Relevant bibliographies by topics / Hollywood (Los Angeles, California)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hollywood (Los Angeles, California)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Hollywood (Los Angeles, California)"

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Johnson, Lorin, and Donald Bradburn. "Fleeing the Soviet Union, Dancing on the West Coast." Experiment 20, no. 1 (October 27, 2014): 297–316. http://dx.doi.org/10.1163/2211730x-12341266.

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In the 1970s and 1980s, Los Angeles audiences saw Soviet defectors Mikhail Baryshnikov, Alexander Godunov, Natalia Makarova, and Rudolf Nureyev in the prime of their careers at the Hollywood Bowl, The Dorothy Chandler Pavilion and the Greek Theater. Dance photographer Donald Dale Bradburn, a local Southern California dancer describes his behind-the-scenes access to these dancers in this interview. Perfectly positioned as Dance Magazine’s Southern California correspondent, Bradburn offers a candid appraisal of the Southern California appeal for such high-power Russian artists as well as their impact on the arts of Los Angeles. An intimate view of Russian dancers practicing their craft on Los Angeles stages, Bradburn’s interview is illustrated by fourteen of his photographs, published for the first time in this issue of Experiment.
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Bowlt, John E., and Elizabeth Durst. "“The Art of Concealing Imperfection”." Experiment 20, no. 1 (October 27, 2014): 118–45. http://dx.doi.org/10.1163/2211730x-12341261.

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The focus of the essay is on Léon Bakst’s activities in the usa, especially in Los Angeles in 1924, when he lectured at the University of Southern California and at the Biltmore Hotel. The essay also touches on Bakst’s interest in Hollywood and cinema as the “new” medium and on his popularity as a dress and textile designer.
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Serna, Laura I. "“As a Mexican I Feel It’s My Duty:” Citizenship, Censorship, and the Campaign Against Derogatory Films in Mexico, 1922–1930." Americas 63, no. 2 (October 2006): 225–44. http://dx.doi.org/10.1017/s0003161500062982.

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In June of 1930, Dr. J. M. Puig Casauranc, who held the post of Jefe del Departamento del Distrito Federal (a post then somewhat akin to mayor) received a lengthy letter from theConfederación de Sociedades Mexicanasin Los Angeles, California. The letter asked Dr. Puig if a Committee for the Supervision of Film could be constituted in Los Angeles, a committee to be made up of members of the Confederation and the Mexican consulate in Los Angeles. In their letter members of the Confederation’s steering committee displayed a clear understanding of the history of Mexico’s struggle to exert some control over the content of Hollywood films.
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SANTOS, Wolney Nascimento, Hamilcar Silveira DANTAS JUNIOR, and Fabio ZOBOLI. "Drama e memória em um Rosto/Corpo no filme “Sunset Boulevard – Crepúsculo Dos Deuses” (1950), de Billy Wilder." Fênix - Revista de História e Estudos Culturais 19, no. 2 (December 11, 2022): 261–77. http://dx.doi.org/10.35355/revistafenix.v19i2.1094.

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Objetiva interpelar o filme “Sunset Boulevard − Crepúsculo dos Deuses” (1950) reflexionando a indústria cinematográfica de Hollywood na época em que o filme foi produzido centrado na figura mítico/trágica da atriz decadente Norma Desmond em sua mansão na “Sunset Boulevard” – Los Angeles, California. O filme enquadra de modo perturbador a queda de uma celebridade que vai ficando sem foco diante da indústria do cinema, ao tempo que demarca oposições entre arte e mídia, câmeras de cinema e jornalísticas, entre uma personagem de ficção e uma assassina da vida real.
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Dolan, James F., Kerry Sieh, Thomas K. Rockwell, Paul Guptill, and Grant Miller. "Active tectonics, paleoseismology, and seismic hazards of the Hollywood fault, northern Los Angeles basin, California." Geological Society of America Bulletin 109, no. 12 (December 1997): 1595–616. http://dx.doi.org/10.1130/0016-7606(1997)109<1595:atpash>2.3.co;2.

