Academic literature on the topic 'Homer – Translations into English'

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Journal articles on the topic "Homer – Translations into English"

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Murray, Jeffrey. "Homer the South African." English Today 29, no. 1 (February 27, 2013): 58–61. http://dx.doi.org/10.1017/s0266078412000521.

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When reviewing a much-translated canonical text such as Homer's Iliad, it has become something of a topos to question the need for yet another translation of it. In the twenty-first century alone, Homer's Iliad has benefited from at least six published English translations already: Rodney Merrill (2007), Herbert Jordan (2008), Anthony Verity (2011), Stephen Mitchell (2011), Edward McCrorie (2012) and James Muirden (2012). Richard Whitaker adds his translation to the list with a slight variation on the standard Anglo-American English translations already available, presenting his readers instead with a ‘Southern African English’ version. With such a variety of Standard English prose and poetic translations already on offer, is there really a need for yet another Iliad? Will the novelty of its subtitle, as a ‘Southern African English’ Iliad, justify its publication, and what will prevent it from being judged merely as a postcolonial curiosity?
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Colley, John. "Henrician Homer: English Verse Translations from the Iliad and Odyssey, 1531–1545." Translation and Literature 31, no. 2 (July 2022): 149–78. http://dx.doi.org/10.3366/tal.2022.0507.

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Verse translations from the Iliad and Odyssey embedded in Thomas Elyot’s Gouernour, Roger Ascham’s Toxophilus, and Nicholas Udall’s Apophthegmes might seem the poor cousins of longer and better-known Homer translations by poets such as George Chapman. But this article, which pays close literary-critical attention to Elyot’s, Ascham’s, and Udall’s Homer translations, argues that they play an important and mostly untold part in a larger story concerning the translation of Homer into English, not to mention the vernacular translation of ancient Greek literature in England in the sixteenth century. These fragmentary translations reveal that early Tudor writers had a wider array of options in their methods of classical translation than has hitherto been appreciated. They also call for more nuanced consideration of the diverse intellectual, political, and literary contexts that spurred poetic innovation in late Henrician England.
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Yoon, Sun Kyoung. "Popularising Homer: E. V. Rieu’s English prose translations." Translator 20, no. 2 (May 4, 2014): 178–93. http://dx.doi.org/10.1080/13556509.2014.968990.

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Johnson, Samuel, Gustavo Althoff, and Mauri Furlan. "Translating Homer / Traduzindo Homero." Scientia Traductionis, no. 16 (June 23, 2016): 20. http://dx.doi.org/10.5007/1980-4237.2014n16p20.

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Samuel Johnson (1709-1784), crítico, ensaísta, jornalista, poeta, educador e lexicógrafo, é considerado uma das personalidades mais proeminentes no mundo intelectual da Bretanha do século XVIII. Em 1777, ele recebeu a proposta de um grupo de livreiros para escreveruma série de vidas de poetas ingleses, e entre 1779-81 foi publicada a obra TheLives of the English Poets, a qual contém a vida de Alexander Pope (1688-1744),de onde extraímos o excerto abaixo. (Robinson, 2002). Samuel Johnson elogia o trabalho de Pope na tradução de Homero e a sua contribuição para a versificação em inglês. E observa que a tradução de Pope não é fiel e não tem a simplicidade do original. Johnson, contudo, justifica as variações apresentadas por Pope em sua tradução em razão da distância existente entre aslínguas, as épocas, os lugares.
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Geddes, A. G. "Homer in Translation." Greece and Rome 35, no. 1 (April 1988): 1–13. http://dx.doi.org/10.1017/s0017383500028710.

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In the first term of last year I had two classes with whom I was reading the Iliad. In the Classical Studies class we had to read and discuss the Iliad in Richmond Lattimore's English translation, and in the Greek IIA class we read Book I of the Iliad in Greek.
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Catanzaro, Andrea. "Homer like Thucydides? Hobbes and the Translation of the Homeric Poems as an Educational Tool." TTR 34, no. 1 (September 20, 2021): 47–75. http://dx.doi.org/10.7202/1081495ar.

