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Books on the topic 'Honor codes'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Masculinity and male codes of honor in modern France. New York: Oxford University Press, 1993.

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2

Masculinity and male codes of Honor in modern France. Berkeley, CA: University of California Press, 1998.

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3

Klemm, Florence. Military professional ethics, code of conduct, and military academies' honor codes. Colo: U.S. Air Force Academy Library, 1985.

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4

Bhattacharya, Siddhartha, Tarun Das, Anish Ghosh, and Riddhi Shah. Recent trends in ergodic theory and dynamical systems: International conference in honor of S.G. Dani's 65th birthday, December 26--29, 2012, Vadodara, India. Providence, Rhode Island: American Mathematical Society, 2015.

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5

Code of honor. New York: Scholastic, Incorporated, 2015.

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6

Cores, peripheries, and globalization: Essays in honor of Ivan T. Berend. Buapest: Central European University Press, 2011.

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7

Nitaj, Abderrahmane, Said El Hajji, and El Mamoun Souidi. Codes, Cryptology and Information Security: Second International Conference, C2SI 2017, Rabat, Morocco, April 10–12, 2017, Proceedings - In Honor of ... Springer, 2017.

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8

Reid-Vazquez, Michele. Tensions of Race, Gender, and Midwifery in Colonial Cuba. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036637.003.0008.

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This chapter examines representations of honor, gender, race, and labor in colonial Cuba through the lens of midwifery. More specifically, it considers how free women of African descent used occupational choice as a marker of identity and honor despite the limits of race and gender within Cuba's slave society. Using the tensions surrounding local and international debates over parteras (midwives) in the nineteenth century, the chapter looks at the ways that free women of color resisted the efforts of the colonial state to diminish their participation in midwifery. It also discusses the professionalization in medicine in the late eighteenth and early nineteenth centuries and its impact on midwifery in Cuba, along with the colonial state's attempts to regulate midwives. Finally, it considers how free black and mulatto women appropriated elite discourses of honor and created a labor niche that challenged established socioracial codes of conduct. It shows that medical professionalization, feminine ideals, honor, occupational whitening, and racial denigration converged to shape the social and economic parameters for free women of African descent in colonial Cuba.

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9

Buchmann, Johannes, Edoardo Persichetti, Cheikh Thiecoumba Gueye, and Pierre-Louis Cayrel. Algebra, Codes and Cryptology: First International Conference, A2C 2019 in honor of Prof. Mamadou Sanghare, Dakar, Senegal, December 5–7, 2019, ... in Computer and Information Science). Springer, 2019.

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10

Honor Comes Hard Writings From The California Prison Systems Honor Yard. Ti Chih Ch'u Pan She, 2010.

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11

Nelson, Janet L., and Alice Rio. Women and Laws in Early Medieval Europe. Edited by Judith Bennett and Ruth Karras. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199582174.013.035.

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This article examines the main ways in which early medieval lawmakers concerned themselves with women. Law codes put forward ideologically loaded representations of women, and they reflected concerns to ensure both their protection and their control by men. At the same time, they also dealt with highly practical issues and were subject to continual amendment as new and ever more complicated cases were brought before lawmakers. They reveal a conflicted and ambiguous attitude towards women: as highly prized assets and a crucial form of symbolic capital, but also a heavy financial burden, a liability, and a weak point in the safeguarding of family honor. We consider the valuation of women in terms of compensation for homicide, injuries, and insults; the regulation of marriage and of sexual crimes; and property, to which women and men had differential access.

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12

Code of honor. Scholastic, Inc., 2015.

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13

Thorpe, Gavin, and Jervis Johnson. Codex Imperial Guard (Warhammer 40,000): "Duty and Honour". Games Workshop Ltd, 1990.

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14

Llano, Samuel. A New Order? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0010.