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Blum, Edward J. "Gods of the Golden Coast." Boom 2, no. 2 (2012): 82–85. http://dx.doi.org/10.1525/boom.2012.2.2.82.

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Review essay on The Visionary State: A Journey Through California’s Spiritual Landscapes; Religion at the Corner of Bliss and Nirvana: Politics, Identity, and Faith in New Migrant Communities; Esalen: America and the Religion of No Religion; From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism; and Hollywood Faith: Holiness, Prosperity and Ambition in a Los Angeles Church.
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Dolan, J. F. "Paleoseismologic Evidence for an Early to Mid-Holocene Age of the Most Recent Surface Rupture on the Hollywood Fault, Los Angeles, California." Bulletin of the Seismological Society of America 90, no. 2 (April 1, 2000): 334–44. http://dx.doi.org/10.1785/0119990096.

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Goodwin, Mary. "An Art Historian Encounters a Hybrid Global History at Home: Alfredo Ramos Martinez’s Designs for Sacred Spaces." Religion and the Arts 18, no. 1-2 (2014): 120–55. http://dx.doi.org/10.1163/15685292-01801008.

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‭Southern California’s hidden treasures include two church interiors containing elements designed by Alfredo Ramos Martinez (1871–1946). This Mexican-born artist trained in France, returned to take an activist role in Mexican revolutionary culture, and migrated to the United States in 1929. For sixteen years, his talents were in demand among members of the Hollywood elite. In 1934, he produced the fresco murals at the Santa Barbara Cemetery Chapel, a jewel of Spanish Revival architecture. His images crossed over traditional boundaries between the sacred and the profane. He created odes to human rights and suffering humanity, depicting Christ and his mother as indigenous peasants with dark-skinned New World ethnicity. A decade later in 1946, Ramos sketched designs for his final projects at St. John the Evangelist Church in Los Angeles: a series of stained glass windows representing fourteen multiethnic saints as well as incomplete oil painted Stations of the Cross that recall his earlier pictures of suffering humanity. The architectural setting—a modernist church with stripped-down forms and materials of concrete, steel, and neon—announces a radically transformed post-war industrial culture. The contrast of these two aesthetics, the Spanish Revival and the modernist, demonstrates an evolution in liturgical forms as Californians came to grips with global migrations and an evolving modernist identity.‬
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Lucas, Leopold. "The ordinary – extraordinary dialectics in tourist metropolises." International Journal of Tourism Cities 5, no. 1 (March 4, 2019): 17–34. http://dx.doi.org/10.1108/ijtc-12-2017-0082.

