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Journal articles on the topic 'Homi K. Bhabha'

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Published: 4 June 2021
Last updated: 18 February 2022

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1

Angelovska, Despina, та Lindita Ahmeti. "Кон Homi K. Bhabha (Ed.), Nation and Narration". Identities: Journal for Politics, Gender and Culture 1, № 2 (2002): 175–76. http://dx.doi.org/10.51151/identities.v1i2.52.

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Author(s): Despina Angelovska | Деспина Ангеловска
 Title (Macedonian): Кон Homi K. Bhabha (Ed.), Nation and Narration
 Title (Albanian): Për Homi K. Bhabha (Ed.), Nation and Narration 
 Translated by (Macedonian to Albanian): Lindita Ahmeti
 Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002)
 Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute
 Page Range: 175-176
 Page Count: 2
 Citation (Macedonian): Деспина Ангеловска, „Кон Homi K. Bhabha (Ed.), Nation and Narration“, Идент
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2

Hall, Gary, and Simon Wortham. "Rethinking authority: Interview with Homi K. Bhabha." Angelaki 2, no. 2 (1997): 59–63. http://dx.doi.org/10.1080/09697259708571932.

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3

Schwarz, Henry. "Texture as Substance: Reading Homi K. Bhabha Re-membering Frantz Fanon." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 179–85. http://dx.doi.org/10.1632/pmla.2017.132.1.179.

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[T]he idea of Man as his alienated image, not Self and Other but the “Otherness” of the self inscribed in the perverse palimpsest of colonial identity. (116)According to Isaac Julien, the director of Black Skin, White Mask, a film imagining the life of Frantz Fanon, Homi Bhabha is presented in a nonspeaking role as a colored, racialized “colonial subject” to lend “texture” to the cinematography (Interview). Unlike the eloquent postcolonial critics Stuart Hall and Françoise Vergès, who are interviewed extensively in the ilm, the mute Bhabha is a cipher, a visual trace of diference in the philos
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4

McCarthy, R. "Miniaturizing Modernity: Shahzia Sikander in Conversation with Homi K. Bhabha." Public Culture 11, no. 1 (1999): 146–50. http://dx.doi.org/10.1215/08992363-11-1-146.

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5

Peimanfard, Shima, and Mohsen Hanif. "Antoinette the Outsider: The Representation of Hybridity and Mimicry in Jean Rhys’s Wide Sargasso Sea." International Letters of Social and Humanistic Sciences 72 (August 2016): 15–20. http://dx.doi.org/10.18052/www.scipress.com/ilshs.72.15.

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This essay sets out to study the function of hybridity and mimicry in Jean Rhy’s acclaimed novel Wide Sargasso Sea drawing on Homi K. Bhabha’s theoretical framework in this regard. In this novel, Antoinette emerges as the “Other” who aims to prove herself to the “Centre”. Undergoing extreme sufferings, the heroine wistfully ponders mimicry as an impulse to break out of her mare’s nest and to establish herself within one culture. Indeed, unlike what Bhabha believes mimicry cannot upset the total authority of the “Centre”. Meanwhile, Antoinette used it as a result of her longings for the positio
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Oliveira, Jonata, and Alcione Alves. "TESEU, O LABIRINTO E SEU NOME: COMO HOMI K. BHABHA PODERIA NOS AJUDAR A COMPREENDER UMA PASSAGEM DE MOI, TITUBA SORCIÈRE…, DE MARYSE CONDÉ?" Caderno de Letras, no. 27 (December 20, 2016): 91. http://dx.doi.org/10.15210/cdl.v0i27.8840.

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Propõe-se uma interpretação da obra de Maryse Condé, intitulada Eu, Tituba, feiticeira...negra de Salem (1997); o romance é inspirado na história de Tituba, sendo esta a única negra entre as mulheres condenadas no trágico incidente, ocorrido há três séculos, na cidade de Salem, promovido pela intolerância religiosa no interior de uma sociedade influenciada por normas puritanas. Busca-se compreender a ressignificação do termo feiticeira, por parte de Tituba, em um estudo fundamentado, sobretudo, nas noções de hibridismo e fronteira trazidas por Homi K. Bhabha em O local da cultura (2013). As di
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Bhandari, Nagendra Bahadur. "Cultural Identity of the First-Generation Immigrants in Tan’s The Bonesetter’s Daughter and Lahiri’s The Namesake." SCHOLARS: Journal of Arts & Humanities 2 (August 31, 2020): 55–64. http://dx.doi.org/10.3126/sjah.v2i0.35013.

