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Journal articles on the topic 'Homosocial intimacy'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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1

Drummond, Murray J. N., Shaun M. Filiault, Eric Anderson, and David Jeffries. "Homosocial intimacy among Australian undergraduate men." Journal of Sociology 51, no. 3 (2014): 643–56. http://dx.doi.org/10.1177/1440783313518251.

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2

Kaplan, Danny. "Public Intimacy: Dynamics of Seduction in Male Homosocial Interactions." Symbolic Interaction 28, no. 4 (2005): 571–95. http://dx.doi.org/10.1525/si.2005.28.4.571.

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3

Dow, Nardeen. "Homosocial or homoerotic: A re-reading of gender and sexuality in Harry Potter through fanfiction." Queer Studies in Media & Popular Culture 5, no. 1 (2020): 27–47. http://dx.doi.org/10.1386/qsmpc_00023_1.

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The Harry Potter novels present their readers with traditional views of masculinity, male dominance and, by extension, female subjugation. Although the books may appear to portray female characters as strong and independent, the text focuses on outmoded ideas of male heroism. While many critics have discussed related topics like female power and sexuality in Rowling’s novels, this article focuses on the power structure at play and on the underlying homoerotic subtexts in the source text by making use of Eve Kosofsky Sedgwick’s concept of homosociality. In addition, the article relies on fanfic
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4

Ralph, Brittany, and Steven Roberts. "One Small Step for Man: Change and Continuity in Perceptions and Enactments of Homosocial Intimacy among Young Australian Men." Men and Masculinities 23, no. 1 (2018): 83–103. http://dx.doi.org/10.1177/1097184x18777776.

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While recent scholarship has documented a growth of same-sex, nonsexual kissing among young men in Western societies, this may reflect a weakening, rather than complete transformation, of hegemonic gender structures. Critically engaging with current theorizing of “inclusive masculinities,” this article reports the findings from a study of young Australian men’s views on what constitutes acceptable forms of homosocial intimacy and how they attach meaning to these behaviors. Using qualitative data from focus groups with twenty-two men from five different subcultural peer groups and eight follow-
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5

Titman, Nathan. "Taking Punishment Gladly: Bill Tilden’s Performances of the Unruly Male Body." Journal of Sport History 41, no. 3 (2014): 447–66. http://dx.doi.org/10.5406/jsporthistory.41.3.447.

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Abstract Although historians have read the athleticism of seven-time national tennis champion Bill Tilden as a cover for his sexual identity, his playing style was very much a product of his existence outside normative gender expectations in the 1920s. Tennis allowed Tilden to engage in the homosocial amateur sporting code of upper-class Northeasterners—establishing psychological intimacy with playing partners, opponents, and protégés—while also adapting the more “roughneck” and varied techniques of working-class Californian players into a style that observers celebrated for both its power and
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6

McDiarmid, Lucy. "A Box for Wilfrid Blunt." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 163–80. http://dx.doi.org/10.1632/003081205x36921.

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This essay analyzes the testimonial occasion organized by Lady Gregory, Yeats, and Pound to honor the poet and anti-imperialist Wilfrid Scawen Blunt (1840–1922). On 18 January 1914, Blunt welcomed six younger poets to his house in Sussex, where they dined on a peacock culled from his flock. At the ritual center of the meal was the presentation to Blunt of a marble box containing his guests’ poems; on the top of the box, designed by Gaudier-Brzeska, was a reclining nude woman. The dinner had a double purpose: to construct a poetic genealogy that would give meaning to a distinctly masculine lite
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7

Pursley, Sara. "Daughters of the Right Path: Family Law, Homosocial Publics, and the Ethics of Intimacy in the Works of Shi῾i Revivalist Bint Al-Huda." Journal of Middle East Women's Studies 8, no. 2 (2012): 51–77. http://dx.doi.org/10.2979/jmiddeastwomstud.8.2.51.

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8

Moss, Rachel. "“Let Him Walk with You”: Telling Stories About Fifteenth-Century Men, and the Women they Left Behind." Medieval Feminist Forum 58, no. 1 (2022): 128–45. http://dx.doi.org/10.32773/rxmx9778.

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In this article I use a blend of autoethnography and historical storytelling to explore the role of outdoor space in forming relationships between fifteenth-century men and their maintenance of hegemonic power. By weaving together three striking vignettes from late fifteenth-century England, constructed as creative retellings of the historical evidence, with autoethnographic notes on my own lived experience, I am able to fill in the gaps of the historical record and open up questions about the implications of what has been left out. I argue that the medieval cultural understanding of the outdo
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9

Fanshel, Rosalie Zdzienicka. "Beyond blood brothers: queer Bruce Springsteen." Popular Music 32, no. 3 (2013): 359–83. http://dx.doi.org/10.1017/s0261143013000275.

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AbstractBruce Springsteen's body of work contains a striking number of songs with homoerotic or queerly suggestive content. Moreover, his live performances often push the limits of the homosocial, ‘queering’ onstage relationships through everything from lingering kisses with the late saxophonist Clarence Clemons to intimate microphone sharing with guitarist and real-life best friend Stevie Van Zandt. In this paper I trace Bruce Springsteen's consistent performative engagement with queer desire over the course of his 40-year career through a close reading of both lyrics and performance (includi
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10

Tallent, Alistaire. "Intimate Exchanges: The Courtesan Narrative and Male Homosocial Desire in La Dame aux camélias." French Forum 39, no. 1 (2014): 19–31. http://dx.doi.org/10.1353/frf.2014.0001.

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11

Robinson, Stefan, Adam White, and Eric Anderson. "Privileging the Bromance: A Critical Appraisal of Romantic and Bromantic Relationships." Men and Masculinities 22, no. 5 (2017): 850–71. http://dx.doi.org/10.1177/1097184x17730386.

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In this research, utilizing data from thirty semistructured interviews, we examine how heterosexual undergraduate men compare their experiences of bromances to that of their romantic relationships (romances). We find that the increasingly intimate, emotive, and trusting nature of bromances offers young men a new social space for emotional disclosure, outside of traditional heterosexual relationships. Participants state that the lack of boundaries and judgment in a bromance is expressed as emotionally rivalling the benefits of a heterosexual romance. Our participants mostly determined that a br
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12

Rivera Izquierdo, Ángela. "Befriending the Other: Community and Male Camaraderie in Irvine Welsh’s Trainspotting." ES Review. Spanish Journal of English Studies, no. 38 (December 18, 2017): 89. http://dx.doi.org/10.24197/ersjes.38.2017.89-112.

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Situada en la Escocia posthatcheriana, los críticos suelen coincidir en que Trainspotting (1993) de Irvine Welsh representa el surgimiento de un individualismo creciente y la desintegración de las comunidades obreras en el Reino Unido. Esta teoría se basa en la falta de sentimiento fraternal en el grupo y en el miedo de los personajes a intimar, rasgos que se consideran propiamente individualistas. Sin embargo, este estudio considera a los ‘trainspotters’ de Welsh no como individuos aislados, sino como miembros de un tipo alternativo de comunidad, tal y como propone la filosofía posfenomenológ
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13

DAVISON, KATE. "OCCASIONAL POLITENESS AND GENTLEMEN'S LAUGHTER IN 18th C ENGLAND." Historical Journal 57, no. 4 (2014): 921–45. http://dx.doi.org/10.1017/s0018246x14000302.

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ABSTRACTThis article considers the intersection between polite manners and company in eighteenth-century England. Through the laughter of gentlemen, it makes a case for a concept of occasional politeness, which is intended to emphasize that polite comportment was only necessary on certain occasions. In particular, it was the level of familiarity shared by a company that determined what was considered appropriate. There was unease with laughter in polite sociability, yet contemporaries understood that polite prudence could be waived when men met together in friendly homosocial encounters. In th
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14

Arjmand, Reza, and Maryam Ziari. "Sexuality and concealment among Iranian young women." Sexualities 23, no. 3 (2018): 393–405. http://dx.doi.org/10.1177/1363460718797047.

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Criminalization of sexual relations outside the institution of marriage in Iran fosters – among other means – concealment as one of the safest methods to undermine social and legal impediments. In a context where any alternative practices of sexualities are subject to persecution, sexual concealments are applied as tactics for survival. The female body in such a normative-laden society is conditioned by its “openness” which makes it a subject of honor for family and kin and core for the management of desire and regulating the intimate for the theocratic state. Based on life stories of young wo
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15

Camargo, Fábio Figueiredo. "Corpo, culpa e vergonha em Mundos mortos, de Octávio de Faria / Body, Guilt and Shame in Octávio de Faria’s Mundos Mortos." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 2 (2020): 235. http://dx.doi.org/10.17851/2358-9787.29.2.235-251.

