers of the mass media to become more critically aware of the ideologies that are promoted through the differing tools of the media and that only through this critical awareness can any further movement towards equal relations between men and women be made.KMBT_363
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Conor, Joyce. "Carl Einstein in the magazine Documents (1929-1930) and his collaboration with Georges Bataille." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313063.
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Embretsén, Hanna, and Maria Palmberg. "En enfärgad regnbåge : Hur den homosexuella normen formas i HBT-magasinet QX." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24076.
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The HBTQ-society is not a homogeneous group; it contains a range of different sub-groups. QX is Sweden’s biggest magazine aimed at members of the HBTQ-society. The purpose of this study is to analyze if the magazine is more directed towards gay men or women – both by examining how many men versus women appear in QX, but also by looking at the different ways in which the articles are more relevant to either men or women, such as by tone, language or choice of subjects. In this study, we have analyzed twelve issues of QX, from January 2012 to December 2012, in order to get the most current results as possible. We used a quantitative content analysis when examining the division of men and women, and a qualitative analysis to investigate the direction towards each gender in the texts. Identification and power have been significant theories with which to analyse the results. The study clearly shows that QX is more aimed towards homosexual men rather than women, despite its claim to be gender neutral. During 2012, 66 % men and 34 % women appeared in QX. It was also discovered that more articles were aimed at gay men rather than women. The results support the theory that lesbian women could feel excluded from the HBTQ-society by reading QX. Since role models are crucial in the process of identification – and gay women access less of them than gay men – lesbians have a disadvantage in finding representation and identification in QX, which is unequal and therefore a problem.
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Peterson, Ashley Shiels. "Standing at the crossroads of progress and pessimism: HIV/AIDS coverage in African American magazines and its relevance for female readers." Thesis, University of Iowa, 2009. https://ir.uiowa.edu/etd/258.
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African American women's HIV incidence rates are disproportionately higher than other population groups in the United States. Social cognitive theory concepts were used to perform a quantitative content analysis of the magazines Essence, Ebony, and Jet, which are sources of health information and vicarious learning, to evaluate the quality of the HIV/AIDS prevention messages for 2000 to 2006. The data reveal some positive reflection of health messages, but many articles focus more on dramatic risk factors and less on providing useful information and proposed behaviors for African American women. Environmental risks and gender-specific risks are not emphasized. The public health community should use the media messages that are already present to build a media advocacy campaign that provides more comprehensive information and bring about social change.
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Steinebach, Mario, Christine Häckel-Riffler, Antje Brabandt, Janine Mahler, Michael Chlebusch, Thomas Doriath, Nicole Leithold, Jana Klein, and Sara Rodefeld. "TU-Spektrum 3/2006, Magazin der Technischen Universität Chemnitz." Universitätsbibliothek Chemnitz, 2006. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200602090.
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Hermansson, Emilie, Stina Held, and Kristin Ekstrand. ""Gör om min tråkiga rullstol" : Framställningen och förekomsten av hbt-personer, invandrare och personer med funktionshinder i livsstilsmagasin ." Thesis, University of Kalmar, School of Communication and Design, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-1229.
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The purpose of this thesis was to study how four swedish lifestyle magazines: Veckorevyn and Cosmopolitan for women, King and Café for men, represent three groups of people and how often these people appear in the magazines. These groups are HBT, homosexuals, bisexuals and transsexuals, disabled and immigrants. The years we studied were 2007 and 2008.
Our main questions were: How often do the three groups appear in the four magazines? How are the groups represented? In order to answer these questions we used a qualitative analysis. We used tools from semiotics, narratology and discourse. We also used a quantitative analysis in order to find out how often the groups appeared.
We based our study on theories about representation, stereotypes, social construction, identity and masculinity. We chose these theories because the magazines used this to present their stories about the groups, in a social constructed world. These theories helped us to analyze our results and gave a deeper meaning to our conclusions.
