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Journal articles on the topic 'Holocaust memorials – Poland'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Auerbach, Karen. "Holocaust Memory in Polish Scholarship." AJS Review 35, no. 1 (2011): 137–50. http://dx.doi.org/10.1017/s0364009411000079.

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Commemoration of the Holocaust, scholar Halina Taborska recently argued, has entered a new stage in Poland. For more than a decade after communist rule ended in 1989, politicized slogans remained on many Holocaust memorials and other forms of commemoration, remnants of the period “when politicians and ideologues, the ruling powers and the ruled, artists and administrators accepted a definitive version of events as true and obligatory,” she wrote in a collection of articles. Only in recent years has Holocaust commemoration sought to grapple with the “falsified semantic expressions” of Holocaust

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2

Lai, Chia-ling. "“Floating Melodies and Memories” of the Terezín Memorial." Transfers 6, no. 2 (2016): 138–41. http://dx.doi.org/10.3167/trans.2016.060211.

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As Andrea Huyssen observes, since the 1990s the preservation of Holocaust heritage has become a worldwide phenomenon, and this “difficult heritage” has also led to the rise of “dark tourism.” Neither as sensationally traumatic as Auschwitz’s termination concentration camp in Poland nor as aesthetic as the forms of many modern Jewish museums in Germany and the United States, the Terezín Memorial in the Czech Republic provides a different way to present memorials of atrocity: it juxtaposes the original deadly site with the musical heritage that shows the will to live.

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Šabek, Jiří. "Konference Muzea romské kultury představila současný vývoj a trendy v činnosti památníků 20. století." Muzeum Muzejní a vlastivedná práce 59, no. 1 (2022): 61–64. http://dx.doi.org/10.37520/mmvp.2021.006.

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The report informs about the conference organized by the Museum of Romani Culture in Brno titled „Places of memory: from building exhibitions to education in museums / memorials“, which took place on 10 and 11 November 2021 in Villa Stiassini and in the area of Roma and Sinti Holocaust Memorial in Hodonín by Kunštát. This international conference was held in a hybrid form in the Czech and Polish language, with the attendees from both the Czech Republic and Poland. The report summarizes the individual contributions as well as the accompanying program.

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Richardson, Alasdair. "Crossing Borders: Conceptualising National Exhibitions as Contested Spaces of Holocaust Memory at the Auschwitz Birkenau State Museum." Education Sciences 13, no. 7 (2023): 703. http://dx.doi.org/10.3390/educsci13070703.

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This paper considers the presence and potential educational impact of national exhibitions within the Auschwitz Birkenau State Museum in Poland. It takes a constructivist, personal-theoretical approach, drawing from autoethnography to explore possible visitor experiences at two of the national exhibits. Through detailed reflection on the French exhibition (Block 20) and the Dutch exhibition (Block 21), the author conducts a thematic analysis on the content in order to consider the constructions and possible intentions of the narratives presented. This is used to consider how the (relatively un

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1, Dr. Ruth Dorot, and Nitza Davidovitch 2Prof. "Monuments, Memorial Sites, and Commemoration Sites, Recount History." International Journal of Social Science and Human Research 05, no. 1 (2022): 364–75. https://doi.org/10.5281/zenodo.5937384.

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: Over time, the live memories of survivors have disappeared, and it has become clear that the memory of the Jewish Holocaust could disappear entirely in the absence of institutional efforts to preserve it. The understanding that collective memory can be preserved only through proactive efforts led to the development of formal and informal curricula for Holocaust education. The main assumption is that Holocaust education has the potential to generate a moral transformation. In light of this conclusion the question is: What kind of changes do we seek and how should we accomplish them? This stud

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6

Weizman, Yechiel. "“Via Dolorosa” in the Shtetl: Reenactment of the Jews’ Last Journey in Olkusz, Poland." History & Memory 37, no. 1 (2025): 91–127. https://doi.org/10.2979/ham.00017.

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Abstract: This article analyzes the controversies and debates over the commemoration of the Holocaust in one Polish town, as a case study that demonstrates the tensions, ambivalences and competing emotions surrounding the memory of the Holocaust in postcommunist Poland. The article focuses on the annual Memorial March in honor of the Jewish victims in the town of Olkusz, which evoked deep divisions regarding the meaning of the wartime heritage and the hierarchy of suffering and martyrdom. Adopting a bottom-up approach to collective memory and analyzing the Memorial March as a performative act

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Sharpylo, M. "Commemoration as a form of representation of the Holocaust in the cultural space of Ukraine in the XXI century." Culture of Ukraine, no. 82 (December 13, 2023): 17–27. http://dx.doi.org/10.31516/2410-5325.082.02.