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This article examines the problematic cultural identity of the first-generation immigrants in Amy Tan’s The Bonesetter’s Daughter (2001) and Jhumpa Lahiri’s The Namesake (2003). The immigrant characters problematize their cultural identity by oscillating in the cultural spaces of their home country and the host country. They tend to adopt new cultural identity of their host country while sustaining the old one of their home country. As a result, they negotiate their cultural identity in the shared cultural space which Homi K Bhabha terms as the third space. While analyzing the third space of c
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8

Monteiro, Rebecca. "DO CORPO E DA LITERATURA: UMA APROXIMAÇÃO À POÉTICA DA RESISTÊNCIA EM HOMI K. BHABHA." Em Tese 7 (December 31, 2003): 73. http://dx.doi.org/10.17851/1982-0739.7.0.73-82.

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Estudo sobre a estratégia de resistência que orienta a atividade crítica de Homi Bhabha. Entre as ferramentas conceituais que articulam essa resistência, destacaremos a questão da mímica. Para que melhor se demonstre seu funcionamento, será avaliada sua utilização por duas dimensões discursivas: o corpo e a literatura.
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9

Han, Jin Hee. "Homi K. Bhabha and the mixed blessing of hybridity in biblical hermeneutics." Bible and Critical Theory 1, no. 4 (2005): 37.1–37.12. http://dx.doi.org/10.2104/bc050037.

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10

Furqon, Syihabul, and NFN Busro. "HIBRIDITAS POSTKOLONIALISME HOMI K. BHABHA Dalam Novel Midnight’s And Children Salman Rushdie." JENTERA: Jurnal Kajian Sastra 9, no. 1 (2020): 73. http://dx.doi.org/10.26499/jentera.v9i1.494.

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Postcolonialism is a branch of the cultural studies that focuses on socio-cultural analysis, including signs and languages. Colonialism had clear implications in the actions of postcolonial society. Homi K. Bhabha found identification that in postcolonialism there emerged what he called as hybridity. Hybridity is a cross-culture (both intrinsic and extrinsic) that appears in society in many forms, one of which is language and attitude. This research will review Salman Rushdie's Midnight’s Children novel to reveal which aspects are hybridities. As a methodological tool, the authors use descript
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11

Schulze-Engler, Frank, Pavan Kumar Malreddy, and John Njenga Karugia. "“Even the dead have human rights”: A conversation with Homi K. Bhabha." Journal of Postcolonial Writing 54, no. 5 (2018): 702–16. http://dx.doi.org/10.1080/17449855.2018.1446682.

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Utomo, Gayuh Budi, Rully Damayanti, and Dyan Agustin. "KOMUNIKASI BARU BIRO ARSITEK DI MASA PANDEMI DALAM PANDANGAN POSTKOLONIALISME HOMI K BHABHA." ATRIUM: Jurnal Arsitektur 6, no. 2 (2020): 161–67. http://dx.doi.org/10.21460/atrium.v6i2.124.

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Title: New Communication of The Architecture Firms in Pandemic Era; Following the Homi K Bhabha Post Colonial View A new order called the new normal is a central issue at this time. The period before the pandemic which became a standard value and became a reference suddenly was not compatible with the arrival of the Covid-19 pandemic outbreak. This is happening in Indonesia and around the world. Everyone is in a pandemic situation for a certain period time and there is no certainty that it will end. This of course also affects how to communicate in all aspects including the architectural burea
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Clothier, Ian M. "Created Identities: Hybrid Cultures and the Internet." Convergence: The International Journal of Research into New Media Technologies 11, no. 4 (2005): 44–59. http://dx.doi.org/10.1177//1354856505061053.

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Homi K. Bhabha has written that authorised power in a hybrid culture ‘does not depend on the persistence of tradition; it is resourced by the power of tradition to be reinscribed through conditions of contingency and contradictoriness’ (Homi K. Bhabha, The Location of Culture, London: Routledge, 1994, p. 2). This view of culture is one aligned with concepts of flux and transition. Hybrid cultural identity is created as time progresses, in part based on contingency. The boundaries of hybrid cultures are negotiated and able to absorb diverse cultural influences: borders are active sites of inter
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14

Mariyam, Tahmina. "Forever Displaced?: Identity, Migration, and the Concept of Home in the Works of Manzu Islam, Neamat Imam, and Tahmima Anam." Anglica. An International Journal of English Studies, no. 28/1 (September 20, 2019): 77–88. http://dx.doi.org/10.7311/0860-5734.28.1.06.

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This paper explores the meaning of identity and nation, home and belonging, through the study of internal and international migration in three novels. In doing so it encoun- ters the construction of collective identity in Manzu Islam’s Song of our Swampland, the dystopian dislocation in Neamat Imam’s The Black Coat and the concept of meta-home in Tahmima Anam’s The Bones of Grace. The complex, unstable space of diaspora seems ever evolving and forever shifting. Here ‘home’ becomes what Homi K. Bhabha has ex- pounded as “a mythic place of desire.” In this fluid construction of diasporic existen
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15

Young, Robert J. C. "The Dislocations of Cultural Translation." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 186–97. http://dx.doi.org/10.1632/pmla.2017.132.1.186.