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PurposeStarting from the hypothesis of an ordinary/extraordinary tension that drives the link between tourist places and non-tourist places, this paper discusses the issue of tourist spatial delimitations. Rather than take such an issue for granted, the paper argues that the author needs to understand how the different actors within the tourism system create specific delimitations and how tourists deal with these delimitations. To pinpoint these tourist spatial delimitations, this paper considers three types of discourses: the discourse of local promoters, the discourse of guidebooks and the discourse of tourists. The purpose of this paper is to explain not only the tourist delimitations established by these actors but also the concordance between the guidebooks’ prescriptions, the public actors’ strategies and the tourists’ practices. In this empirical investigation, the author uses the case of Los Angeles and focuses more specifically on the two main tourist places within the agglomeration: Hollywood and Santa Monica. The argument supports the idea that political actors tend to develop what the author could consider a tourist secession, as the author tends to precisely delimit the designated area for the sake of efficiency. Guidebooks, which the author must consider because they are true and strong prescribers of tourist practices, draw their own tourist neighbourhoods. Finally, most tourists in Los Angeles conform to these delimitations and do not venture off the beaten track.Design/methodology/approachThis paper examines three types of discourses: the discourse of local tourism promoters, the discourse of tourist guidebooks and the discourse of tourists. The purpose of the study is to explain not only the tourist delimitations established by these actors but also the concordance between the guidebooks’ prescriptions, the public actors’ strategies and the tourists’ practices. To conduct this analysis, this paper relied on an empirical survey (Lucas, 2014b) whose methodology used a range of different techniques. First, interviews with Convention and Visitors Bureau managers were performed to understand the delimitations established by the institutional actors directly in charge of the tourist development of those places. Second, the second kind of discourse considered here is that in guidebooks. Los Angeles is often included in guidebooks about California in general, albeit with a much shorter number of pages. Although all guidebooks were considered, the study mostly focused on those specifically dedicated to Los Angeles (Time Out,Rough GuideandLonely Planet) to conduct a thick analysis of their discourses and to note the spatial delimitations that they established. The author must regard guidebooks as the prescribers of practices because they represent a source of information for tourists. The aim is to determine how tourists follow – or do not follow – the recommendations of guidebooks. Third, to understand these practices, the paper considers numerous interviews (approximately seventy) conducted with tourists.FindingsThus, in these two examples, the author has distinguished powerful delimitations of the tourist places created by promoters through their discourse, which provides information on how they promote the place through urban planning. This tourist staging, and all the specific processing of the place, contributes to a clear distinction between these places and the rest of the urban environment, allowing a very precise definition. The distinction is made from one street to another. However, these delimitations are mainly defined by the practices of the tourists: they have a very selective way of dealing with the public space of the two places concerned. They validate, update and thus make relevant the limits established by the institutional operators, sometimes performing even stricter operations of delimitation. This way of dealing with space is observed in the urban planning and in the discourses on the tourist places expressed in the guidebooks. There are no tactics to bypass, divert and subvert the spatial configuration settled by local authorities and guidebooks; tourists do not attempt to discover new places or to go off the beaten track (Maitland and Newman, 2009). Yet, this is not the only explanation for the way in which tourists occupy a place. Although the guidebooks perform the operations of delimitation and rank places (insisting on one place over another and highlighting what should be seen, where to go, etc.), they also exhaustively present the practices that one can perform, and how tourists deal with space either hints at their disregard of these tools or at individuals’ selection based on the information given. In Hollywood, as in Santa Monica, while the guidebooks exhaustively enumerate the numerous sites that might be interesting for tourist practices, the author observes a very important and discriminating concentration of these tourist practices within a precisely delimited perimeter, respectively, the Walk of Fame and the Ocean Front Walk: tourists walk from one street to another and from a full to an empty space. Thus, the author can support the idea that how tourists cope with space are temporary, delimited by highly targeted practices and restricted only to a few tourist places.Originality/valueWhat about the ordinary/extraordinary dialectic? Most tourists do not look for something ordinary; yet, the entirety of what could be considered as “extraordinary” in one metropolis is not included in its tourism space. On the contrary, tourist places can also be seen as “ordinary.” Nevertheless, there is clearly a distinction observed through the discourses, but also in the practices, between an “inside” and an “outside” and between something extraordinary and one’s ordinary environment. One can interpret this result as an actual confirmation of the classic combination (tourist/sight/marker) that constitutes a “tourist attraction” (MacCannell, 1976, p. 44), which concerns a very specific way of dealing with space in Los Angeles. Tourists do not practice Los Angeles as the author might assume that they would typically practice other metropolises, e.g. strolling down the streets randomly. The two places examined in this paper are open to that kind of practice. One can consider that these places have a higher degree of urbanity than the average area of Los Angeles precisely because there are tourists. The density in terms of buildings is (relatively) more important and accompanied by a narrative construction of the urban space (the historic dimension of the buildings), and the public space has undergone specific urban planning and given special consideration, at least greater consideration than elsewhere. In these places, the author finds a concentration of population – the metropolitan crowd – that is otherwise very rare in Los Angeles. However, the tourists seem to have a limited interest in these attractions. These classic characteristics of urbanity do not seem to be regarded positively by a certain number of tourists and are not taken into consideration by tourists. This observation contrasts somewhat with the idea that dwelling touristically in a metropolis primarily entails the discovery of its urbanity (Equipe MIT, 2005). Discovering Los Angeles does not consist of experiencing the local society and of exploring the urban space but, rather, of performing specific practices in Los Angeles (seeing the Hollywood sign and the Stars and walking along the famous beaches). Two approaches can help us understand this gap: considering Los Angeles as a specific case or considering that the spatial configuration of Los Angeles enables us to bring out the logic at work in other metropolises but that would be too complex to distinguish here. Perhaps, the author finds both elements, and this reflection must invite the author to continue the discussion on the logic of tourists’ practice of metropolises: are they really looking for a maximal urbanity during their metropolitan experiences?
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Macías, Anthony. "California’s Composer Laureate." Boom 3, no. 2 (2013): 34–51. http://dx.doi.org/10.1525/boom.2013.3.2.34.

