Relevant bibliographies by topics / Hollywood Ten

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hollywood Ten'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Hollywood Ten"

1

Eckstein, Arthur. "The Hollywood Ten in history and memory." Film History: An International Journal 16, no. 4 (2004): 424–36. http://dx.doi.org/10.2979/fil.2004.16.4.424.

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Athan G. Theoharis. "A Lawless Agency: The FBI and the "Hollywood Ten"." Rhetoric & Public Affairs 2, no. 3 (1999): 415–30. http://dx.doi.org/10.1353/rap.2010.0128.

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Sklar, Robert, and Bernard F. Dick. "Radical Innocence: A Critical Study of the Hollywood Ten." Journal of American History 76, no. 4 (1990): 1324. http://dx.doi.org/10.2307/2936707.

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Smoodin, Eric. ": Odd Man out: A Memoir of the Hollywood Ten . Edward Dmytryk." Film Quarterly 51, no. 1 (1997): 64. http://dx.doi.org/10.1525/fq.1997.51.1.04a00220.

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Ceplair, Larry. ": Radical Innocence: A Critical Study of the Hollywood Ten . Bernard F. Dick." Film Quarterly 42, no. 4 (1989): 33–34. http://dx.doi.org/10.1525/fq.1989.42.4.04a00120.

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Yazdi, Mohammad Rezaie. "Hollywood Mission: America the New Israel." Asian Journal of Social Science 37, no. 2 (2009): 305–14. http://dx.doi.org/10.1163/156853109x415408.

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AbstractThis article centres on the fact that American politicians tend to introduce America as “the New Israel.” By adherence to the religious beliefs, they identify themselves as the chosen nation. The substantial question is how the movies with so wide a range of popular viewers would reflect the new American religion. One of the ways to answer this question is to overview the movies that take up the parallel between America and Israel. If America is the new Israel, then an American film about Israel is probably a film that is (indirectly) about America as well. This article centres on two
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Smoodin, Eric. "Review: Odd Man out: A Memoir of the Hollywood Ten by Edward Dmytryk." Film Quarterly 51, no. 1 (1997): 64. http://dx.doi.org/10.2307/1213546.

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Glant, Tibor. "US-Hungarian Relations Ten Years After 1956." Hungarian Cultural Studies 9 (October 11, 2016): 184–96. http://dx.doi.org/10.5195/ahea.2016.262.

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1966, the tenth anniversary of the 1956 Revolution, was a key year in US–Hungarian relations. Diplomatic relations were raised from the lowest to the highest level, but suspicion and tension remained. Neither side knew what to expect from the other on account of the anniversary, the Vietnam War, economic and cultural negotiations, and the fate of Cardinal Mindszenty. A traditional diplomatic historical approach is supplemented here with cultural materials to present the full scale of contacts ranging from high political issues to the visit of Hollywood movie star Kirk Douglas in Budapest. Firs
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Ceplair, Larry. "Review: Radical Innocence: A Critical Study of the Hollywood Ten by Bernard F. Dick." Film Quarterly 42, no. 4 (1989): 33–34. http://dx.doi.org/10.2307/1212830.

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Kozlovic, Anton Karl. "Exploring Sacred and Secular Serpent Symbolism in Cecil B. DeMille’s The Ten Commandments (1956)." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 7, no. 2 (2014): 149–69. http://dx.doi.org/10.1558/post.v7i2.149.

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Cecil B. DeMille was an unsung auteur and master of the American biblical epic whose feature films were eagerly awaited by the paying public and filled Paramount’s purse. And yet, he was routinely ignored, dismissed or devalued by critics unappreciative of the enormous artistry deliberately engineered therein, especially his penchant for serpent symbolism. This particular omission is in need of belated attention. Consequently, using humanist film criticism as the guiding analytical lens, this essay selectively reviews the critical DeMille, film and religion literature, locates DeMille’s place
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Dissertations / Theses on the topic "Hollywood Ten"

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O'Neill, Patrick. "Investigating the 1980s Hollywood teen genre : adolescence, character, space." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/35777/.

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The 1980s Hollywood teen genre is a topic which has not attracted significant academic interest in the context of doctoral research. Only recently have writers focused on this period in wider scholarly texts, often positioned in relation to other periods of the teen genre, but not extensively concentrating on the 1980s. This research will address what is a lack of detailed analysis of this cinematic era and offer a contribution to knowledge in terms of Hollywood genre cinema. The aim of this thesis is to argue that teen films produced during the 1980s effectively represent youth concerns and t
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Murphy, Caryn E. "Teen ages: Youth market romance in Hollywood teen films of the 1980s and 1990s." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2749/.

