Relevant bibliographies by topics / Hollywood film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hollywood film'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hollywood film.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hollywood film"

1

Kim, Minjeong, and Rachelle J. Brunn-Bevel. "Hollywood’s Global Expansion and Racialized Film Industry." Humanity & Society 44, no. 1 (2019): 37–66. http://dx.doi.org/10.1177/0160597619832045.

Full text
Abstract:
A theory on the political economy of image production argues that the U.S. film industry, namely, Hollywood, prioritizes financial considerations over racial justice or political correctness. Decisions made in the production and marketing processes are to minimize financial risks, but they often limit the representation of racial–ethnic minority filmmakers and actors. At the same time, Hollywood incorporates foreign-born directors and actors to reach international audiences. This article assesses how Hollywood’s “going global” impacts local racial–ethnic minority politics in the U.S. film busi
APA, Harvard, Vancouver, ISO, and other styles
2

Palis, Eleni. "Uploading the Archive, Copy/Pasting the “Classical”." Frames Cinema Journal 19 (February 18, 2022): 301–7. http://dx.doi.org/10.15664/fcj.v19i0.2392.

Full text
Abstract:
This video essay combines a series of fiction feature films, made between the late-1990s and 2010s, in which futuristic androids and robots trade in digitised classical Hollywood archival film fragments as pedagogical and expressive traces, amassing an amateur archive. I call these fragments “film quotations” to denote the process of selection, citation, and reappropriation in these film-within-a-film moments. In this video essay, Flubber (Mayfield, 1997), S1m0ne (Niccol, 2002), Teknolust (Leeson, 2002), WALL-E (Stanton, 2008), and Prometheus (Scott, 2012) all “quote” classical Hollywood films
APA, Harvard, Vancouver, ISO, and other styles
3

Tanaka, Melis, and J. A. Wempi. "Hegemoni Hollywood Pada Film American Sniper." Jurnal Komunikasi Global 8, no. 1 (2019): 17–37. http://dx.doi.org/10.24815/jkg.v8i1.13523.

Full text
Abstract:
Most movies shown in Indonesian cinemas are Hollywood movies. From existing genres, war movies tend to be used by Hollywood to spread their hegemonic practices. American Sniper, which was released in 2014, is one of the examples. The heroic scene acted by the main lead persuades the audience that America has a hero involved in Navy SEALs. This study was qualitative research using a critical paradigm. Hollywood’s hegemony in the film American Sniper (2014) could be understood by elaborating the three dimensions of Critical Discourse Analysis by Norman Fairclough, along with the theory of hegemo
APA, Harvard, Vancouver, ISO, and other styles
4

Song, Xu. "Journey to the East: A Review of Hollywood’s Film Localization Efforts for China’s Film Market." International Journal of English and Cultural Studies 2, no. 1 (2018): 1. http://dx.doi.org/10.11114/ijecs.v2i1.3872.

Full text
Abstract:
The film market of China has been growing rapidly and is now the world’s second largest film market. Hollywood studios have been sending transnational films to China to receive additional revenues. This research investigates the three channels (i.e., flat-rate buyouts, co-productions, and revenue-sharing titles) through which Hollywood studios can enter their films in China’s film market and reviews the China-focused localization efforts that Hollywood studios have made to appeal to China. The review findings show that exporting Hollywood films to China as revenue-sharing titles has become the
APA, Harvard, Vancouver, ISO, and other styles
5

Viljoen, Jeanne-Marie. "Re-forming Hollywood's imagination: beyond the box office and into the boardroom." Image & Text, no. 36 (May 5, 2022): 1–17. http://dx.doi.org/10.17159/2617-3255/2022/n36a2.

Full text
Abstract:
Despite the commercial success of Black Panther (Coogler 2018) and its ostensible achievement of making Hollywood more representative of black people and "their" narratives, the film is limited in terms of the progress on inclusion it can achieve. This is because, as a Hollywood superhero film, its success is predicated upon perpetuating the colonisation of the imagination of its (still largely white) spectators and it does not represent black people on their own terms. A close focus on form exposes the film as retaining the spectacular and action-orientated visual language of Hollywood that e
APA, Harvard, Vancouver, ISO, and other styles
6

Rasmus, Agnieszka. "Hollywood remakes of British films: A case of cross-pollination." Journal of Adaptation in Film & Performance 14, no. 1 (2021): 53–63. http://dx.doi.org/10.1386/jafp_00042_1.