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The title The Location of Culture suggests that the book's author, Homi K. Bhabha, places an overriding importance on a culture's spatial and geographic situation. Lest Bhabha's readers get too fixated on culture's site and locality, however, the title's emphasis on place is soon qualified by an epigraph from the book's most-cited author, Frantz Fanon, that emphasizes temporality: “The architecture of this work is rooted in the temporal. Every human problem must be considered from the standpoint of time” (qtd. in Bhabha xiv). So, while culture must be located, the architecture of The Location
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Dr. Waheed Ahmad Khan, Salman Hamid Khan, and Dr. Shaukat Ali. "Cultural Hybridity as Perpetuation of Americanization: A Study of the Selected Novels of Mohsin Hamid and Kamila Shamsie." sjesr 3, no. 4 (2020): 35–42. http://dx.doi.org/10.36902/sjesr-vol3-iss4-2020(35-42).

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Cultural hybridity has prevailed by penetrating its roots in the globalized world. It has influenced the identity of people especially migrants of various countries. Identity in the case of cultural hybridity leads to conflict. Migrants wish to grow by absorbing influences from their own 'roots' but new 'routes' also inspire them. Homi K. Bhabha is of the view that migrants' cultural world changes after crossing the borders; they have an experience of living in an alien culture and thus learn new ideas. He criticizes the idea of a fixed identity which is developed by the migrants' native cultu
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17

Yogie Wijaya, Bangbang, and Diyanah Nisa Halimatussa’diah. "Bentuk-Bentuk Konstruksi Identitas Postkolonial dalam Novel Tenggelamnya Kapal Van der Wijck." Jurnal Genre (Bahasa, Sastra, dan Pembelajarannya) 2, no. 1 (2020): 42. http://dx.doi.org/10.26555/jg.v2i1.1410.

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Postcolonial becomes an interesting topic to be discussed when it has changed the custom and cultural order that had existed in the previous community. Postcolonialism received many pros and cons comments, one of which was delivered by HAMKA in its pro-work entitled The Sinking of the Van der Wijck Ship. Through the postcolonial study of Homi K. Bhabha, the author examines the forms of identity construction conveyed by HAMKA in his novel. This research uses descriptive qualitative method to look for characteristics, elements, traits or phenomena.
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18

Kulsum, Umme. "From Weft and Warp of Weaving to Churning of Grinder: A Diasporic Trajectory in Amitav Ghosh’s The Circle of Reason." Stamford Journal of English 6 (February 22, 2013): 186–202. http://dx.doi.org/10.3329/sje.v6i0.13913.

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Amitav Ghosh’s first novel The Circle of Reason (1986) demonstrates the relationship between different discourses of knowledge (Science, History, Anthropology) and its colonial application to specific localities that authenticates key strategic policy to determine world trade and economy. In particular, the novel reflects how the emergence of science and textile mills shifts the paradigm of ‘weaving world’ into the ‘rubric of construction’ business. This paper focuses on how this manipulative change in world trade and economy predetermines the influx of people from one area to another with the
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19

Ardiansyah, Mochammad Zaka. "Taktik Bertahan Pemuda Minoritas: Perlawanan Diam dan Mimikri Pemuda Aboge di Lembaga Pendidikan." Jurnal Pendidikan Agama Islam (Journal of Islamic Education Studies) 8, no. 2 (2020): 97–114. http://dx.doi.org/10.15642/jpai.2020.8.2.97-114.

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Artikel ini mengungkap bahwa dalam merespons diskriminasi beragama yang menimpanya selama belajar di lembaga pendidikan, pemuda Aboge tak menerimanya dengan pasrah. Alih-alih diam dan menerima menjadi sasaran labeling heresy di lembaga pendidikan, pemuda Aboge mengembangkan beragam survival tactics dan meresponsnya dengan melakukan mimikri dan perlawanan diam. Bentuknya, pertama, melakukan mimikri dalam multiple identity, antara NU dan Aboge. Kedua, berpura-pura sedang menstruasi sebagai bentuk kamuflase di pesantren namun diam-diam salat dan baru memulai puasa Ramadan ala Aboge keesokan harin
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Hoelz, Maurício, and Andre Bittencourt. "Repetição, diferença, reescritura: das vantagens do “entre”." Aletria: Revista de Estudos de Literatura 30, no. 1 (2020): 95–116. http://dx.doi.org/10.17851/2317-2096.30.1.95-116.