Our results showed that all groups appear very little in the magazines. We found that all groups except for immigrants are stereotyped in well-known patterns. Disabled persons are often represented as heroes. We also found that HBT- persons often are stereotyped and appear in articles where sex and relationships is the main subject. Many of the immigrants are famous and they are portrayed as themselves and as “one of us”.
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Scott, Robert James. "The best a man can get? : an analysis of the representation of men within group situations in the advertising copy of Men’s Health and FHM from December 2006 through May 2007." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013576.
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This study examines the production of masculinity in the advertisements of South Africa’s two most popular men’s lifestyle magazines, FHM and Men’s Health. I specifically focus on advertisements, as I argue that they play a crucial role in the re‐production of prominent discursive formations. Informed by a poststructuralist framework this study adopts Foucault’s notions of discourse, power and the constitution of the subject. Gender is conceived of within power relations, with a hierarchical relationship between masculinities and femininities. The gendered subject is also viewed as being constantly in process and being constructed performatively through material forms of practice. Focusing on group representations to establish gender hierarchies, I argue that these representations of people are performative acts, hailing the subjects who view them and producing reality through discourse. Hegemonic masculinity, which is argued to be prominent in advertising, is located at the highest point in the gender hierarchy. However, there is not one universal hegemonic masculinity, for it can vary across three discrete political contexts: the local, which is constructed in the immediate face‐to‐face interactions of families, organisations and social structures; the regional, which is constructed at the level of culture or the nation state; and the global, which is constructed in supra‐national locations. In the advertisements of FHM and Men’s Health there is interplay between the latter two as global and regional brands both advertise in these magazines. To investigate the portrayal of masculinities in these publications, this study first undertakes a content analysis to survey the “general landscape” of representation in the advertisements and then performs a critical discourse analysis to uncover “thick description” of the production of masculinity. The content analysis, finds that the advertisements in the sample validate both white and heterosexual forms of masculinity. The sample is comprised mostly of white males, white females and black males, generally proposing forms of hegemonic masculinity, emphasised femininity and complicit masculinity respectively. The representation of white males and black males is different both in terms of the frequency of representations and in the types of representations. I argued that a certain tension inhabits the resulting representations, which try to be inclusive of a multi‐racial South Africa, yet do so within a clearly hierarchical structure. An in‐depth analysis of eight texts, informed by Fairclough’s model of critical discourse analysis and Kress & van Leeuwen’s framework for visual analysis, finds similar results to the content analysis while providing insight into how various discourses produced the representations, particularly within non‐narrative advertisements.
Books on the topic "Hit magazine"
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Les mots anglais dans un magazine de jeunes: (Hit-magazine, 1972-1979). Frankfurt am Main: P. Lang, 1986.
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1956-, Mandelsberg Rose G. Hit men: From the files of True Detective magazine. New York: Pinnacle Books, 1994.
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Favaro, Alice. Después de la caída del ‘ángel’. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-416-5.
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Ángel Bonomini was born in Buenos Aires in 1929 where he lived until his death at the age of sixty-four in 1994. He worked for various newspapers and magazines as an art critic and translator, but always maintaining his literary activity. He inherited the tradition of the Argentine fantastic and was a prolific writer: his production includes essays, poems and fantastic tales.Although he lived in a period of great cultural splendor and his literary talent was recognised by authors such as Borges and Bioy Casares, he fell into an unexplained oblivion, disappearing quite early from the contemporary intellectual environment. His first poems, which date back to the 1950s, were published in Sur magazine and some of his tales were included in well-known anthologies of fantastic literature.Among his collections of poems there are: Primera enunciación (1947), Argumento del enamorado. Baladas con Ángel (1952) written with María Elena Walsh, Torres para el silencio (1982) and Poética (1994). In 1972 he achieved great success with the publication of his first collection of fantastic tales, Los novicios de Lerna, followed by the publication of other books: Libro de los casos (1975), Los lentos elefantes de Milán (1978), Cuentos de amor (1982), Historias secretas (1985) and Más allá del puente (1996), posthumously published.A particular use of the fantastic characterises his work and distinguishes him from his contemporary authors. In his tales there is a continuous contrast between metaphysics and existentialism; in this way, he makes a deep investigation of the reality and, at the same time, he tries to go beyond it.This volume aims to analyse some emblematic tales by Bonomini in which it is possible to find the main topoi of Argentine fantastic and to understand why the author’s literary work is worth studying.
