Journal articles on the topic 'Homonym production'

The article discusses questions regarding non-derivative and derivative homonyms by the example of verbs of the Russian and Uzbek languages. In sight are the problems of distinguishing polysemy and homonymy, the criteria for determining their boundaries. The basis of the study is the study of the internal structure of the word. The classification of non-derivative and derivative verbs-homonyms of the Russian and Uzbek languages is presented taking into account the ways of their formation, derivative and non-derivative lexemes depending on the place in the word-building nest. Examples of word-formation types, in particular, affix word-formation methods inherent in the formation of verbal homonyms in the comparable Russian and Uzbek languages are given. The article also deals with the features and distinctive properties of lexical, derivational homonyms, examples of reflected homonymy in the system of derivational nests are given. Word-building nests are considered as the main criterion for determining the production and non-production of verbal homonyms of the Russian and Uzbek languages. The classification of non-derivative and derivative homonyms of the Russian and Uzbek languages is developed. Examples of compiling word-formation nests of verbs in the Uzbek language are given, taking into account the possibility of the formation of the largest number of derivatives in the structure of nests. Consequently, fragments are shown regarding the organization of reflected homonymy in both Russian and Uzbek languages. The analysis results indicate that the phenomenon of homonymy in the Russian and Uzbek languages has regular and systemic character. The regularity of relationships and interactions of lexical paradigms of comparable languages in the formation of derivatives, in particular, reflected homonyms, is argued. An important place in this is given to homonymy, arising due to the homonymy of foundations and affixes.

Over the past 40 years, extensive research has examined the effectiveness of mnemonics for vocabulary learning. Much of this research has investigated the keyword method (Atkinson & Raugh, 1975), which involves linking an image related to a to-be-learned L2 word with an image related to a similar-sounding L1 word. Whereas most research has shown the keyword method to be effective (Webb & Nation, 2017) with impressive long-term retention rates (Beaton, Gruneberg, & Ellis, 1995), some have questioned its usefulness, particularly due to the quality of the resulting lexical representations and extended latencies associated with recall (Barcroft, Sommers, & Sunderman, 2011; Van Hell & Candia Mahn, 1997). Other drawbacks of the keyword technique are the equating of dissimilar L1 and L2 phonemes and the difficulty in creating associations for languages with markedly different phoneme inventories. The current study presents a novel approach called the Homonym/Homophone Association Method (HAM). It overcomes some of the drawbacks of the keyword method by associating meanings of L2 homonyms or homophones, one known by the learner and one unknown. Because the pronunciations of the L2 target words are identical (or nearly identical), learners only need to associate two distinct meanings. A quasi-experiment (N = 71) employing a within-subjects design compared the effectiveness of (1) HAM using researcher-generated associations and images, (2) HAM using self-generated associations, and (3) production practice that involved writing target words in sentences. Results on an unannounced posttest given 3 weeks after instruction suggest an advantage for HAM using researcher-generated associations.

The Qi-qi cotton textile machine of 1977 is a handmade textile machine which was vigorously promoted by the government in the 1930s in China. Its name comes from the Chinese homonym of the July 7th Incident. This paper discusses the reasons and process of popularization of the Qi-qi cotton textile machine by the Agricultural Production Committee under the special background of the Anti-Japanese War. Through the deep analysis of historical data, this paper summarizes the Popularization Background and reasons of the machine. It is believed that the Qi-qi cotton textile machine increased the domestic cotton yarn output, largely met the cotton yarn demand in the southwest and northwest of China at that time, increased the income of the residents in the popularization area, and filled the cotton textile demand in the period of the Anti-Japanese.

The purpose of the article is to analyse pragmatic variants of a dialogical text as a language unit. It is assumed that the pragmatic context of the dialogical text (dialogue) actualizing is associated with either informative or phatic intentions. Informative and phatic dialogues appear as pragmatic allotext of a dialogical text. The research methodology is based on the synthesis of derivational and anthropocentric language theories. The process of creating a dialogical text is considered, on the one hand, as a derivational process due to the suppositional relationship between the lexeme and the text, and on the other hand, as a process of interpreting the text in the pragmatic context of its actualization. The material for the study was the recording of oral and written speech of regular native speakers in an informal communication situation. The total number of analyzed speech patterns was 140 dialogic texts – 70 texts of each communication type. It is stated that the pragmatic actualization of the dialogical text is associated with the realization of paradigmatic and syntagmatic connections of lexemes. It is revealed that the syntagmatic model of a dialogical text genesis in informative communication is an adjoining model. A paradigmatic model of dialogic text genesis in informative communication is synonymy. In phatic communication, an attachment model was identified as a syntagmatic model of the genesis of a dialogical text. The paradigmatic model for the production of dialogic text in phatic communication is a homonym model.

The primary obscenity futuo (‘the male part in sexual intercourse with a woman’) is unsurprisingly rare in literary Latin. Apart from a single occurrence in Horace's Satires (1.2.127, in a passage evoking the adultery mime), its usage is limited to the even lower genre of scoptic epigram, as represented by Catullus, Octavian, Martial and the Priapeia, though it frequently occurs in graffiti. Adams has shown how it tends to be a neutral and even affectionate term, lacking any sense of aggression, though not of the assertion of conventional virility. Nevertheless, it is used almost exclusively of recreational, extramarital and/or illicit sex. This may be in part a function of the way in which its obscenity and low linguistic register (closely equivalent to its English equivalent ‘fuck’) restrict it to the low genres which tend to deal with such subject matter, but this is a potentially circular argument and, whether chicken or egg came first, the undeniable result is an association of the verb with intercourse which is not primarily or even in any way aimed at procreation. It is striking and anomalous, therefore, when Martial uses futuo, on five occasions, in contexts relating to the production (or avoidance of the production) of children. Of course, on a purely logical and biological level, the connection between futuo (specifically the penetration of the vagina by the penis, carefully differentiated by Martial in particular from sexual practices involving other orifices and/or members, such as pedicatio, fellatio and cunnilingus) and the engendering of children is an obvious one. Nevertheless, the aforementioned strong associations of the verb with sex aimed at everything but procreation renders its use in this context jarring. This incongruity and clash of registers is, of course, characteristic of Martial's technique, and the obscenity gains an added spice from being applied to respectable marital relations. The jarring quality is an end in itself and accounts for itself. Yet I wish to argue that there is a further dimension to this discordant association of ‘fucking’ and ‘begetting’, based on a bilingual wordplay between futuo and its near-homonym, the Greek verb φυτεύω. By means of this pun, Martial mischievously suggests not only that ‘fucking’ can be mentioned in the context of ‘begetting’, but also that the two are—in accordance with biology but against all decorum—identical.

