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Books on the topic 'Honky-tonk music'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Texas honky-tonk music. Austin, Tex: Eakin Press, 1985.

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2

Honky tonk Kat. New York: Berkley Books, 1997.

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3

Honky tonk Kat. New York: G.P. Putnam's Sons, 1996.

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4

Honky tonk: Portraits of country music revisited. New York: W.W. Norton & Company, 2012.

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5

Horenstein, Henry. Honky tonk: Portraits of country music revisited. New York: W.W. Norton & Company, 2012.

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6

Honky tonk: Portraits of country music, 1972-1981. San Francisco: Chronicle Books, 2003.

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7

Lynn, Loretta. Honky tonk girl: My life in lyrics. New York: Alfred A. Knopf, 2012.

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8

Lynn, Loretta. Honky tonk girl: My life in lyrics. New York: Alfred A. Knopf, 2012.

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9

ill, Levine Laura 1958, ed. Honky-tonk heroes & hillbilly angels: The pioneers of country & western music. Boston, Mass: Houghton Mifflin, 2006.

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10

Kienzle, Richard. Southwest shuffle: Pioneers of honky tonk, Western swing, and country jazz. New York: Routledge, 2003.

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11

Southwest shuffle: Pioneers of honky-tonk, Western swing, and country jazz. New York: Routledge, 2003.

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12

George-Warren, Holly. Honky-tonk heroes and hillbilly angels: The pioneers of country & western music. Boston: Houghton Mifflin, 2006.

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13

McCusker, Kristine M. Lonesome cowgirls and honky-tonk angels: The women of barn dance radio. Urbana: University of Illinois Press, 2008.

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14

McCusker, Kristine M. Lonesome cowgirls and honky-tonk angels: The women of barn dance radio. Urbana: University of Illinois Press, 2008.

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15

1948-, Smyth David, ed. Cheatin' hearts. Toronto: Playwrights Canada Press, 1995.

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16

Kilpatrick, Sally. The Happy hour choir. New York, NY: Kensington Books, 2015.

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17

Nelson, Bernie. Honky Tonk Angels. Heritage Builders, LLC, 2017.

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18

Lane, Jack, and Tommy Allen. The Texas Honky-Tonk Trail. Authorhouse, 2003.

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19

Horenstein, Henry. Honky Tonk: Portraits of Country Music 19721981. Chronicle Books, 2003.

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20

Honky Tonk Girl: My Life in Lyrics. Random House Publishing Group, 2012.

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21

Smith, Carl. Go, boy go. 2017.

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22

Boland, Jason. Hard times are relative. 2018.

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23

Sachs, Lloyd. American Country: Bluegrass, Honky-Tonk, and Crossover Sounds. Lerner Publishing Group, 2017.

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24

Sachs, Lloyd. American Country: Bluegrass, Honky-Tonk, and Crossover Sounds. Lerner Publishing Group, 2012.

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25

Sachs, Lloyd. American Country: Bluegrass, Honky-Tonk, and Crossover Sounds. Lerner Publishing Group, 2017.

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26

Sachs, Lloyd, and Intuitive. American Country: Bluegrass, Honky-Tonk, and Crossover Sounds. Lerner Publishing Group, 2014.

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27

Sachs, Lloyd, and Intuitive. American Country: Bluegrass, Honky-Tonk, and Crossover Sounds. Lerner Publishing Group, 2017.

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28

Tichi, Cecelia. Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars. Duke University Press, 1998.

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29

(Contributor), Amy Schrager Lang, Charmaine Lanham (Contributor), David Sanjek (Contributor), Jocelyn Neal (Contributor), John Rumble (Contributor), Susan Adcock (Contributor), T. Walter Herbert (Contributor), Cecelia Tichi (Editor), and Cecelia Tichi (Editor), eds. Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars. 2nd ed. Duke University Press, 1998.

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30

1942-, Tichi Cecelia, ed. Reading country music: Steel guitars, Opry stars, and honky-tonk bars. Durham: Duke University Press, 1998.

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31

(Contributor), Amy Schrager Lang, Charmaine Lanham (Contributor), David Sanjek (Contributor), Jocelyn Neal (Contributor), John Rumble (Contributor), Susan Adcock (Contributor), T. Walter Herbert (Contributor), Cecelia Tichi (Editor), and Cecelia Tichi (Editor), eds. Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars. 2nd ed. Duke University Press, 1998.