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General Sharon's war against Time magazine: His trial and vindication. New York: Steimatzky/Shapolsky, 1985.
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The man in the Mirror: William Marion Reedy and his magazine. Columbia: University of Missouri Press, 1998.
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White, Theodore H. Theodore H. White at large: The best of his magazine writing, 1939-1986. New York, NY: Pantheon Books, 1992.
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Bernstein, Samuel. Mr. Confidential: The man, his magazine & the movieland massacre that changed Hollywood forever. New York: Walford Press, 2006.
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Collection, Gerald Locklin. Gerald Locklin: An index to his work in Little Poetry Magazines, 1960-2000. [Long Beach, Calif.]: University Library, California State University, Long Beach, 2000.
Find full textBook chapters on the topic "Hit magazine"
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Pekar, Thomas. "Psychoanalysis in Chinese Exile. A. J. Storfer and His Magazine Project Gelbe Post." In Sino-German Encounters and Entanglements, 319–36. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73391-9_13.
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Ladrón de Guevara, Pedro Luis. "La Spagna di Claudio Magris, Claudio Magris in Spagna. Primo approccio al mondo ispanoamericano." In Biblioteca di Studi di Filologia Moderna, 159–76. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.17.
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Magris appears so often in the Spanish national press as to make it nearly impossible to be exhaustive. It is very difficult and complicated to talk about Claudio Magris’ presence in Spain and the presence of Spain in his journalistic articles within a limited space. Therefore, the current essay focuses on some of his most important contributions, starting with his first interventions and relationships with the main newspapers, magazines and writers, as well as the editions of volumes in Castilian and Catalan, and the awards he has won. Magris is a fundamental point of reference for the intellectual world in Spain, where he is never perceived as a foreigner, let alone a stranger.
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"Molly Hatchet: Celebrity Rate a Record Hit Parader Magazine." In The Rock History Reader, 229–32. Routledge, 2012. http://dx.doi.org/10.4324/9780203086612-49.
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Dawson, Alexander S. "1971." In Peyote Effect, 121–33. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520285422.003.0011.
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We return to Mexico in this chapter, exploring the particular fallout for the psychiatrist Salvador Roquet after peyote was outlawed in Mexico in 1971. This ban grew out of circumstances that mirrored those in the United States: a growing fear among conservatives that non-indigenous youths were increasingly consuming drugs, as well as a sense that this marked a civilizational crisis. Hippy sensibilities offended older, middle-class Mexicans, who often rendered their disgust by lamenting that Mexican youths were, in effect, becoming Indian through their embrace of psychedelics. Dr. Roquet, who was himself no fan of the hippies and who insisted that many of his patients were former drug abusers, became a victim of this anxiety. Continuing to work with these drugs after they were banned, he relied on the goodwill of friends in the government to keep his practice viable. This arrangement collapsed in 1974, after an article in the magazine Tiempo accused Roquet of being a drug-pedaling degenerate (Roquet insisted that the article was a hit-piece, placed by enemies in the psychiatric profession who were jealous of his success). Roquet would spend several months in jail after being arrested in November 1974, but he was ultimately released without charge.
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Adams, Jade Broughton. "Not ‘a Sincere and Yet Radiant World’ but ‘Trashy Imaginings’ – Representations of Popular Culture in Fitzgerald’s Short Fiction." In F. Scott Fitzgerald's Short Fiction, 1–29. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474424684.003.0001.
