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Relevant bibliographies by topics / Hop to Hop to communication

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Academic literature on the topic 'Hop to Hop to communication'

Author: Grafiati

Published: 4 June 2025

Last updated: 23 June 2025

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Journal articles on the topic "Hop to Hop to communication"

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Zhang, Cenyan. "A Study of Subculture Based on Online Communication from the Perspective of Carnival Theory: Taking Hip-Hop Culture as an Example." Communications in Humanities Research 6, no. 1 (2023): 371–77. http://dx.doi.org/10.54254/2753-7064/6/20230309.

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As a kind of subculture that is relatively popular among young people, hip-hop culture has been developing well in the past few years with the power of internet communication. Hip-hop culture includes street dance, rap, DJ and graffiti, and has a very rebellious spirit that advocates a free and equal relationship. As for China, hip-hop culture, as an imported product, was once excluded from the mainstream system and had been growing wildly "underground" for a long time. However, in recent years, along with the broadcast of some variety shows, hip-hop culture has been presented in the discourse system of mass media based on online communication, which has attracted widespread attention. The essay includes four parts. The first part starts from the respective concepts of hip-hop culture, subculture, and rave concept, and explains their definition and the process of development respectively. The second part explains the connotation and development of hip-hop culture and subculture from the perspective of rave theory. The third part describes how the online medium has influenced cultural communication. The last part describes the process of localization and transformation of hip-hop culture in China and its current development.

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Lazutova, Natal'ya Mikhailovna, Varvara Sergeevna Semenova, Varvara Vasil'evna Vodzinskaya, and Klara Milagrosa Tope Aranda. "Hip-hop Subculture as a Media Phenomenon." Litera, no. 2 (February 2024): 171–82. http://dx.doi.org/10.25136/2409-8698.2024.2.69287.

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Subcultures are of significant interest to researchers in the humanities. The processes of digitalization and mediatization, when media network activity and media activities globally affect basic social institutions, suggest a systematic study of subcultures in the context of communication theory. It is noted that the formation and further stability, up to the rooting in the general culture, is characteristic of the youth subculture of hip-hop. The authors of the article set a strategic goal - to find out, on the basis of theoretical and methodological approach, due to what systemic (formal and content) characteristics hip-hop has spread among young people, what communicative characteristics of this subculture determined its flourishing in the period of digitalization. Among the tasks that were solved are the following: characterization of the hip-hop industry as a network media phenomenon is given, the dynamics of its changes at the level of subsystems is considered. The authors for the first time put forward and proved the hypothesis that hip-hop reflects all five stages of development of the system of mass communications. The analysis reveals the rhizome-like nature of the hip-hop subculture as the main reason for the systemic stability of this media phenomenon. The article comprehensively considers the totality of components of the hip-hop subculture as effective communicative practices: graffiti, breakdancing, DJing, rap (rap battles). The tendency of active entry of some subcultural processes and products into mass culture is noted. The peculiarities of hip-hop slang are outlined. The article brings the media-communication approach into the agenda of further scientific research of youth subcultures (primarily hip-hop) and actualizes it.

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Mitchell, Tony. "The Diy Habitus of Australian Hip Hop." Media International Australia 123, no. 1 (2007): 109–22. http://dx.doi.org/10.1177/1329878x0712300111.

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Since its origins in the late 1980s, Australian hip hop continues to be fundamentally a do-it-yourself (DIY) subcultural field which has little or no music industry input or support. This paper profiles some of the small labels and producers in Australian hip hop (Obese, Elefant Traks, Nuff Said, Crookneck, Invada, etc.) and examines how they have formed from the ground up, using community radio stations such as 2SER, PBS and 3ZZZ, and websites such as Ozhiphop.com , to promote their music, as well as organising their own gigs and tours. It also examines Aboriginal practitioners of hip hop, who have even less infrastructure than the DIY network of independent producers and labels. Drawing on Holly Kruse's writing about ‘situated practices’ in independent rock music, which refers to Bourdieu's ‘fields of practice’ and ‘habitus’, I examine the subcultural networks and associations that have emerged in Australian hip hop, mediated through a nexus of genre, gender, space, location, race and ethnicity. The concept of habitus is arguably a useful way of referring to hip hop practices like MCing, DJing, breakdancing and graffiti, as well as the social behaviour associated with the hip hop subculture.