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This chapter describes how organilleros, in spite of all the nuisance that they caused, played a key role in the formation of a middle-class lifestyle in Madrid. Organilleros represented everything that the rising middle classes rejected, such as coarseness and lack of refinement. The middle classes used organilleros as an Other against which to define themselves. Parallel to the legal persecution of organilleros in the 1890s, the press circulated news of crimes and murders allegedly committed by organilleros. There was a common narrative structure in all these news, namely, one in which an organillero killed his partner in a fit of jealousy. The media accused organilleros of misappropriating the centuries-long honor code that was endorsed in the 1870 Penal Code and that provided legitimacy for males to use violence against their wives to restore honor damaged through adultery.

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15

Experiment and Design: Archaeological Studies in Honour of John Coles (Oxbow Monographs Series). Oxbow Books Limited, 1999.

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16

(Editor), Thomas R. Trabasso, John P. Sabatini (Editor), Dominic W. Massaro (Editor), and Robert Calfee (Editor), eds. From Orthography to Pedagogy: Essays in Honor of Robert L. Venezky. Lawrence Erlbaum, 2005.

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17

L, Venezky Richard, and Massaro Dominic W, eds. From orthography to pedagogy: Essays in honor of Richard L. Venezky. Mahwah, N.J: Lawrence Erlbaum, 2005.

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18

Bliss, Michael, ed. A Uniquely American Epic. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178141.001.0001.

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Widely acknowledged as a highly innovative film, Sam Peckinpah’s The Wild Bunch was released in 1969. From the outset, the movie was considered controversial because of its powerful, graphic, and direct depiction of violence, but it was also praised for its lush photography, intricate camera work, and cutting-edge editing. Peckinpah’s tale of an ill-fated, aging outlaw gang bound by a code of honor is often regarded as one of the most complex and influential Westerns in American cinematic history. The issues dealt with in this groundbreaking film—violence, morality, friendship, and the legacy of American ambition and compromise—are just as relevant today as when the film first debuted. To honor the significance of The Wild Bunch, this collection brings together leading Peckinpah scholars and critics to examine what many consider to be the director’s greatest work. The book’s nine essays explore the function of violence in the film and how its depiction is radically different from what is seen in other movies; the background of the film’s production; the European response to the film’s view of human nature; and the role of Texas/Mexico milieu in the narrative.

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19

Holmes, Sean P. For the Dignity and Honor of the Theatrical Profession. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037481.003.0006.

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This chapter examines the Actors' Equity Association's (AEA) campaign to raise the status of the acting community by cleansing it of its long-standing reputation for immorality. It focuses in the first instance on the efforts of Equity leaders to improve the collective image of actors by persuading the Methodist Church to lift its ban on commercial amusements and taking newspapers to task for reinforcing the association that existed in the public mind between acting and criminality. Its primary concern, however, was with the internal dimension of the campaign. It takes as its starting point the AEA's crusade against the excessive consumption of alcohol, a practice that straddled not only the divide between the legal and the extralegal but also the ill-defined line between the public sphere and the private sphere. It argues that accusations of drunkenness often functioned as a pretext for disciplining those performers whose sexual habits were at odds with the so-called civilized morality embraced by the leadership of the AEA—that is, “promiscuous” women and homosexual men. Even as the theater as a cultural institution was helping to redraw the boundaries of propriety in American society, the AEA was seeking to bind the men and women of the legitimate stage to a moral code that was rooted in increasingly outmoded notions of respectability.

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20

Deffebach, Bill. On My Honor I Will Do My Best: A Memoir of Making the Most of What Comes Our Way. Xlibris Corporation, 2005.

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21

On My Honor I Will Do My Best: A Memoir of Making the Most of What Comes Our Way. Xlibris Corporation, 2005.

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22

Lebow, Richard Ned. Trust and International Relations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190851163.003.0014.