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This chapter discusses Fitzgerald’s conflicted relationship with popular culture in the interwar period from 1918 until his death in 1940. Magazines like the Saturday Evening Post were lucrative, and helped Fitzgerald to establish his early flapper ‘brand’, but he was often wary of being identified with these commercial magazines. Fitzgerald carefully uses references to popular culture in order to disrupt our expectations of his lyrical style as well as the established magazine short story conventions of the 1920s and 1930s. By using such experimental techniques whilst also courting a mass audience, Fitzgerald can be seen pursuing literary acclaim as well as financial security: joint aims that he harboured throughout his career. This chapter shows how Fitzgerald uses parody to shed new light on popular cultural forms of the period, as well as to interrogate the concept of leisure in a period in which there was a great upheaval of cultural values. He identifies with black entertainers and African American culture as a means of theorizing his own relationship with the entertainment industry. His use of parody enables him to navigate fluidly between popular and ‘high’ culture, and to undermine commercial magazine formulae, whilst establishing his own brand of literary modernism.
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Compton, John W. "Inventing the Old-Time Religion." In The End of Empathy, 144–68. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190069186.003.0007.
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This chapter examines the founding and rise to prominence of Christianity Today, the most important religious magazine of the 1960s and 1970s. It details the magazine’s founding by the revivalist Billy Graham and his father-in-law L. Nelson Bell, both of whom envisioned a periodical that would target ministers with a mix of theological content and conservative political commentary. With financial backing from J. Howard Pew and long list of conservative businessmen, the magazine soon outpaced its liberal rivals; and under the editorial guidance of Carl Henry, a noted theologian, it developed a novel critique of mainline religious authority that may well have exacerbated the divide between mainline elites and average churchgoers. Yet Henry’s insistence that evangelicals were obligated take notice of social problems such as racial discrimination ultimately created an inbridgable rift between the magazine’s editor and its financial backers, and in 1967 Henry was forced to relinquish his post.
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Parfect, Ralph. "Roger Fry, Chinese Art and The Burlington Magazine." In British Modernism and Chinoiserie. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748690954.003.0004.
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The Burlington Magazine for Connoisseurs was founded in 1903 by a group of art theorists, scholars and historians that included Roger Fry, later a co-editor of the magazine for almost ten years (1909-1919). On Fry’s death in 1934, the magazine itself described him as ‘the man who in the past did most to establish it and mould its character’. Part of this character was a consistent attention to Chinese art that he shared with fellow Bloomsbury writers, artists and intellectuals. This chapter illuminates Fry’s practice as a theorist and an editor interested in the arts of China by examining how these were represented and discussed in the Burlington Magazine under his auspices. It focuses especially on the kinds of language, discourse and textual strategies of sinophile contributors such as Arthur Waley, Lawrence Binyon, Perceval Yetts and R.L. Hobson. The chapter locates their approaches to Chinese art within a longer-term Western historiography of China and its culture(s), as well as within late-nineteenth and early-twentieth century discourses such as aestheticism, scientism and orientalism. It thus attempts to unpack the ideological implications of the ‘connoisseurship’ professed by the magazine’s title as applied to the subject of Chinese art.
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"THIRTEEN. 'The Editor' and His Magazine." In Arthur Irwin, 199–212. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781487576592-016.
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Ellis, William E. "From the “Boss” to the “Chief”." In Irvin S. Cobb. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813173986.003.0010.
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After his career move from the Saturday Evening Post to Cosmopolitan magazine, owned by William Randolph Hearst, Cobb continued to win awards for his brilliant storytelling. - A man who took great pride in his accomplishments, Cobb apparently cared little about critical approval; his only goal was to satisfy his reading public—the vast middle class that read poplar magazines and novels. Ellis reveals Cobb’s close relationship with his daughter Buff, who also pursued a writing career. Much of the chapter, however, focuses on Cobb’s writing in the mid to late 1920s as he continued to do what he did best—turning out popular and predictable articles and stories for Hearst publications. Cobb was one of the highest paid writers of his time.
