Relevant bibliographies by topics / Homosexuality and art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Homosexuality and art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Homosexuality and art"

1

Easton, Richard. "Canonical Criminalizations: Homosexuality, Art History, Surrealism, and Abjection." differences 4, no. 3 (November 1, 1992): 133–75. http://dx.doi.org/10.1215/10407391-4-3-133.

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Zhang, Wanrong. "The Daoist Art of the Bedchamber of Male Homosexuality in Ming and Qing Literature." Religions 15, no. 7 (July 12, 2024): 841. http://dx.doi.org/10.3390/rel15070841.

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The Daoist art of the bedchamber (fangzhong shu 房中術) constitutes a form of cultivation practice with the objective of promoting health and longevity through sexual techniques, generally applied within heterosexual contexts. However, with the evolution of male homosexuality culture during the Ming and Qing dynasties, depictions of the art of the bedchamber related to male homosexuality emerged in the literature of that era. This art was imaginatively traced back to Laozi and his disciple Yin Xi 尹喜. The sources explained the beneficial outcomes of these techniques by referring to classical Chine
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Van der Lee, Jolanda. "Bezield door gedeelde afkeer." Religie & Samenleving 11, no. 2 (September 1, 2016): 122–40. http://dx.doi.org/10.54195/rs.12208.

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On an international conference in Amsterdam in 1901, criminologist Arnold Aletrino explained the newest theory on homosexuality, which stated that it was not a disease or perversion, but an innate, ‘natural’ phenomenon. This theory shocked important politicians among whom Dutch prime minister Abraham Kuyper, who therefore started a political debate on legislation on homosexuality. Ultimately this debate led to art. 248 bis of the Dutch Penal Code in 1911 that prohibited – under certain circumstances – ‘indecency’ between people of the same sex. In this article I discuss how between 1901 and 19
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Solomon, Howard M., and James M. Saslow. "Ganymede in the Renaissance: Homosexuality in Art and Society." American Historical Review 93, no. 1 (February 1988): 185. http://dx.doi.org/10.2307/1865781.

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Schneider, Laurie, and James M. Saslow. "Ganymede in the Renaissance. Homosexuality in Art and Society." Art Bulletin 69, no. 4 (December 1987): 653. http://dx.doi.org/10.2307/3051007.

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Arya, Rina. "Constructions of Homosexuality in the Art of Francis Bacon." Journal for Cultural Research 16, no. 1 (January 2012): 43–61. http://dx.doi.org/10.1080/14797585.2011.633836.

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Jackowiak, Adrianna. "Poetyka (nie)wyrażalnego pożądania, czyli zarys historii powie- ści gejowskiej w Polsce na tle socjologiczno-kulturowym." Studia Europaea Gnesnensia, no. 10 (January 1, 2014): 169–94. http://dx.doi.org/10.14746/seg.2014.10.9.

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The aim of the paper is to show the history of Polish gay novel and explain the very term. However, the essence of the research problem is not the history itself, but drawing attention to the need of adopting a multidimensional perspective in the deliberations concerning homosexuality in general (including gay novel). An interdisciplinary approach to the issue enables one to make observations concerning the impact of social and political realities on literature, while at the same time to analyse a work of art as a statement in public debate on homosexuality and homosexuals.
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Delille, Damien F. "Symbolist Androgyny: On the Origins of a Proto-Queer Vision." Arts 13, no. 3 (May 20, 2024): 90. http://dx.doi.org/10.3390/arts13030090.

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This article focuses on artistic and aesthetic practices within the idealist and symbolist movements of the late 19th century in France. It investigates how artists and art critics embraced androgynous imaginaries derived from Greco-Roman antiquity and the Platonic myth, transforming them into tools for social and sexual emancipation and giving rise to a proto-queer vision. An analysis of the art of Alexandre Séon, Odilon Redon, Jeanne Jacquemin, and Léonard Sarluis, in conjunction with the symbolist theories of Joséphin Péladan, Gabriel-Albert Aurier, and Émile Verhaeren, reveals an idealisti
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Abdo, Carmita H. N. "STATE OF THE ART SUMMARIES: Homosexuality: From Conception to Treatment." Journal of Sexual Medicine 3 (March 2006): 72. http://dx.doi.org/10.1111/j.1743-6109.2006.00177.x.