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This thesis examines the differences between teen romantic comedy films marketed to Generation X teenagers in the 1980s and Generation Y teenagers in the 1990s, focusing on the presentation of gender roles, consumptive behavior, and family. The 1980s films are discussed within the social context of the Reagan era and the conservatism of the New Right. The 1990s films are examined as continuing a conservative sensibility, but they additionally posit consumption as instrumental to achieving an idealized romance. Romantic comedy is traditionally a conservative genre, but these films illustrate fe
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Smith, Frances C. E. "Rethinking the norm : Judith Butler and the Hollywood teen movie." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/58486/.

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The thesis explores the construction of gender in the Hollywood Teen Movie, often perceived as 'the odious norm' of Hollywood cinema with little to warrant serious analysis.[1] Although Timothy Shary's work has done much to promote the genre as an area of academic enquiry, there have been few sustained textual analyses of the Teen Movie. Through close textual analysis of seven representative case studies, this thesis stages an encounter between Butler's work on gender and the Teen Movie. Butler’s theorisation of performativity denaturalises and deconstructs the assumption of heteronormativity,
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Contreras, Gilbert Joseph 1974. "Ending teen homelessness : a case study of Los Angeles Youth Network in Hollywood, California." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/65246.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1998.<br>In subtitle, the copyright symbol appears after the word California on t.p.<br>Includes bibliographical references (leaves 79-81).<br>by Gilbert Joseph Contreras, Jr.<br>M.C.P.
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Talpesh, TeofiI D. "Mobilizing an immigrant congregation for ministry to immigrants." Theological Research Exchange Network (TREN), access this title online, 1992. http://dx.doi.org/10.2986/tren.108-0020.

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Yazbek, Elie. "Montage et idéologie dans le cinéma américain contemporain." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2008. http://tel.archives-ouvertes.fr/tel-00379847.

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Dans cette étude des rapports entre le montage et l'idéologie dans le cinéma américain contemporain, (années 1990 - milieu des années 2000) l'objectif est de valoriser les liens entre ces deux entités et d'étudier les mécanismes qui les régissent <br />Le cinéma américain, compris comme un organisme vivant, a connu une grande mutation dans les années 1990, grâce aux nouvelles technologies. Presque tout devenant réalisable, le montage dans le cinéma américain se développe et s'impose, encore plus qu'avant, comme la forme qui permet au récit d'évoluer et au sens de se constituer.<br />L'idéologi
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Yazbek, Élie. "Montage et idéologie dans le cinéma américain contemporain." Paris 3, 2008. https://tel.archives-ouvertes.fr/tel-00379847.

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Dans cette étude des rapports entre le montage et l’idéologie dans le cinéma américain contemporain, (années 1990 - milieu des années 2000) l’objectif est de valoriser les liens entre ces deux entités et d’étudier les mécanismes qui les régissent. Le cinéma américain, compris comme un organisme vivant, a connu une grande mutation dans les années 1990, grâce aux nouvelles technologies. Presque tout devenant réalisable, le montage dans le cinéma américain se développe et s’impose, encore plus qu’avant, comme la forme qui permet au récit d’évoluer et au sens de se constituer. L’idéologie, quant à
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CAMPAN, SPERANTA LETITIA. "Il genere adolescenziale nel cinema: dal modello hollywoodiano alla risposta nel cinema italiano contemporaneo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1530.

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Gli studi sull’adolescenza, sotto varie prospettive, si sono moltiplicati negli ltimi 50 anni a ritmo quasi esponenziale. Le ricerche antropologiche, la psico-pedagogia, la psichiatria clinica e psicodinamica, la genetica, le neuroscienze, la sociologia, le audience studies, celebrity studies e marketing, gli studiosi di ricostruire l’identikit dell’adolescente che spesso assume tratti contraddittori. A partire dagli anni ’50 la cinematografia coglie e valorizza le tendenze della cultura adolescenziale proponendo un set variato di produzioni riconducibili al genere teen movie. Il lavoro presen
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Jones, Elizabeth Pelletier. "Letters from the blacklist: the un-friendship of Albert Maltz and Michael Blankfort." Thesis, 2017. https://hdl.handle.net/2144/23680.

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Please note: Editorial Studies works are permanently embargoed in OpenBU. No public access is forecasted for this item. To request private access, please click on the locked Download file link, and fill out the appropriate web form.<br>This edition is an annotated selection of the correspondences of two screenwriters, Michael Blankfort and Albert Maltz, who were affected by institutional anti-communism. Both were subpoenaed to appear before the House Committee on Un-American Activities (HUAC): Maltz refused to answer questions, went to prison for contempt of Congress as a member of the Hollywo
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Srch, Daniel. "Na černé listině: Hollywoodští rudí a hony na čarodejnice v americkém filmovém průmyslu (1947-1960)." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-328192.