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"Harry Middleton." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd, 443–47. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0065.
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Harry Middleton’s life was a rootless one. Born in Frankfurt, Germany, where his father was stationed in the United States Army, Middleton was reared on a series of army bases. After attending college at Louisiana’s Northwestern State University (majoring in English) and Louisiana State University (earning an MA in history in 1973), he spent twenty years living in New Orleans, Birmingham, and Denver. He chiefly supported himself by writing for magazines. In addition to this physical rootlessness, Middleton also struggled with depression, which was exacerbated when he was let go by the magazine publishing house for which he had been writing and editing....
Conference papers on the topic "Hit magazine"
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Sabella, Maria Paola. "Le Corbusier et Christian Zervos dans Cahiers d’art." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1018.
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Abstract: The search has as purpose to notice the importance of Christian Zervos (Argostoli 1889 – Paris 1970), a greek art historian and founder of the magazine and publishing house Cahiers d’art, that lived in Paris from 1907 to the end of his life) with Le Corbusier, inserted in the contest of Cahiers d’art. The exceptional versatility of Zervos’s mind had allowed him to realize, through Cahiers d’art, a intellectual environment that exceeded the ordinary publishing house of that period, beacuse it was enchanted and nourished by all sector of knowledge. Zeros, inside the Cahiers d’art, made Le Corbusier protagonist of the section of Architecture, that submits to Sigfried Giedion. In fact since the first number of Cahiers d’art the work of Le Corbusier was broadly taken in examination. The articles related to the work of the Architect have gone since 1926 to 1954; the themes that touch these texts can be separate in four major topics: design, private house, great public buildings, painting. La recherche a le but de relever l’importance de Christian Zervos (Argostoli 1889-Parigi 1970), historien de l’art et fondateur des Éditions Cahiers d’art, qui vécut à Paris depuis 1907 à sa mort, et Le Corbusier, insérée dans le contexte de Cahiers d’art. L’exceptionnel éclectisme de Zervos a permis de réaliser dans Cahiers d’art un excellent milieu intellectuell qu’il va au-delà des Éditions, car uni et nourri par chaque domaine de la connaissance. Dans les Cahiers d’art, Zervos rend Le Corbusier le protagoniste de la section d’architecture, soignée par Siegfried Giedion. Keywords: Cahiers d’art; Christian Zervos; projects. DOI: http://dx.doi.org/10.4995/LC2015.2015.1018
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Moreno Moreno, María Pura. "L’Architecture Vivante y Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.929.
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Resumen: Las publicaciones especializadas de arquitectura facilitan la difusión de ideas, métodos y técnicas del período concreto de su existencia. Sus contenidos, analizados al cabo del tiempo, conforman un atlas de pensamiento capaz de enmarcar la interpretación social de un contexto espacio-temporal bajo el prisma de lo constructivo. Jean Badovici funda en 1923, junto al periodista Christian Zervos, la revista L’Architecture Vivante (1923-1933) editada por Albert Morancé. La aparición en sus páginas de una arquitectura técnicamente bien definida, acompañada de reseñas redactadas con rigor crítico por su director, o por los propios autores de las obras, hicieron de ella un instrumento prestigioso de propagación de las nuevas ideas entre el público profesional. Una relectura contemporánea de los textos y proyectos publicados, permite detectar el itinerario intelectual llevado a cabo por sus responsables respecto al convulso y cambiante entorno arquitectónico europeo en el que fijaron su mirada. En esa evolución, manifestada en apenas el período de una década, hay que subrayar el protagonismo adquirido por la obra de Le Corbusier que, a partir del cierre de L’Esprit Nouveau en 1925, no dudó en considerarla una excelente herramienta de exposición al debate de sus ideas, incluyendo en ella los proyectos y escritos realizados en pro de una arquitectura moderna. Abstract: The specialized publications in architecture facilitate the diffusion of ideas, methods and techniques of the particular period of its existence. Its contents, analyzed over time, make up an atlas of thought capable of framing the social interpretation of a spatial-temporal context under the prism of the constructive. Jean Badovici founded in 1923, together with the journalist Christian Zervos, the magazine L'Architecture Vivante (1923-1933), edited by Albert Morancé. The appearance on its pages of an architecture technically well- defined, accompanied by critiques written with critical rigor by its director, or for the authors of the works, they did of her a prestigious instrument of spread of the new ideas among the professional public. A contemporary revisiting of the texts and published projects, allows to detect the intellectual itinerary carried out by its persons in charge with regard to the convulsed and changeable European architectural environment in which they fixed its look. In this evolution manifested, in just the period of a decade, we must emphasize the prominence given to the work of Le Corbusier who, from the closure of L'Esprit Nouveau in 1925, did not hesitate in considering it as an excellent tool for exposure to the discussion of his ideas, including in it projects and writings made for a modern architecture. Palabras clave: Le Corbusier; L’Architecture Vivante; Jean Badovici; revistas; arquitectura. Keywords: Le Corbusier; L’Architecture Vivante; Jean Badovici; magazines, architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.929
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Fuster pérez, Jaime. "La edición fotográfica en Ramón Masats." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.
