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Journal articles on the topic 'Holcroft, Thomas'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Bour, Isabelle. "Raison, esprit, psyché dans les romans révolutionnaires de Thomas Holcroft." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 36, no. 1 (1993): 71–82. http://dx.doi.org/10.3406/xvii.1993.1249.

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2

O’Brien, Eliza. "“The Greatest Appearance of Truth”: Telling Tales with Thomas Holcroft." Eighteenth-Century Fiction 28, no. 3 (2016): 501–26. http://dx.doi.org/10.3138/ecf.28.3.501.

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3

Hoeveler, Diane Long. "The Temple Of Morality: Thomas Holcroft And The Swerve Of Melodrama." European Romantic Review 14, no. 1 (2003): 49–63. http://dx.doi.org/10.1080/10509580303676.

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4

Karr, David. "“Thoughts that Flash like Lightning”: Thomas Holcroft, Radical Theater, and the Production of Meaning in 1790s London." Journal of British Studies 40, no. 3 (2001): 324–56. http://dx.doi.org/10.1086/386246.

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During the 1790s, political speech in London's public spaces and commercial sites of leisure came under intense governmental surveillance. Fearing revolutionary infection from across the channel in France, the Pitt ministry sent spies into popular organizations such as the London Corresponding Society and turned more attention to other sites as well, including coffeehouses, taverns, debating-club rooms, and the street. Recently, historians too have explored the ways in which radicals manipulated the ludic vocabularies of urban sociability to critique the regime, protest persecution, and argue

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5

Gardner, J. "A.A. MARKELY AND MIRIAM L. WALLACE (eds). Re-Viewing Thomas Holcroft, 1745-1809: Essays on His Works and Life." Review of English Studies 65, no. 268 (2013): 175–77. http://dx.doi.org/10.1093/res/hgt054.

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6

Burwick, Frederick. "Miriam L. Wallace and A. A. Markley (eds.), Re-Viewing Thomas Holcroft, 1745–1809. Essays on His Works and Life (London and Burlington, VT: Ashgate, 2012), pp. 266. £58.50. 9781409444374." Romanticism 20, no. 1 (2014): 86–88. http://dx.doi.org/10.3366/rom.2014.0160.

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7

Fallon, David. "‘Can you say I am an old man?’: Sentiment and the Mask of Ageing in Thomas Holcroft's Duplicity (1781)." Romanticism 25, no. 3 (2019): 237–48. http://dx.doi.org/10.3366/rom.2019.0429.

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This article examines how in its representation of old age Thomas Holcroft's play Duplicity (1781) registers the impact of concerns over the welfare of his own ageing father as well as the influence of French sentimental comedy. Via a comparison with the rough comedy directed at the character of Solomon Flint in Samuel Foote's The Maid of Bath (1778), the article shows Holcroft's more sympathetic comic treatment of his elderly character Vandervelt. The play represents a progressive shift, associated with the influence of sentimentalism, in the representation of the old man, and anticipates som

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8

Jung, Sandro. "The Politics of Improvement in Thomas Holcroft’s Anna St Ives." Orbis Litterarum 66, no. 1 (2010): 21–43. http://dx.doi.org/10.1111/j.1600-0730.2010.01002.x.

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9

Green, Georgina. "John Thelwall Author of the Prologue to Thomas Holcroft's Love's Frailties (1794)?" Notes and Queries 55, no. 4 (2008): 422–24. http://dx.doi.org/10.1093/notesj/gjn145.

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10

Binhammer, Katherine. "The Political Novel and the Seduction Plot: Thomas Holcroft's Anna St. Ives." Eighteenth-Century Fiction 11, no. 2 (1999): 205–22. http://dx.doi.org/10.1353/ecf.1999.0038.

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11

Amy Garnai. "“A Lock Upon My Lips”: The Melodrama of Silencing and Censorship in Thomas Holcroft’s Knave, or Not?" Eighteenth-Century Studies 43, no. 4 (2010): 473–84. http://dx.doi.org/10.1353/ecs.0.0168.

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12

Saglia, Diego. "‘I Almost Dread to Tell You”: Gothic Melodrama and the Aesthetic of Silence in Thomas Holcroft's A Tale of Mystery." Gothic Studies 14, no. 1 (2012): 93–107. http://dx.doi.org/10.7227/gs.14.1.10.

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13

"Thomas Holcroft." Notes and Queries, September 1986. http://dx.doi.org/10.1093/notesj/33.3.401-c.

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14

Wallace, Miriam. "Constructing Treason, Narrating Truth: The 1794 Treason Trial of Thomas Holcroft and the Fate of English Jacobinism." Romanticism on the Net, no. 45 (May 22, 2007). http://dx.doi.org/10.7202/015823ar.

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AbstractIn 1794, Britain experienced a public crisis in representation when twelve men were tried for “Constructive Treason” based upon their agitation for Parliamentary reform. The British nation is “constituted” by the conjunction of king and both houses of Parliament rather than by an originary document: under “constructive treason” an attack on one part of this “Happy Constitution” (Parliament) can be metonymically construed as an attack on another part (the monarchy or simply the dignity of the king himself). This essay takes the trial for High Treason of twelve radical reformers as its s

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15

Brahnam, Sheryl. "Type/Face." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2315.

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For Socrates the act of communication is grounded in the world of original forms, archetypes, or abstract ideas. These ideas exist independently of the human mind and reflect a reality that is truer than the world of everyday experience. The task of the speaker is to draw the listener closer to the truth of these ideas, and this requires an intimate coupling of the form of speech to the character of the listener. In Phaedrus, Socrates explains, ". . . a would-be speaker must know how many types of soul there are. The number is finite, and they account for a variety of individual characters. Wh

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