Grapevine cultivars diversity is vast and full of synonyms and homonyms. Up to few decades ago characterization of grapevine was based on morphological characters. In the last decades, molecular markers were developed and have been used as tools to study genetic diversity in a range of different plant species. Fifty-six Portuguese accessions representative of ‘Vinhos Verdes’ and ‘Douro’ Controlled Designations of Origin (DOC) were analysed through DNA fingerprints generated by Random Amplified Polymorphic DNA (RAPD) and Inter Simple Sequence Repeat (ISSR). The study aimed to compare the effectiveness of RAPD and ISSR molecular techniques in the detection of synonyms, homonyms and misnames. RAPD and ISSR analysis enabled the detection of 36 different band patterns, reducing in about 36% the initial material. Several accessions grown under different names, between and within collections, were confirmed as the same genotype, namely Gouveio/Verdelho, Sousão Douro/Vinhão and Arinto Oeste/Pedernã. Similarly, some homonyms/misnames were also identified, namely within Azal Tinto and Rabigato accessions. RAPD and ISSR markers revealed to be adequate molecular techniques for grapevine varieties fingerprinting with advantages over other molecular procedures, contributing for a good management of grapevine collections.

À partir de la lecture de transpositions du roman La Dame aux camélias (1981b), d’Alexandre Dumas fils, à savoir le drame homonyme du même auteur (1981b), le film homonyme de Mauro Bolognini (1981), le film Camille, de George Cukor (1936), le roman de cordel A Dama das camélias em cordel, d’Evaristo Geraldo (2010) et l’opéra Violetta (La Traviatta) (1981), de Verdi/Piave/Duprez, ce travail se propose de présenter une analyse comparée dudit roman de cordel, en tenant compte, d’une part, de ses hypotextes – le drame et le film Camille – ainsi que du roman de Dumas fils et, d’autre part, des principes de transposition ou de transformation du mode dramatique au narratif. Le cadre théorique de cette analyse se fonde sur la littérature comparée, la théorie de la transtextualité (Genette, 1982), le dialogisme (Bakhtin, 1992, 1997), l’intertextualité (Samoyault, 2008), la généalogie du cordel (Abreu, 2004, 2005, 2006), la théorie du théâtre (Ryngaert, 1995), entre autres. Le travail est divisé en trois parties: i. la présentation du contexte de production de Dumas fils; ii. la description de la transposition de l’histoire dans le roman de cordel; iii. l’analyse comparée de l’héroïne du roman de cordel et celles du roman de Dumas fils, du drame homonyme et du film Camille. Cette analyse comparée nous permettra de constater que la transposition de l’œuvre de Dumas fils dans la littérature de cordel – en passant par la lecture du drame et du film Camille – porte l’empreinte d’une matérialité spécifique des poètes populaires du Brésil, en particulier ceux du nord-est du pays. Il nous sera donc permis d’affirmer que, dans l’hypertexte de Geraldo, c’est d’abord la représentation de la ‘culture’, de ‘l’art’ et de la ‘littérature’ du Brésil qui s’impose par la transposition de la thématique et par l’utilisation d’une structure compositionnelle typique du roman de cordel, ainsi que d’un ‘vocabulaire’ qui lui est propre.

A collection of 130 olive samples, originating from diverse areas in Europe and corresponding to 67 different cultivars denominations, was genotyped at 14 microsatellite loci. In total, 135 alleles with a mean number of 9.6 alleles per locus were detected. All but 30 accessions showed unique genotypes. Several cases of synonymy listed in the FAO database of olive germplasm could not be confirmed, as different allelic profiles were obtained from putatively synonymous cultivars. The existence of homonyms or mislabeled samples in olive germplasm collections was evidenced by allele differences of up to 60% between samples of the same denomination. An allele-sharing phenogram of the analyzed genotypes revealed several cultivars with high levels of intra-varietal polymorphism, as well as cultivar families consisting of closely related cultivars with similar denominations. Our work shows that the current designations of olive cultivars fall short of describing the genetic variability among economically important plant material. A thorough investigation of the existing variability will prove of major importance for both management and economic production of olive trees.

The olive tree (Olea europaea L.) is one of the most cultivated crops in the Mediterranean basin. Its economic importance is mainly due to the intense production of table olives and oil. Cultivated varieties are characterized by high morphological and genetic variability and present a large number of synonyms and homonyms. This necessitates the introduction of a rapid and accurate system for varietal identification. In the past, the recognition of olive cultivars was based solely on analysis of the morphological traits, however, these are highly influenced by environmental conditions. Therefore, over the years, several methods based on DNA analysis were developed, allowing a more accurate and reliable varietal identification. This review aims to investigate the evolving history of olive tree characterization approaches, starting from the earlier morphological methods to the latest technologies based on molecular markers, focusing on the main applications of each approach. Furthermore, we discuss the impact of the advent of next generation sequencing and the recent sequencing of the olive genome on the strategies used for the development of new molecular markers.

Abstract In the production of concise texts, several instruments are used, of which two can be considered as basic: intratextual referencing (anaphora/cataphora) and the simple or complex ellipsis (ellipsis/syllepsis). However, the use of these instruments affects the unambiguity and intelligibility of the text. Certain rules for and limits to the simplification and shortening of the primary text are needed to secure the possibility of an unambiguous reconstruction of the text by the language user. However, we show that the elimination of homonymy from these texts seems to require considerable skill in the given area. Some such texts may be unintelligible even to informed experts. We delineate some basic cases of application of instruments for the streamlining of texts, with paradigmatic examples from law, including its Anglophone variants. Partly due to the nature of modern English as used in law, Anglo-American linguistics was compelled to formulate, in cooperation with legal theorists, explicit rules for the production and reconstruction of concise texts. By contrast, neither Slovak, nor Czech linguistics offers a self-contained set of such explicit rules. Using examples from law, we therefore propose explicit formulations of several rules which are used implicitly. They are the rule of the last antecedent, the rule of serial antecedents, the rule of the nearest reasonable referent, the rule of the series qualifier, the rule of unchanged topic, the rule of focus development, and the rule of repetition dominance. We argue that in the reconstruction of certain concise legal texts, the syntactic and semantic rules provided by linguistics or logic do not suffice. Therefore, it is necessary to complement them with specific methods of interpretation of legal texts.

