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Relevant bibliographies by topics / Homer Hesiod Greek language

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Academic literature on the topic 'Homer Hesiod Greek language'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Homer Hesiod Greek language"

1

Uden, James. "TheContest of Homer and Hesiodand the ambitions of Hadrian." Journal of Hellenic Studies 130 (November 2010): 121–35. http://dx.doi.org/10.1017/s0075426910000054.

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AbstractThis article examines the compilation known as theContest of Homer and Hesiod. More usually mined for the material it preserves from the sophist Alcidamas, here I advance a reading that seeks to make sense of the compilation as a whole and situates the work ideologically in its Imperial context. An anecdote early in the compilation depicts the emperor Hadrian enquiring about Homer's birthplace and parents from the Delphic Oracle; he is told that Telemachus was Homer's father and Ithaca his homeland. When the text says that we must believe this self-evidently absurd response on account

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Nikolaev, Alexander. "The Aorist Infinitives in -EEIN in Early Greek Hexameter Poetry." Journal of Hellenic Studies 133 (2013): 81–92. http://dx.doi.org/10.1017/s0075426913000050.

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AbstractThis paper examines the distribution of thematic infinitive endings in early Greek epic in the context of the long-standing debate about the transmission and development of Homeric epic diction. There are no aorist infinitives in -έμεν in Homer which would scan as ◡◡ – before a consonant or caesura (for example *βαλέμεν): instead we find unexplained forms in -έειν (for example βαλέειν). It is argued that this artificially ‘distended’ ending -έειν should be viewed as an actual analogical innovation of the poetic language, resulting from a proportional analogy to the ‘liquid’ futures. Th

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Yasin, Ghulam, Shaukat Ali, and Kashif Shahzad. "Resonances of greek-latin classics in the works of Fyodor Dostoevsky: a critical analysis." Acta Scientiarum. Language and Culture 43, no. 1 (2021): e55354. http://dx.doi.org/10.4025/actascilangcult.v43i1.55354.

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This research aims to probe the classical elements in the works of Fyodor Dostoevsky and to show the author’s bent towards the classical authors and traditions. Dostoevsky is the giant literary figure of 19th-century Russian literature and he belongs not only to a particular time but to all times like many other great classic writers. The research is significant for exposing the author’s affiliation towards the epic poetry of Homer and Hesiod and the dramas of the preeminent Athenian tragedians, Aeschylus, Sophocles, and Euripides. Dostoevsky also becomes classic based on his dealings with the

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Krivulya, Natalya Gennadyevna. "On representation and typology of the demoniac and monstrous characters." Journal of Flm Arts and Film Studies 6, no. 1 (2014): 78–85. http://dx.doi.org/10.17816/vgik6178-85.

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Currently discourse of the monstrous and demonological has been intensified. These phenomena are gaining new understanding due to the processes occurring in the post-secularitanian society undergoing a succession of critical shocks. The interest in the demonic and monstrous as the manifestation of the desire tends to form a new point of view on the anthropology and man's place in the new reference frame. The judgments about the demonic and monstrous allowed creating representation of the correct, normative, standard, and normal. Hereafter the definition of the demonic and monstrous characters

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Athanassakis, Apostolos N. "Cattle and Honour in Homer and Hesiod." Ramus 21, no. 02 (1992): 156–86. http://dx.doi.org/10.1017/s0048671x00002617.

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The concept of Homeric or simply Greek honour is not as easy to comprehend as is commonly assumed. Basically it is a system of values stemming from the belief that no harm done to self, kinsman, friend or property should remain uncompensated or unavenged. In a way, what is subsumed under the term honour is an awareness that the higher one bids the higher one is. In the present article the English word ‘honour’ is only a code word for the various fundamentals of life that belong to the semantic compass of Homerictimē. The word ‘cattle’ is also a code word for livestock, especially bovine animal

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Tsagarakis, Odysseus. "On the question of priority of Homer and Hesiod." Emerita 54, no. 2 (1986): 189–202. http://dx.doi.org/10.3989/emerita.1986.v54.i2.646.

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Rosen, Ralph Mark. "Aristophanes' Frogs And the Contest of Homer and Hesiod." Transactions of the American Philological Association 134, no. 2 (2004): 295–322. http://dx.doi.org/10.1353/apa.2004.0015.

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Koskenniemi, Erkki. "Philo and Greek Poets." Journal for the Study of Judaism 41, no. 3 (2010): 301–22. http://dx.doi.org/10.1163/157006310x488034.