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O artigo pretende situar o conceito pioneiro e seminal de “entre-lugar” formulado por Silviano Santiago no início da década de 1970 dentro de um conjunto de discussões do que poderíamos chamar de um “primeiro momento” do debate acadêmico pós-colonial. Para isso, indicaremos aproximações com ideias contemporâneas de dois outros críticos culturais de origem colonial que se estabeleceram e se consagraram no circuito acadêmico hegemônico, Edward Said e Homi K. Bhabha. Santiago e Said participaram da recepção imediata das ideias estruturalistas e “pós-estruturalistas” nos Estados Unidos e, por cami
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Yates, Paul. "Reviews : Homi K. Bhabha (ed.), Nation and Narration, London: Routledge, 1990, paper £9.99, viii + 333 pp." History of the Human Sciences 4, no. 3 (1991): 438–41. http://dx.doi.org/10.1177/095269519100400309.

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22

Gairola, Rahul K., and Ashna Ali. "Ambivalence and Security in the Anglo-American Empire: A Critical Dialogue with Professor Homi K. Bhabha." Journal of Narrative Theory 47, no. 1 (2017): 143–62. http://dx.doi.org/10.1353/jnt.2017.0005.

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Viviani, Yolanda, and Robby Satria Mandala. "HYBRIDITY POTRAYED BY MAJOR CHARACTERS IN THE NOVEL “CRAZY RICH ASIAN” BY KEVIN KWAN." JURNAL BASIS 8, no. 1 (2021): 85. http://dx.doi.org/10.33884/basisupb.v8i1.2958.

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This research was conducted to figure out kinds of hybridity that major characters did in the novel “Crazy Rich Asian” by Kevin Kwan. This study was analyzed by using postcolonial approach with theory of hybridity by Homi K. Bhabha. According to Bhabha, hybridity is the mixing of two or more different culture and create a new culture that has both culture characteristic. It can be said that hybridity is the result of cross culture that appears in society due to cross cultural interaction that happened for a long time. Descriptive qualitative method was used in this research to analyse social p
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Hartigan, Emily Albrink. "Engaged Surrender in the Void: Post-Secularist “Human” Rights Discourse and Muslim Feminists [sic]." Journal of Law and Religion 22, no. 1 (2006): 131–51. http://dx.doi.org/10.1017/s0748081400003234.

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“Human” rights discourse is inherently multicultural, and multicultural discourse is messy. The academese for that goes something like this: I am an “agnostic and ambivalent subject of a double, decentered multicultural choice” (see the following quotations) and my text comes from a minority stance in a “different context.”“[A]ffirmative multi-culturalism” can bring no such closure and composure to the subject of cultural choice. Its subjectivity is performatively constituted in the very tension that makes knowledge of cultural difference dense, conglomerative, and nondeliberative. What emerge
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Bower, Richard. "Marginality and the Third Space of Unadopted Plotlander Roads." Space and Culture 20, no. 4 (2017): 485–99. http://dx.doi.org/10.1177/1206331217707474.

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This article explores the characteristics and relationships of marginality in informal space and plotlander housing in the context of Homi K. Bhabha’s cultural hybridity and Third Space. To illustrate and examine the processes of marginalization that defined informal space in the United Kingdom, this article will critically analyze the previously undocumented plotlander community at Studd Hill on the North Kent coastline.1 Examining key aspects of this sites social origins and its marginal spatial context reveals the positive implications and challenges of informal space and social hybridizati
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Vinzent, Jutta. "In Search of Hybridity: Inculturation, Interculturation and Transculturation in Contemporary Religious Art in Britain." Exchange 39, no. 1 (2010): 29–48. http://dx.doi.org/10.1163/016627410x12559405201117.

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AbstractThis essay explores contemporary religious art in Britain through the lens of Homi K. Bhabha’s concept of hybridity. While he leaves it rather ‘ambivalent’, this essay suggests that in visual representations, various forms of hybridity can be distinguished: inculturation, interculturation and transculturation. These three types, hijacked from religious dialogue discourses, show a variety of power relations in representation and context; while incultural elements are based on a dominant versus subordinate role, intercultural ones form a dialogue; both expand iconographic vocabularies. T
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Triasmoroadi, Hardiyan. "MELAMPAUI OPOSISI BINER: Studi Komparatif Tentang the Third Force, Metaxu, dan the Third Space." KENOSIS: Jurnal Kajian Teologi 5, no. 1 (2019): 1–12. http://dx.doi.org/10.37196/kenosis.v5i1.56.

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Oposisi biner merupakan keniscayaan di tengah konteks kontestasi identitas yang mengedepankan adu argumentasi dan kesalingan untuk menguji klaim kebenaran. Dalam rangka merespons oposisi biner, muncul elaborasi-elaborasi teoretis yang berpretensi melampaui oposisi biner, sebagaimana konsepsi Richard Kearney mengenai metaxu, konstruksi Homi K. Bhabha tentang the third space, dan proposal Cynthia Bourgeault perihal the third force. Saya berpendapat bahwa ketiga konstruksi teoretis tersebut mangkus dalam meretas kebuntuan. Dus, saya akan menguraikan dan mengkomparasi ide pokok serta konsepsi kunc
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Osthues, Julian. "Interkulturelle Metaphern Überlegungen zu ihrer Theoretisierung am Beispiel des Palimpsests." Zeitschrift für interkulturelle Germanistik 8, no. 2 (2017): 37–52. http://dx.doi.org/10.14361/zig-2017-0206.