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Stoneley, Peter. "Young Men and the Symmetrical Life." New England Quarterly 87, no. 2 (June 2014): 191–227. http://dx.doi.org/10.1162/tneq_a_00367.

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Denman Waldo Ross (1853–1935), professor at Harvard, was one of the most influential American art theorists and collectors of the early twentieth century. Drawing on archival texts and images, this essay places Ross's innovative work within its contexts of Platonic theory, racial anthropology, and homosexuality.
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Dissertations / Theses on the topic "Homosexuality and art"

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Mueller, Mark A. "Understanding gay cultures." Diss., Columbia, Mo. : University of Missouri-Columbia, 2004. http://hdl.handle.net/10355/4100.

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Thesis (M.F.A) University of Missouri-Columbia, 2004.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (June 30, 2006) Vita. Includes bibliographical references.
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Heiford, Dana. "Me, myself and I an artist exploration of notions of identity : this exegesis [thesis] is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), February 2002." Full thesis. Abstract, 2002.

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Cheung, Yuk-ting, and 張旭廷. "The glocal queer in Singaporean gay writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46701114.

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Woods, Christopher Huia. "Masqueulinities [sic] an [sic] MA thesis by practice /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1368/.

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Bond, Richard P. "Sexual Orientation and the Advanced Placement Art History Survey." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700015/.

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This two-part study included a content analysis of an AP art history text and a survey together with interviews with AP art history teachers that embraced both quantitative and qualitative research methodologies. The first phase of the study examined one of the more popular art history survey texts in the AP art history program, Gardner’s Art through the Ages, in terms of how inclusive it is in addressing issues of sexual orientation and, particularly, same-sex perspectives. In addition, the text was examined for evidence of sexual orientation ignored – particularly same-sex perspectives igno
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Honeychurch, Kenn Gardner. "Inside out/outside in, sexual diversity : a comparative case study of two post-secondary visual art students." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0030/NQ27164.pdf.

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Makhubu, Nomusa. "The "other" Africans : re-examining representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1713/.

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Pottmeyer, Ollie W. "Illustrations from the CD collection of Ollie W. Pottmeyer." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1952.

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Thesis (M.F.A.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains iii, 17, [19] p. : col. ill. Includes abstract. Includes bibliographical references (p. 17).
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Giffen, Rebecca Lubarsky Romm. "The effects of art education on low-income youth, youth of color and queer youth." Online pdf file accessible through the World Wide Web, 2009. http://archives.evergreen.edu/masterstheses/Accession89-10MIT/Giffen_RMITthesis2009.pdf.

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Gray, Sally Suzette Clelland School of Art History &amp Theory UNSW. "There's always more: the art of David McDiarmid." Awarded by:University of New South Wales. School of Art History and Theory, 2006. http://handle.unsw.edu.au/1959.4/32495.

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This thesis argues that the work of the artist David McDiarmid is to be read as an enactment of late twentieth century gay male and queer politics. It will analyse how both the idea and the cultural specificity of ???America??? impacted on the work of this Australian artist resident in New York from 1979 to 1987. The thesis examines how African American music, The Beats, notions of ???hip??? and ???cool???, street art and graffiti, the underground dance club Paradise Garage, street cruising and gay male urban culture influenced the sensibility and the materiality of the artist???s work. McDiar
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Books on the topic "Homosexuality and art"

1

Néret, Gilles. Homo art. Köln: Taschen, 2004.

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Williams, Craig A. Roman homosexuality. 2nd ed. Oxford: Oxford University Press, 2010.

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Henry, Rogers, ed. The art of queering in art. Birmingham [England]: Article Press, 2007.

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Fernandez, Dominique. L' amour qui ose dire son nom: Art et homosexualité. [Paris]: Stock, 2005.

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Quixal, Mari Trini. Museari queer art 5. València: Universitat de València, 2021.

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Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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Döpp, Hans-Jürgen. Sapphic art. London: Parkstone, 2002.

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Marcin, Łakomski, ed. Art pride: Gay art from Poland = Polska sztuka gejowska. Warsaw: Abiekt.pl, 2010.

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College Art Association. Gay and Lesbian Caucus. Bibliography of gay and lesbian art. New York: The Caucus, 1994.