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Thomas Hobbes had a deep and, to some extent, controversial relationship with both the classics and the classical world. At the beginning of his career as a political thinker, for example, he translated from Greek into English the History of the Peloponnesian War by Thucydides. Despite this initial involvement, the philosopher subsequently stopped translating, although, several decades later, in the final period of his life, he decided to return to this activity, translating the Iliad and the Odyssey, apparently for his own amusement, nothing more. However, recent literature has suggested that these works, as in the case of his translation of Thucydides’s work, hid another motive: he wanted to continue spreading his political thought in a period when he no longer able to do it in the usual way because of old age, illness, and, above all, censorship. By offering a comparison of the original Greek texts and Hobbes’s translations, this essay aims to show how he handled the political elements of the Iliad and the Odyssey that did not fit his political theory and ran the risk of undermining his attempt to teach moral and political virtue. It focuses in particular on the political question of overlapping sovereignties, with a view to explaining some systematic uses of translation choices that clearly deviate from the Greek.
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Catanzaro, Andrea. "Homer Revised? Echoes of the Behemoth in the Hobbesian Translations of the Iliad and Odyssey." Polis: The Journal for Ancient Greek and Roman Political Thought 38, no. 2 (May 7, 2021): 303–25. http://dx.doi.org/10.1163/20512996-12340327.

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Abstract By moving on from the findings of literature concerning the connections between the Leviathan and the Hobbesian translations of the Homeric poems, this article aims to problematize these relationships further with regard to the Behemoth. Three principal issues will be taken into account – the prophecy, the ruling over the Militia, and the mixed monarchy – given that, although themes typical of the philosopher’s political thought, their peculiarities in the Behemoth enable us to draw attention to possible significant political connections between Hobbes’s translations of the Iliad and Odyssey and his narrative of the English Civil War.
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Torralbo Caballero, Juan de Dios. "Alexander Pope: Literary Translator and Editor, from Binfield to Twickenham." Revista Alicantina de Estudios Ingleses, no. 26 (November 15, 2013): 271. http://dx.doi.org/10.14198/raei.2013.26.19.

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This paper will discuss the translations of poetry and some of the editions that Alexander Pope produced. For this, we will consider his monumental task over the translations of the work of Homer, analysing the unprecedented economic and literary implications. In addition, we shall examine Pope’s imitations of Horace in order to highlight their content and underlying intentions, going on to present lastly his other work as an editor. This context will allow us to draw some conclusions from Pope’s own uniqueness in the English literary and creative scene during the 18th century. Pope showed himself to be independent from the prevailing circles, being outside the radius of action of patrons and the court.
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Padel, Ruth. "Homer's Reader: A reading of George Seferis." Proceedings of the Cambridge Philological Society 31 (1985): 74–132. http://dx.doi.org/10.1017/s0068673500004764.

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The reader I have in mind is a poet. My immediate interest is the example he provides of a writer's relationship with her or his reading. My aim is double: to suggest both that Homer illuminates the work of the later poet and that the later poetry can function as an interpretation of Homer which offers even to a scholar valuable ways of reading the epics, especially the Odyssey. Accordingly, I shall usually offer translations both of the modern and of the ancient Greek, since not all classicists know modern Greek intimately and those who study modern Greek do not always know the ancient language well.Let us begin by reading one of Seferis' best-known poems. He wrote it in the Thirties and many contemporary poetic influences, both French and English, are at work in it. But I want to read it now from a special perspective, which I shall argue was crucial to Seferis through all his work. I shall read it as a search for a significant but bearable relationship in his own poetry with Homer and, through Homer, with the whole ancient poetic tradition.
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Webster, Daniel J. "Insomnia and Homer: A Comparative Study of Translations into English of an Early Poem by Osip Mandelstam." Translation Review 60, no. 1 (September 2000): 20–30. http://dx.doi.org/10.1080/07374836.2000.10523777.

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Dissertations / Theses on the topic "Homer – Translations into English"

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Yoon, Sun Kyoung. "(Re)-constructing Homer : English translations of the Iliad and Odyssey between 1850 and 1950." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47079/.

