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Relevant bibliographies by topics / Homi Bhabha’s, The Location of Culture

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Academic literature on the topic 'Homi Bhabha’s, The Location of Culture'

Author: Grafiati

Published: 19 February 2023

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Journal articles on the topic "Homi Bhabha’s, The Location of Culture"

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Rose, Gillian. "The Interstitial Perspective: A Review Essay on Homi Bhabha's The Location of Culture." Environment and Planning D: Society and Space 13, no. 3 (1995): 365–73. http://dx.doi.org/10.1068/d130365.

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In this essay the work of Homi Bhabha is discussed. The complexity of Bhabha's writing might be seen as symptomatic of the critically ineffectual obsession with textuality that many geographers have recently criticised. However, I argue that there are a number of reasons for Bhabha's convoluted textual style. I suggest that he is performing a subject position symptomatic of the contradictions of post/colonial discourse, contradictions he is also at the same time analysing. This performance has implications for geographers' current discussions of situated knowledge and self-reflection. It also

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Tion, Lucian. "The Postcolonial Self and the Other in Béla Tarr’s Werckmeister Harmonies." Acta Universitatis Sapientiae, Film and Media Studies 14, no. 1 (2017): 31–49. http://dx.doi.org/10.1515/ausfm-2017-0002.

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Abstract This work sets off to offer a polemical response to postcolonialist theories advanced by Homi Bhabha in his seminal work The Location of Culture, particularly to Bhabha’s famous notions of ambivalence and mimicry purportedly used as methods of struggle against colonialism. Reading Béla Tarr’s film Werckmeister Harmonies (Werckmeister harmóniák, 2000) as an allegory for the colonization of a former colonial agent in the guise of an ambiguously framed post-imperial Hungary now on the eve of Soviet invasion, I turn Bhabha’s notions on their heads, and thus de-stereotype the simplistic hi

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Montes Garcés, Elizabeth. "Los olvidados en Cien años de soledad." Estudios de Literatura Colombiana, no. 10 (November 2, 2011): 59–68. http://dx.doi.org/10.17533/udea.elc.10495.

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Resumen: Este ensayo demuestra que en Cien años de soledad la caracterización de personajes marginales como los indígenas guajiros y Rebeca Buendía subvierte las premisas bajo las cuales se construye la nación según los conceptos de Homi Bhabha en The Location of Culture.Descriptores: García Márquez, Gabriel; Cien años de soledad; Cultura Wayúu; Guajira. Abstract: This essay demonstrates that in One Hundred Years of Solitude characterization of marginalized figures such as Rebeca Buendía and the Guajiro Indians undermines the rules under which the nation is constructed according to the theoret

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Young, Robert J. C. "The Dislocations of Cultural Translation." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 186–97. http://dx.doi.org/10.1632/pmla.2017.132.1.186.

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The title The Location of Culture suggests that the book's author, Homi K. Bhabha, places an overriding importance on a culture's spatial and geographic situation. Lest Bhabha's readers get too fixated on culture's site and locality, however, the title's emphasis on place is soon qualified by an epigraph from the book's most-cited author, Frantz Fanon, that emphasizes temporality: “The architecture of this work is rooted in the temporal. Every human problem must be considered from the standpoint of time” (qtd. in Bhabha xiv). So, while culture must be located, the architecture of The Location

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Adejunmobi, Moradewun. "Native Books and the “English Book”." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 135–41. http://dx.doi.org/10.1632/pmla.2017.132.1.135.

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Those of us working in the american academy have so internalized the grammar of postcolonial theory that we now take for granted interstices, hybridity, slippage, and liminality, among other terms commonplace in the discourse of postcolonialism. Beyond the terms themselves, we have taken to heart, absorbed, and extended the lessons from Homi K. Bhabha's The Location of Culture. Those lessons furnished a stimulative template for analyzing particular power asymmetries. Nevertheless, scholars have not referred as widely as we might expect to Bhabha's work in general and The Location of Culture in

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Daiya, Kavita. "The World after Empire; or, Whither Postcoloniality?" PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 149–55. http://dx.doi.org/10.1632/pmla.2017.132.1.149.