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Christopher, Brown, and Stanley Nick, eds. Out in art. London: GMP, 1986.

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Book chapters on the topic "Homosexuality and art"

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van der Meer, Theo. "‘Are Those People Like Us’ — Early Modern Homosexuality in Holland." In Queer Masculinities, 1550–1800, 58–76. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230524156_4.

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Bos, David J. "Hellish Evil, Heavenly Love: A Long-Term History of Same-Sex Sexuality and Religion in the Netherlands." In Public Discourses About Homosexuality and Religion in Europe and Beyond, 21–58. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56326-4_2.

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AbstractThis chapter offers an overview of changes in Dutch perceptions of, and attitudes toward, same-sex sexuality and the part religion played in them. It discusses landmark events and publications from 1730—when “sodomy” became a public issue—until the present. It describes the evolution of discourse on same-sex sexuality, with special reference to the earliest publications on “homosexuality,” alias “Uranism,” which often referred to religion. In the twentieth century, Roman Catholic and Protestant opposition to homosexual emancipation gradually gave way to sympathy, and in the 1960s some pastors were vocal advocates of acceptance. In the early 1970s, homosexuality became a doctrinal issue, a religious identity marker. Polarization was exacerbated in the late 1970s, which saw the rise of both the gay and lesbian movement and religious fundamentalism. “Discursive associations” between religion—including Judaism and Islam—and homosexuality are brought to light partly by means of quantitative content analysis of newspapers.
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Riddell, Fraser. "‘Now—for a breath I tarry’: Breath, Desire, and Queer Materialism at the fin de siècle." In The Life of Breath in Literature, Culture and Medicine, 345–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_17.

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AbstractRiddell explores how tropes of breath and breathlessness articulate the relationship between materiality, desire, and loss for queer subjects in Victorian literature. The essay presents readings of A. E. Housman’s A Shropshire Lad, John Addington Symonds’s Memoirs, and Walter Pater’s ‘Sebastian van Storck’ (from Imaginary Portraits). It also examines nineteenth-century sexology (including writings by Magnus Hirschfeld) to demonstrate how certain modes of breathing were directly associated with non-normative sexuality in the period. Riddell draws upon insights from contemporary queer theory, in its turns toward negative affect and phenomenology, to examine precarious forms of embodied subjectivity in the history of homosexuality. By doing so, he demonstrates how experiences of embodiment are never universal but closely bound up with individual subject positions (such as sexuality and gender).
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"Prologue: the art of colonial homosexual love." In Colonialism and Homosexuality, 24–29. Routledge, 2008. http://dx.doi.org/10.4324/9780203930175-8.

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"5. “The Killer in Me Is the Killer in You”: Homosexuality and Fascism." In The Queer Art of Failure, 147–72. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822394358-008.

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Elsner, Jaś. "Dover’s ‘Inch’: Reflections on the Art-Historical Method in Greek Homosexuality." In Scholarship and Controversy. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350333482.ch-012.

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Morrison, Benedict. "Queering Articulation." In Complicating Articulation in Art Cinema, 105–27. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894069.003.0005.

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This chapter uses key ideas from queer theory in order to argue that the queerness of Terence Davies’s The Long Day Closes (1992) lies less in its protagonist’s presumed homosexuality and more in its formal arrangement of quotations from disparate cultural texts. This bricolage exposes the operation of a culture committed to reproducing compulsory heterosexuality. Criticism, however, has concentrated on explaining the density and arbitrariness of cultural quotation through reference to Bud, insisting that the scraps of film and popular music that make up The Long Day Closes reflect the boy’s escape into self-expression, offering relief and release from the humdrummery and cruelties of life. Building on Derrida’s post-structuralist theories, this chapter argues that the mosaic of references does not provide a medium through which characters can speak, but rather speaks over characters and limits what is sayable. Far from nostalgic, this articulation-through-quotation constrains the possibilities of individual identity.
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"Toward an Art of Transvestism: Colonialism and Homosexuality in Puerto Rican Literature." In ¿Entiendes?, 137–68. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822399483-009.

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Posso, Karl. "The Ambiguous Art of Vanishing: Abjection and Undecidable Homosexuality in Stella Manhattan." In Artful Seduction, 24–56. Routledge, 2017. http://dx.doi.org/10.4324/9781351197236-2.

