Relevant bibliographies by topics / Ḥizb-i Saʻādat-i Millī-i Īrān

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  2. Dissertations / Theses
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Academic literature on the topic 'Ḥizb-i Saʻādat-i Millī-i Īrān'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Ḥizb-i Saʻādat-i Millī-i Īrān"

1

Partovi, Pedram. "Review Essay: Reconsidering Popular Iranian Cinema and its Audiences: Digargūnī-i ijtimā‘ī va fīlmhā-yi sīnamāyī dar Īrān: Jāmi‘ah-shināsī-i fīlmhā-yi ‘āmmah-pasand-i Īrānī (1309–1357)." Iranian Studies 45, no. 3 (May 2012): 439–47. http://dx.doi.org/10.1080/00210862.2011.637772.

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Dudoignon, Stéphane A. "Samarqand-nāma [The Book of Samarqand]. Douchanbeh, Rāyzanī-yi farhangī-yi safārat-i Ǧumhūrī-yi islāmī-yi Īrān dar Tāǧīkistān, 2002, 392 p., glossaire, [33] p. de pl." Abstracta Iranica, Volume 26 (May 15, 2005). http://dx.doi.org/10.4000/abstractairanica.1023.

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3

Rafii Nejad, Poupak. "Tārīḫ-e adabiyyāt-e kūdakān-e Īrān. Vol. I : adabiyyāt-e šafāhī va dowrān-e bāstān. Tehrān, Čīstā, 2001-2002/1379-1380, 243 p., phot. ; biblio., index. [L’histoire de la littérature enfantine]." Abstracta Iranica, Volume 25 (May 15, 2004). http://dx.doi.org/10.4000/abstractairanica.5049.

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Fouchécour, Charles-Henri de. "« Parvāne va ātaš (seyr-e taḥavvol-e yek tamṯīl-e ‘erfānī dar adabiyyāt-e Īrān). I. Bardāšt-e aḫlāqī va bardāšt-e ‘āšeqāne », Našr-e Dāneš, 16, 2, (1378/1999), pp. 3-15." Abstracta Iranica, Volume 22 (May 15, 2001). http://dx.doi.org/10.4000/abstractairanica.36855.

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"ḤIKMAT‐I ĪRĀNĪ DAR MIʿMĀRĪ ISLĀMĪ: AZ ĀGHĀZ TĀ PĀYĀN‐I ʿAṢR ṢAFAVĪ [IRANIAN WISDOM IN ISLAMIC ARCHITECTURE: SINCE THE BEGINNING UNTIL THE END OF THE SAFAVID PERIOD]. By FarzanehFarshidnik. Tehran, Iran: Research Center for Culture, Art, and Communications. 2019. Pp. 200. Paper, 250000 IRR." Religious Studies Review 46, no. 4 (December 2020): 561. http://dx.doi.org/10.1111/rsr.14985.

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Fouchécour, Charles-Henri de. "Dīvān-e Jāmī. Vol. I. Fātiḥat al-šabāb. 1378/1999, 932 p. Vol. II. Wāsiṭat al-‘iqd wa ḫātimat al-ḥayāt. Edited by A‘lā-Ḫān Afṣaḥzād, zīr-e naẓar-e Našr-e Mīrāṯ-e Maktūb. Markaz-e Moṭāle‘āt-e Īrān / under." Abstracta Iranica, Volume 22 (May 15, 2001). http://dx.doi.org/10.4000/abstractairanica.37023.

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Rafii Nejad, Poupak. "Tārīḫ-e adabiyyāt-e kūdakān-e Īrān. Vol. I : adabiyyāt-e šafāhī va dowrān-e bāstān ; vol. II : adabiyyāt-e kūdakān pas az eslām ; vol. III et IV : adabiyyāt-e kūdakān-e dowre-ye mašrūṭe. Tehrān, Čīstā, 2001-2002/1379-13." Abstracta Iranica, Volume 25 (May 15, 2004). http://dx.doi.org/10.4000/abstractairanica.5009.

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8

Balaÿ, Christophe. "Farhang-e afsāne-hā-ye mardom-e Īrān. Tehrān, Našr-e ketāb va farhang : tome I, 1378/1999, 472 p. (â-a-b) ; tome II, 1378/1999, 417 p. (p) ; tome III, 1378/1999, 471 p. (t-s-j-c) ; tome IV, 1379/2000, 460 p. (h-kh). [Encyclopédie des." Abstracta Iranica, Volume 23 (May 15, 2002). http://dx.doi.org/10.4000/abstractairanica.35714.

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Dissertations / Theses on the topic "Ḥizb-i Saʻādat-i Millī-i Īrān"

1

Najmi, Fahimeh. "L'identite nationale et le théâtre en Iran (sous le règne des Pahlavi)." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030053.