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This thesis seeks to investigate how translation is influenced by the translator's contexts, dealing with English translations of Homer between 1850 and 1950. English versions of the Iliad and Odyssey by eight translators from different periods are examined chronologically in their historical contexts, with reference to social, political and ideological circumstances. My methodology involves making use of translators' metatexts and other types of texts in combination with comparison of the translated texts. The debate between Matthew Arnold and Francis Newman reveals conflicting ideologies in the nineteenth century: the former committed to promoting a noble template for his society, the latter seeking to reproduce with exacting standards what he perceived as the true peculiarity of the poet. This ideological opposition is reflective of the intrinsic link between translators' interpretations of Homer and attitudes toward translation, and the Victorian age, in social, ideological and political terms. The thesis continues with two more Victorian translators William Morris and J. S. Blackie, focusing on the practice of archaism. Morris translated the Odyssey within a widespread movement of medieval revival. The same applies to Blackie's translation of the Iliad, but his medievalism was connected to the issue of Scottish identity. They idealised history and expressed their vision literalistically through archaising. The focus then changes to examine modernist versions of the Odyssey by Ezra Pound and H. D. Their fragmentary translations were good examples of the modernist project to achieve novelty and originality. Homer represented 'tradition' to engage with in order to pursue the ambition to, in Pound's famous expression, 'make it new'. The modernists took translation as an implement for revisiting the literary tradition. Lastly, this thesis explores mid-twentieth century prose translations by E. V. Rieu and I. A. Richards. Influenced by the egalitarianism of mid-twentieth-century Britain, they attempted to make their translations accessible to everyone. These translations of Homer were targeted at the 'general reader', and for that purpose, Rieu and Richards transformed Homer's originals into novels.
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Mather, Brian Scott. ""So Far from Home ..." : a Translation of Jacques Sternberg's "Si loin du monde ..."." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3046.

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This master's thesis comprises an English translation of Jacques Sternberg's "Si loin du monde ..." preceded by an introduction that addresses the translator's general theoretical approach to translation as well as an explanation and justification of specific choices made for this translation in particular. "Si loin du monde ..." is a short work of science fiction by Belgian author Jacques Sternberg that appeared in the collection Entre deux mondes incertains, published in 1957. It takes the form of a first-person narrative told from the perspective of an extra-terrestrial, who has been sent on a mission to study humanity and its environment and furtively make preparation for the arrival of his people on Earth. The section on theory sets out to find whether there exist absolute norms exterior to the subjectivity of the translator that regulate the act of translation. Three potential normative centers are proposed: text, author, and reader. The starting point when appraising text is the sourcier/cibliste dichotomy and the objection préjudicielle presented in Georges Mounin's Les belles infidèles. The objection préjudicielle is the claim that translation is theoretically impossible. The conclusion reached is that the text does not establish absolute norms of correspondence between the target text and the source text because there is no absolute meaning inherent in the text. When examining the author as a potential source of the norms of translation, Roland Barthe"s "La mort de l'auteur" is used to show that, since the meaning of a text is not ultimately determined by the author, neither can he be an absolute regulator of correspondence in translation. Finally, the reader is found to be a relative (not absolute) regulator of the norms of translation. This regulating role and the nature of its demands on the translator is explored through an application of the author/reader dialectic found in Sartre's Qu'est-ce que la littérature? It is concluded that there do not exist any absolute norms of translation exterior to the translator, and that the translator creates an aesthetic unity in the target text through adherence to norms that are ultimately founded in his own subjectivity.
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Fisher, Tyler. "Jose Marti's Ismaelillo : an english translations." Honors in the Major Thesis, University of Central Florida, 2002. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/272.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Spanish
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Truelson, Charlotta. "Adverbial placement in Swedish and English translations." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-48446.

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The purpose of this paper was to do an investigation of adverbials in fiction and non-fiction texts translated into Swedish and English. Adverbials are more flexible regarding position in sentences than other constituents. It has been of interest to find out if there are any remarkable differences in mean-ing due to repositioned adverbials in translation, and the focus has been on adverbials in initial, medial and final position. The results showed that most adverbials retained their position, and also their meaning in translation. There were no noteworthy differences in how adverbials were translated in fiction compared to non-fiction. The preferred position of adverbials was the end position for most types of adverbials in English and Swedish.
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Luonua, M. M. (Matti-Mikael). "Transfer of meaning in tourist brochure translations." Master's thesis, University of Oulu, 2013. http://urn.fi/URN:NBN:fi:oulu-201303191112.