The study proceeds from the results of the previous studies showing that the distributional characteristics (frequency) of language input are crucial for the acquisition of prepositions (Savic & Andjelkovic, 2005, in preparation). The authors analyze deviations in the distribution of prepositions in children's spontaneous speech from the prediction made on the basis of the distributional characteristics of prepositions in adult language. The results show that, in comparison with adult language, only the prepositions "kod" (at, by, near, beside) and "sa" (with, from, off) deviate from the prediction. It was also found out that the unexpectedly early and frequent use of the preposition "kod" in child speech stemmed from the frequent use of this preposition in child-directed speech. On the other hand, the preposition "sa", which is very frequent in child-directed speech, is not present in children's production at the earliest age, because its homonymy makes it cognitively complex. The analysis of the reasons for such a deviation provided a basis for the discussion about the possible factors and mechanisms of development: the distributional characteristics of adult language are the major factor of acquisition, but the effects of conceptual and structural complexity were recorded as well.

AbstractIn our ongoing study of the genus Cladonia, we have encountered several specimens that have proved to represent undescribed species. Four of them are described here as new. Cladonia camerunensis (Cameroon) resembles C. didyma (Fée) Vain., but the former has a coarsely granular surface and a melanotic podetial base; C. compressa (Bolivia) is distinguished by a dominant primary thallus and deeply divided and phyllopodiate podetia; C. longisquama (Seychelles) has well-developed squamules and contains barbatic acid; C. vescula (Bolivia, Peru) differs from C. peziziformis (With.) J. Laundon by an ecorticate podetial surface and the production of homosekikaic acid. The names C. aspera Ahti & Kashiw. and C. crinita (Delise ex Pers.) Ahti are shown to be illegitimate later homonyms and are replaced by the names C. asperula and C. perfoliata, respectively. The neglected name C. botryoides (Tuck.) Vain. is shown to be a synonym of C. squamosa. Another overlooked name, C. crinita Bertol., is shown to be the earliest name for C. evansii, but we propose to retain the latter through conservation. The typification of C. beaumontii Tuck. is amended. Cladonia conspicua is reinstated on the basis of new data. New range extensions in Canada and the United States are given for the poorly documented species C. oricola.

The attractiveness of pomegranate (Punica granatum L.) is increasing worldwide among producers and consumers. Depending on its characteristics, the pomegranate may be intended for fresh consumption, for industrial processing, or for medical purposes. This study aims to assess the variability in terms of mineral content and biochemical properties of ten selected pomegranate cultivars grown in the center of Morocco to better know their fruit potential. Mineral composition, organic acids, total polyphenols, anthocyanins content, individual phenolic compounds, and antioxidant activity were determined in pomegranate juices. Results showed significant differences between cultivars. The sour cultivar “Lhamdha” is rich in organic acids, gallagyl esters, and ellagitannins and showed high antioxidant activity. It could therefore be used as a source for nutraceutical substances. The cultivar “Sefri” of Lalla Takerkoust showed important content of mineral elements, especially iodine (I), calcium (Ca), magnesium (Mg), iron (Fe), and silver (Ag). The cultivars “Sefri” of Ouled Abdellah, “Sefri” of Beni Meskine, “Lahmer,” and “Marrakchia” are suitable for production of fresh pomegranate juice with high potential of health benefits. In fact, they are rich in anthocyanins, polyphenols, and oxalic and ascorbic acids and they presented high antioxidant activity. While the cultivars “Sefri” of Sour Laaz, “Sefri” of Tmassine, “Sefri” of Sidi Abdellah, and “Bzeq Tir” could be intended for fresh fruit consumption. Cluster analysis has revealed the divergence of cultivars with the same appellation “Sefri” confirming the problem of homonymy or synonymy in the pomegranate cultivars appellation. This study clearly demonstrates the nutritional and functional potential of the studied cultivars and the importance of their valorisation, especially for food and pharmaceutical industries.

Fig (Ficus carica L.) is a traditional crop in Turkey and widely cultivated around the Mediterranean areas. The gynodioecious fig species is present in two sexual forms, i.e. the domesticated fig (female tree) and the caprifig (male tree). Caprifigs are crucial for high quality fig production and breeding while, the studies on assessment of genetic relationship among caprifigs is limited. The aim of this study was to determine genetic diversity among 45 caprifigs and 2 female figs collected from four provinces in Marmara and Aegean Sea Regions of Turkey using simple sequence repeat (SSR) markers. In this work, 24 SSR markers were tested, one was monomorphic and the remaining markers amplified 82 alleles. The number of polymorphic alleles per SSR marker ranged from 2 to 7. The observed heterozygosity (Ho) differed from 0.18 to 0.76 and expected heterozygosity (He) ranged between 0.24 and 0.81. The polymorphism information content (PIC) varied from 0.42 to 0.98. A UPGMA analysis based on Dice similarity matrix clustered fig genotypes into two main groups and similarly, STRUCTURE analysis placed fig genotypes into two different gene pools (K=2). Fig genotypes collected from the same region were not clustered together in a group indicating that the fig genotypes did not cluster on the basis of their collection sites. Our results demonstrated that caprifigs and female figs are not genetically distinct and they clustered together in a group. All fig genotypes had distinct SSR marker profiles suggesting that there were no synonyms or homonyms. These results revealed a high genetic variation among fig genotypes and 23 SSR markers were enough to discriminate all fig genotypes analysed in this study demonstrating that SSR marker system is suitable for genetic analysis in figs.

Brazilian Sign Language (in Portuguese, Libras) is a visuospatial linguistic system adopted by the Brazilian deaf communities as the primary form of communication. Libras are a language of minority groups, thus their research and production of teaching materials do not receive the same incentive to progress or improve as oral languages. This complex language employs signs composed of forms and hands movements combined with facial expressions and postures of the body. Facial expressions rarely appear in sign language literature, despite their being essential to this form of communication. Thereby, this research objectives are to present and discuss sub-categories of the grammatical facial expressions of Libras, with two specific objectives: (1) the building of an annotated video corpus comprehending all the categories identified in the literature of facial expressions in Brazilian sign language; (2) the application of Facial Action Coding System (FACS) (which has its origins as an experimental model in psychology) as a tool for annotating facial expressions in sign language. Ruled by a qualitative approach, the video corpus was carried out with nineteen Libras users (sixteen deaf and three hearing participants) who translated forty- three phrases from Portuguese to Libras. The records were later transcribed with the Eudico Linguistic Annotator software tool. From the analysis of the literature review, it was observed the need to classify facial expression as subcategories of lexical, as intensity, homonyms, and norm. It is believed that it is necessary to expand the studies on facial expressions, favoring their documentation and the description of their linguistic functions. Advances in this sense can contribute to the learning of Libras by deaf students and also by listeners who propose to act as teachers or as translators and interpreters of this language system.

