Academic literature on the topic 'Hoover, J. Edgar'

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Journal articles on the topic "Hoover, J. Edgar"

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Coben, S. "J. Edgar Hoover." Journal of Social History 34, no. 3 (March 1, 2001): 703–6. http://dx.doi.org/10.1353/jsh.2001.0008.

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O'Reilly, Kenneth. "J. Edgar Hoover and Civil Rights." Policy Studies Journal 21, no. 3 (September 1993): 609–14. http://dx.doi.org/10.1111/j.1541-0072.1993.tb01815.x.

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Theoharis, Athan, William Cran, and Stephanie Tepper. "The Secret File on J. Edgar Hoover." Journal of American History 80, no. 3 (December 1993): 1201. http://dx.doi.org/10.2307/2080588.

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Schmautz, Kurt A., and Curt Gentry. "J. Edgar Hoover: The Man and the Secrets." Michigan Law Review 90, no. 6 (May 1992): 1812. http://dx.doi.org/10.2307/1289450.

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Goldstein, Robert Justin. "From the Secret Files of J. Edgar Hoover." History: Reviews of New Books 21, no. 2 (January 1993): 64. http://dx.doi.org/10.1080/03612759.1993.9948545.

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Pyle, Christopher H., Curt Gentry, and Athan Theoharis. "J. Edgar Hoover: The Man and the Secrets." Political Science Quarterly 107, no. 2 (1992): 366. http://dx.doi.org/10.2307/2152686.

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Powers, Richard Gid, and Athan Theoharis. "J. Edgar Hoover, Sex, and Crime: An Historical Antidote." Journal of American History 82, no. 3 (December 1995): 1286. http://dx.doi.org/10.2307/2945263.

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Parrish, Michael E., and Richard Gid Powers. "Secrecy and Power: The Life of J. Edgar Hoover." American Historical Review 93, no. 2 (April 1988): 514. http://dx.doi.org/10.2307/1860091.

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Harbutt, Fraser, and Richard Gid Powers. "Secrecy and Power: The Life of J. Edgar Hoover." Journal of Interdisciplinary History 20, no. 2 (1989): 328. http://dx.doi.org/10.2307/204868.

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Ellis, Mark. "J. Edgar Hoover and the “Red Summer” of 1919." Journal of American Studies 28, no. 1 (April 1994): 39–59. http://dx.doi.org/10.1017/s0021875800026554.

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J. Edgar Hoover directed the Bureau of Investigation (BI), later renamed the Federal Bureau of Investigation, from 1924 until his death in 1972. His autocratic style of management, self-mythologising habits, reactionary political opinions and accumulation of secret files on real, imagined and potential opponents have been widely documented. The views and methods he advocated have been variously attributed to values he absorbed as he grew up and to certain peculiarities of his personality. Most biographers trace his rapid rise to prominence in the BI to his aptitude for investigating alien enemies during World War I, and radicals during the subsequent Red Scare. He was centrally involved in the government's response to the alleged threat of Bolshevism in America, and, although he later denied it, he co-ordinated the notorious Palmer raids of January 1920, in which thousands of aliens were rounded up and several hundred were deported.
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Dissertations / Theses on the topic "Hoover, J. Edgar"

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Painter, Charles N. "Early Leader Effects on the Process of Institutionalization Through Cultural Embedding: The Cases of William J. Donovan, Allen W. Dulles, and J. Edgar Hoover." Diss., Virginia Tech, 2002. http://hdl.handle.net/10919/27510.

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This study examines the ways early leaders can influence the process of institutionalization in public organizations. Using Scheinâ s (1983, 1991) model of cultural creation and embedding as a heuristic device, secondary historical sources detailing the creation and development of the Central Intelligence Agency (CIA) and the Federal Bureau of Investigation (FBI) and the careers of three significant leaders are used to understand the institutionalizing effects of those leaders, how they created those effects, and what happened to those effects over time. The case studies of William Donovan and Allen Dulles at CIA and J. Edgar Hoover at the FBI, provide evidence that these early leaders explicitly and implicitly used several of the cultural creation and embedding mechanisms identified by Schein to entrench their beliefs and predispositions into their organizations. These ensconced attitudes and tendencies seemingly played significant roles in the institutionalization of beliefs, rules, and roles that have developed, persisted, and affected the historical evolution of both CIA and the FBI.
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Bailey, James A. "Hype, headlines and high profile cases : J. Edgar Hoover, print media and the career trajectories of top North Carolina G-Men, 1937-1972." Thesis, Swansea University, 2003. https://cronfa.swan.ac.uk/Record/cronfa42260.