Full text
Abstract:
This article is an attempt at analysing Hollywood remakes and their British originals in terms of constructing and articulating their shared identity and their difference. Although the source films are considered British, they are often UK/US co-productions, made at the time of Hollywood’s active involvement in the domestic film scene during the so-called ‘Hollywood England’. This complicates neat labels not only in terms of nationality and geography but also original versus copy and points to the existence of transnational and transcultural flows already in evidence in the original works. The
APA, Harvard, Vancouver, ISO, and other styles
7

Berliner, Todd. "Hollywood Aesthetic." Projections 14, no. 2 (2020): 48–55. http://dx.doi.org/10.3167/proj.2020.140204.

Full text
Abstract:
Hollywood Aesthetic: Pleasure in American Cinema investigates the Hollywood film industry’s chief artistic accomplishment: providing aesthetic pleasure to mass audiences. Grounded in film history and supported by research in psychology and philosophical aesthetics, the book explains (1) the intrinsic properties characteristic of Hollywood cinema that induce aesthetic pleasure; (2) the cognitive and affective processes, sparked by Hollywood movies, that become engaged during aesthetic pleasure; and (3) the exhilarated aesthetic experiences afforded by an array of persistently entertaining Holly
APA, Harvard, Vancouver, ISO, and other styles
8

Gates, Racquel. "SUBVERTING HOLLYWOOD FROM THE INSIDE OUT." Film Quarterly 68, no. 1 (2014): 9–21. http://dx.doi.org/10.1525/fq.2014.68.1.9.

Full text
Abstract:
This article examines the production of Watermelon Man (1970), director Melvin Van Peebles’s only Hollywood film. While the film is often overlooked in scholarly circles in favor of Van Peebles’s more famous Sweet Sweetback’s Baadasssss Song (1971), Watermelon Man demonstrates that degree to which Van Peebles was able to produce a film that was aesthetically and narratively subversive in spite of the studio’s attempts to turn the film into a standard, mainstream comedy. Further, combining historical and theoretical approaches, including details about the film’s production from Van Peebles hims
APA, Harvard, Vancouver, ISO, and other styles
9

Tsabitah, Mutiara, Nathanael Jusac Lie, and Rizqi Magdawati Nur Izzizti. "Cultural Global Hegemony and Globalization: Hollywood’s LGBTQ+ Impacts in Asian Film Industry." Soshum: Jurnal Sosial dan Humaniora 12, no. 1 (2022): 34–43. http://dx.doi.org/10.31940/soshum.v12i1.34-43.

Full text
Abstract:
t is indisputable that globalization provides a vast space for various aspects of the world to continue developing and connecting. Through this, culture, as one of the aspects most affected by the times and technological advances, is the main focus of hegemonic companies such as Hollywood to expand their work, especially in cinema. This paper attempts to explain the impact of globalization on cultural hegemony in Asian countries due to the widespread influence of the film industry from Hollywood, especially the LGBTQ+ genre. The film industry in Asia has undergone many transformations over tim
APA, Harvard, Vancouver, ISO, and other styles
10

Edwards, Alexandra. "Hollywood Regionalism." Feminist Media Histories 6, no. 2 (2020): 16–42. http://dx.doi.org/10.1525/fmh.2020.6.2.16.

Full text
Abstract:
In her sixty years on earth, Gene Stratton-Porter was many things: a women's club organizer, nature photographer, naturalist, conservationist, best-selling novelist, and a burgeoning film producer who died just as her film studio began to realize her mission of adapting her novels into movies that could further her education and conservation efforts. By 1960, eight of her books had been turned into twenty-one films—silent and sound, black and white and color, from Poverty Row studios to members of the Big Five. This article examines how Stratton-Porter and others translated her regionalism and
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Hollywood film"

1

Glancy, H. Mark. "Hollywood and Britain : the Hollywood 'British' film, 1939-1945." Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333476.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Flanagan, Martin James. "Mikhail Bakhtin and Hollywood film." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366117.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Johnson, Jeb E. Mr. "Exploring Hollywood Cinema: A Look at Cinematic Techniques and the Classical Hollywood Ideology." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/350.