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Resumo: O presente artigo analisa o romance Mundos mortos, de Octávio de Faria, publicado em 1937, rotulado pela crítica como literatura intimista, abordando personagens adolescentes e seus dilemas sobre sexualidade em torno de um local de homossociabilidade, o colégio de padres católicos. O que chama atenção na produção desse autor, e está expresso nos textos ficcionais, nos dilemas de seus personagens, em seu diário e em suas correspondências, é o conflito constante entre o fato deste ser católico fervoroso e, ao mesmo tempo, haver a presença marcante de um homoerotismo, o qual está diretame
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16

Atuk, T. "Comrades-in-[Each Other’s]-Arms: Homosociality, Masculinity and Effeminacy in the Turkish Army." Men and Masculinities, August 2019, 1097184X1986687. http://dx.doi.org/10.1177/1097184x19866874.

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In Turkey, the military regulation Article 17 prohibits men who suffer “visible sexual identity and/or behavioral defects” from serving in the armed forces. The final decision of exemption, however, is made by doctors depending on the cogency of the femininity/effeminacy draftees perform. Based on seven oral histories of gay men and a trans woman who served in the army, and five oral histories of gay men, including myself, who obtained the certificate of discharge, this article discusses the constitutive role of homosociality in the production of military masculinity and the abjection of effem
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17

Hu, Tingting, and Cathy Yue Wang. "Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama—S.C.I. Mystery." Television & New Media, July 3, 2020, 152747642093726. http://dx.doi.org/10.1177/1527476420937262.

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This articles examines the representation of the blurred boundary between bromance and romance in the Chinese drama, S.C.I. Mystery (2018) and how it can be interpreted in Chinese gender discourse because it is the unique boys’ love fanfiction being adapted for an online drama in mainland China. We use the term bromance-as-masquerade to denote a representational strategy of depicting male–male romance under the guise of homosocial bromance. Bromance-as-masquerade facilitates the promotion of male intimacy cultivated by the leading actors themselves and the production team in the marketing proc
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18

Welch, Tom. "“Love You, Bro”: Performing Homosocial Intimacies on Twitch." Television & New Media, March 4, 2022, 152747642210814. http://dx.doi.org/10.1177/15274764221081460.

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This article will consider the affective labor of male professional game streamers on Twitch in their role as performers and as community managers for their audiences. It asks what changes when we frame the discussion of male streaming labor around affect, and what is gained from thinking about streaming labor as a product and producer of norms and desires. Though a growing number of scholars have considered the roles of labor generally and affective labor in particular on Twitch, less attention has been spent on the particular role of masculinity in a space where the majority of streamers and
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19

Strydom, Wemar. "On queerly reading canid tropes in Eben Venter’s Wolf, Wolf." Tydskrif vir Letterkunde 55, no. 3 (2018). http://dx.doi.org/10.17159/2309-9070/tvl.v.55i3.5510.

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The intertwined effect of loss of power on facets of masculinist identity (being a son, a lover, a citizen) and on categories of belonging (filial, intimate, national) is explored in Eben Venter’s Wolf, Wolf (2013). As the protagonist tries to navigate the lived actuality of contemporary South African life, the experience of multiple loss(es) leads him to consider the possibility of alternative ways of navigating the ‘in-between’ spaces of family structures, intimate connection, and national belonging. Curiously, the presence of canid tropes and canid symbolism appear alongside considerations
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20

Brennan, Joseph. "Slash Manips: Remixing Popular Media with Gay Pornography." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.677.

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A slash manip is a photo remix that montages visual signs from popular media with those from gay pornography, creating a new cultural artefact. Slash (see Russ) is a fannish practice that homoeroticises the bonds between male media characters and personalities—female pairings are categorised separately as ‘femslash’. Slash has been defined almost exclusively as a female practice. While fandom is indeed “women-centred” (Bury 2), such definitions have a tendency to exclude male contributions. Remix has been well acknowledged in discussions on slash, most notably video remix in relation to slash
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