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Books on the topic 'Hoa Temple architecture'

Author: Grafiati

Published: 7 June 2025

Last updated: 17 July 2025

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1

Lê, Văn Thao. Đồ án trang trí mỹ thuật ở hai đền vua Đinh-vua Lê (Hoa Lư-Ninh Bình). Nhà xuất bản Thế giới, 2012.

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2

Cuu pham lien hoa: Trong kien truc co Viet Nam. Nha xuat ban The gioi, 2006.

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3

Riggs, Christina. 3. Making Egyptian art and architecture. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682782.003.0003.

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‘Making Egyptian art and architecture’ looks at the evidence for how artists, craftspeople, and architects, such as Irtysen from around 2000 bc, learned their trades and carried out their work, providing insights into the meanings and relationships that art and architecture helped create in ancient Egyptian society. The natural world was exploited for materials to create a wide array of objects and buildings: the mould-made, fired faience for Horudja’s shabti; the carved sandstone and architectural design for the temple of Dendur; the highly polished granodiorite of the Sekhmet statues; the ca

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4

Noga-Banai, Galit. From Jerusalemite Spoils to Roman Relics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190874650.003.0002.

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This chapter, composed in three sections that complete one another, deals with the direct and indirect impact of the nonexistence of the Temple in Jerusalem on the art and architecture in fourth-century Rome. The first section brings together the translation of sacred objects from old (Jewish) and new (Christian) Jerusalem to Rome. The second illustrates how the visual initiative of Dominus legem dat (The Lord gives the Law) was conceivable through the absence of the Temple in Jerusalem and the presence of its relics in Rome. The third section describes the visual correspondence between the sc

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5

Riggs, Christina. 2. Egypt on display. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682782.003.0002.

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Museums have played an important role in shaping how we think about ancient Egyptian culture. When the Napoleonic wars ended and European governments established links with Muhammad Ali, the viceroy of Egypt, the collection of objects for worldwide museums took off. ‘Egypt on display’ looks at the key objects held in collections today: shabtis (‘servant statuettes’); the Rosetta Stone; statues of the goddess Sekhmet; mummies; and the temple of Dendur, now in New York. Artwork on statues and coffins, and the architecture and decoration of a temple expressed their symbolic importance. But did th

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6

Ruan, Xing. Confucius’ Courtyard. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350217652.

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For more than three thousand years, Chinese life – from the city and the imperial palace, to the temple, the market and the family home – was configured around the courtyard. So too were the accomplishments of China’s artistic, philosophical and institutional classes. Confucius’ Courtyard tells the story of how the courtyard – that most singular and persistent architectural form – holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese vie

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7

Ross, Leslie D. Art and Architecture of the World's Religions. Greenwood Press, 2009. http://dx.doi.org/10.5040/9798216958680.

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Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then of

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8

Ross, Leslie. Art and Architecture of the World's Religions. Greenwood, 2009. http://dx.doi.org/10.5040/9798400614477.

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Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time,Art and Architecture of the World's Religionsexplores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then offe

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9

Ross, Leslie D. Art and Architecture of the World’s Religions. Greenwood Press, 2009. http://dx.doi.org/10.5040/9798216958697.

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Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then of

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10

Riggs, Christina. 4. Art and power. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682782.003.0004.

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‘Art and power’ considers how works of art and architecture were used to negotiate power relationships between human beings in the complex, hierarchical society of ancient Egypt, and between human beings and the world of the gods. The king’s body—its care and adornment, its representation in art, and its safety—was an important concern, which Egyptian art explored in many ways. The architecture of Egyptian temples was designed to keep people out in order to maintain a pure and desirable home for the gods. But they were also central to Egyptian society as the priests helped oversee the administ

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11

Wickerson, Erica. The Architecture of Narrative Time. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.001.0001.

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Time matters to all of us. It dominates everyday discourse: diaries, schedules, clocks, working hours, opening times, appointments, weekdays and weekends, national holidays, religious festivals, birthdays, and anniversaries. But how do we, as unique individuals, subjectively experience time? The slowness of an hour in a boring talk, the swiftness of a summer holiday, the fleetingness of childhood, the endless wait for pivotal news: these are experiences to which we all can relate and of which we commonly speak. How can a writer not only report such experiences but also conjure them up in words

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12

Siwicki, Christopher. Architectural Restoration and Heritage in Imperial Rome. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848578.001.0001.

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This book addresses the treatment and perception of historic buildings in imperial Rome, examining the ways in which public monuments were restored in order to develop an understanding of the Roman concept of built heritage. The study considers examples from the first century BC to second century AD, focusing primarily on the six decades between the Great Fire of AD 64 and the AD 120s, a period of dramatic urban transformation and architectural innovation in Rome. Through analysing how the design, materiality, and appearance of buildings, including the temple of Jupiter Capitolinus and hut of

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13

Zhang, Yue. Historic Preservation in a Neoliberal Context. Edited by Larry Bennett, Roberta Garner, and Euan Hague. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040597.003.0009.

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This chapter investigates the impact of neoliberalism on historic preservation. Using the stories of the Medinah Temple and Tree Studios in downtown Chicago as an example, the chapter explains how adaptive reuse has become one of the favored strategies for public officials and private developers to capture the profit associated with the built heritage. While renovating and reusing historic buildings is an advance compared to the wholesale demolition, the chapter reveals the danger of the strategy to undermine the architectural integrity of historic structures and compromise their original soci

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14

Pizzato, Mark, Margaret H. Freeman, Eva Lilja, Mark Pizzato, Victor Bermúdez, and Yasemin Hacioglu. European Churches and Chinese Temples as Neuro-Theatrical Sites. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765109144.

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Compares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as “inner theatre” elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (o

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15

Banerji, Anurima. Dance and the Distributed Body. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.42.

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This chapter considers the links between contemporary Odissi dance and one of its antecedents, mahari naach, the dance of female ritual specialists associated with the Jagannath temple in Puri, a center of pilgrimage in Odisha, India. The author argues that mahari naach produced a notion of the “distributed body” by engaging in an intersubjective relationship with the animated figure of the deity and the personified architectural space that served as the venue for dance practice. Combining ethnographic, historical, and philosophical sources, this interdisciplinary analysis critically examines

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16

Wallace, Aurora. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037344.003.0007.

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This concluding chapter shows how the recent building programs of the New York Times, the Hearst Corporation, and Time Warner demonstrate the importance of corporate image-making through architecture that was established in the news business in the 1870s. These buildings stress transparency and an abiding faith in new technology, and invite the audience once again to participate in the spectacle of media production and consumption. Demographic shifts in readership and the digitization of news have led these large corporations to meet an uncertain future with consolidated real estate holdings i

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17

Maier, Harry O. New Testament Christianity in the Roman World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190264390.001.0001.

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The book explores the social contexts of New Testament writings from Acts onward, along with other relevant Jewish and Christian literature. Moving from large to increasingly smaller spheres, the study examines how at each level beliefs and practices related to the gods and the cosmos, the empire, the city, and the household shaped a shifting and context-specific Christian faith and a set of affiliated identities. In each case, the discussion considers intersections with the New Testament and other early Christian and Jewish literature. The introduction discusses theories of canon formation, t

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18

Burns, Ross. Understanding Syria through 40 Monuments. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755645312.

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When militants from the so-called Islamic State detonated explosives underneath the 1st century Roman Temple of Bal in Palmyra, it was seen by many as symbolic of Syria's wider fate as it descended into a civil war that has lasted over a decade. And yet, despite the tragedy of the war and its disastrous effects on the Syrian people, its monuments, like its people, remain resilient in the face of adversity, hardship and suffering. Syria, for millennia at the crossroads between East and West, has always been a melting pot of different cultures. In this book, its 4000 year history is told through

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19

Green, Alexandra. Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390885.001.0001.

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This volume draws upon art historical, anthropological, and religious studies methodologies to delineate the structures and details of late Burmese wall paintings and elucidate the religious, political, and social concepts driving the creation of this art form. The combination of architecture, paintings, sculpture, and literary traditions created a complete space in which devotees could interact with the Buddha through his biography. Through the standardization of a repertoire of specific forms, codes, and themes, the murals were themselves activating agents, spurring devotees to merit-making,

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20

Thomas, Edmund. Performance Space. Edited by Daniel S. Richter and William A. Johnson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199837472.013.15.

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This chapter explores how public speakers of the second and third centuries ce, accustomed to extravagant physical demonstrations of their art, exploited the architectural spaces where they performed. Theaters, temples, and smaller roofed assembly buildings were all locations for oratorical performances and adapted to achieve stronger oral expression through sharper acoustics. As the demand for public speaking increased, halls were built specially, their materials chosen to enhance the voices of orators. With the vast wealth they accrued from their teaching and public speaking, “sophists” spon

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21

Klimasmith, Betsy. Urban Rehearsals and Novel Plots in the Early American City. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192846211.001.0001.

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Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals a

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22

Terranova, Charissa N. Organic Modernism. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350227569.

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When artists, scientists, and designers unite they create new ways of thinking and alternative paths to problem solving. The first book to trace the story of British "organic modernism", this ground-breaking open access study tells the story of a collective culture of artists, scientists, and designers in 20th century united by a holistic understanding of the organic world and devoted to collaboration, cooperation, and cross-pollination of the arts and biological sciences. Tracing how artists, scientists, and designers cooperated in various capacities from the Great Depression to postwar cyber

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