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Dissertations / Theses on the topic 'Homer'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Stuart, John Radcliffe. "Flaxman's Homer illustrations." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/26612.

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Since their appearance in 1793 John Flaxman's illustrations to Homer's Iliad and Odyssey have been associated with the ancient art that inspired their commission. In this thesis they are examined from a standpoint other than that adopted in the major literature. Besides sustaining Flaxman's own assertion that the designs were to be used for sculpture, their conception is related to outline designs submitted to his former emloyer of 12 years, industrialist Josiah Wedgwood. More significantly, their most conspicuous characteristics--their two-dimensional space, absence of colour, texture, and de

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2

Wagner, Klaus. "Homer has the Blues." Diss., Ludwig-Maximilians-Universität München, 2013. http://nbn-resolving.de/urn:nbn:de:bvb:19-170563.

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3

Kuisma, Oiva. "Proclus' defence of Homer /." Helsinki : Societas scientarium Fennica, 1996. http://catalogue.bnf.fr/ark:/12148/cb39233698h.

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4

Horrell, Matthew Aaron. "Epic hyperbole in Homer." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5777.

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Few works have created such memorable characters as the Iliad and Odyssey. Readers come away from these works with the impression that the characters described in the stories are larger than life: Achilles is strong, Ajax is enormous, Patroclus is bloodthirsty, Nestor is ancient, Stentor is loud. Nobody leaves Homer’s epics thinking his heroes are not worthy of their lasting fame. This study argues that, although the heroes of the two Homeric epics are meant to be impressive, their characterization in the Iliad and Odyssey is the result of a process of rationalization whereby the hyperbole tra

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5

O'Maley, James. ""Like-mindedness"? Intra-familial relations in the Iliad and the Odyssey." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/6725.

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This thesis argues that the defining characteristic of intra-familial relationships in both the Iliad and the Odyssey is inequality. Homeric relationship pairs that are presented positively are strongly marked by an uneven distribution of power and authority, and when family members do not subscribe to this ideology, the result is a dysfunctional relationship that is condemned by the poet and used as a negative paradigm for his characters. Moreover, the inequality favoured by the epics proceeds according to strict role-based rules with little scope for innovation according to personality, mean

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6

Burrow, Colin. "Epic romance : Homer to Milton /." Oxford : Clarendon Press, 2001. http://www.loc.gov/catdir/enhancements/fy0604/92045882-d.html.

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7

Hillyard, Nicholas. "Number in Homer, Volume 1." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496459.

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8

Morgenroth, Lee Hayes. "Homer--a video story generator." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/12843.

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Thesis (B.S.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1992.<br>Includes bibliographical references (leaf 121).<br>by Lee Hayes Morgenroth.<br>B.S.

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9

Sauerborn, Franz-Dieter. "Homer Herpol, ca.1510-1573 /." Pfaffenweiler : Centaurus-Verlagsgesellschaft, 1991. http://catalogue.bnf.fr/ark:/12148/cb40065499x.

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10

Wilson, Jeffrey Dirk. "Homer's paradigm of being a philosophical reading of the Iliad and the Odyssey /." Theological Research Exchange Network (TREN) Access this title online, 2004. http://www.tren.com.

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11

Bostock, Robert Nigel. "A Commentary on Homer: Odyssey 11." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484830.

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Besides Iliad 10 and the end of the Odyssey, book 11 of the Odyssey has been the most disputed passage in Homer in terms of authorship. This thesis presents the first modem scholarly commentary devoted to the book. It deals with the topic at more length than the commentaries of Stanford and Heubeck, and is more advanced than the commentary of Untersteiner, which is directed towards students. The introduction discusses the place of Od. 11 within the Odyssey, in terms of theme and narrative structure. It discusses the katabasis in early Greek myth and poetry, and argues that the ritual performed

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12

Manley-Tannis, Richard Michael. "Greek arbitration, homer to classical Athens." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/MQ28231.pdf.

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13

Gazis, Georgios. "Homer and the poetics of Hades." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11182/.

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In this thesis I examine Homer’s use of Hades as a poetic resource that allows a different approach to the epic past than the one provided through Muse-inspired narrative. By portraying Hades as a realm where vision is not possible (A - ides), I argue, Homer creates a unique poetic environment in which social constraints and divine prohibitions are not applicable. The result is a narrative that emulates that of the Muses but at the same time is markedly distinct from it, as in Hades experimentation with, and alteration of, important epic forms and values can be pursued, giving rise to a differ

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14

Wilshere, Nicholas. "Homerus ubique : Lucian's use of Homer." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/29999/.