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This essay uses the 1960s, Gerald Wilson’s most prolific period, as a window into his life and work as a big band jazz trumpeter, soloist, arranger, conductor, and composer. This selective snapshot of Wilson’s career inserts him more fully into jazz—and California—history, while analyzing the influence of Latin music and Mexican culture on his creations. Tracing the black-brown connections in his Alta California art demonstrates an often-overlooked aspect of Wilson’s musical legacy: the fact that he wrote, arranged, recorded, and performed Latin-tinged tunes, especially several brassy homages to Mexican bullfighters, as well as Latin jazz originals. Wilson’s singular soul jazz reveals the drive and dedication of a disciplined artist—both student and teacher—who continually honed his craft and expanded his talents as part of his educational and musical philosophy. Wilson’s California story is that of an African American migrant who moves out west, where he meets a Chicana Angelena and starts a family—in the tradition of Cali-mestizaje—then stays for the higher quality of life, for the freedom to raise his children and live as an artist, further developing and fully expressing his style. However, because he never moved to New York, Wilson remains under-researched and underappreciated by academic jazz experts. Using cultural history and cultural studies research methods, this essay makes the case that Gerald Wilson should be more widely recognized and honored for his genius, greatness, and outstanding achievements in the field of modern jazz, from San Francisco to Monterey, Hollywood, and Hermosa Beach.
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Dissertations / Theses on the topic "Hollywood (Los Angeles, California)"

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Contreras, Gilbert Joseph 1974. "Ending teen homelessness : a case study of Los Angeles Youth Network in Hollywood, California." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/65246.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1998.
In subtitle, the copyright symbol appears after the word California on t.p.
Includes bibliographical references (leaves 79-81).
by Gilbert Joseph Contreras, Jr.
M.C.P.
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Lewis, Shane. "Orry-Kelly : an Australian in Hollywood : producing meaning through costume." Thesis, Queensland University of Technology, 1997.

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Costume designer Orry-Kelly has a unique place in Hollywood history as one of the few designers to win three or more Academy Awards and one of the few Australians to succeed in the Hollywood studio system. His work was a major factor in the success of Bette Davis at Warner Bros. However, Orry-Kelly and his work have received little critical attention. This study examines the function of Orry-Kelly's costumes in a selection of Bette Davis vehicles produced at Warner Bros. between 1938 and 1942. In order to assess the value of Orry-Kelly's contributions, the thesis charts the development of the role of the Hollywood studio costume designer and summarises theories relevant to the function of costume in classical Hollywood narrative. Films analysed are Jezebel, Dark Victory, The Letter, The Little Foxes, Now, Voyager, The Great Lie and In This Our Life. Sources consulted for background to Orry-Kelly's life and career include records in the Orry-Kelly File in the Warner Bros. Archives at the University of Southern California, and material gathered in Australia which has not been previously presented in an academic study. The study concludes that Orry-Kelly's costume concepts display an intuitive understanding of processes of human perception and behaviour, and knowledge of the requirements of the film medium, to convey the preferred meanings about characters and aid in story-telling.
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Evans, Victoria Louise, and n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity." University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.

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In this dissertation, I argue that Douglas Sirk was attempting to dissolve the boundaries of the cinematic medium by assimilating elements of avant-garde art, architecture and design into the colour, composition and settings of many of his most popular studio produced films. While the exaggerated artifice of this director�s formal style has often been remarked upon, it has yet to be interpreted in the light of his detailed cognisance of the major art and architectural movements of the period, which include German Expressionist painting and Machine Age Modernist design. This is a lacuna that my thesis should at least partially fill, since I have shown that Sirk�s highly self conscious visual approach was deeply influenced by the artistic debates that were taking place in Europe during the 1920s and �30s and in America after World War II. To my mind, there is no doubt that this director�s syncretic mise-en-scène was the result of an interdisciplinary, transnational dialogue, and I have sought to illuminate some of the social, philosophical and political meanings that it seems to convey.
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Oltmann, Katrin. "Remake - Premake : Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960 /." Bielefeld : transcript, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm.