Triiodothyronine (T3, 3,5,3’-L-triiodothyronine) is a thyroid hormone (thyroid), the secretion of which is carried out directly both by the gland (to a lesser extent) and outside it (the main amount; as a result of peripheral deiodination of thyroxine (T4)). Getting into the nuclei of cells, T3 interacts with specific nuclear receptors of target tissues, which determines its biological activity. This interaction leads to the activation of transcription of a number of genes.In the pituitary gland and peripheral tissues, the action of thyroid hormones is modulated by local deiodinases, which convert T4 to more active T3, the molecular effects of which in individual tissues depend on subtypes of T3 receptors and their interaction with other ligands, coactivators and corepressors, as well as on the activation or repression of specific genes.The reason for the lack of T3 production is primarily a deficiency of iodine in the diet, less often, a defect in the genes encoding the proteins that are involved in T3 biosynthesis. As a result of the low intake of iodide in the body, the so-called adaptive mechanism is activated, which consists in increasing the proportion of synthesized T3, which increases the metabolic efficiency of thyroid homones. With a deficiency in the diet of such a trace element as selenium, the conversion of T4 to T3 is reduced.Thyroid hormones play a vital role in the regulation of homeostasis and the metabolic rate of cells and tissues of humans and mammals. They are necessary for physical and mental development. Their insufficient production at the stage of formation of the internal organs of the fetus and in childhood can lead to various pathologies, primarily to pathology of the central nervous system, and as a result, growth retardation and mental retardation. In adulthood, hypothyroidism leads to a decrease in metabolism, memory impairment, depressive disorders, impaired fertility. Many discussions and ambiguous conclusions have been obtained regarding combination drugs (sodium levothyroxine + lyothironon) for the treatment of hypothyroidism. This article will examine the metabolic effects of T3, the thyroid hormone with the highest activity.

Currently, in populations of different cattle breeds there is elimination of a number of alleles of blood groups and an in-crease in the homozygosity coefficient that leads to rise in the amount of homozygous animals. In this regard, the aim of the research was to study the effect of homozygosity by EAV-locus of blood groups on the productive and reproductive characteristics of cows. The research was carried out on the farms of the Smolensk region for breeding of Sychevskaya cattle breed: the “Rybkovskoye” breeding farm and pedigree breeding unit Agricultural Production Cooperative (APC) named after Uritsky. On these farms there were selected 2078 cows, homozygous according to alleles of EAV - locus of blood groups and heterozygous animals born in 2010-2014 (21 and 581, 50 and 1426 heads, respectively). The study has shown that the average milk yield over the productive life of homozygotes in the herd of the “Rybkovskoye” farm is insignificantly lower and on the farm named after Uritsky this parameter is significantly higher. Application of one-way ANOVA analysis determined the weak effect of genotype on the productivity of animals on the “Rybkovskoe” farm only for the first lactation with factorial effect in milk yield, milk fat and protein 1.2, 1.5 and 1.1%, respectively. On the breeding farm named after Uritsky the factorial effect in milk yield and fatyield for the second lactation was 0.3 and 0.4%, and on the average over the life in milk yield it was 0.4%. The analysis of repro-ductive qualities: the age of the first calving, the age of the first fruitful insemination, multiplicity of insemination to lactation, the number of days before the first insemination in the current lactation, the duration of open days revealed close values, similar nature of distribution and variation of these indicators, absence of statistically significant differences between them in homozy-gotes and heterozygotes. A weak (2% or less) influence of homozygosity on productive longevity, which determines the superiority of homozygous cows over heterozygous, characteristic for samples from both farms, has been found.

At the symposium Media Archaeology and Artistic Practice held September 17th 2015, a discussion was raised by invited keynote speaker Garnet Hertz, artist and associate professor at Emily Carr University, concerning the discourse around the media archeological lab and the humanities lab, and if this perhaps was mainly a question of naming. Can the desire to construct labs instead of other, more traditional, humanist and artistic workspaces such as studios, seminar rooms, offices etc. from one particular perspective be seen as a superficial gesture, one that boils down to attaching a new name to the same old practice, in order to get hands on new funding? As the discussion progressed it was stressed, that there are obvious attractions in this particular name – connoting hard science, collective work processes and experimental approach – as well as a material hands-on-quality that agrees with the theoretical discours of media archaeology. But also, that there are in fact substantial qualities of the lab as a concrete space that could generate new energy and new types of knowledge production when transferred to the artistic and humanistic context. The conversation made me think of the title of our present conference A medium is medium is medium as it also addresses the question of what is in a name. The title is a quote from Friedrich Kittler, who in Discourse Networks 1800/1900 uses the sentence to stress the untranslatable quality of the medium: The important fact that any transfer from one medium to another involves a distortion – and thus always will be to some degree arbitrary. But in Kittler the sentence is also a reminder about how the medium of language, as it is put to use in literature, has been considered as something close to an ideal channel – a channel of communication working without friction. By adding a third and final medium to his sentence, Kittler reminds us, essentially, that a medium is never just a channel or a technology of communication – it is always also something more. The material base makes a difference. Even if Kittler does not give a reference, it is rather obvious that he is here paraphrasing Gertrude Stein’s signature sentence ”a rose is a rose is a rose is a rose” and as a Stein scholar I have not been able to refrain from a mild irritation that Kittler missed a part, he has only three times medium against Stein’s four times rose. Stein’s sentence brings us back to the question of what’s in a name. As has often been suggested, it addresses the famous passage from Romeo and Juliet, where Juliet is trying to disavow the importance of the name (due to the fact that her beloved Romeo is a Montague): What’s in a name.that which we call A roseby any other name would smell as sweet As we all know, in the tragedy, the power of the name proves invincible and Juliet’s pragmatic attitude does not help her much against the ruling discourse of the encompassing society breeding strife between her name and Romeo’s. And even if Stein’s sentence in the first instance may look like merely a very insistent statement that a rose, when all is said and done, is still a rose – just as Juliet claims – there is a lot more to say about it. Stein herself said, among other things: When I said.A rose is a rose is a rose is a rose.And then later made that into a ring I made poetry and what did I do I caressed completely caressed and addressed a noun.(“Poetry and Grammar,” Lectures in America ) She also claimed, that with this sentence, she made the rose red for the first time in English poetry for at least 100 years (and knowing Stein one shouldn’t miss the homonymic play upon red – it is both the color and the past tense of read. With Stein’s sentence – the rose is both red and read for the first time.) What is particularly elegant in this embrace by Stein’s of a noun, or of a name, is that in this very embracing movement she is putting the word’s grammatical status into serious doubt. When the third part is added to “a rose is a rose” an unresolvable syntactical confusion is introduced – it becomes impossible to determine whether the second part is the end or the beginning of a clause – but as the forth part is introduced both the sounds and the grammar of language starts dissolving and transform into genuine play. And every time the words “a rose”, the article and the noun, are repeated and “caressed” they sound more like a verb – “arose”. What seemed like an ultimate insistence upon the reality of a noun, is suddenly transformed into a verb – what appeared to be pure substance turned into action. Similarly current research in the fields of media history and media aesthetics – if we are to take the varied contributions made to this conference as representative – is concerned with regarding the medium as something more than an artifact: To take into account the essential materiality that, according to Kittler, is irreducible in any communication, but to also continuously understand the medium as something relational and entangled in dynamic processes. The conference A medium is a medium is a medium was intended as a kick-start of the network Sensorium for young researchers working in the field between aesthetics, technology and materiality. What the network is going to be and do in the future is up to us to work out at this conference and in the time to come. A warm welcome to every one!