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AbstractCultural theory is full of metaphors. In intercultural German studies (›interkulturelle Germanistik‹), metaphors play an equally significant role in the treatment of cultural concepts. It may seem surprising, though, that their use has not been analyzed from an intercultural perspective yet. This article discusses the potential of metaphors for intercultural thinking, and describes how different theories (Bernhard Waldenfels, Gayatri Chakravorty Spivak, Homi K. Bhabha, Anil Bhatti and others) make use of them in their treatment of culture and identity. In particular, focus is given on
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Adejunmobi, Moradewun. "Native Books and the “English Book”." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 135–41. http://dx.doi.org/10.1632/pmla.2017.132.1.135.

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Those of us working in the american academy have so internalized the grammar of postcolonial theory that we now take for granted interstices, hybridity, slippage, and liminality, among other terms commonplace in the discourse of postcolonialism. Beyond the terms themselves, we have taken to heart, absorbed, and extended the lessons from Homi K. Bhabha's The Location of Culture. Those lessons furnished a stimulative template for analyzing particular power asymmetries. Nevertheless, scholars have not referred as widely as we might expect to Bhabha's work in general and The Location of Culture in
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Charles, Ronald. "Hybridity and the Letter of Aristeas." Journal for the Study of Judaism 40, no. 2 (2009): 242–59. http://dx.doi.org/10.1163/157006309x410662.

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AbstractThis paper explores how the complex notion of hybridity, as developed by Homi K. Bhabha, can shed light on the Letter of Aristeas. Throughout the narrative of this ancient Jewish tale one finds a risky attempt on the part of the author to incorporate the best aspects of the two cultures and modes of thinking—Judaism and Hellenism—within which his community were living in Alexandria. In order to understand the dynamics of the hybrid condition of Aristeas in its ambivalence, this paper argues that the multiple agencies in place to foster a certain version of Jewish identity in this diasp
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Baral, Raj Kumar, and Swarnim Raj Lamsal. "Food Habits in the Indian Subcontinent: Making of Cultural Identities." SCHOLARS: Journal of Arts & Humanities 3, no. 2 (2021): 13–23. http://dx.doi.org/10.3126/sjah.v3i2.39416.

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This article analyses some popular eating habits in the Indian subcontinent, considering its diversity in its history, especially during the time of colonialism and its religion. Based upon the religious scriptures and postcolonial theorists like Shaobo Xie and Homi K. Bhabha, the article argues that food has its implications beyond the kitchen where it is cooked. Consciously or unconsciously, history and religion have dictated our food choices. Taken together, the references provide new insights into some of the common food items of the Indian subcontinent, showing them as distinct identity m
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Ganjtalab Shad, Parvaneh. "Indigenous Identity through Hybridity and Humor: A Postcolonial Reading of Robert Merritt’s The Cake Man." International Journal of Applied Linguistics and English Literature 7, no. 7 (2018): 9. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.7p.9.

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The major thrust in this research has been in the area of postcolonial studies. As one their primary missions, post-colonial works of art relate stories as seen by the oppressed and the colonized. Beginning with Edward Said’s Orientalism, postcolonial figures as diverse as Franz Fanon, Gayatri Spivak, and Homi Bhabha emerged and each targeted an aspect of postcolonial conditions. The present article was undertaken to trace postcolonial elements of “colonial negotiations,” and “hybridity” in an Aboriginal play by Robert Merritt entitled The Cake Man. The central argument of this article is that
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Shafiq, Qasim, Asim Aqeel, and Qamar Sumaira. "Postcolonial Merger/Dissolution of Identities in In-Between Spaces: A Diaspora Study of Ondaatje�s The English Patient." Global Social Sciences Review III, no. IV (2018): 647–61. http://dx.doi.org/10.31703/gssr.2018(iii-iv).44.

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The epistemological shift from colonialism to postcolonialism refashioned the colonial conceptualization of gender, race, geopolitical locale and sexual orientation to focus on those processes theorized by Homi K. Bhabha as 'in-between spaces'. With the delimitation of Michael Ondaatje's The English Patient (1992), this research explores how these 'in-between spaces' led colonialism and its subjects to the postcolonial / post-World War II milieu. The colonizers were not psychologically resilient enough to survive the hybrid 'in-between space' that dismantled the binary of the self and the othe
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Sousa Dias, Mariana. "“Pode o subalterno falar?”." Revista Odisseia 5, no. 1 (2020): 120–40. http://dx.doi.org/10.21680/1983-2435.2020v5n1id20573.

