Relevant bibliographies by topics / Hit magazine / Books
To see the other types of publications on this topic, follow the link: Hit magazine.

Books on the topic 'Hit magazine'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Hit magazine.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Les mots anglais dans un magazine de jeunes: (Hit-magazine, 1972-1979). Frankfurt am Main: P. Lang, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1956-, Mandelsberg Rose G. Hit men: From the files of True Detective magazine. New York: Pinnacle Books, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Blackburn, Henry. Randolph Caldecott: His art and life. Sevenoaks: Fisher, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Finishing the hat. Dallas, Tx: Taylor Publishing Co., 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Favaro, Alice. Después de la caída del ‘ángel’. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-416-5.

Full text
Abstract:
Ángel Bonomini was born in Buenos Aires in 1929 where he lived until his death at the age of sixty-four in 1994. He worked for various newspapers and magazines as an art critic and translator, but always maintaining his literary activity. He inherited the tradition of the Argentine fantastic and was a prolific writer: his production includes essays, poems and fantastic tales.Although he lived in a period of great cultural splendor and his literary talent was recognised by authors such as Borges and Bioy Casares, he fell into an unexplained oblivion, disappearing quite early from the contemporary intellectual environment. His first poems, which date back to the 1950s, were published in Sur magazine and some of his tales were included in well-known anthologies of fantastic literature.Among his collections of poems there are: Primera enunciación (1947), Argumento del enamorado. Baladas con Ángel (1952) written with María Elena Walsh, Torres para el silencio (1982) and Poética (1994). In 1972 he achieved great success with the publication of his first collection of fantastic tales, Los novicios de Lerna, followed by the publication of other books: Libro de los casos (1975), Los lentos elefantes de Milán (1978), Cuentos de amor (1982), Historias secretas (1985) and Más allá del puente (1996), posthumously published.A particular use of the fantastic characterises his work and distinguishes him from his contemporary authors. In his tales there is a continuous contrast between metaphysics and existentialism; in this way, he makes a deep investigation of the reality and, at the same time, he tries to go beyond it.This volume aims to analyse some emblematic tales by Bonomini in which it is possible to find the main topoi of Argentine fantastic and to understand why the author’s literary work is worth studying.
APA, Harvard, Vancouver, ISO, and other styles
6

General Sharon's war against Time magazine: His trial and vindication. New York: Steimatzky/Shapolsky, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

The man in the Mirror: William Marion Reedy and his magazine. Columbia: University of Missouri Press, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

White, Theodore H. Theodore H. White at large: The best of his magazine writing, 1939-1986. New York, NY: Pantheon Books, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bernstein, Samuel. Mr. Confidential: The man, his magazine & the movieland massacre that changed Hollywood forever. New York: Walford Press, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Collection, Gerald Locklin. Gerald Locklin: An index to his work in Little Poetry Magazines, 1960-2000. [Long Beach, Calif.]: University Library, California State University, Long Beach, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
11

Pyle, Howard. Howard Pyle: His life-- his work. New Castle, Del: Oak Knoll Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Reschke, Anja. Die Unbequemen: Wie Panorama die Republik verändert hat. München, Germany: Redline-Verlag, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
13

Fox, Robert J. Immaculate Heart Messenger Catholic Magazine July-September 2008: Pro-Life: The Work of His Hands. Hanceville, AL: Fatima Family Apostolate International, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
14

Chapman, Vanz. Word magazine presents Reel blak: A pop culture guide to urban movies (post & pre hip hop). [Toronto, ON]: Gutter Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
15

Pyle, Howard. Howard Pyle: A record of his illustrations and writings. Mansfield Centre, Conn: Martino Pub., 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

Hit Men: From the Files of True Detective Magazine (Pinnacle True Crime). Pinnacle, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

Page, Michael R. The Way the Future Was, 1930–1951. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039652.003.0002.

Full text
Abstract:
This chapter looks at Frederik Pohl's first foray into creating a science fictional world by focusing on his youthful adventures in science fiction (SF) fandom. Pohl discovered SF at age ten in 1930. At that time, SF as a defined category of fiction was only in its fifth year, although the genre itself had a much longer pedigree. Hugo Gernsback launched the first SF magazine, Amazing Stories, in April 1926. The first SF magazine Pohl read was the Summer 1930 issue of Wonder Stories Quarterly. This chapter discusses Pohl's discovery of a collection of pulp magazines in 1931 at his uncle's farm in Pennsylvania; his interest in science fiction magazines; his initial attempts at writing his own stories; and his involvement with the group called Futurians. The chapter also describes Pohl's involvement in the literary agency business.
APA, Harvard, Vancouver, ISO, and other styles
18

Du Maurier, George. Trilby. Edited by Elaine Showalter. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199538805.001.0001.