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The relevance of the article. Commemoration1 of the Holocaust2 is a practice that is the quintessence of the memory of the Jewish past and a promising approach for comprehension of collective experience. Successful realization of forms of remembrance is actively implemented in the main historical centers associated with Jewish history: Poland, Hungary, Germany, and others. It is there that commemorative practices have become an integral part of the multicultural dimension. For a long time, the national focus of Holocaust remembrance was regulated by political mechanisms post-Soviet space, depr

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Łukasiuk, Magdalena. "Niedom. Przekraczenie idei domu rodzinnego w mieszkaniu migracyjnym." Załącznik Kulturoznawczy, no. 1 (2014): 541–665. http://dx.doi.org/10.21697/zk.2014.1.24.

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How is the memory of the Holocaust and Auschwitz seen today among young Poles and Germans, is it different from that of the past? What are the differences in the memory space and education about the Holocaust between the two countries, and what do they have in common? The article is based on three pillars, and what served as foundations for them was a survey conducted with Polish and German youth in late April and May 2013, immediately after their visit to the Auschwitz-Birkenau. The first part concerns the individual and family memory of young people from Poland and Germany, who came to the M

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9

Adler, Eliyana R. "Narratives of Return: Preserving Lost Knowledge in Postwar Polish Jewish Memorial Books." Journal of Migration History 11, no. 1 (2025): 42–61. https://doi.org/10.1163/23519924-11010003.

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Abstract This article explores how Holocaust survivors and refugees described the experience of homecoming after the war in the postwar memorial books dedicated to their destroyed communities in Poland. The narratives of return that they wrote, from their places of migration, describe the ambivalent emptiness they felt in encountering their hometowns after the genocide, their embodied surveys through the towns, and their efforts to gather information about the local Holocaust. These itineraries and their composition into essays of return can be understood as part of an imperative to collect an

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10

Hänschen, Steffen. "Transforming remembrance in the former death camp Belzec – a short history." Témoigner. Entre histoire et mémoire 114 (2012): 35–47. https://doi.org/10.4000/13rid.

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The former death camp Bełżec has only a small place in the public memory on the Holocaust. During four decades the place has been nearly forgotten, since neither Polish officials nor the local inhabitants showed much interest in it. Only in the aftermath of the collapse of communism in 1989, the situation of the former death camp Bełżec began to change. In 2004 a new memorial complex was officially inaugurated as a branch of the state museum in Majdanek. For more than 8 years the museum and memorial in Bełżec are now active parts of the remembrance culture in Poland. But since the new memorial

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Werb, Bret Charles, and Maria V. Lebedeva. "The Aleksander Kulisiewicz Collection at the United States Holocaust Memorial Museum: An Introduction." Observatory of Culture 17, no. 5 (2020): 478–95. http://dx.doi.org/10.25281/2072-3156-2020-17-5-478-495.

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Envisioned by its founders as a storehouse of historical evidence — material artifacts, written and oral testimonies, photographs and films — the U.S. Holocaust Memorial Museum in Washington DC is the repository of a significant archive of music salvaged from the Nazi ghettos and camps. This paper focuses on the Museum’s single largest music collection, that of the Polish camp survivor Aleksander Kulisiewicz (1918—1982). A native of Kraków, Poland, who spent over five years as a political prisoner in Sachsenhausen, Kulisiewicz in later life grew obsessed with documenting the repertoire that hi

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12

Karski, Kamil. "Between Sacred Spaces and Landfills – Exhibiting and Curating Twentieth-Century Archaeology at the KL Plaszow Memorial Site." Journal of Contemporary Archaeology 11, no. 2 (2025): 158–76. https://doi.org/10.1558/jca.30283.

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This paper uses archaeological surveys from between 2016 and 2019 at the former German Nazi labour and concentration camp of Plaszow (KL Plaszow) in Kraków, Poland, as a starting point for a discussion on how archaeological theory and method can be used in interpreting and presenting material culture and landscape related to the Holocaust. In particular, it focuses on the open-air exhibition “KL Plaszow: A Site After, a Site Without”, which was organised by the museum at KL Plaszow, presenting it as a case study within the wider contexts of the museum’s activities and generational memory.

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Manikowska, Ewa. "Museums and the Traps of Social Media: The Case of the Auschwitz-Birkenau Memorial and Museum." Santander Art and Culture Law Review, no. 2 (6) (2020): 223–50. http://dx.doi.org/10.4467/2450050xsnr.20.017.13020.

