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Relevant bibliographies by topics / Hong Kong horror fiction / Dissertations / Theses

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Dissertations / Theses on the topic 'Hong Kong horror fiction'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Yau, Suk-ying Shirley, and 邱淑瑩. "Where has all the horror gone?: a study of horror in contemporary cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B42575175.

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2

Lam, Yat-lim, and 林逸濂. "The society of Hong Kong in Lilian Lee's fiction =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43208629.

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3

Lau, Cheung-cheung, and 劉章璋. "A study of Manga and adolescent popular fiction in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221142.

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4

Lau, Cheung-cheung. "A study of Manga and adolescent popular fiction in Hong Kong /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20354010.

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5

Yeung, Mei-yee. "Searching for a cultural identity : Hong Kong fiction from the fifties to the nineties /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19605389.

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6

Ma, Guoming, and 馬國明. "Hong Kong martial art novels: the case of Louis Cha." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212566.

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7

Wong, Yee-ling, and 黃綺玲. "Cyborgs, capitalism, hope: a study of Hong Kong and Hollywood science fiction films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50900146.

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Posthuman representations in selected Hollywood and Hong Kong science fiction films show new interconnections in “techno-globalization.” They also exhibit a waning relationship between the “center” and the “margin” of technoculture. This study discusses the relation of technology, humanity, affect, and aesthetics in selective science fiction films produced from 1984 to 2010. The science fiction features were made in the United States and in Hong Kong. They include: The Terminator (1984), Terminator2 (1991), Terminator Salvation (2009), A.I. Artificial Intelligence (2002), I Love Maria (1988),

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8

Chen, Qin. "The Others: Desire, Anxiety, and the Politics of Chinese Horror Cinema (1989-2015)." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469178422.

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9

Lu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.

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10

Chak, Winnie. "The Sixth Try." Chapman University Digital Commons, 2020. https://digitalcommons.chapman.edu/creative_writing_theses/5.

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11

Yeung, Mei-yee, and 楊美儀. "Searching for a cultural identity: Hong Kong fiction from the fifties to the nineties." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31220216.

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12

Chow, Chi-shing Jeffrey, and 鄒志誠. "Postcoloniality in Hong Kong Literature: withspecial reference to Xi Xi's and Ye Si's Fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950541.

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13

Lam, Yat-lim. "The society of Hong Kong in Lilian Lee's fiction Li Bihua xiao shuo zhong de Xianggang she hui /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208629.

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14

Lo, Kwai-cheung, and 羅貴祥. "Crossing boundaries: a study of modern Hong Kong fiction from the fifties to the eighties." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B3120935X.

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15

Chow, Chi-shing Jeffrey. "Postcoloniality in Hong Kong Literature : with special reference to Xi Xi's and Ye Si's Fiction /." [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13793779.

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16

Wong, Sau-ngan, and 王秀銀. "The effectiveness of unit design of teaching micro-novelsthrough genre theory." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50179366.

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The ineffectiveness of language teaching, the declining level of language proficiency of students, and a lack of motivation to learn, have always been of great concern to the society and the education sector. With the implementation of the 334 New Senior Secondary School System, self-designed elective unit of Chinese Language curriculum is launched. It could eliminate the shackles of public examination pressure. Teachers can have a larger space to try to use different materials and teaching approaches. They can design and implement school-based curriculum based on the interests and abilities

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17

李芷昕. "香港 : 小說「文革」 = Hong Kong : narrating "the Chinese Cultural Revolution"". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/801.

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18

陸✹而. "✹述「九七」 : 香港小說中的時間與✹事 = Narrating "1997" : time and narrative in Hong Kong novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/688.

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19

Fung, Yuk-ling, and 馮玉玲. "Junior secondary students' understanding of the nature of science through their study of science stories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B42576908.

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20

Chan, Wai-ying, and 陳惠英. "Chinese lyrical fiction in the period 1919-1989." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.

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21

Ng, Hoi-shan Crystal, and 吳海珊. "Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951697.

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22

Yau, Wai Ping. "A polysystemic study of the translations of modernist fiction in Literary current monthly magazine (1956-1959)." HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/459.

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23

Ng, Po-chu. "Writing about women and women's writing a study of Hong Kong feminine fiction in 80s and 90s = Shu xie nü xing yu nü xing shu xie : ba, jiu shi nian dai xiang gang nü xing xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36259019.

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24

王靖. "許地山香港時期創作論 = Studies of XuDishan's composition during the Hong Kong period". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485471.

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25

呂永佳. "西西小說中的「城市空間」 = "Urban space" in Xi Xi's novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/791.

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26

Ng, Hoi-shan Crystal. "Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.

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27

鄭瑞琴. "西西《童話寫眞》小說硏究 = Research on the fairy realism in Xi Xi's writings". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/203.

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28

Ng, Po-chu, and 伍寶珠. "Writing about women and women's writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.

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29

Zhou, Hao. "Representations of Cities in Republican-era Chinese Literature." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281335246.

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30

"Histories in fictions: the configuration of Hong Kong in Xu Xi's History's fiction and David T.K. Wong's Hong Kong stories." 2007. http://library.cuhk.edu.hk/record=b5893117.