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A l’opposé des spectacles traditionnels iraniens qui sont un sujet exploré depuis des années par la recherche théâtrale notamment à l’extérieur des frontières iraniennes, l’étude du« théâtre en Iran » est encore à ses balbutiements. La présente étude se concentre sur une période cruciale de l’histoire contemporaine iranienne où dans un contexte très agité les efforts sincères de trois initiés : Mir Seyfeddin Kermanshahi, Abdolhossein Noushin et Shahin Sarkissian parviennent au lancement d’un théâtre qui se réclamant de l’art, dépasse le cadre du simple divertissement ou de la pure propagande et est capable de méditer sur les interrogations fondamentales du peuple iranien notamment la question de l’identité.Le facteur déterminant à prendre en considération dans leur parcours est sans doute leur formation on Occident, en Russie et en France, et leur rencontre avec le mouvement européen du Théâtre d’Art
While the traditional Iranian performances have been, in the late years, an object for theatre studies, notably outside of Iran, research on « Theatre in Iran » is still to be developed.This study zooms on a crucial period in contemporary Iranian history, when in a verycomplex context the earnest endeavours of three specialists, Mir Seyfeddin Kermanshahi, Abdolhossein Noushin and Shahin Sarkissian, succeeded in launching a theatre that, claiming the status of art, out passed the boundaries of plain entertainment or pure propaganda and wasable to consider the fundamental questionings of the Iranian people and notably the question of identity.The determining factor to be considered in their enterprise is doubtlessly their Occidental formation, in Russia and in France, and their confrontation with the European movement of Art Theatre
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Books on the topic "Ḥizb-i Saʻādat-i Millī-i Īrān"

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Iran. Riyāsat-i Jumhūrī. Muʻāvanat-i Irtibāṭāt va Iṭṭilāʻʹrasānī, ed. Asnādī az Ḥizb-i Rastākhīz-i Millat-i Īrān. Tihrān: Khānah-i Kitāb, 2013.

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Islāmī, Markaz-i. Asnād-i. Inqilāb-i., and Iran. Sāzmān-i Iṭṭilāʻāt va Amnīyat-i Kishvar, eds. Ḥizb-i Rastākhīz-i Millat-i Īrān bih rivāyat-i asnād: 1353-1357. Tihrān: Markaz-i Asnād-i Inqilāb-i Islāmī, 2006.

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Ḥizb-i Rastākhīz, ishtibāh-i buzurg. Tihrān: Muʼassasah-i Muṭālaʻāt va Pizhūhishhā-yi Siyāsī, 2004.

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4

Dars-i 28 murdād az laḥāẓ-i Nahz̤at-i Millī-i Īrān va az laḥāẓ-i rahbarān-i khāʼin-i Ḥizb-i Tūdah. Tihrān: Pardīs-i Dānish, 2015.

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Ḥizb-i Sūsiyālīst-i Millī-i Kārgarān-i Īrān: Sūmkā. Tihrān: Intishārāt-i Markaz-i Asnād-i Inqilāb-i Islāmī, 2005.

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Āsībʹshināsī-i tashkīlāt-i aḥzāb dar Īrān: Barʹrasī-i mawridī-i Ḥizb-i Tūdah, Jabhah-i Millī va Fidāyiyān-i Islām. Tihrān: Pāyān, 2006.

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7

Mūzih-i Millī-i Īrān. [Tehran]: Mūzih-i Millī-i Īrān, 1992.

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8

Muʼassasah-ʼi Muṭālaʻāt va Pizhūhishʹhā-yi Siyāsī (Iran), ed. Sih ḥizb: Mardum, Millīyūn, Īrān-i Nuvīn : 1336-1353. Tihrān: Muʼassasah-i Muṭālaʻāt va Pizhūhishhā-yi Siyāsī, 2008.

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Āsībʹshināsī-i Ḥizb-i Mushārakat-i Īrān-i Islāmī. Tihrān: Markaz-i Asnād-i Inqilāb-i Islāmī, 2009.

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10

Italian-Iranian Cooperation Program for the Renovation of Iran Bastan Museum, Italy. Direzione generale per la cooperazione allo sviluppo, and Sāzmān-i Mīrās̲-i Farhangī, Ṣanāyiʻ-i Dastī va Gardishgarī (Iran), eds. Barnāmah-yi bāzʹsāzī-i Mūzih-i Īrān-i Bāstān. Tihrān: Barnāmah-i Hamkārī-i Īrān-Ītālīyā-i Jahat-i Bāzʹsāzī-i Mūzih-i Īrān-i Bāstān, 2006.

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Book chapters on the topic "Ḥizb-i Saʻādat-i Millī-i Īrān"

1

"Mīrzā ʿAbd al-Muḥammad Muʾaddib al-Sulṭān Iṣfahānī Īrānī, Amān al-tawārīkh, volume 5, pp. 7–130/134." In Fayż Muḥammad Kātib Hazārah’s Afghan Genealogy and Memoir of the Revolution, 417–512. BRILL, 2020. http://dx.doi.org/10.1163/9789004392441_005.

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