AbstractThis paper focuses on the phonetic, morphological and semantic principles determining the grammatical gender of nouns in German. Based on the experiments we established the main trends in determining the gender of the German equivalents and interlingual homonyms and the role of the interlingual and intralingual interference in this process. The results of two experiments show that Ukrainian students take into consideration suffixes of German nouns when choosing the correct gender. Phonetic or semantic gender allocation rules play a subordinate role. The interlingual interference determinates the gender choice in the target language: the gender of the mother tongue lemma interferes the selection of the gender in the foreign language equivalent. This effect appears more frequently in interlingual homonyms than in translation equivalents. A plausible interpretation of these results could be: the lemmas of two similar nouns or translation equivalents share the same concepts, the relationship between them is rather close, and the competition between the two lemmas and their genus nodes is strong and influences language production. This conclusion supports the hypothesis that both languages, the mother tongue and the foreign one, can be activated during language producing.

06–194Altarriba, Jeanette & Jennifer L. Gianico (U Albany, State U New York, USA), Lexical ambiguity resolution across languages: A theoretical and empirical review. Experimental Psychology (Hogrefe & Huber Publishers) 50.3 (2003), 159–170.06–195Bialystok, Ellen (York U, Canada; ellenb@yorku.ca) & Dana Shapero, Ambiguous benefits: The effect of bilingualism on reversing ambiguous figures. Developmental Science (Blackwell) 8.6 (2005), 595.06–196Blot, J. Kevin (Clark U & Boston College, USA), Michael A. Zaraté & Paul B. Paulus, Code-switching across brainstorming sessions: Implications for the revised hierarchical model of bilingual language processing. Experimental Psychology (Hogrefe & Huber Publishers) 50.3 (2003), 171–183.06–197Costa, Albert (U Barcelona, Spain; acosta@ub.edu), Mikel Santesteban & Agnès Caño, On the facilitatory effects of cognate words in bilingual speech production. Brain and Language (Elsevier) 94.1 (2005), 94–103.06–198De Diego Balaguer, R. (Faculté de Médecine, Paris XII, France), N. Sebastián-Gallés, B. Díaz & A. Rodríguez-Fornells, Morphological processing in early bilinguals: An ERP study of regular and irregular verb processing. Cognitive Brain Research (Elsevier) 25.1 (2005), 312–327.06–199Elston-Güttler, Kerrie E. (Max Planck Institute of Human Cognitive and Brain Sciences, Leipzig, Germany; km.guettler@t.online.de) & Angela D. Friederici, Native and L2 processing of homonyms in sentential context. Journal of Memory and Language (Elsevier) 52.2 (2005), 256–283.06–200Luka, Barbara J. (Bard College, USA; Luka@bard.edu) & Lawrence W. Barsalou, Structural facilitation: Mere exposure effects for grammatical acceptability as evidence for syntactic priming in comprehension. Journal of Memory and Language (Elsevier) 52.3 (2005), 436–459.06–201McLaughlin, Judith (U Washington, USA; giuditta@u.washington.edu), Lee Osterhout & Albert Kim, Neural correlates of second- language word learning: Minimal instruction produces rapid change. Nature Neuroscience (Nature Publishing Group) 7 (2004), 703–704.06–202Mechelli, Andrea (Wellcome Department of Imaging Neuroscience, U London, UK; a.mechelli@fil.ion.ucl.ac.uk), Jenny T. Crinion, Uta Noppeney, John O'Doherty, John Ashburner, Richard S. Frackowiak & Cathy J. Price, Neurolinguistics: Structural plasticity in the bilingual brain. Nature (Nature Publishing Group) 431.757 (2004), 256–283.06–203Meijer, Paul J. A. (Clark U & Boston College, USA) & Jean E. Fox Tree, Building syntactic structures in speaking: A bilingual exploration. Experimental Psychology (Hogrefe & Huber Publishers) 50.3 (2003), 184–195.06–204Moreno, Eva M. (U Califonia, USA; kutas@cogsci.ucsd.edu) & Marta Kutas, Processing semantic anomalies in two languages: An electrophysiological exploration in both languages of Spanish–English bilinguals. Cognitive Brain Research (Elsevier) 22.2 (2005), 205–220.06–205Pallier, C. (Service Hospitalier Fredrik Joliot, Orsay, France; pallier@lscp.ehess.fr), S. Dehaene, J.-B. Poline, D. Lebihan, A.-M. Argenti, E. Dupoux & J. Mehler, Brain imaging of language plasticity in adopted adults: Can a second language replace the first?Cerebral Cortex (Oxford University Press) 13.2 (2003), 155–161.06–206Reiterer, Susanne (U Vienna, Austria; Susanne.Reiterer@med.uni-tuebingen.de), Claudia Hemmelmann, Peter Rappelsberger & Michael L. Berger, Characteristic functional networks in high- versus low-proficiency second-language speakers detected also during native language processing: An explorative EEG coherence study in 6 frequency bands. Cognitive Brain Research (Elsevier) 25.2 (2005), 566–578.06–207Tham, Wendy W. P. (Nanyang Technological U, Singapore), Susan J. Rickard Liow, Jagath C. Rajapakse, Tan Choong Leong, Samuel E. S. Ng, Winston E. H. Lim & Lynn G. Homoreno, Phonological processing in Chinese–English bilingual biscriptals: An fMRI study. Neuroimage (Elsevier) 28.3 (2005), 579–587.