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O presente trabalho analisa a (re)criação de vozes silenciadas pelo colonizador em A gloriosa família, obra publicada pelo escritor angolano Pepetela em 1997. Se o romance tem Baltazar van Dum como protagonista, não é ele, entretanto, quem nos apresenta os fatos, mas sim seu inseparável escravo, um narrador analfabeto e mudo de nascença. Por meio de tal impossibilidade de base essencialmente metaficcional, Pepetela problematiza a marginalização operada pela destituição da palavra, reforçando-a como elemento crucial para a construção de subalternidades. Para tratarmos das estratégias utilizadas
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Cabral, Éderson, and Ernani Mügge. "Reconstruindo Matilde: desigualdade e discriminação em Leite derramado, de Chico Buarque." Revista Odisseia 5, no. 2 (2020): 123–41. http://dx.doi.org/10.21680/1983-2435.2020v5n2id22866.

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Este trabalho centra-se no romance Leite derramado, de Chico Buarque, lançado em 2009, e visa analisar o tratamento dispensado a Matilde, personagem da obra, pela sociedade na qual ela está inserida, mais precisamente pelo entorno social da família Assumpção, a qual integra, por longo período, a aristocracia carioca. A análise do texto é efetivada sob o prisma da identidade e da cultura e considera aspectos políticos e históricos ao lançar luz sobre determinados eventos ocorridos no Brasil e mencionados na obra. Para isso, usa-se como aporte teórico conceitos de Homi K. Bhabha (1998, 2011), de
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Lemann, Natalia. "„Linia królewska Odry” − literackie strategie „pisania narodu” na przykładzie sygnifikacji polskości Ziem Odzyskanych w powieści piastowskiej (od II wojny światowej do 1989 roku)." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 5 (December 30, 2016): 87–109. http://dx.doi.org/10.18778/2299-7458.05.07.

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Artykuł poświęcony jest procesowi sygnifikacji Ziem Odzyskanych na przykładzie tzw. powieści piastowskiej, która jest podtypem powieści historycznej. Proces literackiego i historiograficznego „pisania narodu” odbywa się w literaturze współczesnej zarówno za sprawą dyskursów historii, w tym tzw. polityki historycznej, wspieranej przez instytucje narodowe, promującej określoną, pożądaną przez rządzących wizję, jak i odmiennych wobec powyższych dyskursów pamięci, obejmujących mikrohistorię, autobiografizm, narracje lokalne itd. Wydaje się, że na przykładzie strategii sygnifikacji polskości Ziem O
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Kusumaningrum, Ayu Fitri. "KRISIS IDENTITAS DALAM CERPEN A PAIR OF JEANS KARYA QAISRA SHAHRAZ." Poetika 7, no. 1 (2019): 51. http://dx.doi.org/10.22146/poetika.v7i1.43500.

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Multikulturalisme menjadi wacana yang diagung-agungkan di abad 21 karena men-cerminkan kemodernan yang mana pertemuan dan percampuran dua atau lebih kebudayaan dianggap sebagai cerminan masyarakat modern yang terbuka dengan akulturasi. Dewasa ini, multikulturalisme menjadi fenomena yang biasa terjadi di berbagai belahan dunia karena proses migrasi yang terus berlangsung di berbagai negara, salah satunya Inggris (Britania Raya). Berdasarkan sensus pada tahun 2011, tercatat Inggris menjadi rumah bagi delapan belas kelompok etnis berbeda yang tersebar di seluruh penjuru Inggris dan Pakistan adala
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Tolotti, Lucas Procópio de Oliveira. "Alex Flemming: corpo, conflito e utopia em Bodybuilders." REVISTA POIÉSIS 21, no. 36 (2020): 285. http://dx.doi.org/10.22409/poiesis.v21i36.40408.

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Entre os temas mais presentes no repertório de Alex Flemming, surge o corpo e as questões que o envolvem. A série Bodybuilders, produzida a partir de 1997, situa a temática apresentada em um contexto muito próprio do final do século XX: globalização, novas tecnologias e pós-colonialismo. Como esses temas são articulados nesta série de obras? Qual o corpo que nela se apresenta e de que maneira a série se envolve na própria trajetória pessoal do artista? Por meio da análise de um determinado conjunto desses trabalhos, o artigo perquire os diversos corpos que se estendem plasticamente nas telas,
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Waworuntu, Michelle Intan Goh Rumengan, and Tomi Arianto. "HIBRIDITY OF THE CHACRACTERS IN MY SON THE FANATIC STORY BY HANIEF KURESHI." JURNAL BASIS 6, no. 2 (2019): 197. http://dx.doi.org/10.33884/basisupb.v6i2.1432.