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AbstractPhilo's manner of quoting and referring to Greek poets has never been systematically investigated. This article shows how Philo often quotes Homer, but also Hesiod, Solon, Pindaros and Theognis. He knows the poets as well any Greek writer. In most cases, Philo quotes the verses exactly as we have them from other sources, preserving all the dialectic peculiarities. However, he may correct the quotation theologically, make a mistake or drop a line, and sometimes he might have learned a text that differed from ours. He often cleverly gives the words a new sense and makes them speak for hi

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Franek, Juraj. "Invocations of the Muse in Homer and Hesiod: A Cognitive Approach." Antichthon 52 (2018): 1–22. http://dx.doi.org/10.1017/ann.2018.8.

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AbstractIn this paper, I offer a cognitive analysis of the invocations of the Muse in earliest Greek epic poetry that is based on recent advances in cognitive science in general and the cognitive science of religion in particular. I argue that the Muse-concept most likely originated in a feeling of dependence on an external source of information to provide the singer with the subject matter of their song. This source of information is conceptualised as an ontological type (or template) ‘person’ by means of the hyperactive agency detection, and the Muse’s full access to strategic information, a

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Gagarin, Michael. "The Poetry of Justice: Hesiod and the Origins of Greek Law." Ramus 21, no. 1 (1992): 61–78. http://dx.doi.org/10.1017/s0048671x00002678.

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A growing area of contemporary legal scholarship is the field loosely described by the expression ‘law and literature’. One of the many points of intersection between law and literature is the study of legal writing, including the opinions of judges and jurists, as a form of literature. Scholars began to study the works of the Attic orators as literature as early as the first century BC, but their specific concern was with these texts as examples of Attic prose and their literary interest primarily concerned matters of rhetoric and prose style. Similarly, modern scholars who have continued thi

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Dissertations / Theses on the topic "Homer Hesiod Greek language"

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Daskalopoulos, Anastasios A. "Homer, the manuscripts, and comparative oral traditions /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953854.

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DiLorenzo, Kate. ""To share in the roses of Pieria" relationships to the Muses' gift in the epic poets and Sappho /." Diss., Connect to the thesis, 1992. http://hdl.handle.net/10066/1475.

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Anghelina, Catalin. "Variation with intrusive T in Ancient Greek." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5num=osu1090606168.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 123 p. : ill. Advisor: Brian D. Joseph, Greek and Latin Graduate Program. Includes bibliographical references (p. 121-123).

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Nikolaev, Alexander Sergeevich. "Diachronic Poetics and Language History: Studies in Archaic Greek Poetry." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10489.

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The broad objective of this dissertation is an interdisciplinary study uniting historical linguistics, classical philology, and comparative poetics in an attempt to investigate archaic Greek poetic texts from a diachronic perspective. This thesis consists of two parts. The first part, “Etymology and Poetics”, is devoted to several cases where scantiness of attestation and lack of semantic information render traditional philological methods of textual interpretation insufficient. In such cases, the meaning of a word has to be arrived at through linguistic analysis and verified through appeal to

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Milan, Johan. "Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique)." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL086.pdf.

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Comment dire le désir érotique et ses concrétisations ? Des épopées homériques aux odes de Pindare, de la cosmogonie hésiodique à l’invective moraliste et à la passion des lyriques, la présente étude passe au crible l’ensemble des textes grecs de la période archaïque pour éclairer ce phénomène linguistique. Le désir et la sexualité sont traités comme une langue à part, au sein du grec, convoquant un lexique, une syntaxe et une stylistique spécifiques. Le lexique détoure les mots de la langue commune et bâtit les concepts du désir dans une chronologie particulière, détaillant ce que le français

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Krawitz, Sherry. "Rhythm and meaning in the Homeric hexameter." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66222.

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Brown, Howard Paul. "The pragmatics of direct address in the Iliad a study in linguistic politeness /." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1061412264.

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Bakker, Egbert J. "Linguistics and formulas in Homer scalarity and the description of the particle per /." Amsterdam ; Philadelphia : J. Benjamins Pub. Co, 1988. http://catalog.hathitrust.org/api/volumes/oclc/17806201.html.

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Zekas, Christodoulos. "The language of the gods : oblique communication and divine persuasion in Homer's Odyssey." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/862.

