Relevant bibliographies by topics / Homère. Ilias

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Homère. Ilias'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Homère. Ilias"

1

West, M. "Homeri Ilias. H Van Thiel." Classical Review 48, no. 1 (1998): 1–2. http://dx.doi.org/10.1093/cr/48.1.1.

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Erbse, Hartmut. "Diomedes und Odysseus in Homers Ilias." Hermes 133, no. 1 (2005): 3–8. http://dx.doi.org/10.25162/hermes-2005-0001.

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Foulon, Eric. "Ulrich von Wilamowitz-Moellendorf, Homers Ilias." Anabases, no. 8 (October 1, 2008): 312–15. http://dx.doi.org/10.4000/anabases.276.

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María Sanz Julián, María, and Grupo Grupo Clarisel. "Omero romançado o Ilias latina / Homero, pseudo." Catálogo de obras medievales impresas en castellano 2020, no. 2020 (2020): 1———. http://dx.doi.org/10.26754/uz_comedic/comedic_240.

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Willing, Antje. "Die ‘Ilias Homeri’ des Johannes Baptista Rexius." Zeitschrift für Deutsches Altertum und Deutsche Literatur 136, no. 4 (2007): 480–99. http://dx.doi.org/10.3813/zfda-2007-0025.

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KOLOVOU, Georgia E. "Homère chez Eustathe de Thessalonique : la traduction des Proèmes sur l’Iliade et l’Odyssée." Collectanea Christiana Orientalia 15 (July 20, 2018): 71–118. http://dx.doi.org/10.21071/cco.v15i.1072.

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In the present contribution, we present the translation of the Proems on Odyssey and Iliad of the Byzantize scholar of the 12th century Eustathius of Thessalonica. Firstly, we integrate these texts into the ensemble of the philological works of the erudite Byzantine and we show how the commentary on the Odyssey can be read in relation to the commentary on the Iliad. In the second part, we translate in French his Proems where Eusthathius explains himself the particular method of his compilative, autonomous and highly personal commentary on Homer.
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Russo, Joseph, and Martin L. West. "Homeri Ilias, Volumen Prius, Rhapsodias I-XII Continens." Classical World 94, no. 1 (2000): 103. http://dx.doi.org/10.2307/4352523.

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Russo, Joseph, and Martin L. West. "Homeri "Ilias", Volumen Alterum, Rhapsodias XIII-XXIV Continens." Classical World 97, no. 2 (2004): 212. http://dx.doi.org/10.2307/4352856.

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Clay, Jenny Strauss, Joachim Latacz, and Simon Pulleyn. "Homers "Ilias" Gesamtkommentar. Prolegomena. Band 1: Erster Gesang (A)." Classical World 96, no. 3 (2003): 336. http://dx.doi.org/10.2307/4352774.

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Piasecki, Dariusz. "Eucharystia u Homera?" Vox Patrum 69 (December 16, 2018): 561–72. http://dx.doi.org/10.31743/vp.3275.

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The article attempts to answer the question: is it possible to represent the Last Supper of Jesus and His Apostles by means of verses selected from Homer’s Iliad and the Odyssey. The Homeric Cento no. 40, which emphasizes the community of Christ’s table with His disciples, has been a subject of my analysis. The specific selection of Homeric verses, with some minor modifications, allowed the centonist to construct a new text with a completely different context and content, reflecting both the reality of the Upper Room and the establishment of the Eucharist by Jesus.
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Dissertations / Theses on the topic "Homère. Ilias"

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Pillot, William. "Ilion en Troade, de la colonisation éolienne au Haut Empire romain." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040146.