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This study aimed to reveal the forms of hybridity as a result of the existence of postcolonial cultural contact with the construction of a colonial form. Researchers revealed the hybridity represented by the characters Parvez and Ali in My Son the Fanatic Short Story by Hanief Kureshi. This study used the Postcolonialism approach in the hybridity concept of Homi K Bhabha. According to. Bhabha (1994) Hybridity is a cross between two different cultures in a tangent interaction. In this case, hybridity is not only seen as a fusion of culture but also cultural products placed in social and histori
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Hassan Bin Zubair and Dr. Nighat Ahmed. "TRACING CULTURAL MORPHING AND DIASPORIC IDENTICAL APPREHENSIONS: POST-PARTITIONED (1947) CONTEXTUAL IDEOLOGIES IN LIQUID MODERN ERA." Journal of Arts & Social Sciences 7, no. 2 (2020): 150–61. http://dx.doi.org/10.46662/jass-vol7-iss2-2020(150-161).

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This research explores the diasporic experiences of South Asian immigrants and cultural ambivalence in Kiran Desai’s The Inheritance of Loss (2006). It highlights the conditions when East Pakistan had to adjust to an altogether new environment separated from their original culture after the Partition of this subcontinent in the year 1947. It reveals that the same historical, ideological, and thematic properties have been coming through generations and diasporic writers select these themes as their major subject of discussion. This research explores the varied nuances of family relationships in
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Morales, Renata Santos de, and Juliana Figueiró Ramiro. "Gênero, raça e outramento em A question of power." Magma, no. 14 (December 27, 2018): 127–40. http://dx.doi.org/10.11606/issn.2448-1769.mag.2018.154409.

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Este artigo parte do entendimento de que o pós-colonialismo se apresenta, na literatura, para que o povo colonizado possa resistir às identidades que lhes são impostas. A partir da escrita de resistência, o dominado responde aos discursos que perpetuam a sua condição de estar no mundo e as relações de poder e subordinação as quais são submetidos. O nosso objetivo é observar a obra A Question of Power, da escritora sul-africana Bessie Head, a partir de um recorte de gênero e raça, fundamentado nos estudos de Jacques Lacan sobre o Outro, nas propostas de Gayatri Spivak a respeito dos conceitos d
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Zhou, Lingmin. "Constructing “The Third Space” On Eat a Bowl of Tea." Asian Social Science 14, no. 12 (2018): 168. http://dx.doi.org/10.5539/ass.v14n12p168.

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Identity construction is always the motif of Chinese American literature. Many critical theories are adopted to analyze this issue. Homi K. Bhabha’s “the third space” is one of them. It refers to a place where it is not a combination of different positions, rather, it is “neither the One nor the Other but something else besides”. Eat a Bowl of Tea by Chinese American writer Louis Chu presents such Third Space. This paper first discusses the homogeneous old Chinatown culture which is patriarchal and impotent in Eat a Bowl of Tea and explains how
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Pereira, Walquíria Rodrigues, and Ximena Antonia Díaz Merino. "Historia y esclavitud en Cuba: la memoria de Perro viejo en la narrativa de Teresa Cárdenas." Raído 14, no. 35 (2020): 282–90. http://dx.doi.org/10.30612/raido.v14i35.12155.

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O objetivo deste estudo é identificar e analisar as estratégias discursivas pós-coloniais presentes no romance Perro Viejo (2005), de Teresa Cárdenas com o intuito de ressaltar estratégias de resistência contra o controle colonial e regime escravocrata em contraponto com os acontecimentos históricos que contribuíram para a desumanização do negro. Observaremos, mediante uma leitura reflexiva, a construção da imagem do negro escravizado em Cuba, mostrando como a história sofre influência quando é contada somente pelo lado hegemônico. A escritora reescreve os dramas da escravidão priorizando a na
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Kurz, Giovani T. "O TERRITÓRIO, A LITERATURA: EL ASCO E A FRONTEIRA." Caderno de Letras, no. 34 (October 24, 2019): 229. http://dx.doi.org/10.15210/cdl.v0i34.16815.

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Desenvolve-se, neste artigo, uma leitura do romance El asco: Thomas Bernhard en San Salvador, de Horacio Castellanos Moya, a partir das questões territoriais que ele toca e, por extensão, do problema da fronteira — seja no sentido político, seja no sentido estético. Para tanto, parte-se da filosofia de Leopoldo Zea, construída essencialmente em Discurso desde la marginación y la barbárie; do pensamento de Walter D. Mignolo, desenvolvido em Local Histories/Global Designs: coloniality, subaltern knowledges and border thinking; e das ideias sobre temporalidade e territorialidade apresentadas por
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Cahyono, Cahyono. "WARAK NGENDOG DALAM TRADISI DUGDERAN SEBAGAI REPRESENTASI IDENTITAS MUSLIM URBAN DI KOTA SEMARANG." Jurnal THEOLOGIA 29, no. 2 (2018): 339. http://dx.doi.org/10.21580/teo.2018.29.2.2937.