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Fortier, Corinne. "Exile, Gender and Empowerment in Jocelyne Saab’s Films: Gender Café and One Dollar a Day." In ReFocus: The Films of Jocelyne Saab, 188–200. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474480413.003.0013.

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Jocelyne Saab was an exceptionally courageous Lebanese filmmaker who dealt with the three main topics of war, exile and gender. She produced many documentaries but also fictions, such as her most famous film, Dunia, shot in Egypt on the theme of the female body, pleasure and Female Genital Mutilation. This film was censored in Egypt and lead to severe problems with Egyptian islamists. The theme of gender was also the main topic of a series of six short documentaries created in 2013 entitled Café du Genre, which dealt with women’s situations in the Arab world, but also with other very complex themes such as homosexuality. The films portrayed artists and researchers from the Middle East, especially from Tunisia, Egypt, Lebanon and Turkey. In this chapter I will focus on the film about Lebanese choregraph Alexandre Paulikevitch, in which Saab deals, in her very own style and approach, with homosexuality and transidentity in the Arab World. Her latest artistic production from 2016, One Dollar a Day, observed daily life in a Syrian refugee camp in Lebanon. This chapter will discuss in detail these three works of art and their common preoccupation with gendered courage in exile.
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Conference papers on the topic "Homosexuality and art"

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Xiao, Yu. "Children’s Attitudes Towards Homosexuality in China." In 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220401.219.

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Aduloju, Bamikole Martins. "Homosexuality and African Criminal Justice System: Exploring the Current Laws and Enforcement Regimes in Nigeria." In The IAFOR International Conference on Arts and Humanities – Hawaii 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2432-4604.2022.3.

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Rudorfer, Lothar Filip. "Homosexuality and Bara Manga in Japan – Representation of the Psychological State of Mind of the Contemporary LGBT+ Plus Size Men in Japan." In The Kyoto Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2436-0503.2023.7.

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"Young People's (16 – 26-year-old) Awareness and Perspectives towards sexual and reproductive health and rights: A cross-sectional study." In International Conference on Public Health and Humanitarian Action. International Federation of Medical Students' Associations - Jordan, 2022. http://dx.doi.org/10.56950/rkjz2732.

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Background: As of 2020, 28 percent of Jordan's population was between the ages of 16 and 30, with Jordanians and Syrians accounting for the majority of the youth population. Nevertheless, the transition to adulthood is getting more complex, especially in meeting their sexual and reproductive health (SRH) needs. Unfortunately, there is still limited data on how youth perceive these challenges and needs. Objective: This study aimed to address SRHR needs and related topics such as gender-based violence among the Jordanian youth. Method: This is a cross-sectional study of a convenience sample of J
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Zineb, BOUSSAID. "Suspicions about Women's Rights and Their Status in Islam Comparison between Islamic Discourse and Legal Covenants." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-20.

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There is no doubt that the world today is more interested than ever in the discourse of human rights that sheds light on the covenants and legal charters that govern this domain. Besides that, women are the pivotal pillar of the society; consequently, they are the primary concern in the human rights discourse of different generations. Subsequently, their personal, cultural, political, financial and social rights are recognized; furthermore, their rights are strengthened by official charters . Despite the fact that no one can deny the positive aspects of the human rights discourse related to th
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Maia, Mariana Cotta, Mauro Romero Leal Passos, Vandira Maria dos Santos Pinheiro, and Roberto de Souza Salles. "Sexually transmitted diseases in women who aged 50 or older: a retrospective analysis from 2000 to 2017 in a public reference service in Niterói City, Rio de Janeiro State." In XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p081.

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Introduction: Sexually transmitted diseases (STDs) are more common in young people. There are few studies on STDs in the older population, particularly women. Objective: The aim of this study was to evaluate and characterize, with epidemiological variables, the prevalence of STDs in the female population over 50 years old, in a public reference service in Niterói city, Rio de Janeiro State, Brazil. Methods: The study was carried out at the STD Sector of Universidade Federal Fluminense. It was a descriptive retrospective study of quantitative character, carried out with women aged 50 years or o
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Reports on the topic "Homosexuality and art"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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