Full text
Abstract:
‘You shall see nothing, hear nothing, think of nothing but Svengali, Svengali, Svengali!’ First published in 1894, the story of the diva Trilby O'Ferrall and her mesmeric mentor, Svengali, has entered the mythology of the time alongside Dracula and Sherlock Holmes. Immensely popular for a number of years, the novel led to a hit play, a series of popular films, and the trilby hat. The setting of the story reflects the author's bohemian years as an art student in Paris; indeed James McNeill Whistler was to recognize himself in one of the early serialized instalments. George Du Maurier was a celebrated caricaturist for Punch magazine and his drawings for the novel form part of its appeal - this edition includes his most significant illustrations.
APA, Harvard, Vancouver, ISO, and other styles
19

25 years of Popular hot rodding magazine. Los Angeles, Calif. (12301 Wilshire Blvd., Los Angeles 90025): Argus Publishers Corp., 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
20

50 years of Hot rod. Osceola, WI: MBI Pub., 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
21

Peteren's Hot Rod Magazine Editors. 50 Years of the Hot Rod. Motorbooks, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
22

Rod & Custom Magazine in the 1950s. Motorbooks, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
23

Primedia. Best of Hot Rod Magazine, 1949-1959. Motorbooks, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
24

Hot rod magazine: The first 12 issues. Osceola, WI: MBI, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
25

Hardin, Drew. Hot Rod Magazine All the Covers. Motorbooks, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
26

Hot rod magazine horsepower handbook. St. Paul, MN: Motorbooks International, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
27

Doering, James M. The Lessons of Musical America. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037412.003.0003.

Full text
Abstract:
This chapter looks at how Judson's New York experience forced him to confront the harsh realities of America's music industry. His performance struggles were part of that confrontation, but so was his work for Musical America. The magazine gave him an opportunity to explore the concert climate around him, contemplate how it worked, and share his thoughts with others. Judson's first assignments with the magazine were fairly pedestrian, but gradually he was assigned more challenging topics. By the 1910–11 season, Judson had his own bimonthly opinion column, which appeared for nearly two years. These opinion pieces offer an intriguing glimpse of Judson's time in New York. They comment on the central issues of the period and provide some insight into Judson's thinking in the early 1910s.
APA, Harvard, Vancouver, ISO, and other styles
28

Randolph Caldecott: His Life and Art. Fisher Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
29

Slusser, George. Benford’s Short Fiction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038228.003.0009.

Full text
Abstract:
This chapter focuses on Gregory Benford's short fiction. The short story is widely considered the essential form for science fiction (SF). Indeed, many of the most esteemed SF novels began as an idea-packed short story, which the author subsequently elaborates (often with less success) into a larger narrative. Since his first published story “Stand In” appeared in 1965 in The Magazine of Fantasy and Science Fiction, Benford has published a large number of short stories in magazines and in anthologies. He collected many of his best stories in two landmark volumes, In Alien Flesh (1986) and Matter's End, followed by three more recent anthologies: Worlds Vast and Various (1999), Immersion and Other Short Novels (2002), and Anomalies: Collected Stories (2012). This chapter examines two of Benford's short stories, “Exposures” (1981) and “Mozart on Morphine” (1989).
APA, Harvard, Vancouver, ISO, and other styles
30

FHM. "FHM" Bachelor Guide (For Him Magazine). Hodder & Stoughton Ltd, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
31

Dave, DeWitt, and Gerlach Nancy, eds. Heat wave!: The best of Chile pepper magazine : 200 great recipes from hot & spicy world cuisines. Freedom, CA: Crossing Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
32

(Editor), Dave Dewitt, and Nancy Gerlach (Editor), eds. Heat Wave!: The Best of Chile Pepper Magazine : 200 Great Recipes from Hot & Spicy World Cuisines. Crossing Pr, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
33

Eller, Jonathan R. The Anthology Game. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0032.