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This thesis examines the relationship between J. Edgar Hoover and North Carolina State Bureau of Investigation directors and their career trajectories from 1937 to 1972 as a result of their public relations practices in high profile case investigations in the print media. Although researchers argue that leadership characteristics impact law enforcement executives' careers, an overlooked component is the relationship between directors' career trajectories and print media when reporting on high profile cases. This thesis examines the consequences of high profile case investigations in the print media and directors' career trajectories. Namely, J. Edgar Hoover and State Bureau of Investigation directors' career trajectories are examined to demonstrate how directors used the print media to prolong their tenure. This thesis argues that State Bureau of Investigation directors modeled their public relations style in the print media and high profile investigations after Hoover's in order to accomplish a positive career trajectory. This thesis also argues that career trajectory outcomes of State Bureau of Investigation directors who emulated Hoover's style of using the print media in high profile investigations were distinguished by prolonged career tenures. State Bureau of Investigation directors less efficacious in emulating Hoover's style were characterized with negative career trajectories. In order to better understand this career advancement outcome, the research problem is examined on the basis of a triangular relationship between Hoover's public relations practices, the State Bureau of Investigation's public relations practices that were modeled after Hoover, and print media's coverage of high profile case investigations from both agencies. This thesis concludes that there is a direct correlation between law enforcement directors' career advancements and their public relations practices related to print media coverage of high profile cases.
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Pliley, Jessica Rae. "Any Other Immoral Purpose: The Mann Act, Policing Women, and the American State, 1900 – 1941." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281537489.

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Cannon, Ammie. "Controversial Politics, Conservative Genre: Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/469.

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Rex Stout maintained his popular readership despite the often controversial and radical political content expressed in his detective fiction. His political ideals often made him many enemies. Stances such as his ardent opposition to censorship, racism, Nazism, Germany, Fascism, Communism, McCarthyism, and the unfettered FBI were potentially offensive to colleagues and readers from various political backgrounds. Yet Stout attempted to present radical messages via the content of his detective fiction with subtlety. As a literary traditionalist, he resisted using his fiction as a platform for an often extreme political agenda. Where political messages are apparent in his work, Stout employs various techniques to mute potentially offensive messages. First, his hugely successful bantering Archie Goodwin-Nero Wolfe detective duo—a combination of both the lippy American and the tidy, sanitary British detective schools—fosters exploration, contradiction, and conflict between political viewpoints. Archie often rejects or criticizes Wolfe's extreme political viewpoints. Second, Stout utilizes the contradictions between values that occur when the form of detective fiction counters his radical political messages. This suggests that the form of detective fiction (in this case the conventional patterns and attitudes reinforced by the genre) is as important as the content (in this case the muted political message or the lack of overt politics) in reinforcing or shaping political, economic, moral, and social viewpoints. An analysis of the novels The Black Mountain (1954) and The Doorbell Rang (1965) and the novellas "Not Quite Dead Enough" and "Booby Trap" (1944) from Stout's Nero Wolfe series demonstrates his use of detective fiction for both the expression of political viewpoints and the muting of those political messages.
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MacIntyre, Jeffrey. "A metahistory of J. Edgar Hoover." Thesis, 2000. http://hdl.handle.net/2429/12350.

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J. Edgar Hoover is a nonpareil figure among modern American icons, seemingly both an agent and victim of history. As the Director of the Federal Bureau of Investigation for nearly fifty years (1924-1972), Hoover at once forged a public persona as the nation's foremost crime-fighter and assumed a backstage role as political rainmaker, holding court through eight presidencies. His posthumous celebrity, however, simultaneously dwarfs and compromises this legacy. Longstanding suspicions about Hoover's private life, widely disseminated and accepted in the mid-1990s as transvestism and homosexuality, have accrued the special resonance popular culture reserves for scandal-ridden caricature. How can one begin to account for this sea change in the American public imagination? The posthumous speculations about Hoover suggest a curious and profoundly ambivalent response to a period of American life for which cultural narratives are only now being written—and for which Hoover seems to - have earned a central place. I will look to four narratives which prominently feature J. Edgar Hoover and remark on his influence on the political and cultural climate of his times. Examining literary biography, novel, and film genres will demonstrate representative and popular forms of historical narrative; moreover, their strikingly similar use of emplotment and characterization begs further questions. The thematic of Hoover envisioned by literary, biographic, and cinematic artists can be convincingly sketched as a Left or libertarian Zeitgeist which warns against the frailty of justice, the corruptibility of the powerful, and the tyranny of the state. I intend to argue that each narrative treatment of Hoover establishes an essentially singular, composite text: a metanarrative explaining Hoover's role, particularly in post-war American history, as an archetypal tyrant-fascist and principal symbol for the vagaries of Cold War anxiety. I will address the popular recrudescence of Hoover in light of several related arguments: that cultural memory articulates contemporary national identity; that the vicissitudes of the Cold War in the United States can be described as a movement from a culture of consensus to one of dissent; that present developments in the American ideological disposition follow a similar pattern; and that ideological assent only follows the consensus-creating power of a national jeremiad. The present revisioning of Hoover appears to be such a jeremiad, and hints at the workings of a broader national consciousness intent on re-examining and re-drawing its recent history.
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Wang, Hsi-Kang, and 王熙康. "J. Edgar Hoover and Anti-Communism in the United States." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/16630335029820025779.

