Academic literature on the topic 'Holy sonnets of John Donne'

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Journal articles on the topic "Holy sonnets of John Donne"

1

Kumar, Dr Rajiv. "John Donne : A Great Poet." SMART MOVES JOURNAL IJELLH 7, no. 12 (2019): 8. http://dx.doi.org/10.24113/ijellh.v7i12.10230.

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John Donne is one of the greatest of English religious poets, and the poets of the 17th century on whom his influence was most deep and lasting than all religious poets. As Joan Bennett tells us this is so because his temperament was essentially religious. A man of religious temperament is constantly aware, constantly perceiving the underlying unity, the fundamental oneness of all phenomena, and the perception of such a relationship, such an inherent principle of unity, is revealed even by the imagery of the earliest poetry of Donne. No doubt Donne's religious poetry belongs to the later part
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Coles, Kimberly Anne. "The Matter of Belief in John Donne’s Holy Sonnets*." Renaissance Quarterly 68, no. 3 (2015): 899–931. http://dx.doi.org/10.1086/683855.

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AbstractThough historians of religion have demonstrated that the theological commitments of early modern English people were labile and complex, there was nonetheless a prevailing sense in the period that belief posited bodily consequences. This article considers this bodily presence in John Donne’s poetry by exploring the humoral construction of religious identity in his Holy Sonnets. Donne’s conversion provided him with an unusual perspective: not many people were positioned to hold as nuanced a view of religious ideology. It is surprising, then, that when Donne considers his conversion — wh
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Skouen, Tina. "The Rhetoric of Passion in Donne's Holy Sonnets." Rhetorica 27, no. 2 (2009): 159–88. http://dx.doi.org/10.1525/rh.2009.27.2.159.

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Abstract In his Holy Sonnets, the English Renaissance poet and divine John Donne (1572–1631) gives voice to powerful emotional outbursts. Previous critics have mostly been concerned with the religious context and theological positions of the sonnets. This study rather attempts to isolate the psychological context of the poems by relating them to the early modern discourse on the passions. In order to grasp the pathos of Donne's Holy Sonnets, we need to consider the advice on how to handle violent emotion in such treatises as Thomas Wright's The Passions of the Minde in Generall (1604) and Edwa
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이진아. "John Donne in the Modern Popular Culture: Holy Sonnets and the Film Wit." Journal of Medieval and Early Modern English Studies 28, no. 2 (2018): 195–222. http://dx.doi.org/10.17054/jmemes.2018.28.2.195.

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Steinberg, Gillian. "“Look into the Darkness”: Mark Jarman’s Unholy Sonnets." Christianity & Literature 67, no. 2 (2018): 332–47. http://dx.doi.org/10.1177/0148333117734160.

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Mark Jarman’s Unholy Sonnets work in dichotomies, drawing on both Renaissance and Modern poetics; biblical texts with complex approaches to faith, especially the books of Job and Ecclesiastes; strict form and formal experimentation. A close examination of the contradictory impulses in Jarman’s work illustrates his unique connection to John Donne, whose Holy Sonnets engage with a silent God. Jarman extends this tradition into modernity, identifying, through subtle wordplay, allusion, and religious tradition, the deficiencies of human language and the difficult but worthwhile endeavor of searchi
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Markova, Maryana V. "Petrarchan Contexts of John Donne�s Spiritual Lyrics." Alfred Nobel University Journal of Philology 1, no. 21 (2021): 10–18. http://dx.doi.org/10.32342/2523-4463-2021-1-21-1.

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The article is devoted to the connection of the famous English poet, prose writer and preacher John Donne�s (1572�1631) works with the Petrarchan discourse of the European literature. The purpose of the investigation is to reveal and interpret the elements of Petrarchism in spiritual lyrics of the author on the basis of systematic approach with the use of the genealogical and comparative typological methods. The most prominent cases of the traditional Petrarchan themes, motives and images usage in John Donne�s religious texts and the specifity of their functioning have been examined in this ar
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7

Gutiérrez Popoca, Emiliano. "Pequeños mundos de ingenio y arte: traducción y comentario de seis sonetos religiosos de John Donne." Anuario de Letras Modernas 17 (October 30, 2013): 229–43. http://dx.doi.org/10.22201/ffyl.01860526p.2012.17.612.

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En este texto se presenta una traducción de seis sonetos de la secuencia conocida como Holy Sonnets de John Donne acompañada de un comentario que parte de las complejidades de traducción para analizar los principales aspectos retóricos y argumentativos de los poemas. La traducción se preocupa por conservar las características formales de rima, métrica y distribución de versos con elpropósito de resaltar la versificación del original. Al mismo tiempo, los campos semánticos discordantes que se entrelazan mediante la imaginería de los sonetos son centrales para la traducción. En el comentario se
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Cefalu, Paul. "Godly Fear, Sanctification, and Calvinist Theology in the Sermons and "Holy Sonnets" of John Donne." Studies in Philology 100, no. 1 (2003): 71–86. http://dx.doi.org/10.1353/sip.2003.0001.

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9

Terranova, Michael D. "The Greater Wonder of God's Subjection in John Donne's Holy Sonnet “Why are wee by all Creatures waited on?”." Ben Jonson Journal 24, no. 2 (2017): 205–22. http://dx.doi.org/10.3366/bjj.2017.0194.

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In his deceptively simple, but really extremely rich, sonnet, “Why are wee by all Creatures waited on?”, John Donne uses all the tools of prosody available to him and plays with the English and Italian forms of the sonnet to give a rich meditation on the order of creation, the history of salvation, and the relationship of nature and grace. He begins with what seems an irenic scholastic discussion, asking why humans are able to subjugate elements and animals which are purer and stronger than they. In the third quatrain, however, he shifts to a deep moral plaint. At the same time, he interweaves
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10

Evans, Robert C. "John Donne. The Holy Sonnets. Volume 7, Part 1 of The Variorum Edition of the Poetry of John Donne. Ed. Gary A. Stringer, Paul A. Parrish et al. Bloomington: Indiana University Press, 2006. 606 pp. index. append. bibl. $59.95. ISBN: 0-253-34701-7." Renaissance Quarterly 59, no. 4 (2006): 1322–23. http://dx.doi.org/10.1353/ren.2008.0480.

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