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Relevant bibliographies by topics / Hoefnagel, Joris

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Academic literature on the topic 'Hoefnagel, Joris'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Hoefnagel, Joris"

1

Bass, Marisa Anne. "Joris Hoefnagel and the Kunstkammer." Zeitschrift für Kunstgeschichte 83, no. 1 (2020): 122–34. http://dx.doi.org/10.1515/zkg-2020-1006.

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2

Zamboni, Alice. "Making contact." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 70, no. 1 (2020): 62–95. http://dx.doi.org/10.1163/22145966-07001005.

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This article explores the intersection between friendship and artistic collaboration through a focus on the engraving production of a group of itinerant Netherlandish artists who, in the wake of the Dutch Revolt, lived and worked in Munich, seat of the court of Wilhlem V. The first part of this contribution introduces Joris Hoefnagel, several printmakers from the Sadeler dynasty and other artists active in Munich. An analysis of the artistic gifts which the Netherlanders exchanged in Munich suggests that they enjoyed membership of an egalitarian circle sustained by friendship and artistic aspi

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3

Hendrix, Lee. "Of hirsutes and insects: Joris Hoefnagel and the art of the wondrous." Word & Image 11, no. 4 (1995): 373–90. http://dx.doi.org/10.1080/02666286.1995.10435927.

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4

Shelley, Marjorie. "Joris Hoefnagel’s Insects." Metropolitan Museum Journal 55 (December 1, 2020): 26–42. http://dx.doi.org/10.1086/712768.

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5

Konecny, Lubomir. "Joris Hoefnagel's 'Emblematic' Signature Reconsidered." Journal of the Warburg and Courtauld Institutes 61 (1998): 267. http://dx.doi.org/10.2307/751255.

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6

"Mira calligraphiae monumenta: a sixteenth-century calligraphic manuscript inscribed by Georg Bocskay and illuminated by Joris Hoefnagel." Choice Reviews Online 30, no. 05 (1993): 30–2473. http://dx.doi.org/10.5860/choice.30-2473.

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Dissertations / Theses on the topic "Hoefnagel, Joris"

1

Hendrix, Marjorie Lee. "Joris Hoefnagel and the Four Elements : a study in Sixteenth-Century Nature painting /." Ann Arbor (Mich.) : University microfilms international, 1987. http://catalogue.bnf.fr/ark:/12148/cb35535232x.

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2

Boychuk, Joan. "Multo in parvo : Joris Hoefnagel's illuminations and the gathered practices of Central European court culture." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/59032.

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The full abstract for this thesis is available in the body of the thesis, and will be available when the embargo expires.<br>Arts, Faculty of<br>Art History, Visual Art and Theory, Department of<br>Graduate

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Books on the topic "Hoefnagel, Joris"

1

1542-1601, Hoefnagel Joris, Hoefnagel Jacob 1573?-approximately 1632, and Deutscher Verein für Kunstwissenschaft, eds. Joris and Jacob Hoefnagel: Art and science around 1600. 2017.

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2

Georg, Bocskay, Hoefnagel Joris, Hendrix Lee, and Vignau-Wilberg Thea, eds. Mira Calligraphiae monumenta: Inscribed by Georg Bocskay and illuminated by Joris Hoefnagel. Thames & Hudson, 1992.

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3

1575, Bocskay Georg d., Hoefnagel Joris 1542-1601, Hendrix Lee, Vignau-Wilberg Thea, and J. Paul Getty Museum, eds. Mira calligraphiae monumenta: A sixteenth-century calligraphic manuscript inscribed by Georg Bocskay and illuminated by Joris Hoefnagel. J. Paul Getty Museum, 1992.

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4

Hendrix, Lee, and Thea Vignau-Wilberg. Mira calligraphiae monumenta: A Sixteenth-century Calligraphic Manuscript inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel. Getty Trust Publications: J. Paul Getty Museum, 1992.

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5

Hendrix, Lee, Thea Vignau-Wilberg, J. Paul Getty Museum Staff, Georg Bocskay, and Joris Hoefnagel. Mira Calligraphiae Monumenta: A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel. Getty Publications, 2020.

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Book chapters on the topic "Hoefnagel, Joris"

1

Fracchia, Carmen. "Props and Costume." In 'Black but Human'. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198767978.003.0004.

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I discuss the stereotypical sixteenth-century image of slaves in chains produced by Northern European artists in Spain. This traditional iconography has no resonance in topographic views and landscapes by Spanish artists. I focus on the ways that the View of Seville drawing (1573) by Joris Hoefnagel articulates the institutionalization of the local Spanish and transatlantic slave trades and I construct an account of the material culture of slavery based on archival sources and legal discussions. I also lay out Juan Fragoso’s set of recommendations for assessing the economic value of slaves at auction in his Universal Surgery. I address the ways in which the drawings of chained slaves (1529) by Christopher Weiditz represent the traditional iconography of Afro-Hispanic slave labourers and as symbolizing the black resistance forged in their confraternities against their subjugation. These forms of resistance are confirmed by Pedro de León’s experience at the royal prison of Seville.

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2

Neri, Janice. "Joris Hoefnagel’s Imaginary Insects." In The Insect and the Image. University of Minnesota Press, 2011. http://dx.doi.org/10.5749/minnesota/9780816667642.003.0001.

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3

"Mimetic Obscurity in Joris Hoefnagel’s Four Elements." In Emblems and the Natural World. BRILL, 2017. http://dx.doi.org/10.1163/9789004347076_015.

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4

"6 Patience Grows: The First Roots of Joris Hoefnagel’s Emblematic Art." In The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts. BRILL, 2015. http://dx.doi.org/10.1163/9789004275034_008.

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