Full text
Abstract:
The focus of this thesis is to explore the ideas behind Hollywood Cinema and techniques used to craft camera shots of today’s cinema. The movie industry is one of the United States’ biggest export profits; because of this, American movies standout above the rest. I will be exploring and demonstrating the researched techniques of American cinema.
APA, Harvard, Vancouver, ISO, and other styles
4

Davison, Annette. "Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310816.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Skov, Adam Vincent. "China's Influence on Hollywood." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460984628.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Kleiner, Felicitas. "Scheherazade im Kino "1001 Nacht" aus Hollywood." Marburg Schüren, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2710726&prov=M&dok_var=1&dok_ext=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Gruffman, Mathias. "Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema." Thesis, Örebro University, Department of Humanities, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1555.

Full text
Abstract:
<p>This essay studies stylistic differences as well as homage’s between four films produced in two different contexts, New Hollywood and alternative aesthetics today in America. This is done in order to answer the question how alternative Hollywood works against or with Classical Hollywood Cinema in cases like style and narrative. The Work is done by a theory of neoformalism and the definition made by them of Classical Hollywood Cinema. The essay finds small changes, although kind of important witch are mainly shown in editing and causal motivation. It’s found that, in these films Classical Ho
APA, Harvard, Vancouver, ISO, and other styles
8

Kleiner, Felicitas. "Scheherazade im Kino : "1001 Nacht" aus Hollywood /." Marburg : Schüren, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2710726&prov=M&dok_var=1&dok_ext=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jungen, Christian. "Hollywood in Cannes die Geschichte einer Hassliebe ; 1939 - 2008." Marburg Schüren, 2009. http://d-nb.info/988534932/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wong, Winnie Won Yin 1978. "Manufacturing realisms : product placement in the Hollywood film." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/70744.

Full text
Abstract:
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.<br>Includes bibliographical references (p. 104-113).<br>Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorpor
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Hollywood film"

1

Burgoyne, Robert. The Hollywood historical film. Blackwell Pub., 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Casper, Drew. Hollywood Film 1963-1976. Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444395242.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

The Hollywood war film. Wiley-Blackwell, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

ek, Slavoj Z. iz. Lacan in Hollywood. Turia + Kant, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mitchum, Petrine Day. Hollywood hoofbeats. I-5 Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

McMurtry, Larry. Film flam: Essays on Hollywood. Simon and Schuster, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Scott, Ian. American politics in Hollywood film. Edinburgh University Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Steven, Cohan, ed. Hollywood musicals, the film reader. Routledge, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

American politics in Hollywood film. Fitzroy Dearborn Publishers, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Symmons, Tom. The New Hollywood Historical Film. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52930-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Hollywood film"

1

Sklar, Robert. "Hollywood about Hollywood: Genre as Historiography." In Hollywood and the American Historical Film. Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35789-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hindle, Maurice. "The Thirties: Hollywood Shakespeare." In Shakespeare on Film. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-53172-8_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Benyahia, Sarah Casey, John White, and Freddie Gaffney. "Classic Hollywood, 1930–1960." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Benyahia, Sarah Casey, John White, and Freddie Gaffney. "New Hollywood, 1961–1990." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Browning, John Edgar. "Classical Hollywood Horror." In A Companion to the Horror Film. John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118883648.ch13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Curtin, Michael, Wesley Jacks, and Yongli Li. "Hollywood in China." In Film Marketing into the Twenty-First Century. British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-841-2_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Quart, Leonard, and Albert Auster. "Hollywood Dreaming: Postwar American Film." In A Concise Companion to Postwar American Literature and Culture. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756430.ch6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Film Feminism." In Not Hollywood. Duke University Press, 2013. http://dx.doi.org/10.1215/9780822399681-008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"HOLLYWOOD BACK IN THE DAY AND HOLLYWOOD TODAY – OLD HOLLYWOOD AND NEW HOLLYWOOD." In AS Film Studies. Routledge, 2006. http://dx.doi.org/10.4324/9780203969540-19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Grainge, Paul, Mark Jancovich, and Sharon Monteith. "Competing with Hollywood: National Film Industries Outside Hollywood." In Film Histories. Edinburgh University Press, 2007. http://dx.doi.org/10.3366/edinburgh/9780748619061.003.0006.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hollywood film"