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32

Rick, Mitchell, and Johnny Bush. Whiskey River: The True Story of Texas Honky-Tonk. University of Texas Press, 2017.

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33

Womack, Lee Ann. The lonely, the lonesome & the gone. 2017.

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34

Honky-Tonk Gospel: The Story of Sin and Salvation in Country Music. Baker Book House, 2001.

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35

Good hearted women and honky-tonk angels: Women's voices in country music. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1992.

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36

George-Warren, Holly, and Laura Levine. Honky-Tonk Heroes and Hillbilly Angels: The Pioneers of Country and Western Music. Houghton Mifflin Harcourt Publishing Company, 2006.

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37

Whiskey River (Take My Mind): The True Story of Texas Honky-Tonk. University of Texas Press, 2007.

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38

Lonesome Cowgirls and Honky Tonk Angels: The Women of Barn Dance Radio (Music in American Life). University of Illinois Press, 2008.

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39

Lonesome Cowgirls and Honky Tonk Angels: The Women of Barn Dance Radio (Music in American Life). University of Illinois Press, 2008.

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40

Stimeling, Travis D. Recording Practice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.5.

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This chapter explores the influence of recording technologies on the creation and reception of country music from the first hillbilly recordings to the twenty-first century. Following a survey of recent literature from the musicology of recording and sound studies, country music’s voice-centered recording strategies are explored through case studies drawn from early hillbilly, honky tonk, and “hot country” recordings. Country music’s history as a recorded musical practice is shaped by technological and aesthetic developments that can be heard in a wide range of recorded popular musics. Furthermore, this chapter examines the ways that bluegrass musicians, engineers, and producers deploy specific technologies, including the single-microphone technique, to articulate their musical and cultural authenticity. These ways can help us gain a better understanding of the expressive power of recorded country music by placing these “records in dialogue” with other recordings in country music and from other music styles.
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41

Vander Wel, Stephanie. The Singing Voice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.25.

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This chapter offers new insights about the musical and cultural significance of singing styles in country music by contextualizing the details of predominant female vocal approaches within the rich and complex history of southern vernacular singing and by considering, the role of the performing body in relation to the singing voice. Specifically, it takes into account the vocal techniques of Loretta Lynn in relation to the musical conventions of honky tonk singing, the physiological and bodily components of vocal production, and the role of microphone and recording technology. With a chest-dominant vocal technique—amplified by the microphone—Lynn has projected a vocal identity of strength and conviction interpreted as the first working-class feminist voice in country music. This chapter demonstrates that singers such as Kitty Wells, Jean Shepard, and Rose Maddox helped to forge a distinct singing style that had a lasting influence on Lynn’s vocal performances.
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42

The Bakersfield sound: How a generation of displaced Okies revolutionized American music. 2015.

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43

Country Music's Most Wanted: The Top 10 Book of Cheating Hearts, Honky Tonk Tragedies, and Music City Oddities (Most Wanted). Potomac Books Inc., 2004.

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44

Vander Wel, Stephanie. Hillbilly Maidens, Okies, and Cowgirls. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043086.001.0001.

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Well before the success of Loretta Lynn and Dolly Parton, female artists were integral to the commercial expansion and aural reception of country music. Women in early country music took on and redefined the theatrical and musical roles of the hillbilly maiden, the unruly Okie, the singing cowgirl, and the honky-tonk angel in live performance, on radio, in film, and in the recording studio. This book accounts for the vibrant presence of female country artists through an interdisciplinary focus on performance and vocal expression in relation to the cultural currents of the 1930s and 1950s. Across a variety of media, women’s country music engendered new ways of making sense of public and private spaces (such as the home, the dance hall, and the honky-tonk) that were integral to the real and imagined lives of working-class women striving for upward social mobility and/or resisting the rigidity of middle-class codes of behavior. Connecting the female singing voice to the theatrics of the popular stage and to the musical practices of specific country styles, this study shows how women in country music wielded a range of performative devices in order to work within and against social and commercial expectations.
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45

Tichi, Cecelia. Readin' Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars (The South Atlantic Quarterly Winter 1995, Vol 94 No 1). Duke University Press, 1995.

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46

Price, Robert E. The Bakersfield sound: How a generation of displaced Okies revolutionized American music. 2018.

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47

Kent Finlay, Dreamer: The Musical Legacy behind Cheatham Street Warehouse. Texas A&M University Press, 2016.

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