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Relevant bibliographies by topics / Hogarth Press

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Academic literature on the topic 'Hogarth Press'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Hogarth Press"

1

Glasgow, Eric. "The Hogarth Press: a sketch." Library Review 50, no. 4 (2001): 197–200. http://dx.doi.org/10.1108/00242530110390640.

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Harrison, Bill. "Melancholia in Vita Sackville-West’s Hogarth Press Novels." Women: A Cultural Review 30, no. 1 (2019): 1–26. http://dx.doi.org/10.1080/09574042.2018.1561043.

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Cho, Sungran. "Virginia Woolf as Public Intellectual: Hogarth Press and Broadcasting." James Joyce Journal 25, no. 1 (2019): 91–114. http://dx.doi.org/10.46258/jjj.2019.25-1.91.

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Battershill. "Reticent Autobiography: Henry Green and Christopher Isherwood at the Hogarth Press." Journal of Modern Literature 39, no. 1 (2015): 38. http://dx.doi.org/10.2979/jmodelite.39.1.38.

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Wilson, Nicola. "Virginia Woolf, Hugh Walpole, the Hogarth Press, and the Book Society." ELH 79, no. 1 (2012): 237–60. http://dx.doi.org/10.1353/elh.2012.0008.

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McTaggart, Ursula. ""Opening the Door": The Hogarth Press as Virginia Woolf's Outsiders' Society." Tulsa Studies in Women's Literature 29, no. 1 (2010): 63–81. http://dx.doi.org/10.1353/tsw.2010.a435428.

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ZHAO, Meijiao. "Subaltern Writing in Hag-Seed." IRA International Journal of Education and Multidisciplinary Studies 17, no. 1 (2021): 8. http://dx.doi.org/10.21013/jems.v17.n1.p2.

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<em>Hag-Seed</em> is a re-imagining story of Shakespeare's '<em>The Tempest</em>' written by Margaret Atwood, a famous Canadian writer. <em>Hag-seed</em> is a successful adaptation in The Hogarth Shakespeare Project organized by Hogarth Press. In this novel, Atwood adopts the form “play in play” to recur the whole scene of <em>The Tempest</em>. Through the depictions of minor characters in a prison, the novel presents the dilemma and struggle of marginalized protagonists in front of the power. In the novel, the play directed by Felix criticizes the power abuse and the social oppression suffered by the lower classes and women. Atwood's rewriting of The Tempest aims to reveal the loss of the humanistic concerns in modern society and advocate making “the other” acquire their rights to free speech.

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Koroleva, Svetlana B. "Russian literature in the publishing policy of the Hogarth Press (1920s-1930s)." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 50 (December 1, 2017): 197–208. http://dx.doi.org/10.17223/19986645/50/13.

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Göske, Daniel. "Virginia Woolf in German: The Hogarth Press, the Insel Verlag, and Early Translations." Modernist Cultures 13, no. 1 (2018): 55–76. http://dx.doi.org/10.3366/mod.2018.0194.

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As scholars have begun to explore the global reach of modernist literature, they have turned their attention towards understanding how texts move across and permeate linguistic and cultural boundaries. By exploring the networks, alliances, and interactions among those who facilitate the circulation and transmission of literature, scholars of modernist publishing are now able to offer a finer-grained analysis of where, how, and by whom those texts that we consider central to British literary modernism were first published elsewhere in the world. Marketing modernism on the international and, indeed, global level, in the 1920s and 1930s was a complex business, not least because of different structures in the publishing world of the Americas, Britain, and various European countries. My essay approaches this problem by focusing on the foreign reception of Virginia Woolf's work and, specifically, the contacts between the Hogarth Press and the Leipsic Insel Verlag. We need to understand how literary agents and translators negotiated issues of copyright and ownership and how they shaped her work in German. By drawing on archival material – particularly publishers' correspondence with translators and agents – I will cast new light on how Mrs Dalloway, To the Lighthouse and Orlando appeared in early German translations.

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Storace, Katryna. "A Woolf at the Hogarth Press: Virginia Woolf and the art of publishing." Logos 26, no. 1 (2015): 40–45. http://dx.doi.org/10.1163/1878-4712-11112062.

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Books on the topic "Hogarth Press"

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B.H. Blackwell Ltd. Blackwell's Rare Books. A selection of Hogarth Press publications. B.H. Blachwell, 1988.

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Richard, Kennedy. A boy at the Hogarth Press. Hesperus, 2011.

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Richard, Kennedy. A boy at the Hogarth Press. Levenger Press, 2006.

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Evans, Margaret. Virginia Woolf and the Hogarth Press in Richmond. Richmond Local History Society, 1998.

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Library, University of Delaware. Seventy years at the Hogarth Press: The press of Virginia and Leonard Woolf : an exhibition. University of Delaware Library, 1987.

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Rosenbaum, S. P. Leonard and Virginia Woolf at the Hogarth Press. Harry Ransom Humanities Research Center, The University of Texas at Austin, 1995.

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E, Gaither Mary, ed. A checklist of the Hogarth Press, 1917-1946. Woolmer/Brotherson, 1986.

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Quentin, Bell, and University of Delaware Library, eds. Seventy years at the Hogarth Press: The press of Virginia and Leonard Woolf : an exhibition : Hugh M. Morris Library, Special Collections Department, May 15 - September 30, 1987. University of Delaware Library, 1987.

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William, Beekman, and Grolier Club, eds. Virginia Woolf and the Hogarth Press: From the collection of William Beekman, exhibited at the Grolier Club. Grolier Club, 2004.