What strikes me about the habits of the people who spend so much time on the Net—well, it’s so new that we don't know what will come next—is in fact precisely how niche in character it is. You ask people what nets they are on, and they’re all so specialised! The Argentines on the Argentine Net and so forth. And it’s particularly the Argentines who are not in Argentina. (Anderson, in Gower, par. 5) The preceding quotation, taken from his 1996 interview with Eric Gower, sees Benedict Anderson reflecting on the formation of imagined, transnational communities on the Internet. Anderson is, of course, famous for his work on how nationalism, as an “imagined community,” gets constructed through the shared consumption of print media (6-7, 26-27); although its readers will never all see each other face to face, people consuming a newspaper or novel in a shared language perceive themselves as members of a collective. In this more recent interview, Anderson recognised the specific groupings of people in online communities: Argentines who find themselves outside of Argentina link up online in an imagined diaspora community. Over the course of the last decade and a half since Anderson spoke about Argentinian migrants and diaspora communities, we have witnessed an exponential growth of new forms of digital communication, including social networking sites (e.g. Facebook), Weblogs, micro-blogging (e.g. Twitter), and video-sharing sites (e.g. YouTube). Alongside these new means of communication, our current epoch of globalisation is also characterised by migration flows across, and between, all continents. In his book Modernity at Large, Arjun Appadurai recognised that “the twin forces of mass migration and electronic mediation” have altered the ways the imagination operates. Furthermore, these two pillars, human motion and digital mediation, are in constant “flux” (44). The circulation of people and digitally mediatised content proceeds across and beyond boundaries of the nation-state and provides ground for alternative community and identity formations. Appadurai’s intervention has resulted in increasing awareness of local, transnational, and global networking flows of people, ideas, and culturally hybrid artefacts. In this article, we analyse the various innovative tactics taken up by migrant youth to imagine digital diasporas. Inspired by scholars such as Appadurai, Avtar Brah and Paul Gilroy, we tease out—from a postcolonial perspective—how digital diasporas have evolved over time from a more traditional understanding as constituted either by a vertical relationship to a distant homeland or a horizontal connection to the scattered transnational community (see Safran, Cohen) to move towards a notion of “hypertextual diaspora.” With hypertextual diaspora, these central axes which constitute the understanding of diaspora are reshuffled in favour of more rhizomatic formations where affiliations, locations, and spaces are constantly destabilised and renegotiated. Needless to say, diasporas are not homogeneous and resist generalisation, but in this article we highlight common ways in which young migrant Internet users renew the practices around diaspora connections. Drawing from research on various migrant populations around the globe, we distinguish three common strategies: (1) the forging of transnational public spheres, based on maintaining virtual social relations by people scattered across the globe; (2) new forms of digital diasporic youth branding; and (3) the cultural production of innovative hypertexts in the context of more rhizomatic digital diaspora formations. Before turning to discuss these three strategies, the potential of a postcolonial framework to recognise multiple intersections of diaspora and digital mediation is elaborated. Hypertext as a Postcolonial Figuration Postcolonial scholars, Appadurai, Gilroy, and Brah among others, have been attentive to diasporic experiences, but they have paid little attention to the specificity of digitally mediated diaspora experiences. As Maria Fernández observes, postcolonial studies have been “notoriously absent from electronic media practice, theory, and criticism” (59). Our exploration of what happens when diasporic youth go online is a first step towards addressing this gap. Conceptually, this is clearly an urgent need since diasporas and the digital inform each other in the most profound and dynamic of ways: “the Internet virtually recreates all those sites which have metaphorically been eroded by living in the diaspora” (Ponzanesi, “Diasporic Narratives” 396). Writings on the Internet tend to favour either the “gold-rush” mentality, seeing the Web as a great equaliser and bringer of neoliberal progress for all, or the more pessimistic/technophobic approach, claiming that technologically determined spaces are exclusionary, white by default, masculine-oriented, and heteronormative (Everett 30, Van Doorn and Van Zoonen 261). For example, the recent study by Ito et al. shows that young people are not interested in merely performing a fiction in a parallel online world; rather, the Internet gets embedded in their everyday reality (Ito et al. 19-24). Real-life commercial incentives, power hierarchies, and hegemonies also get extended to the digital realm (Schäfer 167-74). Online interaction remains pre-structured, based on programmers’ decisions and value-laden algorithms: “people do not need a passport to travel in cyberspace but they certainly do need to play by the rules in order to function electronically” (Ponzanesi, “Diasporic Narratives” 405). We began our article with a statement by Benedict Anderson, stressing how people in the Argentinian diaspora find their space on the Internet. Online avenues increasingly allow users to traverse and add hyperlinks to their personal websites in the forms of profile pages, the publishing of preferences, and possibilities of participating in and affiliating with interest-based communities. Online journals, social networking sites, streaming audio/video pages, and online forums are all dynamic hypertexts based on Hypertext Markup Language (HTML) coding. HTML is the protocol of documents that refer to each other, constituting the backbone of the Web; every text that you find on the Internet is connected to a web of other texts through hyperlinks. These links are in essence at equal distance from each other. As well as being a technological device, hypertext is also a metaphor to think with. Figuratively speaking, hypertext can be understood as a non-hierarchical and a-centred modality. Hypertext incorporates multiplicity; different pathways are possible simultaneously, as it has “multiple entryways and exits” and it “connects any point to any other point” (Landow 58-61). Feminist theorist Donna Haraway recognised the dynamic character of hypertext: “the metaphor of hypertext insists on making connections as practice.” However, she adds, “the trope does not suggest which connections make sense for which purposes and which patches we might want to follow or avoid.” We can begin to see the value of approaching the Internet from the perspective of hypertext to make an “inquiry into which connections matter, why, and for whom” (128-30). Postcolonial scholar Jaishree K. Odin theorised how hypertextual webs might benefit subjects “living at the borders.” She describes how subaltern subjects, by weaving their own hypertextual path, can express their multivocality and negotiate cultural differences. She connects the figure of hypertext with that of the postcolonial: The hypertextual and the postcolonial are thus part of the changing topology