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At the MLA'S annual convention in 2015, a roundtable i had organized, remembering The Location of Culture: circulations, Interventions, and Futurity, gathered scholars from across literary periods and fields to reflect on the legacies of Homi Bhabha's seminal work. As new disciplinary shifts in literary studies witness the reinvention of postcolonial literatures as global anglophone literatures, one of the questions that roundtable asked was, Whither postcoloniality? Returning to The Location of Culture—one of the most influential texts in the fields of postcolonial studies and critical theory

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Bahri, Deepika. "Hybridity, Redux." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 142–48. http://dx.doi.org/10.1632/pmla.2017.132.1.142.

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The ensuing remarks on Homi Bhabha's collection of essays The Location of Culture are framed by the following questions: Under what discursive conditions does a text arrive? How do conditions beyond the text determine its reception and circulation? And why is Bhabha routinely associated more with ambivalence, interstice, and liminality than with the ways in which they illuminate problems of race, the archive, history, or the affective bodily subject of history? To focus these ruminations, I will discuss the intervention, impact, and afterlife of The Location of Culture through the concept of h

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Shai Ginsburg. "Signs and Wonders: Fetishism and Hybridity in Homi Bhabha's The Location of Culture." CR: The New Centennial Review 9, no. 3 (2009): 229–50. http://dx.doi.org/10.1353/ncr.0.0082.

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Clothier, Ian M. "Created Identities: Hybrid Cultures and the Internet." Convergence: The International Journal of Research into New Media Technologies 11, no. 4 (2005): 44–59. http://dx.doi.org/10.1177//1354856505061053.

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Homi K. Bhabha has written that authorised power in a hybrid culture ‘does not depend on the persistence of tradition; it is resourced by the power of tradition to be reinscribed through conditions of contingency and contradictoriness’ (Homi K. Bhabha, The Location of Culture, London: Routledge, 1994, p. 2). This view of culture is one aligned with concepts of flux and transition. Hybrid cultural identity is created as time progresses, in part based on contingency. The boundaries of hybrid cultures are negotiated and able to absorb diverse cultural influences: borders are active sites of inter

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Embabi, Doaa. "Translating the Self in Edward Said’s Out of Place: A Memoir." Anglica. An International Journal of English Studies, no. 26/1 (September 11, 2017): 149–64. http://dx.doi.org/10.7311/0860-5734.26.1.10.

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This paper examines the link between the notion of ‘cultural translation,’ initially introduced by Homi Bhabha in The Location of Culture (1994), and autobiographical writing by a translingual writer: Edward Said’s memoir, Out of Place (1999). As an ArabAmerican intellectual, Said culminates his writing career with a memoir, in which he represents the educational years of his life. Said shows through the narrative that the interplay between Arabic and English language and cultures strongly infl uenced the formation of his identity. Thus, this paper explores reading his memoir as an attempt at

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Dissertations / Theses on the topic "Homi Bhabha’s, The Location of Culture"

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Mohammad, Harunthmarin Nur Qistin. "Culture, Tradition and the Series of Bruneian Folklore." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/365267.

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This project is the first scholarly study on The Series of Bruneian Folklore and its significance as a legacy for the culture of Brunei. It is also the first English translation of selected tales in the Series. The broad trajectory of this thesis examines the survival of Brunei’s powerful oral narrative heritage which existed for 500 years as a vital part of traditional Bruneian society, and which still survives in the form of published children’s literature. Amidst modern culture, however, it is considered an outdated object of the past; this explains its deteriorating presence as a formative

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Books on the topic "Homi Bhabha’s, The Location of Culture"

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Marín-Aguilera, Beatriz, and Stefan Hanß. In-Between Textiles, 1400–1800. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729086.