Full text
Abstract:
This chapter examines Ray Bradbury's failed attempt to publish a mainstream literary anthology of science fiction stories centered on Mars. The development of the Illinois novel was slowed by Bradbury's increased focus on the science fiction stories he was writing and revising with more and more frequency. Despite Don Congdon's influence with a wide range of editors, these stories were still not selling to the major magazines at all. What sustained both his spirit and his reputation during this period was his almost phenomenal success with the premier award anthologies of the day such as the Best American Short Stories annual and the O. Henry Prize Stories. This chapter considers the impact of Bradbury's anthology awards on his writing life by focusing on his membership in the leftist poetry magazine California Quarterly, founded by Dolph Sharp and others. It also discusses Bradbury's idea for an anthology that would consist of twenty-five science fiction stories, a project that he called “The Martian Chronicles. Edited by Ray Bradbury” and never came to fruition.
APA, Harvard, Vancouver, ISO, and other styles
34

Polidori, John. The Vampyre and Other Tales of the Macabre. Edited by Robert Morrison and Chris Baldick. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199552412.001.0001.

Full text
Abstract:
‘Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: – to this the men pointed, crying, simultaneously struck with horror, “a Vampyre, a Vampyre!”’ John Polidori’s classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley’s Frankenstein. Set in Italy, Greece, and London, Polidori’s tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a ‘lady-killer’. Polidori’s tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. ‘The Vampyre’ was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer’s chilling account of the doppelganger, Letitia Landon’s elegant reworking of the Gothic romance, William Carleton’s terrifying description of an actual lynching, and James Hogg’s ghoulish exploitation of the cholera epidemic of 1831–2.
APA, Harvard, Vancouver, ISO, and other styles
35

"FHM" Bar-room Jokes (For Him Magazine). Carlton Books Ltd, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
36

Feinsod, Harris. The New Inter-American Poetry. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682002.003.0005.

Full text
Abstract:
This chapter shows how revolutionary enthusiasms, experimental magazines, and translation fueled inter-American relations in the 1960s on the countercultural left. Previous critics note the Boom, but most US accounts of the period’s poetry center on the intra-national polarities (“margin versus mainstream” or “raw versus cooked”) inflamed by Donald Allen’s The New American Poetry (1960). The chapter instead describes a larger formation called “the new inter-American poetry,” recovering dialogues best emblematized by the hemispheric little magazine El Corno Emplumado, and the reciprocations engendered between the works of rebellious Beats and revolutionary Cuban barbudos, Paul Blackburn and Julio Cortázar, Clayton Eshleman and Javier Heraud, Pablo Neruda among his English translators, and others. These exchanges were not without their blind spots, and the chapter concludes by comparing the communities imagined by Frank O’Hara’s Lunch Poems (1964) to poems by contemporaneous visitors to Manhattan such as Mario Benedetti (Uruguay) and Alcides Iznaga (Cuba).
APA, Harvard, Vancouver, ISO, and other styles
37

Eller, Jonathan R. Finding His Own Way. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0031.

Full text
Abstract:
This chapter examines Ray Bradbury's determined stance to go his own way and write stories to please himself despite the reluctance of slick magazines to publish them. Bradbury's early postwar success in the slicks came with short stories that were basically or with a few dark fantasies that the slicks were willing—very occasionally—to take a chance on. For example, Rita Smith at Mademoiselle had taken three Bradbury stories, but began to draw the line at stories about Mars. Throughout the late 1940s Bradbury's science fiction and dark fantasies were rejected by major market editors, deeming them “wrong” or “not quite right” for their readers. This chapter considers Bradbury's insistence on writing his own kind of story instead of slanting for the slicks and how his change in creative focus enabled him to sell many of his Martian stories, along with many of the other darker science fiction tales, to pulp magazines with little or no need for revision. It also discusses the impasse Bradbury had reached with his attempts at long fiction.
APA, Harvard, Vancouver, ISO, and other styles
38

david, michel. Grandfather Eternal Magazine : : Memories and Souvenirs of His Grandson. Independently Published, 2020.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
39

Esterhammer, Angela. Coleridgeinthe Newspapers, Periodicals, and Annuals. Edited by Frederick Burwick. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199644179.013.0010.

Full text
Abstract:
This article explores Samuel Taylor Coleridge's career as a public man of letters. Coleridge published in newspapers, magazines, and annuals throughout his life. His intense involvement in periodicals was in the years 1797 to 1803, when he was writing prose and poetry regularly for the London daily papers, and in the 1820s, when the growth in popularity of literary magazines and annuals coincided with his need for a new audience. The article discusses Coleridge's conception of public writing and its relation with temporality.
APA, Harvard, Vancouver, ISO, and other styles
40

High-performance parts buyers' guide: Hot rod magazine special : how-to projects from A to Z. [Los Angeles, CA (8490 Sunset Blvd., Los Angeles 90069): Petersen Pub. Co., 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
41

Siff, Stephen. Luce, Leary, and LSD, 1963–1965. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039195.003.0006.