that maps the constantly shifting, interpenetrating, and folding relations that bodies and texts experience in information culture. Both discourses are characterised by multivocality, multilinearity, openendedness, active encounter, and traversal. (599) These conceptions of cyberspace and its hypertextual foundations coalesce with understandings of “in-between”, “third”, and “diaspora media space” as set out by postcolonial theorists such as Bhabha and Brah. Bhabha elaborates on diaspora as a space where different experiences can be articulated: “These ‘in-between’ spaces provide the terrain for elaborating strategies of selfhood—singular or communal—that initiate new signs of identity, and innovative sites of collaboration, and contestation (4). (Dis-)located between the local and the global, Brah adds: “diaspora space is the point at which boundaries of inclusion and exclusion, of belonging and otherness, of ‘us’ and ‘them,’ are contested” (205). As youths who were born in the diaspora have begun to manifest themselves online, digital diasporas have evolved from transnational public spheres to differential hypertexts. First, we describe how transnational public spheres form one dimension of the mediation of diasporic experiences. Subsequently, we focus on diasporic forms of youth branding and hypertext aesthetics to show how digitally mediated practices can go beyond and transgress traditional formations of diasporas as vertically connected to a homeland and horizontally distributed in the creation of transnational public spheres. Digital Diasporas as Diasporic Public Spheres Mass migration and digital mediation have led to a situation where relationships are maintained over large geographical distances, beyond national boundaries. The Internet is used to create transnational imagined audiences formed by dispersed people, which Appadurai describes as “diasporic public spheres”. He observes that, as digital media “increasingly link producers and audiences across national boundaries, and as these audiences themselves start new conversations between those who move and those who stay, we find a growing number of diasporic public spheres” (22). Media and communication researchers have paid a lot of attention to this transnational dimension of the networking of dispersed people (see Brinkerhoff, Alonso and Oiarzabal). We focus here on three examples from three different continents. Most famously, media ethnographers Daniel Miller and Don Slater focused on the Trinidadian diaspora. They describe how “de Rumshop Lime”, a collective online chat room, is used by young people at home and abroad to “lime”, meaning to chat and hang out. Describing the users of the chat, “the webmaster [a Trini living away] proudly proclaimed them to have come from 40 different countries” (though massively dominated by North America) (88). Writing about people in the Greek diaspora, communication researcher Myria Georgiou traced how its mediation evolved from letters, word of mouth, and bulletins to satellite television, telephone, and the Internet (147). From the introduction of the Web, globally dispersed people went online to get in contact with each other. Meanwhile, feminist film scholar Anna Everett draws on the case of Naijanet, the virtual community of “Nigerians Living Abroad”. She shows how Nigerians living in the diaspora from the 1990s onwards connected in global transnational communities, forging “new black public spheres” (35). These studies point at how diasporic people have turned to the Internet to establish and maintain social relations, give and receive support, and share general concerns. Establishing transnational communicative networks allows users to imagine shared audiences of fellow diasporians. Diasporic imagination, however, goes beyond singular notions of this more traditional idea of the transnational public sphere, as it “has nowadays acquired a great figurative flexibility which mostly refers to practices of transgression and hybridisation” (Ponzanesi, “Diasporic Subjects” 208). Below we recognise another dimension of digital diasporas: the articulation of diasporic attachment for branding oneself. Mocro and Nikkei: Diasporic Attachments as a Way to Brand Oneself In this section, we consider how hybrid cultural practices are carried out over geographical distances. Across spaces on the Web, young migrants express new forms of belonging in their dealing with the oppositional motivations of continuity and change. The generational specificity of this experience can be drawn out on the basis of the distinction between “roots” and “routes” made by Paul Gilroy. In his seminal book The Black Atlantic: Modernity and Double Consciousness, Gilroy writes about black populations on both sides of the Atlantic. The double consciousness of migrant subjects is reflected by affiliating roots and routes as part of a complex cultural identification (19 and 190). As two sides of the same coin, roots refer to the stable and continuing elements of identities, while routes refer to disruption and change. Gilroy criticises those who are “more interested in the relationship of identity to roots and rootedness than in seeing identity as a process of movement and mediation which is more appropriately approached via the homonym routes” (19). He stresses the importance of not just focusing on one of either roots or routes but argues for an examination of their interplay. Forming a response to discrimination and exclusion, young migrants in online networks turn to more positive experiences such as identification with one’s heritage inspired by generational specific cultural affiliations. Here, we focus on two examples that cross two continents, showing routed online attachments to “be(com)ing Mocro”, and “be(coming) Nikkei”. Figure 1. “Leipe Mocro Flavour” music video (Ali B) The first example, being and becoming “Mocro”, refers to a local, bi-national consciousness. The term Mocro originated on the streets of the Netherlands during the late 1990s and is now commonly understood as a Dutch honorary nickname for youths with Moroccan roots living in the Netherlands and Belgium. A 2003 song, Leipe mocro flavour (“Crazy Mocro Flavour”) by Moroccan-Dutch rapper Ali B, familiarised a larger group of people with the label (see Figure 1). Ali B’s song is exemplary for a wider community of youngsters who have come to identify themselves as Mocros. One example is the Marokkanen met Brainz – Hyves (Mo), a community page within the Dutch social networking site Hyves. On this page, 2,200 youths who identify as Mocro get together to push against common stereotypes of Moroccan-Dutch boys as troublemakers and thieves and Islamic Moroccan-Dutch girls as veiled carriers of backward traditions (Leurs, forthcoming). Its description reads, “I assume that this Hyves will be the largest [Mocro community]. Because logically Moroccans have brains” (our translation): What can you find here? Discussions about politics, religion, current affairs, history, love and relationships. News about Moroccan/Arabic Parties. And whatever you want to tell others. Use your brains. Second, “Nikkei” directs our attention to Japanese migrants and their descendants. The Discover Nikkei website, set up by the Japanese American National Museum, provides a revealing description of being and becoming Nikkei: As Nikkei communities form in Japan and throughout the world, the process of community formation reveals the ongoing fluidity of Nikkei populations, the evasive nature of Nikkei identity, and the transnational dimensions of their community formations and what it means to be Nikkei. (Japanese