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Resumen-Abstract El Premio Nacional de fotografía 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), ha sido considerado como un fotógrafo intuitivo. Sin embargo, un detenido estudio de sus fotolibros y ensayos fotográficos publicados en las revistas ilustradas, permiten revindicar otra faceta completamente desconocida: su labor como maquetador. A lo largo de su carrera Masats toma conciencia de la edición fotográfica. Desde la solitaria imagen de la noticia de un periódico, al ensayo fotográfico, entendido desde el punto de vista de E. Smith como un conjunto mayor de imágenes que profundizan y trascienden, permitiendo un reflexión más detenida de la historia que se cuenta; hasta llegar al foto libro, considerado como una unidad expresiva, un todo con significación completa: el formato más complejo de todos... Un Masats sofisticado y erudito se nos muestra consciente del montaje, del ritmo, del diálogo entre imágenes, de modo que la suma altera la percepción del conjunto. Un lenguaje que le llevará finalmente a explorar en el mundo del montaje cinematográfico y la dirección de documentales audiovisuales. En una época de auténtica explosión del fotolibro español como la que vivimos, conviene reconocer, recordar y aprender de nuestros antecedentes, de aquellos maestros en el arte de contar historias. The National Photography Prize 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), has traditionally been considered an intuitive photographer. However, a careful study of his photographs and photographic essays published in illustrated magazines unveils another aspect of his craft completely unknown until now: his work as a layout artist. Throughout his career Masats pays great attention to photographic edition: from the lonely image published besides the news in a newspaper, to the photographic essay, understood from E. Smith’s point of view as “a greater set of images that deepen and transcend leading the viewers to a more detailed reflection of the story that is being told; until reaching the photo book, which is considered an expressive unit, a whole with a complete meaning: definitely the most complex format of all. A sophisticated and academic Masats reveals a whole new aspect of his personality, showing his awareness of the layout, the rhythm and the dialogue between images, so that the sum and disposition of the images alter the perception of the whole. A language that will finally lead him to explore the world of filmmaking and the direction of audiovisual documentaries. In an age in which the Spanish photobook is at its peak, it is good to look back and give credit, remember and learn from our background, from those teachers in the art of storytelling. Palabras clave: Fotolibro, narración, edición, diseño, coherencia, autoría, comunicación, ritmo, análisis. Keywords: Photobook, narration, edition, design, coherence, authorship, communication, rhythm, analysis
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Larumbe, Teresa. "Estrategias geométrico-matemáticas en la obra de Le Corbusier (1923-1933)." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.787.