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In this article I discuss both the recent threats as well as opportunities posed by social media to the activities of museums, taking into account social media’s importance as an evolving space of both social outreach and social activism. Recalling the controversies around the U.S. and UK museums’ social media responses to George Floyd’s death, I argue that museums run the risk of politicization and entanglement in controversial issues which are not necessarily linked to their profile and mission. I analyse museums’ social media guidelines, good practices, and mission statements, and posit tha

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Radonić, Ljiljana. "‘Our’ vs. ‘Inherited’ Museums. PiS and Fidesz as Mnemonic Warriors." Südosteuropa 68, no. 1 (2020): 44–78. http://dx.doi.org/10.1515/soeu-2020-0003.

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AbstractThe Polish and the Hungarian governing party, PiS and Fidesz, are mnemonic warriors who had already tried to enforce their memory politics during their first government terms, as their flagship museums, the Warsaw Rising Museum, opened in 2004, and the House of Terror in Budapest, opened in 2002, show. In museums they ‘inherited’ from their predecessors, the current governments either change content, as PiS at the Museum of the Second World War in Gdańsk, or ‘only’ battle against the directors in office, as happened at the Museum of the History of Polish Jews in Warsaw and at the Holoc

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15

Richardson, Alasdair. "Lighting Candles in the Darkness: An Exploration of Commemorative Acts with British Teenagers at the Auschwitz-Birkenau State Museum." Religions 12, no. 1 (2021): 29. http://dx.doi.org/10.3390/rel12010029.

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Every year around 3000 British school pupils and teachers visit the Auschwitz-Birkenau State Museum as participants on a Lessons from Auschwitz Project organized by the Holocaust Educational Trust. Each visit ends with a memorial ceremony held at the end of the railway tracks at Birkenau. This article analyses interview and survey data from participating students and educators to explore their experiences of these ceremonies. The research findings indicate that the context and content of the ceremony are significant for both groups, with a general consensus that the ceremony is an important an

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16

Bryzhuk, A. "EVERYDAY LIFE OF VOLYN JEWS IN THE INTERWAR PERIOD (ACCORDING TO THE HOLOCAUST MEMORIAL MUSEUM IN THE USA)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 147 (2020): 14–18. http://dx.doi.org/10.17721/1728-2640.2020.147.2.

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The interview is an important historical source of studying the problematic issues of the history of Ukraine in the XX century. The interview has a lot of factual materials, interpretations, impressions, observations, and development of the interviewees about the described events. Between the two world wars, Western Volhynia remained a part of Poland. About 10% of its population was Jews. This article examines historical evidence of the life of the Jewish population in the cities of Volhynian Voivodeship in the interwar period from the collection of the US Holocaust Memorial Museum (USHMM). US

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17

O'Dea, Meghan. "Reflecting on the Present Burdened by the Past: German-Polish Relations in Robert Thalheim's Film Am Ende kommen Touristen (2007)." German Politics and Society 31, no. 4 (2013): 40–58. http://dx.doi.org/10.3167/gps.2013.310403.

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This article discusses the portrayal of German-Polish relations in Robert Thalheim's 2007 film Am Ende kommen Touristen. Situated within present day Oświęcim, Poland—more commonly known as Auschwitz, the historical site of Nazi perpetration—Touristen shifts viewer attention toward contemporary concerns surrounding historical memories of Auschwitz and the present day transnational encounters at the memorial site. This article discusses memory constellations as well as the intercultural and intergenerational issues depicted in the film. By showing how the past still continues to affect contempor

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McClymont, Alastair F., Jacek Konik, Harry M. Jol, Paul D. Bauman, Colin Miazga, and Philip Reeder. "3D characterization of the Mila 18 archaeological site in Warsaw, Poland: From imaging to excavation." Leading Edge 43, no. 10 (2024): 657–64. http://dx.doi.org/10.1190/tle43100657.1.

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Archaeological site investigations in urban environments are often beset with challenges such as (1) an absence of buried artifacts due to recent disturbance from infrastructure development or (2) community concerns about potential site impacts from excavations. Noninvasive geophysical surveys that use a combination of methods can help mitigate the risks of uncertain outcomes by identifying areas where culturally significant features are more likely to be uncovered. We show how new technology and traditional geophysical survey methods were used to characterize the subsurface of the Mila 18 Mem

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19

Kaźmierska, Wioleta. "Tabor Pamięci Romów jako przykład promowania wiedzy o Romach przez Muzeum Etnograficzne w Tarnowie." Sprawy Narodowościowe, no. 44 (December 15, 2014): 150–61. http://dx.doi.org/10.11649/sn.2014.011.