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The topic of this thesis concerns the translation of tourist brochures and how the message of the original text, along with the intended perlocution, are transferred to the translated text. The thesis mainly looks at translations from Finnish to English. There are two exceptions, where translations in Italian, German, Swedish and Russian were also looked at for comparison. The analysed translations were found from ten brochures that were collected from the Tornio and Pello tourist information offices, and two websites that promote locations in Muonio and in Tornio, respectively. The brochures promote locations situated in Lapland except for one, which promotes the food culture of Finland. The theoretical background for the text includes Relevance Theory and the linguistic concepts of locution, illocution, and perlocution. The analysis utilises concepts from translation theory, including functional, cultural and descriptive equivalents, transference, and the covert and overt methods. The goal of the analysis was to see how the aforementioned concepts from translation theory are used in tourist brochure translations to transfer the meaning of the original text to the translated text, and if the translation process has a negative effect on the relevance and intended perlocution, which in turn can lower the attraction of the brochure and the promoted location. The goal also included seeing if translators attempt to avoid this negative effect and if they do, what are the measures that are taken to prevent it. The results of the study reveal that in some cases, the translators do in fact seem to recognise the importance of relevance and the transferral of intended perlocution, thus striving to improve relevance and take measures to aid the transferral of intended perlocution. In other cases, the translators did not seem to hold relevance and perlocution in importance. In these cases the relevance could even be lowered. It seems that the most negative effect on the translation was created when text was omitted in the translation. The results of this study could be used for example to teach translators in the commercial business how relevance and the transferral of intended perlocution are improved and how to avoid the methods that have a negative effect on relevance and transferral of intended perlocution
Tutkielman aihe on matkailuesitteiden käännökset ja miten alkuperäisen viestin sisältö ja sen tarkoitettu tehtävä ja perlokuutio siirtyvät toiselle kielelle. Pääosin gradussa tarkastellaan käännöksiä suomesta englanniksi. Poikkeuksina olivat kaksi tapausta, joissa tarkasteltiin vertailun vuoksi miten sama käännös oli tehty italiaksi, saksaksi, ruotsiksi ja venäjäksi. Käännökset löytyivät kymmenestä matkailuesitteestä, jotka oli kerätty Tornion ja Pellon matkailutoimistoista sekä kahdesta nettisivusta, joista toinen edustaa torniolaista ja toinen muoniolaista matkailuyhtiöitä. Esitteet edustavat pääosin Lapissa sijaitsevia matkailukohteita mutta yksi esite käsittelee koko Suomen ruokakulttuuria. Teoreettisena tukena tutkielmalle toimivat relevanssiteoria ja kielitieteen käsitteet lokuutio, illokuutio ja perlokuutio. Analyysissa käytettiin myös käännöstieteen käsitteitä, jotka olivat funktionaalinen, kulttuurillinen ja deskriptiivinen ekvivalentti, transferenssi, sekä piilokäännös ja ilmikäännös. Analyysin päämäärä on tutkia miten yllämainittuja käännöstieteen käsitteitä käytetään matkailuesitteissä siirtämään alkuperäiskielisen tekstin tarkoitus käännökseen ja se onko käännösprosessilla negatiivinen vaikutus käännetyn esitteen relevanssiin ja perlokuution siirtymiseen, jotka vaikuttavat vuorollaan esitteen vetovoimaan. Päämäärään kuului myös tutkia yrittävätkö kääntäjät välttää tätä negatiivista vaikutusta ja jos yrittävät, millä tavoilla sitä pyritään välttämään. Tutkimuksen tulokset paljastivat sen, että joissain tapauksissa kääntäjät saattoivat tunnistaa relevanssin sekä tarkoitetun perlokuution siirtymisen tärkeyden ja täten pyrkivät parantamaan relevanssia sekä käyttämään toimenpiteitä, jotka auttoivat tarkoitetun perlokuution siirtymisessä. Esimerkiksi ylimääräisen tiedon lisääminen käännösversioon voi lisätä relevanssia ja täten myös tarkoitetun perlokuution siirtymistä. Toisissa tapauksissa kääntäjät eivät pitäneet korkeaa relevanssia tai tarkoitettua perlokuutiota kovin tärkeänä. Näissä tapauksissa relevanssi saattoi jopa laskea eikä tarkoitettu perlokuutio siirtynyt käännettyyn tekstiin kovin hyvin. Kävi ilmi, että negatiivisin vaikutus käännökseen syntyy kun tekstiä jätetään pois. Tutkielman tuloksia voisi käyttää esimerkiksi opettamaan mainosalan kääntäjille millä tavoin käännösten relevanssia ja tarkoitetun perlokuution siirtymistä voisi parantaa ja miten niiden heikkenemistä voisi välttää
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Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.