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This research aims to explore how Warak Ngendog in the Dugderan tradition represents the identity of urban Muslim communities in the city of Semarang. This research also aims to expose the strength of the city's Muslim culture that has been maintained to this day. This study uses an identity theory approach by Peter J. Burke and Homi K. Bhabha about Hybrid culture, and several other extraordinary theories as supporting theories. This research uses a qualitative descriptive approach with the support of substantive information from archives and interviews with related figures. The results of thi
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Nohe, Hanna. "Diventare estranea e marginale." apropos [Perspektiven auf die Romania], no. 5 (December 17, 2020): 88. http://dx.doi.org/10.15460/apropos.5.1598.

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In un momento in cui il discorso politico, sociale e mediatico rappresenta il tema della migrazione e della fuga come socialmente esplosivo, questo articolo analizza come nei racconti di Fra-intendimenti (2010) di Kaha Mohamed Aden la percezione di sé del soggetto migrante venga formata dagli stereotipi che la società di arrivo proietta su loro e come, allo stesso tempo, si rappresenti la vera complessità della realtà vissuta dal soggetto migrante attraverso una doppia referenzialità. Da una parte si ricorrerà alle riflessioni di Edward Said sulla costruzione europea ed egemonica dell’alterità
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Riaz, Wajid, Shaista Malik, and Bakht Rahman. "Quest for Identity in Bapsi Sidhwa’s An American Brat: A Postcolonial Perspective." Liberal Arts and Social Sciences International Journal (LASSIJ) 1, no. 1 (2017): 32–40. http://dx.doi.org/10.47264/idea.lassij/1.1.4.

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Diasporic dislocation due to transcending boundaries and its consequences is a much-focused issue in postcolonial literature. All those writers who are living in a foreign culture have faced this issue. Therefore, the clash between the indigenous and the foreign cultures splits their personalities and they search for their identity. The present research is intended to explore the implicit optimism in diasporic dislocation and its consequences in Bapsi Sidhwa’s An American Brat (2012). This is a qualitative research using an eclectic approach, which is the combination of Edward Sarian and Homi
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Chittiphalangsri, Phrae. "Trauma, Repressed Memory, and the Question of ‘Authenticity’: Reading see Under: Love and Beloved Through Bhabha." MANUSYA 8, no. 4 (2005): 43–56. http://dx.doi.org/10.1163/26659077-00804003.

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Trauma and the repressed memory of Jewish Holocaust survivors and African- American slaves are issues that require the notion of ‘authenticity’ in fictional representation. The Zionist discourse demands that Holocaust fictions be written by true witnesses of the genocide and with respectful seriousness, for the Holocaust is a sacred, incomparable phenomenon in Jewish history. In the same manner, the Black American narrative needs authenticity to articulate the Black’s own voice, which has been predominately constructed by White Americans since the early history of America. David Grossman’s See
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Arasteh, Parisa, and Hossein Pirnajmuddin. "The Mimic (Wo)man ‘Writes Back’: Anita Desai’s In Custody." International Letters of Social and Humanistic Sciences 27 (May 2014): 57–66. http://dx.doi.org/10.18052/www.scipress.com/ilshs.27.57.

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This article aims to trace the articulation of resistance in terms of gender and the postcolonial condition in Anita Desai’s In Custody (1984). As one of the most prominent post-Independence Indian writers of her time, Anita Desai has been a strong voice in portraying the Indian domestic sphere. Accordingly, one of the main concerns of Desai’s novels has been the representation of women and their struggles against patriarchal and colonial oppression. Though promising in many aspects, the political Independence of 1947 failed to unburden women from the ideal visions of womanhood promoted both b
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Faizah, Afifah. "Ambivalensi Identitas dalam Novel Black Bazar karya Alain Mabanckou." Jurnal Bahasa dan Sastra 9, no. 2 (2021): 79. http://dx.doi.org/10.24036/jbs.v9i2.112003.

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Black Bazar merupakan salah satu novel karya penulis frankofon yang berasal dari Republik Kongo, yaitu Alain Mabanckou. Novel ini bercerita tentang kehidupan tokoh Fessologue di Paris sebagai seorang pria imigran kulit hitam yang berasal dari Republik Kongo. Lingkungan sosial yang baru membuatnya harus meniru perilaku orang Prancis agar dapat berintegrasi di sana. Artikel ini membahas pencarian identitas Fessologue melalui peniruan yang menyebabkan keadaan ambivalen. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan kajian naratologi Gérard Genette dan analisis struktu
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