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Porter, David H. Virginia Woolf and the Hogarth Press: 'riding a great horse'. Cecil Woolf, 2004.

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Book chapters on the topic "Hogarth Press"

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Hepworth, Elizabeth. "Memories of the Hogarth Press." In Virginia Woolf. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_27.

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Marcus, Laura. "Virginia Woolf and the Hogarth Press." In Modernist Writers and the Marketplace. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24551-2_6.

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Kennedy, Richard. "A Boy at the Hogarth Press." In Virginia Woolf. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_28.

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Bale, Rebekah. "Macbeth by Jo Nesbo (Hogarth Press, 2016)." In The Palgrave Encyclopedia of Global Shakespeare. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-99378-2_14-1.

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Battershill, Claire, and Helen Southworth. "Woolf, the Hogarth Press, and Global Print Culture." In A Companion to Virginia Woolf. John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch27.

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Rosenbaum, S. P. "Leonard and Virginia Woolf at the Hogarth Press." In Aspects of Bloomsbury. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230376236_7.

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Snaith, Anna. "Conversations in Bloomsbury: Colonial Writers and the Hogarth Press." In Virginia Woolf’s Bloomsbury, Volume 2. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282957_9.

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McDonnell, Jenny. "‘A Sort of Authority’: From Signature to the Hogarth Press 1915–18." In Katherine Mansfield and the Modernist Marketplace. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282049_4.

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Shannon, Drew Patrick. "‘The Book is Still Warm’: The Hogarth Press in the Age of Mechanical Reproduction." In Virginia Woolf’s Bloomsbury, Volume 2. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282957_8.

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Jones, Hester. "Virginia Woolf, ‘I am Christina Rossetti’, The Common Reader: Second Series (London: Hogarth Press, 1932)." In Lives of Victorian Literary Figures, Part II, Volume 3. Routledge, 2024. http://dx.doi.org/10.4324/9781003512998-21.

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Conference papers on the topic "Hogarth Press"

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Pérez García, Juan Carlos. "HISTORIETAS FOTOGRÁFICAS: ALGUNOS USOS DE LA FOTOGRAFÍA EN EL CÓMIC." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15468.

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Las relaciones entre cómic y fotografía puede rastrearse hasta elsiglo XIX, con casos como el del pionero del cómic estadounidense A.B. Frost. En 1878, Frost entró en la Academia de Bellas Artes dePennsylvania para estudiar con el pintor Thomas Eakins, cuando esteúltimo estaba interesado en incorporar a las artes plásticas losavances de las series fotográficas de Eadweard Muybridge. Los primeros cómics de Frost fueron un desarrollo humorístico en dibujos de la imagen en movimiento que había aprendido en las series fotográficas de Muybridge como parte del entorno de Eakins (Smolderen 2014: 120).Existen ejemplos recientes de uso directo de la fotografía en el cómiccomo Le photographe (Lefèvre, Guibert y Lemercier, 2003-2006), novela gráfica construida a partir de las fotografías y recuerdos delreportero gráfico Didier Lefèvre sobre una expedición de Médicos SinFronteras en el Afganistán de 1986. Su testimonio sobre los desastresde la guerra afgano-soviética se representa en las viñetas dibujadaspor Guibert. Pero entre ellas se interpolan las fotografías de Lefèvre(que remiten a la fotonovela, sin serlo realmente), la huella indicialy “objetiva” de que aquello sucedió realmente. El contraste implica unchoque entre la invención que implica todo dibujo y el index de larealidad, el “Esto ha sido” (Barthes 2006: 91) como noema de lafotografía.Esta propuesta analizará (mediante herramientas de Historia del arte,Estética y Bellas artes) diversos cómics de producción del autor dondeempleó fotocollages y dibujo. Los principales referentes inspiradoresfueron Le photographe y dos novelas gráficas de Eddie Campbell, TheFate of the Artist (2006) y The Lovely Horrible Stuff (2012).Referencias bibliográficas:Barthes, Roland (2006), La cámara lúcida, Barcelona: Paidós.Smolderen, Thierry (2014): The Origins of Comics: From William Hogarth to Winsor McCay, Jackson: University Press of Mississippi.

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Reports on the topic "Hogarth Press"

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Pérez Montes, Carlos, Alejandro Ferrer, Laura Álvarez Román, et al. Marco de análisis sistémico del impacto de los riesgos económicos y financieros. Banco de España, 2023. http://dx.doi.org/10.53479/30734.

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El Banco de España utiliza distintos modelos de carácter microeconómico, mayoritariamente de naturaleza empírica, para sustentar su toma de decisiones en relación con el análisis de los riesgos económicos y financieros y del asesoramiento de la política económica. Esta familia de modelos, que complementan a los de corte macroeconómico, busca identificar el impacto potencialmente heterogéneo sobre distintos grupos de agentes de determinados escenarios económico-financieros o de políticas públicas. Este análisis se extiende a múltiples áreas: estudio del comportamiento de hogares y empresas no financieras, calificación crediticia interna de empresas, estudio de la demanda y oferta de crédito bancario, realización de pruebas de resistencia bancarias top-down, proceso de revisión y evaluación supervisora (PRES) y estudio de los intermediarios financieros no bancarios. El documento muestra la aplicación de estos modelos en el análisis de dos eventos de crisis recientes: los inicios de la pandemia de COVID-19 y de la invasión rusa de Ucrania, ilustrando su utilidad práctica y la necesidad de un desarrollo y adaptación continua de los mismos.

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