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The importance of classical sources and a social approach to understanding questions of international security is developed in this chapter, alongside the concepts of trust and deterrence, all important in Freedman’s scholarly world, especially his Strategy: A History. The study begins with Sophocles and Plato, linking trust to friendship, and viewing both trust and society as co-constitutive phenomena. While deterrence and realist models of international relations assume that trust is in short supply, following the great figures of ancient Greece, in reality, trust will be more widespread the more robust the society is. The chapter explores the importance of honor and reputation. It concludes, after Plato, that trust comes the demonstrable willingness to do things for friends that have nothing to do with one’s own goals. Treating others as friends builds security through co-constitutive interaction. This applies to societies and states, as well as individuals.

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23

Kendall, Elisabeth. Al-Qaeda and Islamic State in Yemen. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190650292.003.0006.

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This book chapter begins by showing how Al-Qaeda in the Arabian Peninsula (AQAP) speaks to local audiences at both practical and emotional levels, rather than just through religious ideology. It demonstrates how AQAP narratives resonate strongly with local tribal codes of honour and revenge, and how these can then be harnessed to serve the global agenda of militant jihad. The chapter then explores two key themes that thread through AQAP’s jihadist narratives: the celebration of death and the construction of the enemy. It shows how these themes are tuned towards local audiences and how they have developed since the “Arab spring” uprising, the emergence of Islamic State and the onset of all-out war in 2015. Lastly, the chapter looks at the relative appeals of AQAP and Islamic State in Yemen. It outlines the potential trajectories of AQAP and briefly suggests ways in which the jihadist threat in Yemen might be countered.

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24

Brennan, T. Corey. Final Years in Rome. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190250997.003.0009.

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Direct evidence for Sabina’s activities as Augusta in and around Rome is disappointing. Although inscriptions suggest some (limited) benefactions by the empress, the most conspicuous expression of Sabina’s heightened status comes from the Rome mint, which produced an impressive series of original images publicizing the empress’s imperial virtues. Changing titulature and hairstyles on Sabina’s Rome coins help establish a relative chronology and an understanding of the intended messages. The provincial coin issues bearing Sabina’s portrait are harder to assess: on their reverses their subject matter overlaps significantly with types showing the emperor. The regime also offered ever-changing sculptural images of Sabina. On both coins and sculptures, this era’s portrait artists, generally abandoning naturalism, pictured the middle-aged empress as a young serene beauty. The chapter also quantifies Sabina’s assimilation to specific goddesses in the eastern inscriptions, and seeks to understand how eastern communities balanced public honors for Hadrian, Sabina, and Antinoös.

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25

Harrison, Stephen, Fiona Macintosh, and Helen Eastman, eds. Seamus Heaney and the Classics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198805656.001.0001.

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The death of Seamus Heaney in 2013 is an appropriate point to honour the Irish poet’s contribution to classical reception in modern poetry in English; this is the first volume dedicated to that subject, though occasional essays have appeared in the past. The volume comprises literary criticism by scholars of classical reception and literature in English, and has some input from critics who are also poets and from theatre practitioners on their interpretations and productions of Heaney’s versions of Greek drama; it combines well-known names with early-career contributors, and friends and collaborators of Heaney with those who admired him from afar. The papers focus on two main areas: Heaney’s fascination with Greek drama and myth, shown primarily in his two Sophoclean versions but also in his engagement with Hesiod, with Aeschylus’ Agamemnon, and with myths such as that of Antaeus, and his interest in Latin poetry, primarily in Virgil but also in Horace. A number of the papers cover the same material, but from different angles; for example, Heaney’s interest in Virgil is linked with the traditions of Irish poetry, his capacity as a translator, and his annotations in his own text of a standard translation, as well as being investigated in its long development over his poetic career, while his Greek dramas are considered as verbal poetry, as comments on Irish politics, and as stage-plays with concomitant issues of production and interpretation. Heaney’s posthumous translation of Aeneid VI comes in for considerable attention, and this will be the first volume to study this major work.

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