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It has been long acknowledged that Lucian employs various forms of allusion to the Iliad and Odyssey across his writings. This thesis builds on previous studies — which have produced taxonomic analyses of allusion, (mis)quotation and parody — to explore more fully the intertextual richness and complexity of Lucian’s writing that such approaches can paradoxically conceal. Works such as Charon, Hercules, Alexander and several of the miniature dialogues are examined in depth, especially those which have received less attention previously and those in which Lucian can be most clearly seen engaging

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15

Fox, Peta Ann. "Heroes at the gates appeal and value in the Homeric epics from the archaic through the classical period." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002168.

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This thesis raises and explores questions concerning the popularity of the Homeric poems in ancient Greece. It asks why the Iliad and Odyssey held such continuing appeal among the Greeks of the Archaic and Classical age. Cultural products such as poetry cannot be separated from the sociopolitical conditions in which and for which they were originally composed and received. Working on the basis that the extent of Homer’s appeal was inspired and sustained by the peculiar and determining historical circumstances, I set out to explore the relation of the social, political and ethical conditions an

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16

Lebowitz, Willy. "Complex unity "self" and deliberation in Homer's Odyssey and Iliad /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1576.

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17

Snider, Jeffrey. "The Songs of Sidney Homer, with Three Recitals of Selected Works by Verdi, Handel, Brahms, Poulenc, Ives, Loewe, Fauré, Floyd and Others." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277982/.

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Now all but forgotten, the songs of Sidney Homer (1864-1953) were at one time well-regarded and often performed. Married to the great American contralto Louise Homer, he was in a unique position to have his songs performed by the great artists of the time. Unlike the cloying "parlor songs" of many of his contemporaries, his works consistently demonstrate a respect for both the great poets as well as the European art-song tradition. One of the most cosmopolitan of the American composers of his day, his involvement with Louise's career brought him into contact with many of the great composers an

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18

Adams, Alison. "Helen in Greek literature : Homer to Euripides." Thesis, Aberystwyth University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302020.

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19

Porter, Andrew E. "Agamemnon in Homer reading character through tradition /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5960.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 24, 2009) Vita. Includes bibliographical references.

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20

Daskalopoulos, Anastasios A. "Homer, the manuscripts, and comparative oral traditions /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953854.

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21

Patzek, Barbara. "Homer und Mykene : mündliche Dichtung und Geschichtsschreibung /." München : R. Oldenbourg, 1992. http://catalogue.bnf.fr/ark:/12148/cb366677870.

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22

Sotiriou, Margarita. "Pindarus Homericus : Homer-Rezeption in Pindars Epinikien /." Göttingen : Vandenhoeck & Ruprecht, 1998. http://catalogue.bnf.fr/ark:/12148/cb39182435p.

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23

Lopes, Caroline Evangelista. "O aumento verbal na narrativa Homérica." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-19122013-143359/.

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A construção, transmissão e preservação dos versos que compõem os poemas homéricos constituem questões que acompanham a filologia desde seu surgimento. A teoria oral e sua hipótese de composição em performance trouxeram para os estudos homéricos novas formas de abordar essas questões. Nas últimas décadas, pesquisadores da teoria oral analisam até que ponto esse contexto de apresentação e/ou criação dos poemas homéricos influenciou sua construção e como é possível identificar os traços dessa enunciação nos textos atuais. É o caso de Egbert J. Bakker, que se baseia no contexto de enunciação, ou

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24

Wagner, Klaus [Verfasser], and Mathias [Akademischer Betreuer] Schmidt. "Homer has the Blues : Involvement of Homer1 in stress-induced psychopathology / Klaus Wagner. Betreuer: Mathias Schmidt." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://d-nb.info/1052194729/34.

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25

Lambrou, I. "Homer and the Epic Cycle : dialogue and challenge." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1462583/.

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In this thesis, we revisit a longstanding problem, the relationship between Homer and the fragmentarily preserved post-Homeric narrative poems of the so-called Epic Cycle. The approach adopted has affinities with the school of criticism known as Neoanalysis, which, originating in continental Europe as an alternative to the Parry- Lord oral-formulaic theory, sought to explain irregularities found in the Homeric text by assuming re-contextualisation of motifs taken from pre-Homeric epics which were often identified with either written versions or the oral predecessors of the Cyclic epics. Rather

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26

McHugh, Kathleen Potthoff. "The Muses and Creative Inspiration: Homer to Milton." UNF Digital Commons, 1993. http://digitalcommons.unf.edu/etd/85.

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Tracing the influences and references to the Muses in written language from Ancient Greece through the end of the English Renaissance, I discover transformations and revivals in their usage. There are shifts from dependence on deified inspiration to the development of personal insight. Also, there appears to be a conscious substituting of the Muses with the beloved and Cupid or Apollo. But the Muses' religious significance returns in Paradise Lost. The first part of this thesis focuses on the early Greek writers: Homer, Hesiod, Pindar, Plato, and the Latin writers: Ovid, Virgil, Boethius. The

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27

Poulengeris, Andreas Christou. "Studies on the text of Iliad 3-5." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271299.