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博士
淡江大學
美洲研究所博士班
100
J. Edgar Hoover, founder of modern day Federal Bureau of Investigation (FBI), was definitely a legendary figure. Reining the FBI for 48 years, he is by far the longest serving director of this crime-fighting agency. His critics accused him of resorting to unlawful techniques of surveillance, penetration, blackmailing and breaking-in to amass secret files on political leaders which could be later used to threaten those who refused to cater to his needs. Nevertheless, depicting Hoover as a despicable person failed to take into account his contributions to transforming the FBI into a well-established and powerful law enforcement agency. Besides, it did not stand to reason that the U.S. political system in Hoover’s time would allow anyone to manipulate the thinking and policy-making of the Presidents and members of Congress. There had to be other factors contributing to Hoover’s success. The FBI in the early days was a corrupt, disordered, and inefficient agency. It was under Hoover’s push for reform did the FBI eventually become the guarantor of domestic security by fighting heavy crimes. More importantly, Hoover was credited for fighting with communist subversion and successfully preventing the U.S. from communist threat. He was one of few Americans who seriously studied the Russia’s revolution of 1917 and warned of the putative threats to democracy and freedom posed by Russian Communism. As a high-profile anti-Communist, Hoover often sought to exploit the atheistic nature of Communism, portraying it as unreligious and unethical, thus unacceptable to faith-based American public. Hoover’s discourse about the lack of moral legitimacy of Communism facilitated his push for an anti-communism campaign in the U.S. This dissertation seeks to answer the following questions. What motivated Hoover to fight Communism? How did Hoover use the FBI to clean up the alleged Communist subversion in the U.S.? What approaches he resorted to that were deemed controversial? Through FBI documents and Hoover''s writings and speeches, I argue that Hoover became the most influential FBI director due to following reasons: a successful FBI reform, the expansion of federal power, secret surveillance entrusted by Presidents, and a manifestation of Presidents’ determination to ensure national security. The inference that Hoover used secret files to blackmail the Presidents he served may not be the proper explanation. More importantly, Hoover appealed to the public about the danger and threat of Communism to the United States and the world throughout his life. It is safe to say that Communism might have taken root in the US in the absence of Hoover’s efforts and dedication. However, Hoover’s concern about Communist subversion led him to overstep his jurisdictional bounds in his pursuit of eliminating that perceived threat. Liberal critics often charged him of abusing power, infringing upon personal freedom, and violating human rights, overshadowing his legacy as a strong defender of national security. In the end, what Hoover did revealed a hard lesson for any government that seeks to find a delicate balance between national security and personal freedom.
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Books on the topic "Hoover, J. Edgar"

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Cunningham, Kevin. J. Edgar Hoover. Mankato: Compass Point Books, 2007.

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J. Edgar Hoover: Controversial FBI director. Minneapolis, Minn: Compass Point Books, 2005.

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Helfer, Andrew. J. Edgar Hoover: A graphic biography. New York: Hill and Wang, 2008.

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J. Edgar Hoover and his G-men. Westport, CT: Praeger, 1995.

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Friedman, Kinky. The love song of J. Edgar Hoover. New York: Simon & Schuster, 1996.

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Friedman, Kinky. The love song of J. Edgar Hoover. Rockland, MA: Wheeler Pub., 1996.

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Demaris, Ovid. J. Edgar Hoover: As they knew him. New York: Richard Gallen/Carroll & Graf, 1994.

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Friedman, Kinky. The love song of J. Edgar Hoover. New York: Ballantine Books, 1997.

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From the secret files of J. Edgar Hoover. Chicago: I.R. Dee, 1993.

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J. Edgar Hoover: The man and the secrets. New York: Norton, 1991.

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Book chapters on the topic "Hoover, J. Edgar"

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Hollow, Jordan. "Preface." In The Liberals and J. Edgar Hoover, ix—x. Princeton: Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400859887.ix.

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Culleton, Claire A. "Extorting Henry Holt & Co.: J. Edgar Hoover and the Publishing Industry." In Modernism on File, 237–52. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610392_13.

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Culleton, Claire A. "“Processed by Democracy”: J. Edgar Hoover in the Age of Mechanical Reproduction." In Joyce and the G-Men, 105–15. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403973498_4.

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Stephan, Alexander. "J. Edgar hoovers Amerika." In Im Visier des FBI, 1–79. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03630-8_1.

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Culleton, Claire A. "Joyce and the G-Men: J. Edgar Hoover’s Manipulation of Modernism." In Joyce and the G-Men, 17–68. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403973498_2.

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"Hoover, J. Edgar (1895–1972)." In The Encyclopedia of Civil Liberties in America, 467–68. Routledge, 2015. http://dx.doi.org/10.4324/9781315699868-325.

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"CHAPTER ONE. Domestic Security in a Modern Liberal State." In The Liberals and J. Edgar Hoover, 1–27. Princeton: Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400859887.1.

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"CHAPTER FOUR. The End of the FBI-Liberal Entente." In The Liberals and J. Edgar Hoover, 111–53. Princeton: Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400859887.111.

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"CHAPTER FIVE. Rise of a Domestic Intelligence State." In The Liberals and J. Edgar Hoover, 154–89. Princeton: Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400859887.154.

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"CHAPTER SIX. Conclusion." In The Liberals and J. Edgar Hoover, 190–200. Princeton: Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400859887.190.

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