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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of interrogation addressing how the translators dealt with the form of the dramatic works according to theoretical and practical principles. It considers translators' responses to conventions of plot formation, translation methods, and prosody. The chapters are underpinned by comparative assessments of contextual theoretical writings in French and English in order to examine the plays in the light of the evolving theatrical tastes and literary practices occasioned by cross-Channel communication. The second part takes an alternative approach to assessing the earliest translations of Molière. Its four chapters are based on close analysis of culturally significant lexical terms which evoke comically contentious social themes. This enquiry charts the changes in translation-choices over the decades covered by the thesis corpus. The themes addressed, however, were relevant throughout the period in both France and England: marital discord caused by anxieties surrounding cuckoldry and gallantry, the problems of zealous religious ostentation, the dubious professional standing of medical practitioners, and bourgeois social pretension. This part assesses how the key terms in translation were chosen to resonate within the new semantic fields in English, a target language which was coming into close contact with new French terms.
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Humed, Kammi G., Kenneth T. Olson, and Janet Cooley. "Verification of Non-English-Language Prescription Label Translations." The University of Arizona, 2016. http://hdl.handle.net/10150/613994.

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Class of 2016 Abstract
Objectives: To verify a set of translated medication labels in consultation with native speakers of non-English languages, specifically for this study: Amharic, Arabic, Chinese (Mandarin), Somali, Spanish, Tigrinya, and Vietnamese. Methods: Native speakers of target languages were recruited from academic and community organizations in the Tucson area. Participants were asked to review a set of translated directions and complete a survey regarding the validity and comprehensibility of the translations. In some cases, a short interview was used to clarify any comments or corrections made by the participants. Results: Surveys were completed by 23 participants, 12 men and 11 women, covering seven languages, with an uneven distribution between languages. Directions in Somali were the least problematic, with relatively strong agreement between respondents. Amharic directions were rated poorly and scored consistently worse than the overall average. Tigrinya had the most variation between respondents compared to other languages. Chinese, Spanish, and Vietnamese all received rather high scores, but analysis is complicated by a small sample size for each. Among responses to the open-ended questions, comments regarding word choice were the most common, for various reasons. Conclusions: We were able to validate some of the provided translations, but found that certain languages posed more problems than others, and these translations would need to undergo further review before they can be reliably used in clinical practice.
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Reid, Joshua S. "Review Essay: MHRA Tudor & Stuart Translations." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3164.

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Wang, Baorong, and 汪宝荣. "Shaoxing Dialect in English translations of Lu Xun's fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40887698.

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Eichel, Andrew Timothy. "Translating Anglo-Saxon poetry : foreignized translations of "The seafarer" and "The wanderer" /." View online, 2009. http://repository.eiu.edu/theses/docs/32211131566903.pdf.

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Books on the topic "Homer – Translations into English"

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Homer. Translations of Homer. Oxford: Clarendon Press, 2008.

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Homer. Homer in English. London: Penguin Books, 1996.

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Underwood, Simeon. English translators of Homer: From George Chapman to Christopher Logue. Plymouth, U.K: Northcote House in association with the British Council, 1998.

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Classics in translation: From Homer to Juvenal. London: Duckworth, 1998.

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Homer. Translations in verse from Homer and Virgil. Montreal: Dawson Bros., 1993.

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Homer's Iliad: A commentary on three translations : E.V. Rieu, revised by Peter Jones & D.C.H. Rieu, Homer--the Iliad ; Martin Hammond, Homer--the Iliad ; Richmond Lattimore, The Iliad of Homer. London: Bristol Classical Press, 2003.

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The poetry of translation: From Chaucer & Petrarch to Homer & Logue. Oxford: Oxford Univ Prress, 2011.

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Matthew, Arnold. On the Study of Celtic Literature: And, On translating Homer. Whitefish, Montana: Kessinger Publishing, 1998.

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Robert, Haas, ed. The Greek poets: Homer to the present. New York: W.W. Norton & Co., 2010.

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Parker, Jan. Dialogic education and the problematics of translation in Homer and Greek tragedy. Lewiston, N.Y: Edwin Mellen Press, 2001.

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Book chapters on the topic "Homer – Translations into English"

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Głaz, Adam. "Vulnerable Values: The Polish Dom (‘House, Home’) in English Translation." In Translating Values, 279–302. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-54971-6_14.