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In these studies I discuss a number of selected passages from Iliad 3-5 where there are textual variations supported by extant minuscule copies and about which we can reasonably argue that they also existed in the text of uncial COpIes. The purpose of these discussions is to assert the claim of each variant to direct tradition, i.e. that their presence in the medieval minuscule tradition is due to inheritance from the text of extant or lost uncial copies, or, to use an abbreviated term, that they are ancient; and also to assert its utility for the evaluation or classification of the manuscript

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28

Auto, João Miguel Moreira 1974. "Morte, alma, corpo e homem na poesia homerica." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270753.

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Orientador: Flavio Ribeiro de Oliveira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-06T06:02:07Z (GMT). No. of bitstreams: 1 Auto_JoaoMiguelMoreira_M.pdf: 1114854 bytes, checksum: 1ccb41208967907a0af1e0f5025c6754 (MD5) Previous issue date: 2006<br>Resumo: O corpo humano (sôma) não é, em Homero, exatamente o mesmo que ¿corpo¿ tal como encontramo-lo em Platão ou em textos modernos, mas é sabido que lá ele é entendido como ¿cadáver¿. Da mesma forma, também a alma (psykhé) homérica não é exatamente um ¿sop

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29

Stevens, Alexander David. "Telling presences : narrating divine epiphany in Homer and beyond." Thesis, University of Cambridge, 2003. https://www.repository.cam.ac.uk/handle/1810/251855.

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This thesis argues that ancient Greek narratives of encounter between gods and mortals cannot be understood simply in terms of constellations of recurrent descriptive features or in terms of the iterability of type-scene or ritual. Divine epiphanies are moments of disruption or antistructure which provoke strategic, structuring responses, not least in narrative and ritual. But these responses do not subsume the potential that remains at the intersection between gods and mortals. Contestation over power, authority and legitimacy is constitutive of epiphany. In the first section I examine proble

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30

Demetriou, Tania. "'Strange appearance' : the reception of Homer in Renaissance England." Thesis, University of Cambridge, 2008. https://www.repository.cam.ac.uk/handle/1810/265563.

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This thesis investigates the presence of Homer in the literary culture of Renaissance England. It seeks to identify how the Iliad and the Oqyssry, virtually unread by anyone in early 16th_century England, went on to become well-known texts by the mid-17th century. The thesis focuses on literary texts in which I believe Homer's influence begins to make itself extensively felt. I explore the nature and reasons behind such imitation in the cases of three authors-Spenser, Shakespeare and Chapman -identifying what the 'discovery' of Homer's texts involved in the very different practice of each. I a

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31

Ricks, David Bruce. "Homer and Greek poetry 1888 - 1940 : Cavafy, Sikelianos, Seferis." Thesis, King's College London (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268791.

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32

Julien, Alfredo. "Ágora, dêmos e laós: os modos de figuração do povo na assembléia homérica - contradições, ambigüidades e indefinições." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-05072007-102301/.

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Na epopéia homérica, a ágora, a assembléia do povo, constitui espaço privilegiado de interação social, servindo de cenário para a figuração de eventos importantes para a condução da trama, tanto da Ilíada quanto da Odisséia. No âmbito dos estudos homéricos, aqueles que se dedicam à análise histórica dos poemas têm feito largo uso desses episódios, na busca de chegar a explicações coerentes a respeito dos modos de operação da sociedade retratada na narrativa. Qual seria o papel das assembléias na sociedade homérica? Qual seria a constituição social do povo presente nessas reuniões? Seria ela co

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33

Naddaf, Gerard. "La alegoría. Orígenes y desarrollo de la filosofía desde los presocráticos hasta la Ilustración." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113274.

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Much has been written on the famous transition from muthos to logos or from myth to reason. However, there is little on how the proponents of myth responded. They fought back with mutho-logia, that is, with a logos about myth. This rational approach invoked the same logos that is generally associated with philosophia. In fact, philosophia and muthologia are at times so intimately connected that until the Enlightenment period, it is often difficult to distinguish between them. This is due to the spell of myth or more precisely because of the allegorical interpretation of myth. In this essay, I

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34

Goussias, Giannoula. "Heroes and heroic life in the Iliad and Akritic folk-song /." Title page, table of contents and abstract only, 1992. http://web4.library.adelaide.edu.au/theses/09ARM/09armg717.pdf.

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35

Maciver, Calum A. "Reading Quintus reading Homer : intertextual engagement in Quintus Smyrnaeus' Posthomerica." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3307.