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Roma Caravan Memorial as an example of pro motion of knowledge about Roma by the Ethnographic Muse um in TarnówThe first Roma Caravan Memorial set off from outside the Ethnographic Museum in Tarnów in 1996. It was organised by Adam Bartosz, an expert on Roma culture, history and language, and Adam Andrasz, the president of the Association of Roma in Tarnów. The Caravan is to commemorate Roma Holocaust. Members of the Roma community can thus learn about the history of extermination from local priests and authors of historical publications. Participants of the Caravan visit the following places

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20

Lehner, Rolf Dieter. "Auschwitz as the Symbol of Mutual Guilt before Jewish People: 75 Years After." Beacon: Journal for Studying Ideologies and Mental Dimensions 4, no. 1 (2021): 010410261. https://doi.org/10.5281/zenodo.5120641.

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On the occasion of the 75<sup>th</sup> anniversary of Auschwitz liberation, an international commemoration ceremony was held in Yad Vashem, Israel. In my paper, I examine rhetoric of Eurasian leaders at the memorial regarding anti-Semitism of the 1930-1940s and reveal their deceptive nature. I show how Rabbi Jakobowitch’s words “The culture of remembrance of the Holocaust had been turned into big business…” turn prophetic today. Auschwitz memory is conscripted now to redesign Eurasia and the political state of affairs at Yad Vashem memorial proved it convincingly. &nbs

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Huertas Abril, Cristina Aránzazu. "Análisis de los rasgos lingüísticos de Maus y sus interferencias en la traducción al español." TranscUlturAl: A Journal of Translation and Cultural Studies 8, no. 2 (2016): 24. http://dx.doi.org/10.21992/t99s5w.

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Art Spiegelman abrió con Maus (1980-1991) un nuevo camino para la novela gráfica a nivel internacional: entrevistando a su padre, que le cuenta sus memorias sobre el Holocausto, presenta una historia de carácter confesional, inédita hasta entonces en este ámbito de manifestación artístico-literaria. Junto con la impactante representación de los personajes, destaca especialmente la historia de supervivencia en primera persona.  En este trabajo, analizamos la importancia del lenguaje en Maus, y más concretamente los rasgos lingüísticos que caracterizan la forma de expresión del prota

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22

Bazyler, M. J. ""Non-Germans" under the Third Reich: The Nazi Judicial and Administrative System in Germany and Occupied Eastern Europe, with Special Regard to Occupied Poland, 1939-1945, Diemut Majer, translated by Peter Thomas Hill, Edward Vance Humphrey, and Brian Levin (Baltimore; London: Johns Hopkins University Press in association with the United States Holocaust Memorial Museum, 2003), 1,088 pp., $149.95." Holocaust and Genocide Studies 19, no. 2 (2005): 303–5. http://dx.doi.org/10.1093/hgs/dci029.

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23

Wóycicka, Zofia. "A global label and its local appropriations. Representations of the Righteous Among the Nations in contemporary European museums." Memory Studies, May 18, 2021, 175069802110179. http://dx.doi.org/10.1177/17506980211017928.

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This paper, intended as a contribution to transnational memory studies, analyzes museums devoted to people who helped Jews during the Holocaust that recently opened in Bulgaria, France, Germany, Lithuania, and Poland. The author’s particular interest lies in the “traveling motifs” of the “Righteous” narratives. This category encompasses symbols such as a list of names of the help-providers, a fruit tree/orchard, or a wall with photographs of Holocaust victims, which recur in many of the examined exhibitions and are a clear reference to Yad Vashem and other well-established Holocaust memorials.

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24

Goldberg, Chad Alan. "Geneviève Zubrzycki. Resurrecting the Jew: Nationalism, Philosemitism, and Poland’s Jewish Revival. Princeton, NJ: Princeton University Press, 2022." Laboratorium: Russian Review of Social Research, January 19, 2024, 147–50. http://dx.doi.org/10.25285/2078-1938-2023-15-3-147-150.

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Geneviève Zubrzycki, a distinguished comparative-historical and cultural sociologistwho studies national identity, religion, and collective memory, has written a fascinating and insightful book, based on a decade of participant observation and interviews in multiple Polish cities and towns, about an astonishing Jewish revival in Poland since the early 2000s. This revival takes various forms: the organizing of Jewish festivals in cities and towns throughout Poland since the mid-2000s, the “popularity of klezmer music,” the “proliferation of Judaica bookstores and Jewishstyle restaurants,” the c

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25

Dorot, Dr Ruth. "Monuments, Memorial Sites, and Commemoration Sites, Recount History." International Journal of Social Science And Human Research 05, no. 01 (2022). http://dx.doi.org/10.47191/ijsshr/v5-i1-50.

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Over time, the live memories of survivors have disappeared, and it has become clear that the memory of the Jewish Holocaust could disappear entirely in the absence of institutional efforts to preserve it. The understanding that collective memory can be preserved only through proactive efforts led to the development of formal and informal curricula for Holocaust education. The main assumption is that Holocaust education has the potential to generate a moral transformation. In light of this conclusion the question is: What kind of changes do we seek and how should we accomplish them? This study

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26

Núñez Molina, María Lourdes. "Memoria del Holocausto en Iremos con vosotros hasta el fin de Maria Teresa León: un canto heroico a Polonia = Memory of the Holocaust Iremos con vosotros hasta el fin, of María Teresa León: a heroic song to Poland." HISPANIA NOVA. Primera Revista de Historia Contemporánea on-line en castellano. Segunda Época, April 25, 2019, 279. http://dx.doi.org/10.20318/hn.2019.4729.

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Resumen: Acompañada por su familia, María Teresa León recorre el campo de exterminio de Auschwitz. La impresión de esa experiencia angustiosa fue evocada en sus memorias y seguramente la indujo a escribir Iremos con vosotros hasta el fin. En esta obra, concebida como un guion de teatro radiofónico, María Teresa ensalza la solidaridad y el sacrificio de un matrimonio polaco, que tiene a su cargo a un grupo de niños judíos polacos. Cuando los niños son seleccionados para entrar en la cámara de gas de Auschwitz, en la primavera de 1943, deciden no abandonarlos y morir junto a ellos. Iremos con vo

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Krawiec, Adriana. "The interpenetration of Politics and Culture in Education on the Holocaust." Dialogi Polityczne 34 (May 23, 2024). http://dx.doi.org/10.12775/dp.2023.002.

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A monument - metal chairs from Plac Bohaterów Getta in Kraków, Poland, symbolize the absence of millions of Jews in Poland due to the Holocaust. But in Poland, there is a more horrifying symbol of the Holocaust, and that is Auschwitz. Knowledge of the uniqueness of Nazi genocide against the Jews in Auschwitz has been obvious since 1945, but the People’s Republic of Poland’s historical policy has blurred it and presented it in the context of the extermination of millions of people from different countries.[1] The fact that Auschwitz is the symbol of the Holocaust is attributable to the USA, and

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Zessin-Jurek, Lidia. "Whose Victims and Whose Survivors? Polish Jewish Refugees between Holocaust and Gulag Memory Cultures." Holocaust and Genocide Studies, July 11, 2022. http://dx.doi.org/10.1093/hgs/dcac029.

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ABSTRACT Holocaust and Gulag studies are witnessing the belated emergence of the Soviet experience of Jewish escapees from Nazi-occupied Poland as a lieu de mémoire in its own right. Although not commemorated in official ritual, museum spaces, or memorial sites, the sheer mass of published testimonies by survivors of this experience far outweighs the previous lack of attention to the refugees’ story. It was the agency of the refugee survivors themselves which subsequently put their Soviet experience on the mnemonic map of World War II. This article discusses both the reasons for that lack of a

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Kékesi, Zoltán, and Máté Zombory. "Antifascist memory revisited: Hungarian historical exhibitions in Oświęcim and Paris, 1965." Memory Studies, February 8, 2022, 175069802110665. http://dx.doi.org/10.1177/17506980211066582.

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The article challenges the widely shared thesis in memory studies that the antifascist memory of the Second World War suppressed the Holocaust. Instead of exploring exceptions to this rule by looking for single cases of antifascist memory that represent some aspects of the Holocaust, we argue that antifascist memory presented a distinct cultural regime for remembering the past. Our claim is that antifascist memory, understood as a particular historical phenomenon on a transnational scale, opened up specific ways to commemorate the Jewish genocide. Our article relies on two pillars: first, on r

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Bodo, Marlena. "Forced labor of Jews in the Szydłowiec ghetto during World War II - The nature of the work performed, its dimension and social aspects." Humanities & Social Sciences Reviews 9, no. 5 (2021). http://dx.doi.org/10.18510/hssr.2021.959.

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Purpose of the study: The article contains information on the forced labor performed by Jews for the benefit of Germans during the Second World War. The research area was narrowed down to the area of the Szydłowiec ghetto and its vicinity (the Radom district in the General Government. The text presents the types of work performed by Jews, forms of forcing them to take up forced labor, and their attempts to bypass German restrictions. Methodology: This article is based on a comparative-historical method, the aim of which is to enable the researcher to identify Jews as a separate social gr

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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande

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