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In-Between Textiles is a decentred study of how textiles shaped, disrupted, and transformed subjectivities in the age of the first globalisation. The volume presents a radically cross-disciplinary approach that brings together world-leading anthropologists, archaeologists, art historians, conservators, curators, historians, scientists, and weavers to reflect on the power of textiles to reshape increasingly contested identities on a global scale between 1400 and 1800. Contributors posit the concept of “in-between textiles,” building upon Homi Bhabha’s notion of in-betweenness as the actual mate

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Fay, Stephen, and Liam Haydon. Analysis of Homi K. Bhabha's the Location of Culture. Macat International Limited, 2017.

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Book chapters on the topic "Homi Bhabha’s, The Location of Culture"

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Langemeyer, Peter. "Bhabha, Homi K.: The Location of Culture." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1586-1.

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Schachtner, Christina. "Narrative Production of Culture." In The Narrative Subject. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51189-0_7.

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Abstract In the abstract to chapter 2, the reference was added for authors mentioned explicitly in the text. To round off the work, the network actors’ narratives are discussed against the background of an increase in cross-border encounters as expedited by transnational digital technologies, for example. The “translational turn” is taken as a starting point for inferring the future challenges to a form of narrative which should be in a position to create narrative spaces. Cultural theorist Homi K. Bhabha designates such narrative locations as the “Third Space” (The location of culture. London: Routledge (1994)).

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Sieber, Cornelia. "Der ›dritte Raum des Aussprechens‹ – Hybridität – Minderheitendifferenz Homi K. Bhabha: »The Location of Culture«." In Schlüsselwerke der Postcolonial Studies. VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93453-2_7.

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Kerner, Ina. "Homi K. Bhabha: The Location of Culture, Routledge: London/New York 1994, 285 S. (dt. Die Verortung der Kultur, Stauffenburg: Tübingen: 2000, 408 S.)." In Klassiker der Sozialwissenschaften. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-13213-2_91.

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Stępień, Mateusz. "Exploring New Avenues for Studying the Legal Culture: Drawing on Homi Bhabha’s Theorization of “Culture”." In Law and Culture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81193-8_2.

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"Signs of Our Times: A Discussion of Homi Bhabha’s The Location of Culture." In Learning Places. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822383598-007.

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"The Place of Metaphor in a Metonymic World: On Homi Bhabha’s “Democracy De-Realized”." In Art and Visibility in Migratory Culture. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789042032644_004.

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DuPlessis, Robert S. "“A Few Shreds of Rough Linen” and “a Certain Degree of Elegance”." In In-Between Textiles, 1400–1800. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729086_ch04.

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In Brazil and the Caribbean, this chapter demonstrates, the multiple material practices deployed in enslaved textile-making moulded identities of both free and captive colonists. The enslaved occupied a singular position in what Homi Bhabha has termed “in-between” space, the liminal location of diasporic cultural innovation and subjectivity formation. Theories of hybridisation, which foreground subaltern strategies in contexts of grossly disparate power and resources, decode how enslaved people exploited fissures, inconsistencies, and distractions in hegemonic policies and procedures to adapt, resist, mimic, and mock dominant groups’ sartorial authority while establishing their own.

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Conference papers on the topic "Homi Bhabha’s, The Location of Culture"

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Vainovski-Mihai, Irina. "GIVING PRECEDENCE TO COMMON POINTS: THE LIMITS OF THE OTHERNESS IN FETHULLAH GÜLEN’S DIALOGIC METHODOLOGY FOR INTERFAITH ENCOUNTERS." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/zvgs8407.

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This paper examines Fethullah Gülen’s teaching on interfaith encounters highlighting his dialogic methodology proposed for a globalised world in which Samuel Huntington’s idea of the ‘clash of civilisations’ (Clash of Civilizations and the Remaking of World Order, 1997) is still prominent. This idea, concludes Gülen, stems from the lack of trust in the religion of the “Other” and, rather often than not, from easily passing over the common points. According to Gülen, dialogue is not a superfluous endeavour, but an imperative (“Dialogue is a must”) and it should start by “Giving precedence to co

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