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Resumen: En la búsqueda de un nuevo orden ideal y universal, Le Corbusier alude constantemente al empleo de los trazados reguladores como instrumentos matemáticos que controlan el impulso creador e introducen la armonía en el trabajo creado, causa de la belleza y el placer estético. La confianza puesta en los trazados como garantía del orden en arquitectura, se manifiesta en el artículo que les dedicará en la revista L´Espirit Nouveau (1921), y que, en 1923, incorpora como un capítulo más en “Vers une architecture”. El objetivo de este trabajo es analizar la aplicación práctica de los trazados reguladores y otras estrategias geométricas y matemáticas en los proyectos del arquitecto suizo a lo largo de los años veinte, a partir de la aparición del famoso manifiesto. Los proyectos estudiados son los que han fijado las pautas del análisis, desvelando su evolución histórica y el alcance de su aplicación real en el transcurso de diez años. Abstract: Along his personal search for an ideal and universal order, Le Corbusier constantly refers to the use of the tracés regulateurs, as a mathematical tool with which the architect can manage his creative impulse and as a way to introduce the harmony in architecture, what is considered the main cause of the beauty and the aesthetic pleasure. Le Corbusier reveals his faith in the tracés as guaranty of architectural order not only in the magazine L´Espirit Nouveau (1921) but also in his celebrated book “Vers une architecture” (1923). The aim of this paper is to analyze the use of the tracés regulateurs during the architect´s projects throughout a decade, starting with the publication of the well know manifiesto. All the projects that had been studied have established the guidelines of the analysis, its historical evolution and the relevance of the tracès regulateurs in Le Corbusier’s early works. Palabras clave: Trazados reguladores; Geometría; Le Corbusier. Keywords: Tracés Regulateurs; Geometry; Le Corbusier. DOI: http://dx.doi.org/10.4995/LC2015.2015.787
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Lopes Dias, Tiago. "La mirada de Pedro Vieira de Almeida a Le Corbusier: una visión desde Portugal en la segunda mitad del siglo XX." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.732.
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Resumen: Pedro Vieira de Almeida (Lisboa, 1933 – Matosinhos, 2011) es uno de los más importantes críticos y teóricos de la arquitectura en la segunda mitad del siglo XX en Portugal. En 1963, presenta en la Escuela de Bellas Artes de Oporto una tesis titulada “Ensayo sobre el espacio de la arquitectura”, influida por el pensamiento de Bruno Zevi. Hasta la Revolución de los Claveles (1974), va a compaginar su práctica profesional como arquitecto con una intensa actividad crítica ejercida sobre todo en periódicos y revistas culturales. Desde sus primeros trabajos se evidencia una notable capacidad de utilizar conceptos críticos innovadores en el análisis de obras de arquitectura, lo que será fundamental en sus estudios historicos desarrollados a lo largo de su vida, dados a conocer en publicaciones y exposiciones retrospectivas sobre arquitectos clave. Este ensayo propone una reflexión sobre el legado de Le Corbusier poniendo el aciento en algunos artículos de Vieira de Almeida escritos entre 1965 y 1970, así como en la investigación que ha llevado a cabo en los últimos años de su vida. Esta lectura diacrónica pone de relieve el papel central del maestro franco-suizo en la lectura crítica de Vieira de Almeida del racionalismo, a través de las nociones por él manejadas: “estructura crítica como condición base de la creación”, las vertientes poético-simbólica y mítica de la arquitectura o el concepto de carácter más instrumental de la “espesura”. Abstract: Pedro Vieira de Almeida (Lisbon, 1933 – Matosinhos, 2011) is one of the most prominent critics and theorists of architecture in the second half of the 20th century in Portugal. In 1963, he presented at the Oporto School of Fine Arts a thesis entitled “Essay on architectural space”, clearly influenced by the thoughts of Bruno Zevi. Until the Carnation Revolution (1974), he will combine his professional practice as an architect with an intense critical activity, developed mainly in newspapers and cultural magazines. Since his early work, a remarkable ability to use innovative concepts in the critical analysis of buildings have been put forth, with major consequences in his historiographical studies, developed throughout his life through publications or retrospective exhibitions on key architects. The following paper proposes a reflection on the legacy of Le Corbusier based on Vieira de Almeida’s theoretical work, linking some texts written between 1965 and 1970 with his research carried out in his last years of life. This diachronic study highlights the central role of Le Corbusier in Vieira de Almeida’s critical approach to rationalism, by means of notions as: “criticism as a basic condition of creation”, poetic-symbolic and mythical aspects of architecture, or the more instrumental concept of “thickness”. Palabras clave: Crítica; Teoría; Pedagogía; Poética; Espesura; Ronchamp. Keywords: Critique; Theory; Pedagogy; Poetics; Thickness; Ronchamp DOI: http://dx.doi.org/10.4995/LC2015.2015.732
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Başaran, Meltem. "An Investigation on the Netflix Platform in the Context of Flow Theory." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.025.