American National Museum) This site was set up by the Japanese American National Museum for Nikkei in the global diaspora to connect and share stories. Nikkei youths of course also connect elsewhere. In her ethnographic online study, Shana Aoyama found that the social networking site Hi5 is taken up in Peru by young people of Japanese heritage as an avenue for identity exploration. She found group confirmation based on the performance of Nikkei-ness, as well as expressions of individuality. She writes, “instead of heading in one specific direction, the Internet use of Nikkei creates a starburst shape of identity construction and negotiation” (119). Mocro-ness and Nikkei-ness are common collective identification markers that are not just straightforward nationalisms. They refer back to different homelands, while simultaneously they also clearly mark one’s situation of being routed outside of this homeland. Mocro stems from postcolonial migratory flows from the Global South to the West. Nikkei-ness relates to the interesting case of the Japanese diaspora, which is little accounted for, although there are many Japanese communities present in North and South America from before the Second World War. The context of Peru is revealing, as it was the first South American country to accept Japanese migrants. It now hosts the second largest South American Japanese diaspora after Brazil (Lama), and Peru’s former president, Alberto Fujimoro, is also of Japanese origin. We can see how the importance of the nation-state gets blurred as diasporic youth, through cultural hybridisation of youth culture and ethnic ties, initiates subcultures and offers resistance to mainstream western cultural forms. Digital spaces are used to exert youthful diaspora branding. Networked branding includes expressing cultural identities that are communal and individual but also both local and global, illustrative of how “by virtue of being global the Internet can gift people back their sense of themselves as special and particular” (Miller and Slater 115). In the next section, we set out how youthful diaspora branding is part of a larger, more rhizomatic formation of multivocal hypertext aesthetics. Hypertext Aesthetics In this section, we set out how an in-between, or “liminal”, position, in postcolonial theory terms, can be a source of differential and multivocal cultural production. Appadurai, Bhabha, and Gilroy recognise that liminal positions increasingly leave their mark on the global and local flows of cultural objects, such as food, cinema, music, and fashion. Here, our focus is on how migrant youths turn to hypertextual forms of cultural production for a differential expression of digital diasporas. Hypertexts are textual fields made up of hyperlinks. Odin states that travelling through cyberspace by clicking and forging hypertext links is a form of multivocal digital diaspora aesthetics: The perpetual negotiation of difference that the border subject engages in creates a new space that demands its own aesthetic. This new aesthetic, which I term “hypertext” or “postcolonial,” represents the need to switch from the linear, univocal, closed, authoritative aesthetic involving passive encounters characterising the performance of the same to that of non-linear, multivocal, open, non-hierarchical aesthetic involving active encounters that are marked by repetition of the same with and in difference. (Cited in Landow 356-7) On their profile pages, migrant youth digitally author themselves in distinct ways by linking up to various sites. They craft their personal hypertext. These hypertexts display multivocal diaspora aesthetics which are personal and specific; they display personal intersections of affiliations that are not easily generalisable. In several Dutch-language online spaces, subjects from Dutch-Moroccan backgrounds have taken up the label Mocro as an identity marker. Across social networking sites such as Hyves and Facebook, the term gets included in nicknames and community pages. Think of nicknames such as “My own Mocro styly”, “Mocro-licious”, “Mocro-chick”. The term Mocro itself is often already multilayered, as it is often combined with age, gender, sexual preference, religion, sport, music, and generationally specific cultural affiliations. Furthermore, youths connect to a variety of groups ranging from feminist interests (“Women in Charge”), Dutch nationalism (“I Love Holland”), ethnic affiliations (“The Moroccan Kitchen”) to clothing (the brand H&M), and global junk food (McDonalds). These diverse affiliations—that are advertised online simultaneously—add nuance to the typical, one-dimensional stereotype about migrant youth, integration, and Islam in the context of Europe and Netherlands (Leurs, forthcoming). On the online social networking site Hi5, Nikkei youths in Peru, just like any other teenagers, express their individuality by decorating their personal profile page with texts, audio, photos, and videos. Besides personal information such as age, gender, and school information, Aoyama found that “a starburst” of diverse affiliations is published, including those that signal Japanese-ness such as the Hello Kitty brand, anime videos, Kanji writing, kimonos, and celebrities. Also Nikkei hyperlink to elements that can be identified as “Latino” and “Chino” (Chinese) (104-10). Furthermore, users can show their multiple affiliations by joining different “groups” (after which a hyperlink to the group community appears on the profile page). Aoyama writes “these groups stretch across a large and varied scope of topics, including that of national, racial/ethnic, and cultural identities” (2). These examples illustrate how digital diasporas encompass personalised multivocal hypertexts. With the widely accepted adagio “you are what you link” (Adamic and Adar), hypertextual webs can be understood as productions that reveal how diasporic youths choose to express themselves as individuals through complex sets of non-homogeneous identifications. Migrant youth connects to ethnic origin and global networks in eclectic and creative ways. The concept of “digital diaspora” therefore encapsulates both material and virtual (dis)connections that are identifiable through common traits, strategies, and aesthetics. Yet these hypertextual connections are also highly personalised and unique, offering a testimony to the fluid negotiations and intersections between the local and the global, the rooted and the diasporic. Conclusions In this article, we have argued that migrant youths render digital diasporas more complex by including branding and hypertextual aesthetics in transnational public spheres. Digital diasporas may no longer be understood simply in terms of their vertical relations to a homeland or place of origin or as horizontally connected to a clearly marked transnational community; rather, they must also be seen as engaging in rhizomatic digital practices, which reshuffle traditional understandings of origin and belonging. Contemporary youthful digital diasporas are therefore far more complex in their engagement with digital media than most existing theory allows: connections are hybridised, and affiliations are turned into practices of diasporic branding and becoming. There is a generational specificity to multivocal diaspora aesthetics; this specificity lies in the ways migrant youths show communal recognition and express their individuality through hypertext which combines affiliation to their national/ethnic “roots” with an embrace of other youth subcultures, many of them transnational. 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