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Walsh, Andrew Samuel. "Early Translations and Reception." In Lorca in English, 30–60. New York : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429292040-3.

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Santa, Matthew. "English translations by Thomas Cimarusti." In Anthology for Hearing Form, 224. 3rd ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003146056-28.

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Santa, Matthew. "English translations by Sigrun Heinzelmann." In Anthology for Hearing Form, 429. 3rd ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003146056-62.

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Gorup, Radmila. "English Translations of Serbian Literature." In Међународна конференција Катедре за српску књижевност са јужнословенским књижевностима и Катедре за англистику Филолошког факултета Универзитета у Београду, 281–92. Београд: Универзитет у Београду, Филолошки факултет, 2022. http://dx.doi.org/10.18485/srp_eng.2022.1.ch19.

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McMillin, Laurie Hovell. "Barbarian Translations and Impure Forms: Hodgson, Waddell, Blavatsky." In English in Tibet, Tibet in English, 71–78. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780312299095_5.

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Kim, Wook-Dong. "Three English Translations of the Declaration of Korean Independence." In Translations in Korea, 89–108. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6512-6_4.

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Kim, Wook-Dong. "The “Creative” English Translation of The Vegetarian by Han Kang." In Translations in Korea, 133–53. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6512-6_6.

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Hammond, Gerald. "Translations of the Bible." In A Companion to English Renaissance Literature and Culture, 165–75. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch13.

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Wang, Yunhong. "Introduction." In English Translations of Shuihu Zhuan, 1–13. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4518-4_1.

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Conference papers on the topic "Homer – Translations into English"

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Chuchunkov, Alexander, Alexander Tarelkin, and Irina Galinskaya. "Applying HMEANT to English-Russian Translations." In Proceedings of SSST-8, Eighth Workshop on Syntax, Semantics and Structure in Statistical Translation. Stroudsburg, PA, USA: Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-4005.

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ZOLCZER, Peter. "HUNGARIAN AND SLOVAK TRANSLATIONS OF ENGLISH FILM TITLES." In 12th International Conference of J. Selye University. J. Selye University, Komárno, Slovakia, 2020. http://dx.doi.org/10.36007/3761.2020.151.

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Sasmita Aji, Gabriel Fajar. "Conflict on The “Home”-ness In VS Naipaul’s The Enigma of Arrival." In Proceedings of the UNNES International Conference on English Language Teaching, Literature, and Translation (ELTLT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eltlt-18.2019.45.

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Murah, Mohd Zamri. "Similarity Evaluation of English Translations of the Holy Quran." In 2013 Taibah University International Conference on Advances in Information Technology for the Holy Quran and Its Sciences. IEEE, 2013. http://dx.doi.org/10.1109/nooric.2013.54.

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Tabrizi, A. A., and R. Mahmud. "Issues of coherence analysis on English translations of Quran." In 2013 1st International Conference on Communications, Signal Processing, and Their Applications (ICCSPA). IEEE, 2013. http://dx.doi.org/10.1109/iccspa.2013.6487276.

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Leontyeva, Kseniya. "Dominant Construal And Reperspectivation Patterns In English-Russian Literary Translations." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.103.

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Rapp, Reinhard. "Automatic identification of word translations from unrelated English and German corpora." In the 37th annual meeting of the Association for Computational Linguistics. Morristown, NJ, USA: Association for Computational Linguistics, 1999. http://dx.doi.org/10.3115/1034678.1034756.

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Trajkovska, Vesna, Saše Gerasimoski, and Snežana Nikodinovska-Stefanovska. "Anal ysing Macedonian Translations of English Terms Related to Private Security." In Twelfth Biennial International Conference Criminal Justice and Security in Central and Eastern Europe: From Common Sense to Evidence-based Policy–making. University of Maribor Pres, 2018. http://dx.doi.org/10.18690/978-961-286-174-2.32.

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Sulem, Elior, Omri Abend, and Ari Rappoport. "Conceptual Annotations Preserve Structure Across Translations: A French-English Case Study." In Proceedings of the 1st Workshop on Semantics-Driven Statistical Machine Translation (S2MT 2015). Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-3502.

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Li, Xinran, and Yutong Zhao. "An Error Analysis of Tense Errors in English Major Undergraduates’ Translations." In 2021 International Conference on Public Relations and Social Sciences (ICPRSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211020.130.