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This thesis is a study of Quintus Smyrnaeus’ Posthomerica, a Greek epic of the third century C.E. written in Greek hexameters in Homeric diction and in a Homeric style and about the post-Iliadic events of the Trojan War. My thesis deals with intertextuality, that is, the relationship between the Posthomerica and the Homeric texts. The Posthomerica has been called a hyper-Homeric text, which has been viewed as a negative trait of the poem. I analyse this Homeric-emulative tendency and discuss the interaction between the cultural and literary influences contemporary to the Posthomerica, and the

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36

De, Decker Filip. "A Morphosyntactic analysis of speech introductions and conclusions in Homer." Diss., Ludwig-Maximilians-Universität München, 2015. http://nbn-resolving.de/urn:nbn:de:bvb:19-179951.

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37

Brady, Thomas Martin. "The margins of epic : three studies in an Ovidian Homer." Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/c65f29bd-f20e-48e5-8b64-56faf0924d67.

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38

Williams, Catrin. "The practice and poetics of William Cowpera's translation of Homer." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/272081.

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39

Barker, Elton T. E. "Entering the 'agon' : dissent & authority from Homer to tragedy." Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/272038.

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40

Hershkowitz, Debra. "The madness of epic : reading insanity from Homer to Statius /." Oxford (GB) : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb37085594r.

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41

Hurst, Isobel. "Victorian women writers and the classics : the feminine of Homer /." Oxford : Oxford university press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40935892j.

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42

Chiarello, Carmelina. "Role of the scaffolding protein Homer 1a in cardiac hypertrophy." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3423423.

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Homer proteins are a family of scaffolding proteins involved in many intracellular signaling pathways, in both excitable and non-excitable cells. These proteins participate in the assembly and regulation of functional signaling complexes, facilitating the cross-talk between surface membrane receptors and channels in the membranes of intracellular compartments (Worley PF. et al., 2007). Homer proteins are constitutively expressed in the brain, where their scaffolding function is important for a variety of neuronal processes, such as intracellular Ca2+ homeostasis, synaptic plasticity associated

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43

Borguñó, Ventura Isabel. "Personal femenino dependiente en la Grecia antigua Un estudio comparado de los textos micénicos y los poemas homéricos." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/672021.

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Aquesta tesi presenta un estudi comparatiu de les dones treballadores a partir de l’anàlisi dels primers testimonis escrits en llengua grega: les inscripcions micèniques i les fonts literàries de la Ilíada i l’Odissea. Des d’un inici, les tauletes en Lineal B han revelat la presència de nombrosos grups de treball formats per dones que depenen del palau i que es distingeixen d’altres dones que semblen ocupar un lloc privilegiat. Els poemes homèrics sovint distingeixen, en general, dues categories de dones: dones aristocràtiques, `senyores’ o reines, i el col·lectiu de serventes o esclaves

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44

Mota, Henrique de Senna. "Análise técnico econômica de unidades geradoras de energia distribuída." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/85/85134/tde-26012012-150252/.

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Neste trabalho analisou-se de forma técnica e econômica, diferentes unidades de geração elétrica. São elas: célula a combustível movida a hidrogênio, geração eólica, geração solar, geração hídrica, grupo moto gerador à diesel. Utiliza-se do software HOMER para simular o funcionamento das unidades geradoras. Ainda discute-se o tema energético, levanta-se os parâmetros de entrada, analisa-se as variáveis de sensibilidade e discute-se os resultados obtidos.<br>In this study was analyzed technically and economically, different units of electrical generation. There are: fuel cell powered by hydroge

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45

Currie, Bruno. "Hero cult and Pindar." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340126.

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46

Colomo, D. "Select literary papyri from Oxyrhynchus." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270888.

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47

Baldwin, Brian R. "Homer goes to Hollywood subverting popular media as a discipleship paradigm /." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p062-0297.

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48

Parker, Janet Elaine. "Approaching Homer and Greek tragedy through translation : key words, elusive utterance." Thesis, Open University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361380.

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49

Platt, Mary Hartley. "Epic reduction : receptions of Homer and Virgil in modern American poetry." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9d1045f5-3134-432b-8654-868c3ef9b7de.

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The aim of this project is to account for the widespread reception of the epics of Homer and Virgil by American poets of the twentieth century. Since 1914, an unprecedented number of new poems interpreting the Iliad, Odyssey and Aeneid have appeared in the United States. The vast majority of these modern versions are short, combining epic and lyric impulses in a dialectical form of genre that is shaped, I propose, by two cultural movements of the twentieth century: Modernism, and American humanism. Modernist poetics created a focus on the fragmentary and imagistic aspects of Homer and Virgil;

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50

Pournara-Karydas, Helen. "The Trophos from Homer to Euripides as a figure of authority /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/11455.

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