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Vallen, Michael Earl. "Housing...the Hillside, Los Angeles, California." Thesis, Virginia Tech, 1993. http://hdl.handle.net/10919/36539.

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This Thesis is a proposal for a prototypical hillside housing community in Los Angeles, California. As a prototype it is responsible for setting an architectural precedent. In this effort, the Thesis continues with focus on issues of construction methodology, urban planning, and land use relationships concerning the present city. Being clear and uncomplicated is the driving force of this architectural process. On the horizon is the 21st Century. Architecture has become increasingly convoluted rather than enlightened. Here, I have focused my attentions on developing a technologically based, material-driven, compassionate solution to answer the issue of housing on the hillsides of Los Angeles. I have realized a clear system of building using uncomplicated technology and material. However, as demonstrated, this system of building provides only an envelope for space definition. It becomes the architectural precedent, a canvas, through which the inhabitant can define his existence. Enlightened limitations.
Master of Architecture
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Sannah, Bassim. "The characteristic features of Hollywood's scenographical stylization (1930-1939)." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972588477.

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Huh, Cheong Rhie. "After-school programs in Koreatown, Los Angeles, California." Diss., Restricted to subscribing institutions, 2004. http://proquest.umi.com/pqdweb?did=813763171&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Dammann, Lars. "Kino im Aufbruch : New Hollywood 1967-1976 /." Marburg : Schüren, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016300992&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Gray, D. Michael. "Redevelopment of the Union Pacific Freight Terminal, Los Angeles, California." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/74318.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1985.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Bibliography: leaf 98.
by D. Michael Gray.
M.S.
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Joniak, Elizabeth A. ""On the street" and "of the street" the daily lives of unhoused youth in Hollywood /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023832501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Books on the topic "Hollywood (Los Angeles, California)"

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Weisbrod, Carl. Hollywood, Los Angeles, California: A strategy for Hollywood's comeback. Washington, D.C: ULI-the Urban Land Institute., 2001.

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Cobb, Sally Wright. The Brown Derby Restaurant: A Hollywood Legend. S.l: Rizzoli International Publications, 2003.

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Leppikson, Krista, ed. Hollywood. Tallinn, Estonia: Hotger, 2007.

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Bukowski, Charles. Hollywood. New York: HarperCollins, 2007.

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O'Brien, Darcy. Margaret in Hollywood. New York: Morrow, 1991.

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Ellroy, James. Hollywood nocturnes. New York: O. Penzler Books, 1994.

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Bukowski, Charles. Hollywood: A novel. Santa Rosa: Black Sparrow Press, 1989.

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Ruth, Wallach, ed. Historic hotels of Los Angeles and Hollywood. Charleston, SC: Arcadia Pub., 2008.

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Hollywood kids. New York: Pocket Books, 1995.

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Riegert, Ray. Hidden Southern California: Including Los Angeles, Hollywood, San Diego, Santa Barbara, and Palm Springs. 9th ed. Berkeley, Calif: Ulysses Press, 2004.

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Book chapters on the topic "Hollywood (Los Angeles, California)"

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Kolthoff, Steven H., Michael F. Mills, and Roy J. Shlemon. "Neotectonics of the Hollywood Fault, Central Hollywood District, Los Angeles, California, U.S.A." In IAEG/AEG Annual Meeting Proceedings, San Francisco, California, 2018 - Volume 5, 13–20. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93136-4_2.

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Shiel, Mark. "‘Los Angeles and Hollywood in Film and French Theory: Agnès Varda’s Lions Love… and Lies (1969) and Edgar Morin’s Journal de Californie (1970)’." In Cinematic Urban Geographies, 245–68. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-46084-4_13.