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Today, with the development of technology, many developments and changes have been experienced in mass media. In the traditional period, content could only be accessed from sources such as television, newspapers, magazines, and radio, while the digital platforms that emerged with the era of the so-called new media enabled people to acquire the content they wanted at any time. Netflix, one of these digital platforms, is a video streaming service that offers on-demand access to individuals. Netflix, which first started selling DVD subscriptions by mail in 1998, has turned into a platform that sells monthly subscriptions to reach the video content it hosts today. Digital platforms such as Netflix offer users the opportunity to watch the content they want from anywhere, with the communication device (tablet, phone, computer) they want, in a way that they can create their own streams, without even the need for internet. Within the scope of this study, the contents on the Netflix platform in the context of the flow theory of Raymond Williams will be analyzed by content analysis method. Williams discussed the program structure of the television as streaming. According to him, television contents create a whole among themselves and present a flow to the viewers and the audience is caught in this flow. Within the scope of the study, the contents of Netflix, one of the digital content viewing platforms that are formed as a result of changing broadcasting concepts, will be analyzed using semi-structured interview technique in the perspective of flow theory.
Reports on the topic "Hit magazine"
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Prysyazhna-Gapchenko, Julia. VOLODYMYR LENYK AS A JOURNALIST AND EDITOR IN THE ENVIRONMENT OF UKRAINIAN EMIGRATION. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11094.
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In this article considered Journalistic and editorial activity of Volodymyr Lenika (14.06.1922–02.11.2005) – one of the leading figures of Ukrainian emigration in Germany. First outlined basic landmarks of his life and creation. Journalistic and editorial activity of Volodymyr Lenik was during to forty years out of Ukraine. In the conditions of emigration politically zaangazhovani Ukrainians counted on temporality of the stay abroad and prepared to transference of the created charts and instituciy on native lands. It was or by not main part of conception of liberation revolution of elaborate OUN under the direction of Stepan Banderi, and successfully incarnated in post-war years. Volodymyr Lenik, executing responsible commissions Organization, proved on a few directions of activity, which were organically combined with his journalistic and editorial work. As an editor he was promotorom of creation and realization of models of magazines «Avangard», «Krylati», «Znannia», «Freie Presse Korespondenz», newspapers «Shliakh peremogy». As a journalist Volodymyr Lenik left ponderable work, considerable part of which entered in two-volume edition «Ukrainians on strange land, or reporting, from long journeys». Subject of him newspaper-magazine publications directed on illumination of school, youth, student, cultural, scientific problems, organization and activity of emigrant structures, political fight of emigration, to dethronement of the antiukrainskikh Moscow diversions and provocations. Such variety of problematic of works of V. Lenika was directed in the river-bed of retaining of revolutionary temperament in the environment of diaspore, to bringing in of it to activity in public and political life. Problematic of him is systematized publicism and journalistic appearances, which was inferior realization of a few important tasks, namely to the fight for Ukrainian independence in new terms, cherishing and maintainance of national identity, counteraction hostile soviet propaganda. On an example headed Volodymyr Lenikom a magazine «Knowledge» some aspects are exposed him editorial trade.
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.
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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.