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Reports on the topic "Homer – Translations into English"

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Hadley, A. Just what exactly is a warhead? An analysis of Russian/English translations and definitions. Office of Scientific and Technical Information (OSTI), June 1998. http://dx.doi.org/10.2172/656694.

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BIZIKOEVA, L. S., and G. S. KOKOEV. МЕТАФОРЫ ШЕКСПИРА КАК ПЕРЕВОДЧЕСКАЯ ПРОБЛЕМА (НА МАТЕРИАЛЕ ПЕРЕВОДА ТРАГЕДИИ "РОМЕО И ДЖУЛЬЕТТА" НА РУССКИЙ И ОСЕТИНСКИЙ ЯЗЫКИ). Science and Innovation Center Publishing House, 2020. http://dx.doi.org/10.12731/2077-1770-2020-3-3-95-106.

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Abstract:
Purpose. The goal of the present article is to analyze the original text of the tragedy “Romeo and Juliette” and its translations into the Russian and Ossetian languages to reveal Shakespeare’s metaphors for further analysis of the ways they are translated and possible problems translators might come across while translating. The main methods employed in the research are: the method of contextual analysis, the descriptive-analytical and the contrastive method. Results. The research was based on the theory of Shakespeare’s metaphor introduced by S.M. Mezenin. According to S.M. Mezenin the revealed metaphors were divided into several semantic groups the most numerous of which comprises metaphors with the semantic model “man - nature” that once again proved the idea of Caroline Spurgeon. The analysis of the translations into the Russian and Ossetian languages showed that translators do not always manage to preserve in the translated text unique Shakespeare’s metaphors. Practical implications. The received results can be used in teaching theory and practice of translation, cultural science, comparative lexicology of the Ossetian and Russian languages and the Ossetian and English languages.
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Yatsymirska, Mariya. KEY IMPRESSIONS OF 2020 IN JOURNALISTIC TEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11107.

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The article explores the key vocabulary of 2020 in the network space of Ukraine. Texts of journalistic, official-business style, analytical publications of well-known journalists on current topics are analyzed. Extralinguistic factors of new word formation, their adaptation to the sphere of special and socio-political vocabulary of the Ukrainian language are determined. Examples show modern impressions in the media, their stylistic use and impact on public opinion in a pandemic. New meanings of foreign expressions, media terminology, peculiarities of translation of neologisms from English into Ukrainian have been clarified. According to the materials of the online media, a «dictionary of the coronavirus era» is provided. The journalistic text functions in the media on the basis of logical judgments, credible arguments, impressive language. Its purpose is to show the socio-political problem, to sharpen its significance for society and to propose solutions through convincing considerations. Most researchers emphasize the influential role of journalistic style, which through the media shapes public opinion on issues of politics, economics, education, health care, war, the future of the country. To cover such a wide range of topics, socio-political vocabulary is used first of all – neutral and emotionally-evaluative, rhetorical questions and imperatives, special terminology, foreign words. There is an ongoing discussion in online publications about the use of the new foreign token «lockdown» instead of the word «quarantine», which has long been learned in the Ukrainian language. Research on this topic has shown that at the initial stage of the pandemic, the word «lockdown» prevailed in the colloquial language of politicians, media personalities and part of society did not quite understand its meaning. Lockdown, in its current interpretation, is a restrictive measure to protect people from a dangerous virus that has spread to many countries; isolation of the population («stay in place») in case of risk of spreading Covid-19. In English, US citizens are told what a lockdown is: «A lockdown is a restriction policy for people or communities to stay where they are, usually due to specific risks to themselves or to others if they can move and interact freely. The term «stay-at-home» or «shelter-in-place» is often used for lockdowns that affect an area, rather than specific locations». Content analysis of online texts leads to the conclusion that in 2020 a special vocabulary was actively functioning, with the appropriate definitions, which the media described as a «dictionary of coronavirus vocabulary». Media broadcasting is the deepest and pulsating source of creative texts with new meanings, phrases, expressiveness. The influential power of the word finds its unconditional embodiment in the media. Journalists, bloggers, experts, politicians, analyzing current events, produce concepts of a new reality. The world is changing and the language of the media is responding to these changes. It manifests itself most vividly and emotionally in the network sphere, in various genres and styles.
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