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Reding, Colleen. "University of California, Los Angeles." In Grad's Guide to Graduate Admissions Essays, 61–64. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235361-17.

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Horn, John. "Hollywood Changes its Script." In A Companion to California History, 443–52. Oxford, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781444305036.ch27.

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Husserl, Edmund. "University of Southern California Los Angeles." In Briefwechsel, 229–32. Boston, MA: Springer US, 1994. http://dx.doi.org/10.1007/978-1-4899-3805-3_31.

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Schuhmann, Karl. "University of Southern California Los Angeles." In Edmund Husserl: Briefwechsel, 2771–74. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0745-7_247.

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Tölle, Wolfgang, Jason Yasner, and Michael Pieper. "University of California at Los Angeles." In Study and Research Guide in Computer Science, 82–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/978-3-642-77393-8_29.

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"Hollywood." In Los Angeles in the 1930sThe WPA Guide to the City of Angels, 227–37. University of California Press, 2011. http://dx.doi.org/10.1525/california/9780520268838.003.0019.

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Lewis, Jon. "The Real Estate of Crime." In Hard-Boiled Hollywood. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284319.003.0002.

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Elizabeth Short (AKA the Black Dahlia) arrived in Los Angeles filled with aspiration and hope, seduced by a Hollywood narrative fixed in the glamorous studio era. What she didn’t know – what she and so many other Hollywood aspirants and wannabes like her could not possibly have known – was how quickly and systematically the movie business would be transformed and scaled down in the years to come. Short has become the most notorious but hardly the only casualty of an industry and city in transition after the war.
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Clark, Walter Aaron. "Hollywood." In Los Romeros, 94–114. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041907.003.0007.

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The Romeros moved to Hollywood in 1958, where they established a studio for teaching guitar. Starting in 1960, the quartet performed in Los Angeles, San Francisco, Chicago, and New York, and was making recordings on the Contemporary and Mercury labels. The guitar had become the dominant instrument of that period, and there was a ready market for a quartet of Spaniards playing classical and flamenco favorites. They were soon touring throughout the U.S., in cities large and small. The highlight of the 1960s was their appearance on the Ed Sullivan Show, in 1967, a decade after their arrival in California and the year in which they became U.S. citizens. This was also the year in which they premiered Joaquín Rodrigo’s Concierto andaluz, written for the quartet. Pepe and Angel were deemed unsuited for military service and not drafted.
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Conference papers on the topic "Hollywood (Los Angeles, California)"

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Dayvault, G. P. "Injection Profile Control in a Multizone Los Angeles Basin Waterflood." In SPE California Regional Meeting. Society of Petroleum Engineers, 1990. http://dx.doi.org/10.2118/20044-ms.

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Dayvault, G. P., and D. E. Patterson. "Solvent and Acid Stimulation Increase Production in Los Angeles Basin Waterflood." In SPE California Regional Meeting. Society of Petroleum Engineers, 1989. http://dx.doi.org/10.2118/18816-ms.

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Sadeghi, K. Majid, Shahram Kharaghani, Wing Tam, Ted Johnson, and Mark Hanna. "Broadway Neighborhood Stormwater Greenway Project in Los Angeles, California." In World Environmental and Water Resources Congress 2017. Reston, VA: American Society of Civil Engineers, 2017. http://dx.doi.org/10.1061/9780784480632.006.

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Anderson, Kathy, Tony Risko, Tom Wang, Steve Cappellino, Steven John, and Michael Lyons. "Developing a Los Angeles Region Dredged Material Management Plan: A Coordinated Effort." In California and the World Ocean 2002. Reston, VA: American Society of Civil Engineers, 2005. http://dx.doi.org/10.1061/40761(175)6.

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Sadeghi, K. Majid, Wing Tam, Shahram Kharaghani, and Hugo Loáiciga. "University Park Neighborhood Rain Gardens Project in Los Angeles, California." In World Environmental and Water Resources Congress 2019. Reston, VA: American Society of Civil Engineers, 2019. http://dx.doi.org/10.1061/9780784482360.014.