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La petite cité grecque d’Ilion offre un exemple original d’identité civique complexe mêlant éléments grecs et « barbares » (i. e. non grecs) grâce à l’utilisation des différents mythes liés à la guerre de Troie. Cette construction identitaire mythique s’enracine dans un site particulièrement riche où les différents niveaux archéologiques se superposent et s’enchevêtrent de l’âge du Bronze à l’époque romaine (Troie I à IX). Elle est aussi nourrie de diverses influences, anatoliennes et égéennes, particulièrement sensibles dans le cas d’Ilion car cette cité, située au bord de l’Hellespont, se trouve en situation de carrefour géopolitique et culturel entre Europe et Asie. Le sanctuaire d’Athéna Ilias joue un rôle central dans l’identité, les mythes et l’histoire de la cité. Mais ce sanctuaire est aussi le centre d’une association religieuse regroupant plusieurs autres cités, principalement de Troade mais aussi d’au-delà, comme Myrléa en Propontide et même Chalcédoine sur le Bosphore, qui administrent en commun le sanctuaire et participent à des panégyries et des concours sacrés en l’honneur de cette divinité à la fois civique et fédérale. L’autre principal lieu de culte d’Ilion, le « Sanctuaire Ouest », témoigne lui aussi d’influences à la fois européennes et asiatiques<br>This PhD thesis intends to offer a synthesis concerning the Greek city-State of Ilion. This city-State offers an original example of a complex civic identity which mixes Greek and “barbaric” (i.e. non-Greek) elements through the use of different myths relating to the Trojan war. This mythical construction of identity is rooted in a particularly rich site where the various archaeological levels are superimposed and tangled together, from the Bronze age to the Roman period (Troy I to IX), as evidenced by H. Schliemann, the inventor of the site, which is still nowadays being excavated by German and American teams. Ilion’s identity is also fueled by various influences, Anatolian and Aegean, that are particularly sensitive because of the fact that the city is located at a geopolitical and cultural crossroad between Europe and Asia. The sanctuaries of Ilion play a central role in the identity, the myths and the history of the city, especially the sanctuary of Athena Ilias. It is the centre of a religious association (koinon) which regroups several other cities, from Troad and even beyond, who administer the sanctuary together and participate in festivals and sacred games in honor of this divinity that is both civic and federal. The second main cult site of Ilion, called “West Sanctuary”, is also a testimony of European and Asian influences
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Schäfer, Melsene. "Der Götterstreit in der Ilias /." Stuttgart : B. G. Teubner, 1990. http://catalogue.bnf.fr/ark:/12148/cb354883187.

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Usener, Knut. "Beobachtungen zum Verhältnis der Odyssee zur Ilias /." Tübingen : G. Narr, 1990. http://catalogue.bnf.fr/ark:/12148/cb35516371x.

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Csajkas, Peter. "Die singulären Iterata der Ilias : Bücher 11-15 /." München : K.G. Saur, 2002. http://catalogue.bnf.fr/ark:/12148/cb392342661.

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Blössner, Norbert. "Die singulären Iterata der "Ilias" : Bücher 16-20 /." Stuttgart : B. G. Teubner, 1991. http://catalogue.bnf.fr/ark:/12148/cb357412973.

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Papadakis, Manuela. "Ilias- und Iliupersisdarstellungen auf frühen rotfiguren Vasen /." Frankfurt am Main : P. Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb39150502w.

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Hellmann, Oliver. "Die Schlachtszenen der Ilias : das Bild des Dichters vom Kampf in der Heroenzeit /." Stuttgart : F. Steiner, 2000. http://catalogue.bnf.fr/ark:/12148/cb37627908q.

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Csajkas, Peter Homer. "Die singulären Iterata der Ilias Bücher 11-15 /." München : Saur, 2002. http://catalog.hathitrust.org/api/volumes/oclc/49730920.html.

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Wissmann, Jessica. "Motivation und Schmähung : Feigheit in der "Ilias" und in der griechischen Tragödie /." Stuttgart : M. & P. Verlag für Wissenschaft und Forschung, 1997. http://catalogue.bnf.fr/ark:/12148/cb390793362.

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Stickley, Patrick R. "Grief in the Iliad." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/205.

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This paper addresses the causes and effects of grief within Homer's Iliad. In addition, this paper argues that error, both committed and suffered, is the primary cause of grief, and that grief is particularly transformative in regard to Achilles, both in his motivations and his physicality.
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Books on the topic "Homère. Ilias"

1

Bespaloff, Rachel. De l'Iliade. Allia, 2004.

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2

Homer. Homeri Ilias. B.G. Teubner, 1998.

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Latacz, Joachim, and Anton Bierl, eds. Homers Ilias. DE GRUYTER, 2003. http://dx.doi.org/10.1515/9783110963724.

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Homer. Homeri Ilias. G. Olms, 1996.

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Homer and Latacz Joachim, eds. Homers Ilias: Gesamtkommentar. Saur, 2000.

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Brügger, Claude, Magdalene Stoevesandt, and Edzard Visser. Homers Ilias. Gesamtkommentar. Edited by Joachim Latacz. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110224962.

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Marneros, Andreas. Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-11202-8.

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Wilamowitz-Moellendorff, Ulrich von. Homers Ilias: Vorlesung WS 1887/1888 Gottingen. G. Olms, 2006.

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1867-1895, Züricher Alfred, Dräger Paul, and Burkert Walter 1931-, eds. Homers Ilias: Vorlesung WS 1887/1888 Göttingen. G. Olms, 2006.

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Landmann, Georg Peter. Das Gedicht vom Kriegs Homers Ilias. C. Winter, 1992.

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Book chapters on the topic "Homère. Ilias"

1

Joerden, Klaus. "Homer: Ilias." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7752-1.

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Wißmann, Jessica. "Homer, Ilias." In Motivation und Schmähung. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-04284-2_2.