Full text
Abstract:
This chapter details the celebrity coverage of Timothy Leary in the early 1960s and interest in LSD at Time and Life, where the publisher Henry Luce was becoming increasingly outspoken about his interest in the drug. Reporters often treated Leary—a Harvard psychologist removed from his job as a result of drug experimentation—with skepticism while still permitting him to explain the LSD phenomenon and relying on his scholarship and wit. Journalists were often surprisingly accepting of Leary's conclusions about the drug experience, even while condemning his encouragement of drug use. Among the many magazines focusing attention on LSD, Time and Life were particularly protective of the technology and hopeful that it could be productively used by regular people.
APA, Harvard, Vancouver, ISO, and other styles
42

Buxton, Richard, Mark Devane, Mark Lord, Andrew Knighton, Jonathan Doering, and Kenan Orhan. Alt Hist Issue 8: The magazine of alternate history and historical fiction. CreateSpace Independent Publishing Platform, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
43

Lord, Mark, Arlan Andrews, Andrew Knighton, Priya Sharma, Ian Sales, David W. Landrum, and Rob McClure Smith. Alt Hist Issue 1: The Magazine of Historical Fiction and Alternate History. CreateSpace Independent Publishing Platform, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
44

Lord, Mark, Michael Fertik, Jason Kahn, Andrew Knighton, Priya Sharma, Jonathan Doering, and Pavel Nikiforovitch. Alt Hist Issue 7: The Magazine of Historical Fiction and Alternate History. CreateSpace Independent Publishing Platform, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
45

Lord, Mark, Jonathan Doering, Martin Roy Hill, Douglas W. Texter, Andrea Mullaney, and Lynda M. Vanderhoff. Alt Hist Issue 6: The Magazine of Historical Fiction and Alternate History. CreateSpace Independent Publishing Platform, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
46

Jackson, Eric, Mark Lord, Dylan Fox, Svetlana Kortchik, George Piper, and Jonathan Doering. Alt Hist Issue 4: The Magazine of Historical Fiction and Alternate History. CreateSpace Independent Publishing Platform, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
47

His Lips Touched Hers: Classic Clinches from Magazine Romance (Ad Nauseam Postcard). Prion, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
48

Eller, Jonathan R. From the Fanzines to the Prozines. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0007.

Full text
Abstract:
This chapter focuses on Ray Bradbury's transition from editing and writing for fanzines to making contributions to prozines. Bradbury's close encounters with the performing arts reached a high point during 1940, and for a time these activities restricted his writing schedule. But most of his attention remained focused on writing and the literary marketplace. Thanks to his work as a fanzine editor, he learned some lessons about magazine design, marketing, and editorial acquisition. With the help of Forry Ackerman and the artistic contributions of Hannes Bok, Bradbury had put together one of the better-designed fanzines of the day. He also learned how to invite professional writers to discuss the status and future of science fiction. This chapter considers Bradbury's early work for various prozines between 1939 and 1941 and the sale of his story, “The Pendulum,” to Super Science Stories, making him a paid professional for the first time.
APA, Harvard, Vancouver, ISO, and other styles
49

Eller, Jonathan R. Transitions: Bradbury and Don Congdon. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0022.

Full text
Abstract:
This chapter examines some of the transitions in Ray Bradbury's life and career by focusing on the role played by Don Congdon, editorial at Simon & Schuster. It begins with a consideration of Bradbury's deteriorating relationship with Grant Beach, followed by a discussion of challenges on the professional front, including the poor sales of his pulp market stories. It then turns to developments that boded well for Bradbury for the long term, such as the increasing interest being shown by anthologists and New York publishing houses towards his work and the opportunities resulting from his four major market magazine sales in the summer of 1945. It also looks at Bradbury's relationship with Congdon and how he helped him secure major sales for some of his best new fiction such as “Homecoming,” which sold to Mademoiselle. Under Congdon's guidance, Bradbury also saw increased demand for reprints of his short stories such as “Skeleton,” “The Watchers,” and “Invisible Boy.”
APA, Harvard, Vancouver, ISO, and other styles
50

Backstreets: Springsteen: The Man and HIs Music and the Editors of Backstreets Magazine. Three Rivers Press, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Hit magazine' for other source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography