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Academic literature on the topic 'Home Home in popular culture Home in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Home Home in popular culture Home in literature"

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Bark Persson, Anna. "Home and Hell." lambda nordica 25, no. 2 (October 26, 2020): 68–90. http://dx.doi.org/10.34041/ln.v25.675.

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The aim of this article is to examine the representation of female masculinity in genre literature. Reading female masculinity as queer embodiment, I put two science fictional texts driven by a typical action narrative in dialogue with earlier research on representations of female masculinity in literature and popular culture to demonstrate the importance of bringing the genre of the text into the analysis when examining female masculinity. In the article, I use the connection between female masculinity and tragedy as my starting point to exemplify how the genre of a text shapes the depiction and reading of female masculinity. In the action-driven science fiction texts I study, this link is very much present, but tragedy is given another role to play. Instead of being an element in the constitution of gender non-conforming as an unlivable experience, the representation of these masculine female heroes as oriented away from heteronormative constructions of a good life (Ahmed 2006) makes possible the depiction of these women as masculine, as well as the glorification of their gender non-conformity within the framework of the action-based SF narrative.

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Jones, Clara. "‘Mystery at the Lilacs’ (1938): Elizabeth Bowen's Thriller Serial for Home and Country." Literature & History 27, no. 1 (March 21, 2018): 3–27. http://dx.doi.org/10.1177/0306197318755671.

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This article introduces a rediscovered 1938 serial by Elizabeth Bowen ‘specially written’ for Home and Country, the monthly organ of the National Federation of Women's Institutes. It situates ‘Mystery at the Lilacs’ within the periodical culture of ‘ Home and Country’, paying particular attention to Bowen's engagement with the social and cultural debates that played out across its pages, and considers how Bowen's serial compares with her other contemporary literary projects. Far from being an aberration or curiosity, this serial overlaps thematically with Bowen's other interwar short stories. Self-reflexively concerned with the status of the writer in the community and preoccupied with the relationship between ‘high’ and popular culture, ‘Mystery at the Lilacs’ has much to tell us about Bowen's thinking about politics and culture in the interwar period.

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Williams, Seán M. "Home Truths and Uncomfortable Spaces: Swiss Hotels and Literature of the 1920s." Forum for Modern Language Studies 55, no. 4 (October 1, 2019): 444–65. http://dx.doi.org/10.1093/fmls/cqz037.

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Abstract Switzerland was at the centre of the European grand hotel scene, geographically and discursively. This article considers Swiss hotel literature and life in the 1920s, a decade in which the country’s hotel landscape became politicized and, relatedly, was often portrayed in popular literature. Against the backdrop of more canonical and intellectual hotel literature set in Switzerland, the following reads Meinrad Inglin’s Grand Hotel Excelsior (1928) as a response to a contemporary ‘culture war’, and as an attempt at centrist cultural criticism. Drawing especially on magazine and other archival evidence, this article also uncovers the promotion, sponsorship and discussion of hotel literature by Swiss hotel lobbyists, which was concerned with increasing the commercial viability of hotels after the First World War, and improving their image at a time of polarized debates about the direction of Swiss society. Thus Inglin’s novel occupies a centre ground not only in its argument, but in a formal sense as well. Grand Hotel Excelsior is a literary means of mediating the problems of Swiss culture in the 1920s, manifest in hotels as actual spaces or subjects, rather than a novel written for, or adaptable to, vested interests, or a work that employs – in the vein of Thomas Mann and Hermann Hesse – the hotel as a material setting to explore abstract ideas.

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VARNEY, DENISE. "White-out: Theatre as an Agent of Border Patrol." Theatre Research International 28, no. 3 (October 2003): 326–38. http://dx.doi.org/10.1017/s0307883303001160.

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In Australia in 2001, there was a marked escalation of debates about nation, national identity and national borders in tandem with a right-wing turn in national politics. Within the cultural context of debate about national identity, popular theatre became an unwitting ally of neo-conservative forces. Within popular theatre culture, the neo-conservative trend is naturalized as the view of the Anglo-Celtic-European mainstream or core culture that also embraces and depoliticizes feminist debates about home and family. Elizabeth Coleman's 2001 play This Way Up assists in the production of an inward-looking turn in the national imaginary and a renewed emphasis on home and family. The performance dramatizes aspects of what we are to understand as ordinary Australian life which might be interpreted as that which Prime Minister John Howard defends in the name of the National Interest. The cultural imaginary that shapes the production of the popular play is that of the conservative white national imaginary.

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Breidenbach, Andrew L. "Constrained from leaving or comfortable at home? Young people’s explanations for delayed home-leaving in 28 European countries." International Journal of Comparative Sociology 59, no. 4 (August 2018): 271–300. http://dx.doi.org/10.1177/0020715218807261.

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Many comparative studies of home-leaving examine behavior associated with this transition and the relative importance of both structural and cultural factors in helping or hindering it. Yet, we know surprisingly little about how youth understand these factors on a broad scale to be influencing home-leaving for their generation. This article compares young people’s beliefs across cultures about why late home-leaving occurs using Eurobarometer survey data from 28 countries. I incorporate comparative home-leaving literature with theories about attitudinal worlds of welfare and explanations for social problems to argue that modes of explanation for late home-leaving hinge on whether youth see external, structural causes preventing earlier leaving (constraint-oriented explanations) or internal, more culturally motivated causes that lead individuals to stay at home longer (choice-oriented explanations). Demographic and institutional conditions that capture aspects of nations’ home-leaving contexts, such as women’s mean age at childbirth and the robustness of labor and housing markets, significantly correlate with the prevalence of these explanations. Findings suggest that youth tend to perceive their generation’s housing exits as structurally limited by scarce housing and weak purchasing power. However, in richer countries with more effective employment markets and better access to rental housing stock, choice-oriented explanations are more popular.

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Janssen, Hayley G., Ian G. Davies, Lucinda D. Richardson, and Leonard Stevenson. "Determinants of takeaway and fast food consumption: a narrative review." Nutrition Research Reviews 31, no. 1 (October 17, 2017): 16–34. http://dx.doi.org/10.1017/s0954422417000178.

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AbstractOut-of-home foods (takeaway, take-out and fast foods) have become increasingly popular in recent decades and are thought to be a key driver in increasing levels of overweight and obesity due to their unfavourable nutritional content. Individual food choices and eating behaviours are influenced by many interrelated factors which affect the results of nutrition-related public health interventions. While the majority of research based on out-of-home foods comes from Australia, the UK and USA, the same issues (poor dietary habits and increased prevalence of non-communicable disease) are of equal concern for urban centres in developing economies undergoing ‘nutrition transition’ at a global scale. The present narrative review documents key facets, which may influence out-of-home food consumption, drawn from biological, societal, environmental, demographic and psychological spheres. Literature searches were performed and references from relevant papers were used to find supplementary studies. Findings suggest that the strongest determinants of out-of-home food availability are density of food outlets and deprivation within the built environment; however, the association between socio-economic status and out-of-home food consumption has been challenged. In addition, the biological and psychological drives combined with a culture where overweight and obesity are becoming the norm makes it ‘fashionable’ to consume out-of-home food. Other factors, including age group, ethnicity and gender demonstrate contrasting effects and a lack of consensus. It is concluded that further consideration of the determinants of out-of-home food consumption within specific populations is crucial to inform the development of targeted interventions to reduce the impact of out-of-home foods on public health.

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Arai, Yoichi, and Frederick I. Kaplan. "Growing Up and the Old Kentucky Home: An Examination in Japanese Popular Culture of Divorce and the Broken Family1." Journal of Popular Culture 22, no. 3 (December 1988): 131–41. http://dx.doi.org/10.1111/j.0022-3840.1988.2203_131.x.

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Alessandrini, Anthony C. "“My Heart’s Indian for All That”: Bollywood Film between Home and Diaspora." Diaspora: A Journal of Transnational Studies 10, no. 3 (December 2001): 315–40. http://dx.doi.org/10.3138/diaspora.10.3.315.

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In the spring of 1995, I had just begun to work on issues having to do with the global reception of Indian popular film.2 I was particularly interested in the consumption of Bollywood films in South Asian diasporic communities and was doing some preliminary research in Iselin, a small town in central New Jersey, with a large and thriving “Little India” neighborhood. Since I was also interested in the changes taking place in the Indian popular film industry itself, I had been following the case of Mani Ratnam’s film Bombay, which had been released earlier that year, in Tamil and Hindi, to a mix of acclaim and controversy in India. Because the film deals with the communal violence that gave rise to rioting that shook Bombay in 1992 and 1993, some authorities were concerned that screening the film in areas experiencing communal tensions might lead to more violence. Consequently, the film had been temporarily banned in several parts of India, including Hyderabad and Karnataka and, as of April 1995, had not yet been screened in Bombay itself (Niranjana, “Banning Bombayi” 1291–2). But at a party that spring, I found myself discussing the film with a colleague who had come from Bombay to study comparative literature at Rutgers. Bombay was quite an interesting film, she assured me, and I should watch it as part of my research. I must have looked puzzled, for she then added, “We found a copy on video in Iselin last week.”

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Stott, Annette. "Prairie Madonnas and Pioneer Women: Images of Emigrant Women in the Art of the Old West." Prospects 21 (October 1996): 299–325. http://dx.doi.org/10.1017/s0361233300006566.

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In the art of the American West, women have traditionally occupied a minor position. Compared to a surfeit of depictions of cowboys, braves, soldiers, miners, Indian chiefs, scouts, trappers, and traders, there are relatively few images of women; and when considering women who were not native to the plains and prairies, the field narrows still farther. Although literature and popular culture have given us numerous female types of the trans-Mississippi West (saloon and dance-hall girls, frontier mothers, helpless captives, schoolteachers, renegade female outlaws, wild-west-show women), art has virtually ignored all but the emigrant woman who traveled west in a covered wagon to establish a home on the prairie.

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Sussman, Herbert. "INTRODUCTION." Victorian Literature and Culture 33, no. 1 (March 2005): 313. http://dx.doi.org/10.1017/s1060150305210860.

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WITH THESE ESSAYS, Victorian Literature and Culture begins a regular feature, “Victorians Live,” whose subject is how the Victorians still “live,” how they remain “live,” lively, alive. The focus is the intersection of the world of Victorian scholarship that the readers of VLC inhabit, with the larger world of representation. For, quite remarkably, in our globalized time, the Victorians remain “in”–from museum blockbusters to specialized exhibitions, from home decoration to popular fiction and graphic novels, from Masterpiece Theatre to Hollywood retellings of canonical novels. Rather than assuming an abyss between serious academic pursuits and the unserious non-academic world, Victorians Live seeks to chart the complex and ongoing dynamic wherein academic reinterpretations of the past, albeit in unexpected ways and with considerable time lags, shape the popular vision of the nineteenth century, and conversely, how contemporary social concerns as well as market demands on publishers and museums shape scholarship.

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Dissertations / Theses on the topic "Home Home in popular culture Home in literature"

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Tait, Lisa Olsen. "Mormon Culture Meets Popular Fiction: Susa Young Gates and the Cultural Work of Home Literature." Diss., CLICK HERE for online access, 1998. http://patriot.lib.byu.edu/u?/MTNZ,25499.

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Hammond, Julia Leanne. "Homelessness and the postmodern home: narratives of cultural change /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192191901&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 224-233). Also available for download via the World Wide Web; free to University of Oregon users.

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Pearson, Wendy G. "Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /." Connect to this title online, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060123.143327/.

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Thesis (Ph. D.)--University of Wollongong, 2004.
Title from PDF title page (viewed on Mar. 6, 2006). Includes bibliographical references (p. 299-323). Also issued as a print manuscript. Print manuscript includes ill. omitted from online version.

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Brock, Stephen. "A travelling colonial architecture Home and nation in selected works by Patrick White, Peter Carey, Xavier Herbert and James Bardon /." Click here for electronic access: http://catalogue.flinders.edu.au/local/adt/public/adt-SFU20070424.101150, 2003. http://catalogue.flinders.edu.au/local/adt/public/adt-SFU20070424.101150.

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A thesis submitted for the Degree of Doctor of Philosophy - Flinders University of South Australia, Faculty of Education Humanities, Law and Theology, June 2003.
Title from electronic thesis (viewed 27/7/10)

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Madary, Sheila. "Home Abroad." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1380.

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Comprised of four essays, this collection of creative nonfiction focuses on facets of daily life and culture in Germany. The author recounts her experiences as she and her family assimilate into a foreign culture and adapt to using its language. The first essay tells of the family’s unexpected but rewarding sojourn in Germany after losing everything to Hurricane Katrina. The subsequent essays display a broader range of experiences and cultural observations upon the family’s return to Germany four years later. These include a narrative of the family’s move to a small town in central Germany, an interview with a local asparagus farmer and an account of the author’s children’s efforts to learn German.

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Fisher, Lydia Indira. "Domesticating the nation : American narratives of home culture /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9325.

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Klimasmith, Elizabeth. "At home in the city : urban domesticity in American literature and culture, 1850-1930 /." Durham : University of New Hampshire press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40052609r.

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Byrne, Aoife. "Modern homes? : an analysis of Irish and British women's literary constructions of domestic space, 1929-1946." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/268014.

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Cosy aphorisms such as “home is where the heart is” have always suggested a universal understanding of home. But home is a subjective concept that defies any homogenous designation. If, as Walter Benjamin told us, a consequence of modernity is the necessary sequestration of ‘bourgeois’ domestic spaces from an increasingly ‘modern’ outside world, such a spatial binarism is notably absent in the works of Irish and British women authors from 1929-1946. On the contrary, in these texts, domestic space has multiple functions, not least of which is its usefulness in exploring concepts of modernity, including the consequences of industrial scale warfare on civilian life. During this time, women authors such as Elizabeth Bowen, Kate O’Brien, Nancy Mitford, Evadne Price and Daphne du Maurier respond to the ways in which the ideas of home were in a continuous state of redefinition. They do this for multiple reasons. Factors changing these authors’ perceptions of d0mestic space vary from material, aesthetic, external, broadly philosophical and political. These issues are also sometimes deeply violent, as is seen, for instance, in the burnings of the houses of the Anglo-Irish Ascendency in the Irish War of Independence, and the destruction of houses by bombing in the London Blitz. This project analyses Irish and British domestic spaces as women authors imagine them after the formal segregation of the two countries with the Anglo-Irish Treaty (1922). As both countries move in different political and cultural directions, so too, these authors perceive, do the meanings of home. This changes the ways in which authors construct both the conceptual ideas of home and the material realities of houses in both countries. Congruently, this cross-cultural analysis complicates our understanding of these women authors’ responses to changing meanings of home, women’s issues, and the experience of modernity in the period.

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Jenkins, Gregory Kendall. "The Altered Mobile Home: A Stationary Image of Work and Value." TopSCHOLAR®, 1990. http://digitalcommons.wku.edu/theses/1712.

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As the medium cost of conventional housing rises, many people unable to incur such an expense look for alternative forms of adequate housing. In rural areas surrounding Bowling Green, Kentucky, several families have utilized the mobile home as a base to expand, embellish, and personalize, creating a larger more conventional-looking home. Many of these altered homes possess gabled roofs, rock exterior walls, and expansive interior space. Of primary concern is: why have these families undertaken a project of this nature? As material culture scholars and folklorists examine our built environment, they find relationship between construction and the builders. What can the altered mobile home tell us about these individual builders? A contextual analysis examining the surrounding landscape, economic dilemmas, and personal aesthetics and values help elucidate each altered mobile home. Also, by examining the individual builder’s work technique, materials, and values associated with housing, one can understand how each mobile home is a direct reflection of its owner. Since the mobile home’s creation, the public’s conception of the form has led to claims that it is not a housing form, but rather an accessory for the automobile. Steadfast values associated with housing have not adhered to the image of the mobile home. Because of this ambiguity, the mobile home is an ideal form for individuals to mold and alter, thereby creating a form imbued with personal aesthetics and personal values concerning housing. These ideas are examined through analysis of four families.

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Pearson, Wendy Gay. "Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060123.143327/index.html.

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Books on the topic "Home Home in popular culture Home in literature"

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Inarticulate longings: The ladies' home journal, gender, and the promises of consumer culture. New York: Routledge, 1995.

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Scanlon, Jennifer. Inarticulate longings: "Ladies' home journal", gender, and the promises of consumer culture. London: Routledge, 1995.

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Timothy, Brennan. At home in the world: Cosmopolitanism now. Cambridge, Mass: Harvard University Press, 1997.

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Scanlon, Jennifer. Inarticulate longings: The Ladies' Home Journal, gender, and the promises of consumer culture. New York: Routledge, 1995.

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Okrah, K. Asafo-Agyei. Ghana: Arts & culture for home & classroom. Villanova, PA (1705 Balsam Lane, Villanova 19085): Rainbow Child International, 1995.

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Honeybees at home. Gardiner, Me: Tilbury House, 1994.

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Reading up: Middle-class readers and the culture of success in the early twentieth-century United States. Philadelphia: Temple University Press, 2012.

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Pulda, Arnold. Jackie steals home. Washington, DC: Library of Congress, 2002.

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Bringing it all back home: Essays on cultural studies. Durham, NC: Duke University Press, 1997.

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Hearth & home: A history of material culture. Bloomington: Indiana University Press, 1989.

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Book chapters on the topic "Home Home in popular culture Home in literature"

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O’Malley, Andrew. "Crusoe Comes Home: Robinsonades and Children’s Editions of Robinson Crusoe." In Children's Literature, Popular Culture, and Robinson Crusoe, 48–75. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137027313_3.

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Mason, Paul, and Gregory L. Rohe. "Playing at home." In The Routledge Handbook of Popular Culture and Tourism, 353–64. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315559018-31.

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Baker, Lucy I. "Fans and Vampires at Home." In Hospitality, Rape and Consent in Vampire Popular Culture, 53–68. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62782-3_4.

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Král, Françoise. "Nation Building and Home Thinking." In Social Invisibility and Diasporas in Anglophone Literature and Culture, 133–52. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137401397_6.

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Malton, Sara. "“Apocryphal Business”: Eroding Standards of Value at Home and Abroad." In Forgery in Nineteenth-Century Literature and Culture, 77–107. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230619746_4.

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Roberts, Gwyneth. "‘A Thing of Beauty and a Source of Wonderment’: Ornaments for the Home as Cultural Status Markers." In Readings in Popular Culture, 39–47. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20700-8_6.

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Attebery, Brian. "Always Coming Home and the Hinge in Ursula K. Le Guin’s Career." In Palgrave Studies in Science and Popular Culture, 9–25. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82827-1_2.

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Griffiths, John. "‘The Union Jack’, in the Teacher's Treasury (London: Home Library Book Co., Vol. 2, 1926), pp. 49–62." In Empire and Popular Culture, 296–303. London: Routledge, 2021. http://dx.doi.org/10.4324/9781351024822-43.

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Strachan, John, and Claire Nally. "Unionism, Advertising and the Third Home Rule Bill 1911–1914." In Advertising, Literature and Print Culture in Ireland, 1891–1922, 137–55. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271242_7.

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Sanders, Michael. "Theodore Dreiser’s “Nigger Jeff,” Richard Wright’s “Big Boy Leaves Home,” and Lynching." In Literature and Culture of the Chicago Renaissance, 58–71. New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429283710-4.

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Conference papers on the topic "Home Home in popular culture Home in literature"

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Rahman, NKD Tristiantari, Zakaria, and Resi Yugafiati. "Learning from Home." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.094.

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Sandy, Fadillah, Lintang Muliawanti, and Muhsiyana Nurul Aisyiyah. "Early Childhood Literacy Experiences at Home in Relation to Family Socio-Economic Status (SES)." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.037.

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Tamrin, Andi Febriana. "Children and Nature in a Picture Book “Our Big Home”: An earth poem–ecocriticism." In Proceedings of the Second Conference on Language, Literature, Education, and Culture (ICOLLITE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icollite-18.2019.36.

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Riani. "Redefinition of Homecoming (Mudik) VS Returning Home (Pulang Kampung) in the Context of Covid-19 Pandemic." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.096.

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Numertayasa, I. Wayan, I. Putu Oka Suardana, and Pande Agus Adiwijaya. "The Effect of Literacy Pattern and Mother Tongue on the Language Learning Ability during Learning from Home." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.048.

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Prelog, Marjetka Lucija. "Najpogostejše težave pri grajenju dobrih timskih odnosov na daljavo in njihove rešitve." In Values, Competencies and Changes in Organizations. University of Maribor Press, 2021. http://dx.doi.org/10.18690/978-961-286-442-2.54.

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Information and communication technologies are offering us needed infrastructure for connecting individuals from different cultures, places and work environments to learn and work together. In this paper we created a literature review on subject of virtual teams. We were answering the question “What are the most common problems when building relationships in remote workspace and how we can eliminate them?”. First responsible party in creating a good work atmosphere in between employees is management. Management and leaders of work teams is the first source from where employees are getting the sense of organizational culture. This task was much easier before Covid-19 epidemy, because first impressions and relationships were created with physical contact. In 2020 majority of organizations reconstructed their work dynamics and started with remote work. Team leaders had to adapt new work habits and way of carrying out work loads remotely. With that they lost physical contact, relationship between employees started to deteriorate, workers started to loose sense for the work load and time spent for it, distractions at home did not add to the employee productivity. With this literature preview we found out that leaders are finding biggest problems in weakened communication, bad management, inability to overview employee productivity, and cultural and language differences.

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