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Marneros, Andreas. "Geflügelte Vorworte." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_1.

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Marneros, Andreas. "Die Macht der Macht." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_10.

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Marneros, Andreas. "Dem Zwang beugen sich auch die Götter." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_11.

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Marneros, Andreas. "Der Verantwortung Last." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_12.

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Marneros, Andreas. "Der Anti-Narzisst." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_13.

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Marneros, Andreas. "Die Geburt der Rationalität." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_14.

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Marneros, Andreas. "Geschwisterrivalität." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_15.

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Marneros, Andreas. "Des Eros Machenschaften." In Homers Ilias psychologisch erzählt. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11202-8_16.

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Conference papers on the topic "Homère. Ilias"

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Casal Ribeiro, Helder. "Le Corbusier’s Legacy: Modern experimentation in Mario Bonito´s work." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1004.

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Abstract: This paper investigates the path of third generation Portuguese modern architect, Mário Bonito (1921/1976), in order to understand and clarify his contribution to the maturity process of portuguese modern architecture, that began at the end of the 1940s, strongly influenced by Le Corbusier. Through the understanding of his final academic work, CODA (Competition to Obtain the Architects Diploma), designated Pavilhão das Ilhas Adjacentes, located in Jardim do Palacio Cristal (Crystal Palace Gardens) in Porto, dated 1947/48, we intend to deepen his relationship with the modern premises of corbusier´s architecture, framed by portuguese reality. However Le Corbusier´s legacy in Mario Bonito´s work is not formal but thematic, in understanding the main issues that guide the intent of progressive man in molding a modern and just society. The paper covers themes characteristic to Portuguese modernist architecture such as the dialogue between craftsmanship and technique, compositional rigor and rational design issues resulting from the systematization of the construction processes, with the search for standardization of architectural and constructional elements. This dialogue emphasizes the compromise between tradition and modernity that will be present in all of Mário Bonito´s designed and written work, announcing the experimental temperament and formal coherence of his subsequent works. Resumen: Este artículo investiga el camino de la tercera generación de arquitecto moderno portugués, Mário Bonito (1921/1976), a fin de comprender y aclarar su contribución al proceso de la madurez de la arquitectura moderna portuguesa, que se inició a finales de la década de 1940, fuertemente influenciado por Le Corbusier. A través de la comprensión de su obra académica final, CODA (Concurso para Obtenção do Diploma de Arquitecto), designado Pavilhão das Ilhas Adjacentes, ubicado en Jardim do Palacio de Cristal en Porto, con fecha de 1947 / 48, tenemos la intención de profundizar su relación con las premisas modernas de la arquitectura Corbusiana, encuadradas por la realidad portuguesa. Sin embargo el legado de Le Corbusier en el trabajo de Mario Bonito no es formal, sino temático, en la comprensión de los temas principales que guían la intención del hombre progresista en el moldeo de una sociedad moderna y justa. El artículo abarca temas como el diálogo entre la artesanía y la técnica, el rigor compositivo y problemas de diseño que resulten de la sistematización de los procesos de construcción, con la búsqueda de la normalización de los elementos arquitectónicos y constructivos. Este diálogo enfatiza el compromiso entre la tradición y la modernidad que estará presente en todo trabajo diseñado y escrito de Mario Bonito, anunciando el temperamento experimental y coherencia formal de sus obras posteriores. Keywords: legacy; Mário Bonito; portuguese architecture; Porto; universality. Palabras clave: legado; Mário Bonito; arquitectura portuguesa; Porto; universalidad. DOI: http://dx.doi.org/10.4995/LC2015.2015.1004
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Dimarogonas, Andrew D. "Mechanisms of the Ancient Greek Theater." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0301.

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Abstract The word Mechanism is a derivative of the Greek word mechane (which meant machine, more precisely, machine element) meaning an assemblage of machines. While it was used for the first time by Homer in the Iliad to describe the political manipulation, it was used with its modern meaning first in Aeschylos times to describe the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term Deus ex machina. At the same time, the word mechanopoios, meaning the machine maker or engineer, was introduced for the man who designed, built and operated the mechane. None of these machines, made of perishable materials, is extant. However, there are numerous references to such machines in extant tragedies or comedies and vase paintings from which they can be reconstructed: They were large mechanisms consisting of beams, wheels and ropes which could raise weights up-to one ton and, in some cases, move them back-and-forth violently to depict space travel, when the play demanded it. The vertical dimensions were over 4 m while the horizontal travel could be more than 8 m. They were well-balanced and they could be operated, with some exaggeration perhaps, by the finger of the engineer. There is indirect information about the timing of these mechanisms. During the loading and the motion there were specific lines of the chorus, from which we can infer the duration of the respective operation. The reconstructed mechane is a spatial three- or four-bar linkage designed for path generation.
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