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On the Blacklist: Hollywood Reds and Witch Hunting in the American Motion Picture Industry (1947-1960) Abstract At the beginning of the Cold War, the American motion picture industry was struck with a "witch-hunt" that led to establishment of the so-called blacklist. Due to this controversial policy, three hundred "Reds" (actual or perceived members of the U.S. Communist Party) were shut out from work in Hollywood during 1947-1950. The first explanation of this phenomenon can be seen in the bipolarity of the post-war world where the United States took leadership in a crusade against the Soviet
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Books on the topic "Hollywood Ten"

1

Odd man out: A memoir of the Hollywood Ten. Southern Illinois University Press, 1995.

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Dick, Bernard F. Radical innocence: A critical study of the Hollywood Ten. University Press of Kentucky, 1989.

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UCLA Entertainment Symposium (29th 2005 University of California, Los Angeles). Top ten: The ultimate Hollywood checklist : twenty-ninth annual UCLA Entertainment Symposium. Edited by Thompson Matthew C, Raufi Caroline A, University of California, Los Angeles. School of Law., and UCLA Entertainment Symposium Advisory Committee. Regents of the University of California], 2005.

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Smiley, Jane. Ten days in the hills. Faber and Faber, 2007.

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Ten days in the hills. Faber and Faber, 2007.

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Horne, Gerald. The final victim of the blacklist: John Howard Lawson, dean of the Hollywood Ten. University of California Press, 2007.

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Calcagno, Rosemary Sforza. Hollywood goes to the Alamo. Crosslines, Inc. PO Box 4823 Oakbrook IL 60523, 1994.

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Wee, Valerie. Teen media: Hollywood and the youth market in the digital age. McFarland & Company, Inc., Publishers, 2010.

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Teen media: Hollywood and the youth market in the digital age. McFarland & Company, Inc., Publishers, 2010.

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Muñoz, Gabriel Trujillo. Tan cerca de Hollywood: Cine, televisión y video en Baja California. Universidad Autónoma de Baja California, 2010.

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Book chapters on the topic "Hollywood Ten"

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Fradley, Martin. "‘Hell Is a Teenage Girl’?: Postfeminism and Contemporary Teen Horror." In Postfeminism and Contemporary Hollywood Cinema. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137306845_13.

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Kaltefleiter, Caroline K. "Sixteen and Pregnant: Media Mommy Tracking and Hollywood’s Exploitation of Teen Pregnancy." In Hollywood’s Exploited. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117426_11.

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"Ten. The New Hollywood." In A Short History of Film, Third Edition. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813595160-012.

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"The Beginning: The Hollywood Ten." In It Did Happen Here. University of California Press, 2019. http://dx.doi.org/10.1525/9780520910683-013.

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"Chapter Ten. Images and Women." In Hollywood from Vietnam to Reagan. Columbia University Press, 1986. http://dx.doi.org/10.7312/wood91452-011.

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"Dalton Trumbo and the Hollywood Ten:." In The Radical Writings of Jack Nusan Porter. Academic Studies Press, 2020. http://dx.doi.org/10.2307/j.ctv1z3hkwt.33.

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"Appendix: Hierarchical Order of Top Ten Box-Office Stars, 1963-76." In Hollywood Film 1963-1976. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444395242.app1.

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Decherney, Peter. "5. The blacklist and the Cold War." In Hollywood: A Very Short Introduction. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199943548.003.0006.

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Hollywood’s foray into politics during World War II had major repercussions in the postwar period. It led to standoffs with conservative factions in Congress, it fractured the Hollywood community, and prompted the studios to take extreme actions to win back American moviegoers. ‘The blacklist and the Cold War’ considers the House Committee on Un-American Activities (HUAC), which rode a wave of anti-communism and renewed the offensive against Hollywood. The Hollywood Ten, a group of unfriendly witnesses who stood up for their First Amendment rights and refused to incriminate others, were blacklisted and lost the opportunity to work in Hollywood. The Cold War films from 1942–1953 about the “red menace” of communism are also discussed.
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Helford, Elyce Rae. "Collaboration and Chastisement." In What Price Hollywood? University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179292.003.0003.

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This chapter shifts from content analysis to study of production context in an exploration of methods and impacts of collaboration between George Cukor and Katharine Hepburn. The ten films the duo made together span much of Cukor’s career, but the chapter centers on study of three key pictures: The Philadelphia Story (1940), Adam’s Rib (1949), and Love in the Ruins (1975). Examined together, this trio of films illustrates the professional bond between director and actor, focusing in particular on how the Cukor/Hepburn alliance utilized a feminist understanding of audience reception, where gendered chastisement of the characters Hepburn plays allows for celebration of her iconoclastic stature as a female Hollywood star.
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"13. Amending the Ten Commandments." In Hollywood's Censor. Columbia University Press, 2009. http://dx.doi.org/10.7312/dohe14358-015.

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