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Wuerker, Ralph F. "Arctic lidar at Univ. of California/Los Angeles' HIPAS Observatory." In International Symposium on Optical Science and Technology, edited by Allen M. Larar and Martin G. Mlynczak. SPIE, 2002. http://dx.doi.org/10.1117/12.454264.

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Antonanzas-Barroso, Norma, Jody Kreiman, and Bruce R. Gerratt. "Recent improvements to the University of California, Los Angeles' voice synthesizer." In 156th Meeting Acoustical Society of America. ASA, 2009. http://dx.doi.org/10.1121/1.3059685.

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Alcorn, Alan E., and John Foxworthy. "Construction of Offshore Artificial Reef at Port of Los Angeles, California." In Ports Conference 2001. Reston, VA: American Society of Civil Engineers, 2001. http://dx.doi.org/10.1061/40555(2001)16.

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Blekhman, David, Masood Shahverdi, Mehran Mazari, Arturo Pacheco-Vega, Brad Haydel, Carmen Gachupin, Michael Dray, and Jeffrey Underwood. "Campus Sustainable Infrastructure as Living Lab at California State University Los Angeles." In International Conference on Sustainable Infrastructure 2019. Reston, VA: American Society of Civil Engineers, 2019. http://dx.doi.org/10.1061/9780784482650.032.

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Tormey, Daniel. "GEOHERITAGE OF OIL EXTRACTION: URBAN OIL FIELDS OF LOS ANGELES, CALIFORNIA, USA." In GSA Connects 2022 meeting in Denver, Colorado. Geological Society of America, 2022. http://dx.doi.org/10.1130/abs/2022am-382241.

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Reports on the topic "Hollywood (Los Angeles, California)"

1

Blekhman, David. Sustainable Hydrogen Fueling Station, California State University, Los Angeles. Office of Scientific and Technical Information (OSTI), January 2013. http://dx.doi.org/10.2172/1213576.

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Nefkens, B. M. K. [Particle physics]. [Dept. of Physics, Univ. of California, Los Angeles]. Office of Scientific and Technical Information (OSTI), November 1992. http://dx.doi.org/10.2172/6890340.

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Bottin, Jr, Acuff Robert R., and Hugh F. Wave Conditions for Two Phases of Harbor Development in Los Angeles Outer Harbor, Los Angeles, California. Coastal Model Investigation. Fort Belvoir, VA: Defense Technical Information Center, July 1992. http://dx.doi.org/10.21236/ada254417.

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Feng, Shechao. Applications of mesoscopic physics. [Dept. of Physics, UCLA, Los Angeles, California]. Office of Scientific and Technical Information (OSTI), January 1993. http://dx.doi.org/10.2172/6607037.

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Blekhman, David. HYDROGEN AND FUEL CELL EDUCATION AT CALIFORNIA STATE UNIVERSITY, LOS ANGELES. Office of Scientific and Technical Information (OSTI), September 2011. http://dx.doi.org/10.2172/1025719.

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Nelson, Brittne. California Dreaming or California Struggling? 2017 Los Angeles County Findings from the AARP Study of California Adults Ages 36-70 in the Workforce. AARP Research, May 2017. http://dx.doi.org/10.26419/res.00163.006.

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Schmidt, Eugene W. The California Army National Guard and the Los Angeles Riot, April and May 1992. Fort Belvoir, VA: Defense Technical Information Center, March 1993. http://dx.doi.org/10.21236/ada264662.

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Kleinhenz, Mark. Analysis of Pool Distribution Operations at the Los Angeles, California, Regional Freight Consolidation Center. Fort Belvoir, VA: Defense Technical Information Center, March 1991. http://dx.doi.org/10.21236/ada235625.

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Nelson, Brittne. California Dreaming or California Struggling? 2017 Los Angeles County Findings from the AARP Study of California Adults Ages 36-70 in the Workforce: Brief. AARP Research, May 2017. http://dx.doi.org/10.26419/res.00163.007.

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Foxall, B. Southern California Earthquake Center - SCEC1: Final Report Summary Alternative Earthquake Source Characterization for the Los Angeles Region. Office of Scientific and Technical Information (OSTI), February 2003. http://dx.doi.org/10.2172/15004050.

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