1

Zhao, Zhicheng, and Xiaojuan Ge. "A computable structure model for hollywood film." In 2010 17th IEEE International Conference on Image Processing (ICIP 2010). IEEE, 2010. http://dx.doi.org/10.1109/icip.2010.5654050.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Cui, Yuting, and Wantong Cao. "Research on the Developmental Trend of CG Technology in Hollywood and the Influence on Chinese Film and Television Production." In 2016 2nd International Conference on Social Science and Technology Education (ICSSTE 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/icsste-16.2016.79.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

YILMAZ, Selin, and Deniz YENGİN. "FİLM ÇALIŞMALARINDA DİJİTAL GÖZETİMİN DUYGUSAL YAKLAŞIM ANALİZİ." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.052.

Full text
Abstract:
İnsan sosyal bir varlıktır. Sosyal bir varlık olan insan yaşamını sürdürmek için diğer insanlarla iletişim kurmaya, duygu, düşünce, inanç ve ideolojilerini aktarmaya ihtiyaç duymaktadır. İnsan eliyle yapılan makinalar insan yapımı olmakla birlikte herhangi bir duyguya sahip değildir. Ancak yapay zekanın gelişimi insanlara makinelerinde düşünebildiğini, duyguları olduğunu anlatmaya çalışmaktadır. Yeni iletişim teknolojilerinin gelişimi makine ile insan arasındaki ilişkinin önemini ortaya çıkarmaktadır. İnsanlar makineyi/robotu sesli komut ya da el – yüz – göz taramalarıyla kontrol edebilmektedi
APA, Harvard, Vancouver, ISO, and other styles
4

Yılmaz, Selin, and Deniz Yengin. "Analysis of Emotional Approach of Digital Surveillance in Film Studies." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.020.

Full text
Abstract:
Human is a social being, and needs communication to convey feelings, thoughts, beliefs, and ideologies to survive. Despite being man-made, machines do not have any feelings. However, the development of artificial intelligence poses a suggestion that machines can also think, and feel. The development of new communication technologies reveals the importance of the relationship between machines and humans. People can control the machine/robot with voice commands or hand-face-eye scans. The data processed in the machine memory can be interpreted with other algorithms and instantly give the needed
APA, Harvard, Vancouver, ISO, and other styles
5

Zhao, Yunxuan. "The Construction of Chinese Wisdom in Hollywood Animated Films." In 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201214.536.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Johnson, Beth A. "HOLLYWOOD PERCEPTIONS OF WOMEN IN GEOLOGY: WOMEN GEOSCIENTISTS IN FILMS (1986-2016)." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-279528.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Iasiello, Carmen. "Underrepresentation of minorities in hollywood films: An agent based modeling approach to explanations." In 2017 Winter Simulation Conference (WSC). IEEE, 2017. http://dx.doi.org/10.1109/wsc.2017.8248215.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Using Agent Based Modeling to Interpret Underlying Factors of Underrepresentation of Minorities in Hollywood Films." In 2020 Spring Simulation Conference. Society for Modeling and Simulation International (SCS), 2020. http://dx.doi.org/10.22360/springsim.2020.hsaa.008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sylvan, Lesley. "Bringing Hollywood to Graduate School: Using Films to Promote Engagement for Speech-Language Pathology Graduate Students." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1880498.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Hollywood film"

1

Petrocelli, Heather. Portland's "Refugee from Occupied Hollywood": Andries Deinum, his Center for the Moving Image, and Film Education in the United States. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.608.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dodd, Molly Catherine, and Patricia Hunt-Hurst. Hollywood's Risque Years: Female Body Exposure in Pre-Code Films. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-30.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography