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Relevant bibliographies by topics / Hochschule für Musik und Darstellende Kunst, Vienna

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Academic literature on the topic 'Hochschule für Musik und Darstellende Kunst, Vienna'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Hochschule für Musik und Darstellende Kunst, Vienna"

1

Logar, Engelbert. "Der slawische Anteil am Bestand des Blasmusikarchives der Universität für Musik und darstellende Kunst in Graz." Musicological Annual 51, no. 2 (June 17, 2015): 187–202. http://dx.doi.org/10.4312/mz.51.2.187-202.

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The article examines the Slavic share of sheet music for brass instruments in the archive of the University of Music and Performing Arts Graz, located in the research station in Oberschützen in the Austrain state of Burgenland. The archive material is comprised of 4805 numbered maps with works and compositions of 2072 different composers – 10,632 formaly defined works. It is intended for symphonic brass music, salon orchestra, string instruments and chambers ensembles and was collected during the 200 years of the performance practice of the institution. The focal point of the article is the south-Slavic region, although its share is relatively small compared to the Czech, Vienna or Hungarian region. Discussed are over 200 composers that were mainly working in the time between 1850 and 1940. Over 1500 compositions are in the form of manuscripts. The analysis of the temporal, spatial and formal layering of the material is followed by statistical data of the share of composers form Slovenia, Croatia, Bosnia and Herzegovina, Serbia and Bulgaria; incorporated in the overview is also the share of eastern and western Slavic countries.

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2

Stróżyńska, Beata. "The Stay and teaching activity of Władysław Kędra in Vienna (1957-1964) in the light of documents Kept at the academy of music and Performing arts, Vienna." Notes Muzyczny 1, no. 13 (June 9, 2020): 143–60. http://dx.doi.org/10.5604/01.3001.0014.1947.

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The stay of Władysław Kędra, a charismatic virtuoso pianist representing the Columbus Gene- ration, in Vienna has so far seemed a very good and successful period in the life of this musician originating from Łódź. However, the studies conducted in the archives of the Akademie für Musik und darstellende Kunst Wien, cast a new light on these eight years. The information included in previous publications about the reasons why the Polish virtuoso left for Vienna and why he returned from the capital of Austria were not confirmed when confronted with the preserved documents. Thanks to a thorough analysis of source materials, the author of the article managed not only to recreate the course of events but also to uncover extremely important facts from the professor’s life, e.g. that he had Austrian citizenship. Now there is no doubt that Władysław Kędra intended to stay there and settle in Vienna for good. The analysis of the Viennese docu- ments allows for recreating to a significant extent the way how he fought for the life he had dreamt of during the occupation of the Stalin era. From the first preserved letter to Dr Hans Sittner, President of Vienna’s Akademie für Musik und darstellende Kunst, of 23 May 1957, we can follow the efforts of the Polish pianist to be given a contract, i.e., contract of employment for a fixed period, which was extended for him year by year, then to have an opportunity to see his family, have independent accommodation and bring his closest relatives to Vienna, and finally, find out how he applied for citizenship and was given a permanent contract of employment, which entailed awarding him with the lifelong title of Professor by Austrian authorities. Władysław Kędra achieved his goal – he became the citizen of his new home country, gained prestige and recognition, became music professor in the city of Haydn, Mozart, Beethoven and Schubert... And yet, at that very moment when he had everything and fulfilled his dreams, he suddenly left Austria in unclear circumstances. What dramatic events occurred on 2 June 1964 when Prof. Kędra suddenly wrote two applications for discharge from employment – in one of them he did not justify his decision, only referring very precisely to relevant regulations, which were undoubtedly dictated to him by some official, while in the second one he gave an untrue and completely unlikely in his situation reason for his quitting? There is no trace in the documents of the events which were the cause of that sudden decision. It needs to be stressed that the present article was written exclusively based on the docu- ments (including letters) kept at the Viennese Akademie für Musik und darstellende Kunst in Władysław Kędra’s personal file. The author did not refer to his family’s recollections or to texts published previously about the pianist so as to present facts in a reliable way, and not inter- pretations of these facts.

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3

Rohringer, Stefan. "Schenkerian Analysis. Symposium und Workshops. Universität der Künste Berlin, 4. Juni 2004; Gutshof Sauen, 5.–7. Juni 2004; Hochschule für Musik und darstellende Kunst Mannheim, 11.–12. Juni 2004." Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 1–2, no. 2/2–3 (2005): 263–71. http://dx.doi.org/10.31751/534.

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4

Huber, Alfons. "Umbau und Adaptierung des Klosters der Salesianerinnen für die Nutzung der Hochschule für Musik und darstellende Kunst." Österreichische Musikzeitschrift 45, no. 2 (January 1990). http://dx.doi.org/10.7767/omz.1990.45.2.93.

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Books on the topic "Hochschule für Musik und Darstellende Kunst, Vienna"

1

Hochschule für Musik und Darstellende Kunst in Wien. University of Music and Dramatic Arts in Vienna. Vienna: Hochschule, 1995.

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2

Haase, Rudolf. Zwanzig Jahre Hans-Kayser-Institut für Harmonikale Grundlagenforschung. Bern: Kreis der Freunde um Hans Kayser, 1988.

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3

Haase, Rudolf. Zwanzig Jahre Hans-Kayser-Institut für Harmonikale Grundlagenforschung. Bern: Kreis der Freunde um Hans Kayser, 1988.

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4

Hochschule für Musik und Darstellende Kunst in Wien. Hochschule für Musik und Darstellende Kunst in Wien. Wien: Hochschule für Musik und Darstellende Kunst in Wien, 1988.

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5

Gruber, Gerold W. Franz Schmidt als Rektor der Fachhochschule für Musik und darstellende Kunst in Wien (1927-1931). Wien: Doblinger, 1989.

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6

Eschwé, Susanne. Der Bruno Walter Nachlass in der Bibliothek der Hochschule für Musik und Darstellende Kunst in Wien: Ein Beitrag zur Frage der Nachlassbearbeitung in wissenschaftlichen Bibliotheken. Wien: Hochschulbibliothek, Hochschule für Musik und Darstellende Kunst in Wien, 1985.

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7

Heller, Friedrich C. Ein Ort konzentrierter Unruhe =: A Scene of concise restlessness. Wien: Universität für Musik und darstellende Kunst, 2002.

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8

Interdisziplinäres Symposion der Hochschule für Musik und Darstellende Kunst (3rd 2003 Frankfurt am Main, Germany). Intime Textkörper: Der Liebesbrief in den Künsten : 3. Interdisziplinäres Symposion der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main 2003. Bern: P. Lang, 2004.

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9

Schulz, Georg. Mogens Ellegaard, Pionier zeitgenössischer Akkordeonmusik: Katalog zur Ausstellung in der Bibliothek der Hochschule für Musik und darstellende Kunst in Graz, ab 9. März, 1995. Graz: [Author], 1995.

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10

Mantel, Gerhard. Querverbindungen: Anstösse zur Erweiterung musikpädagogischer Spielräume ; Kongressbericht 5.-6. November 1998 des Forschungsinstituts für Instrumental- und Gesangpädagogik e.V. : in Zusammenarbeit mit der Hochschule für Musik und Darstellende Kunst Frankfurt am Main. Mainz: Schott, 2000.

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Book chapters on the topic "Hochschule für Musik und Darstellende Kunst, Vienna"

1

Neuvians, Klaus, and Angelika Gartner. "Als die Hochschulen laufen lernten — Aus dem Alltag der Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK)." In Hochschulreform in Europa — konkret, 333–54. Wiesbaden: VS Verlag für Sozialwissenschaften, 2003. http://dx.doi.org/10.1007/978-3-663-10314-1_20.

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2

Kogler, Susanne. "Von der Akademie für Musik und darstellende Kunst in Graz zur Hochschule:." In Auf dem Weg zur Kunstuniversität: das Kunsthochschul-Organisationsgesetz von 1970, 108–28. Hollitzer Verlag, 2021. http://dx.doi.org/10.2307/j.ctv1w7v1tf.11.

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3

Matiasovits, Severin. "Das große Scheitern – Die (Fach-)Hochschule für Musik und darstellende Kunst (1924–1931)." In Auf dem Weg zur Kunstuniversität: das Kunsthochschul-Organisationsgesetz von 1970, 55–84. Hollitzer Verlag, 2021. http://dx.doi.org/10.2307/j.ctv1w7v1tf.9.

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4

Nutzenberger, Elisabeth. "Die erste Institutsgründung an der Hochschule für Musik und darstellende Kunst Mozarteum – Das Institut für musikalische Grundlagenforschung." In Auf dem Weg zur Kunstuniversität: das Kunsthochschul-Organisationsgesetz von 1970, 250–63. Hollitzer Verlag, 2021. http://dx.doi.org/10.2307/j.ctv1w7v1tf.18.

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5

"Auszüge der Inaugurationsrede von Georg Pirckmayer, Hochschule für Musik und darstellende Kunst Wien, am 20. Oktober 1971." In Auf dem Weg zur Kunstuniversität: das Kunsthochschul-Organisationsgesetz von 1970, 330–31. Hollitzer Verlag, 2021. http://dx.doi.org/10.2307/j.ctv1w7v1tf.23.

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