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1

Homers. London: Nick Hern, 2002.

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2

ill, Hatala Dan, ed. Sosa's homers. Logan, Iowa: Perfection Learning, 2001.

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3

Latacz, Joachim, and Anton Bierl, eds. Homers Ilias. Berlin, New York: DE GRUYTER, 2003. http://dx.doi.org/10.1515/9783110963724.

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4

Die Welt Homers. Darmstadt: Primus, 2006.

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5

Brügger, Claude, Magdalene Stoevesandt, and Edzard Visser. Homers Ilias. Gesamtkommentar. Edited by Joachim Latacz. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110224962.

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6

Sakai, Junko. Homeru ga kachi. Tōkyō: Kōdansha, 2001.

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7

Singh, Simon. Homers letzter Satz. München: Carl Hanser Verlag GmbH & Co. KG, 2013. http://dx.doi.org/10.3139/9783446437739.

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8

Visser, Edzard. Homers Katalog der Schiffe. Stuttgart: Teubner, 1997.

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9

Heinrich, Schliemann. Auf den Spuren Homers. Stuttgart: Heinrich Albert Verlag in der Edition Erdmann, 2000.

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10

Marneros, Andreas. Homers Odyssee psychologisch erzählt. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-13848-6.

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11

Marneros, Andreas. Homers Ilias psychologisch erzählt. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-11202-8.

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12

Rahman, Shamsur. Homerer swapnamay hat. Dhaka: Boighar, 1985.

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13

Landmann, Georg Peter. Das Gedicht vom Kriegs Homers Ilias. Heidelberg: C. Winter, 1992.

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14

The kid who only hit homers. New York: Little, Brown, 2003.

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15

1927-, Ōkubo Teruo, ed. Tanin o homeru hito, kenasu hito. Tōkyō: Sōshisha, 1997.

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16

1867-1895, Züricher Alfred, Dräger Paul, and Burkert Walter 1931-, eds. Homers Ilias: Vorlesung WS 1887/1888 Göttingen. Hildesheim: G. Olms, 2006.

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17

Wilamowitz-Moellendorff, Ulrich von. Homers Ilias: Vorlesung WS 1887/1888 Gottingen. Hildesheim: G. Olms, 2006.

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18

Schicksal, Götter und Handlungsfreiheit in den Epen Homers. Stuttgart: Steiner, 2008.

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19

Fujiwara, Yoshiko. Kazoku no ryūgi: Fujiwara-ke no homeru kosodate. Tōkyō: Shūeisha, 2008.

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20

Jahn, Thomas. Zum Wortfeld "Seele-Geist" in der Sprache Homers. München: Beck, 1987.

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21

Homers Medien: Techne und Poiesis in der Odyssee. München: Kopaed, 2007.

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22

Homers wilder Westen: Die historisch-geographische Wiedergeburt der Odyssee. Stuttgart: F. Steiner, 2008.

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23

CliffNotes on Homer's Iliad. Foster City, CA: IDG Books Worldwide, 2000.

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24

Siefert, Helge. Themen aus Homers Ilias in der französischen Kunst (1750-1831). München: Scaneg, 1988.

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25

1953-, Shunpūtei Shōchō, ed. Rakugo ni manabu hanashikata to meimonku: Homeru kudoku damasu nigeru. Tōkyō: Nihon Jitsugyō Shuppansha, 2005.

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26

A, Kick Hermes, ed. Grenzsituationen und neues Ethos: Von Homers Weltsicht zum modernen Menschenbild. Heidelberg: Universitätsverlag Winter, 2005.

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27

Die späte Heimkehr des Odysseus: Homers Odyssee : Texte und Deutungen. Würzburg: Königshausen & Neumann, 2005.

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28

Homeru toki shikaru toki satosu toki saikyō no kosodate shikōhō. Tōkyō: Sōeisha, 2011.

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29

Dietz, Günter. Grenzsituationen und neues Ethos: Von Homers Weltsicht zum modernen Menschenbild. Heidelberg: Winter, 2005.

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30

Homers Heimat: Der Kampf um Troia und seine realen Hintergründe. München: Hanser, 2008.

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31

Pitching, defense, and three-run homers: The 1970 Baltimore Orioles. Lincoln: University of Nebraska Press, 2012.

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32

Lag Troia in Kilikien?: Der aktuelle Streit um Homers Ilias. Darmstadt: WBG (Wissenschaftliche Buchgesellschaft), 2011.

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33

Thornley, Stew. Hits, hankies, and homers: The story of the Minnesota Twins. Minneapolis: Lerner Publications, 2001.

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34

Homer. Homer's Odyssey. New York: Garland, 1987.

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35

Homer. Selections from Homer's Iliad: With an introduction, notes, a short Homeric grammar, and a vocabulary. Norman: University of Oklahoma Press, 2001.

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36

Joho, Tobias. Thucydides, Epic, and Tragedy. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.40.

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Despite initially acknowledging the deep gulf between his concern with the truth and the fanciful compositions of the poets, Thucydides is strongly influenced by the examples of Homer and Attic tragedy. Three areas of influence can be distinguished. First, Homer and the tragedians provide fundamental structural principles: Thucydides adopts Homer’s solution to narrating simultaneous strands of events, follows Homer’s example in heightening suspense, and learns from both Homer and tragedy to generate unity through narrative patterning. By adopting Homeric and tragic features, Thucydides infuses his narrative with a specific tone: tragic irony and reversals create an atmosphere of eerie inevitability, Homeric “Almost episodes” underscore the fragility of human endeavors, the Homeric emphasis on factual precision heightens Thucydides’ tone of objective pathos. Third, Thucydides’ allusions to specific Homeric and tragic episodes, besides demonstrating Thucydides’ engagement with Homer and tragedy, reveal his persisting distance from his poetic models.
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37

Homers Ilias. Walter de Gruyter, 2009.

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38

Homers Mediterranean. Haus Pub., 2010.

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39

Homers Illiad. Book Sales, 1994.

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40

Homers Odyssey. Cambridge University Press, 2012.

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41

Homers Ilias. Walter de Gruyter, 2010.

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42

Latacz, Joachim. Homers Ilias. Edited by Thierry Greub, Krystyna Greub-Fracz, and Arbogast Schmitt. De Gruyter, 2014. http://dx.doi.org/10.1515/9783110306361.

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43

Racing Homers. Paul & Co Pub Consortium, 1989.

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44

Homer and Latacz Joachim, eds. Homers Ilias: Gesamtkommentar. München: Saur, 2000.

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45

Luce, John V. Die Landschaften Homers. Klett-Cotta, 2000.

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46

Schliemann, Heinrich. Auf den Spuren Homers. Erdmann, Stuttgart, 2003.

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47

Homers Ilias. Gesamkommentar: Prolegomena. K.G. SAUR VERLAG, 2004.

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48

Bierl, Anton, Joachim Latacz, and Homerus. Homers Ilias. Sechzehnter Gesang. De Gruyter, Inc., 2016.

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49

Macleod, Iain F. Homers (Nick Hern Book). Nick Hern Books, 2004.

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50

Luce, John V. Archäologie auf den Spuren Homers. Lübbe, 1995.

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