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Siu, Lok Yi.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2007.<br>Includes bibliographical references (leaves 131-136).<br>Abstracts in English and Chinese.<br>Chapter Chapter One: --- Contextualizing the Context: Reading Histories in Fictions --- p.1<br>Chapter Chapter Two : --- Rendezvous: an Alternative Discourse for Hong Kong histories --- p.37<br>Chapter Chapter Three --- Histories Cut and Pasted: --- p.54<br>Kaleidoscopic Writing of Hong Kong histories<br>in Xu Xi's History's Fiction<br>Chapter Chapter Four --- Histories that Live: --- p.99<br>David T.K. Wong's Hong Kong St

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31

"論香港五十年代至六十年代的小說實驗". 2008. http://library.cuhk.edu.hk/record=b5896786.

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楊彩杰.<br>"2008年9月".<br>"2008 nian 9 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.<br>Includes bibliographical references (leaves 98-102).<br>Abstracts in Chinese and English.<br>Yang Caijie.<br>Chapter 第一章 --- 緒論<br>Chapter 第一節 --- 硏究目的 --- p.1<br>Chapter 第二節 --- 硏究方法 --- p.3<br>Chapter 第三節 --- 前人硏究槪況 --- p.10<br>Chapter 第二章 --- 「小說實驗」釋義´ؤ´ؤ香港五、六十年代小說實驗的參照<br>Chapter 第一節 --- 文學雜誌對時代的詮釋 --- p.16<br>Chapter 第二節 --- _「政治」´ؤ´ؤ香港五、六十年代「政治介入文學」的文學景觀 --- p.21<br>Chapter 第三節 --- 「五四」´ؤ´ؤ早期香港文學接受「五四」小說的範式 --- p.26<br>Chapter 第四節 --- 「大眾文化」´ؤ´ؤ香港五、六十年代的通俗小說 --- p.29<br>Chapter

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32

Chung-HangChang and 張珺涵. "Time And Tide：A Study On Xu Xu’s Fiction of Shanghai , Chongqing and Hong Kong Period." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/06943451869637033130.

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碩士<br>國立成功大學<br>中國文學系現代文學碩士班<br>103<br>SUMMARY This paper outlines the three periods of Xu Xu’ creative life , including the Shanghai period (1933-1941 , 1946-1950) ,the Chongqing period (1942-1944 ) and the Hong Kong period (1950-1980 ). Inspire by time and space ,this paper makes synchronic and diachronic study of Xu Xu’s fiction. Exploring differences and relevant points between three periods and contrasting with the early period and upper period of Xu Xu’s writing. Through three periods of this discussion, can be a clear thread of thought to grant Xu Xu an adequate position and an impartia

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33

"The lore of childhood: subversion of gender socialization in certain examples of English and Hong Kong children's fiction since the 1860s." 1998. http://library.cuhk.edu.hk/record=b5896312.

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by Maggy Chan Mei Lan.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1998.<br>Includes bibliographical references (leaves 171-182).<br>Abstract also in Chinese.<br>Chapter Chapter One --- Introduction --- p.1<br>Chapter Chapter Two --- Historical Background --- p.17<br>Chapter 2.1: --- Whimsical Garden: A short Visit to the Realm of Children's Literature in the West<br>Chapter 2.2: --- Rejuvenated Roses: The Growth of Hong Kong Children's Literature and Its Tinge of Local Colors<br>Chapter 2.3: --- Magic Wand to the Future: Subversive Children's Literature<br>Chapter Chapter Three --

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34

"邊緣與中心: 論香港左翼小說中的「香港(1950-1967)". 2001. http://library.cuhk.edu.hk/record=b6073825.

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張詠梅.<br>論文(哲學博士)--香港中文大學, 2001.<br>參考文獻 (p. 235-273).<br>中英文摘要.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Zhang Yongmei.<br>Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001.<br>Can kao wen xian (p. 235-273).<br>Zhong Ying wen zhai yao.

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35

"1940-1950年代香港虛構文學中的文化身份". 2013. http://library.cuhk.edu.hk/record=b5549276.

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本論文旨在分析1940年代到1950年代的香港虛構文學中對於文化認同的轉變。1940年代到1950年代在香港文學史中是一個重要的時期，見證了鮮明的文化意識的形成和覺醒。本研究通過分析香港的虛構文學作品中兩種常用甚至濫用的刻板印象，分別為香港即港口的形象，和香港即女性的形象，來闡述這些刻板印象如何在不同的文化視野下反復被重寫，改寫，從而產生具有獨特香港文化意識的特質。本文通過後殖民理論研究方法，分析了五篇這一時期的虛構文學作品中文化認同的轉變。他們分別為：張愛玲的短篇小說《沈香屑·第一爐香》（1943）和《傾城之戀》（1943）、韓素音的小說《瑰寶》（1952）、舒巷城的短篇小說《霧香港》（1956）以及理查德·梅森的小說《蘇絲黃的世界》（1957）。<br>本文分為五個章節。概論章介紹了1940年代到1950年代香港文學的整體面貌，並討論了香港文學的定義以及現在的各種問題。第一章研究了相關後殖民理論，包括文化身份（認同），離散經驗，東方主義和混雜性等概念，以幫助下文的深入討論。第二章和第三章分別圍繞上文所述的兩種刻板印象的再書寫展開，以闡述所選作品中表現出來的區別於群體文化身份認同書寫的私人書寫方式，並由此得出相關結論。<br>This study purports to describe the transformation of cultural identities in t

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36

"複調的藝術: 黃碧雲(1961-)小說研究". 2004. http://library.cuhk.edu.hk/record=b6073879.

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黃念欣.<br>論文(哲學博士)--香港中文大學, 2004.<br>參考文獻 (p. 354-462).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in Chinese and English.<br>Huang Nianxin.<br>Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2004.<br>Can kao wen xian (p. 354-462).

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