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Often praised for its sophistication in the narrator- and character-text, the Odyssey is regarded as the ultimate epic of a warrior’s much-troubled nostos. As a corollary of both its theme and the polytropia of the main hero, the poem explores extensively the motifs of secrecy and disguise. Apart from the lying tales of Odysseus, one important, albeit less obvious, example of the tendency to secrecy and disguise is the exchanges between the gods, which constitute a distinct group of speeches that have significant implications for the action of the poem. The aim of this dissertation is to study

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Kelly, Stephen T. "Homeric correption and the metrical distinctions between speeches and narrative." New York : Garland, 1990. http://catalog.hathitrust.org/api/volumes/oclc/20823392.html.

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Books on the topic "Homer Hesiod Greek language"

1

Gotshalk, Richard. Homer and Hesiod: Myth and philosophy. University Press of America, 2000.

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Hesiod. Harvard University Press, 2006.

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Puhvel, Jaan. Homer and Hittite. Institut für Sprachwissenschaft der Universität Innsbruck, 1991.

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4

1941-, Wright John, ed. Homeric Greek: A book for beginners. University of Oklahoma Press, 1985.

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5

Homer and the origin of the Greek alphabet. Cambridge University Press, 1991.

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6

O'Neil, John H. Homer: A transitional reader. Bolchazy-Carducci Publishers, 2011.

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7

Hesiod. Hesiod: Homeric hymns ; Epic cycle ; Homerica. Harvard University Press, 2002.

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8

1941-, Wright John, and Debnar Paula, eds. Homeric Greek: A book for beginners. University of Oklahoma Press, 2012.

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9

Hofinger, M. Lexicon Hesiodeum: Cum indice inverso. Supplementum. E.J. Brill, 1985.

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10

Cebrián, Reyes Bertolín. Die Verben des Denkens bei Homer. Verlag des Instituts für Sprachwissenschaft der Universität Innsbruck, 1996.

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Book chapters on the topic "Homer Hesiod Greek language"

1

Glassman, Ronald M. "The Decline of Greek Religion After Homer and Hesiod." In The Origins of Democracy in Tribes, City-States and Nation-States. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51695-0_90.

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Hagedorn, Jennifer. "Der Heros und die starken Frauen." In Übersetzungskulturen der Frühen Neuzeit. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_12.

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ZusammenfassungThis paper takes a critical look at how the first German translation of Homer – Simon Schaidenreisser’s Odyssea from the sixteenth century – deals with the identity-forming categories of gender and divinity. The shifts in power structures within these categories, which occur in the transcultural target language-oriented translation, are examined in an intersectional analysis. For this purpose, the translation is contrasted with the Latin translation of the Odyssey by Raphael Volaterranus (1534), Schaidenreisser’s direct source, as well as with Homer’s Greek source text. The subjects of this analysis are the two powerful, antagonistic, female divinities of the Odyssey: Circe and Calypso. The paper illustrates how the depiction of the goddesses is reshaped in the Early Modern cultural context of the translation and how power structures shift within the narrative, resulting in a loss of power and intersectional complexity for the goddesses and a re-evaluation of the narrative’s hero, Ulysses.

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"Hesiod." In Early Greek Political Thought from Homer to the Sophists. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511805479.007.

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"Order in Homer and Hesiod." In Early Greek Philosophies of Nature. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350081000.ch-002.

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"15. The End of the Heroic Age in Homer, Hesiod and the Cycle." In Homer and Early Greek Epic. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110671452-015.

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"Homer." In The Emergence of Reflexivity in Greek Language and Thought. BRILL, 2012. http://dx.doi.org/10.1163/9789004225152_004.

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"SOPHOCLES AND HOMER: SOME ISSUES OF VOCABULARY." In Sophocles and the Greek Language. BRILL, 2006. http://dx.doi.org/10.1163/9789047417422_004.

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"Elis in Homer: Language, Archaeology, Epic Tradition." In Synchrony and Diachrony of Ancient Greek. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110719192-032.

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"8. Sêma and Nóēsis: The Hero's Tomb and the "Reading" of Symbols in Homer and Hesiod." In Greek Mythology and Poetics. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501732027-011.

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Gurd, Sean Alexander. "Figures." In Dissonance. Fordham University Press, 2016. http://dx.doi.org/10.5422/fordham/9780823269655.003.0001.

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Sound entered the enclosure of culture in Greek song and acoustic theory between Homer and the death of Euripides by means of figures, channels and openings where the outside was brought within. “Figure” is defined here after Donna Harraway’s work on companion species. This chapter examines a series of figures in Homer, Hesiod, Alcaeus, Bacchylides, and Aristophanes.

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