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Jenkins, Toby S. "A Beautiful Mind." Journal of Black Studies 42, no. 8 (2011): 1231–51. http://dx.doi.org/10.1177/0021934711405050.

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In a field like hip-hop, where written and verbal communication are the two primary forms of work production, the mind or intellect of the artist should be viewed as the very thing responsible for success. However, unlike other writing-intense fields, the mind of hip-hop artists is often the least valued and least lauded trait. Hip-hop artists, whether they realize it or not, have more to offer. They are more than the things that they possess. They are writers. They are thinkers. This article examines intellectualism in hip-hop music—its presence, shortcomings, and ultimate value.

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Knobloch-Westerwick, Silvia, Paige Musto, and Katherine Shaw. "Rebellion in the Top Music Charts." Journal of Media Psychology 20, no. 1 (2008): 15–23. http://dx.doi.org/10.1027/1864-1105.20.1.15.

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Abstract. In spite of great public concern about offensive messages in hip-hop/rap and rock, actual quantitative prevalence is rarely examined. This investigation analyzed 260 rap/hip-hop and rock songs from the top-charts of 1993 and 2003 for rebellious messages about impulsive and hostile behaviors. Results show that the majority of top songs contain rebellious messages. Songs with messages about impulsiveness are more common than those about hostility in the rap/hip-hop genre and have increased.

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Werner, Valentin. "Assessing hip-hop discourse: Linguistic realness and styling." Text & Talk 39, no. 5 (2019): 671–98. http://dx.doi.org/10.1515/text-2019-2044.

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Abstract This study provides a corpus-linguistic take on hip-hop discourse (as represented in rap), relating to one of the most influential cultural mass movements to date. To this end, a custom-built corpus of lyrics by US-American rap artists (LYRAP) was compiled, containing performed hip-hop discourse over a 25-year period. This material is used to test the alignment of hip-hop discourse with African American English in terms of morphosyntax, and to determine the amount of styling present in the lyrics. In addition, a comparative perspective with pop lyrics (as represented in the LYPOP corpus) is established, and highly characteristic lexical and discourse features of hip-hop discourse are identified. The analyses suggest that “linguistic realness” (in terms of conveying a street-conscious identity) is created on multiple structural levels, but that different artists style their lyrics to various extents to achieve this realness, and that a complete congruence of African American English with hip-hop discourse cannot be traced.

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Menon, Bindu. "The Blazon Call of Hip Hop." Journal of Creative Communications 8, no. 2-3 (2013): 231–50. http://dx.doi.org/10.1177/0973258613512574.

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Stalgaitis, Carolyn Ann, Mayo Djakaria, and Jeffrey Washington Jordan. "The Vaping Teenager: Understanding the Psychographics and Interests of Adolescent Vape Users to Inform Health Communication Campaigns." Tobacco Use Insights 13 (January 2020): 1179173X2094569. http://dx.doi.org/10.1177/1179173x20945695.

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Background: Adolescent vaping continues to rise, yet little is known about teen vape users beyond demographics. Effective intervention requires a deeper understanding of the psychographics and interests of adolescent vape users to facilitate targeted communication campaigns. Methods: We analyzed the 2017-2018 weighted cross-sectional online survey data from Virginia high school students (N = 1594) to identify and describe subgroups of adolescents who vaped. Participants reported 30-day vape use, identification with 5 peer crowds (Alternative, Country, Hip Hop, Mainstream, Popular), social prioritization, agreement with personal values statements, social media and smartphone use, and television and event preferences. We compared vaping rates and frequency by peer crowd using a chi-square analysis with follow-up testing to identify higher-risk crowds and confirmed associations using binary and multinomial logistic regression models with peer crowd scores predicting vaping, controlling for demographics. We then used chi-square and t tests to describe the psychographics, media use, and interests of higher-risk peer crowds and current vape users within those crowds. Results: Any current vaping was the highest among those with Hip Hop peer crowd identification (25.4%), then Popular (21.3%). Stronger peer crowd identification was associated with increased odds of any current vaping for both crowds, vaping on 1 to 19 days for both crowds, and vaping on 20 to 30 days for Hip Hop only. Compared with other peer crowds and non-users, Hip Hop and Popular youth and current vape users reported greater social prioritization and agreement with values related to being social and fashionable. Hip Hop and Popular youth and current vape users reported heavy Instagram and Snapchat use, as well as unique television show and event preferences. Conclusions: Hip Hop and Popular adolescents are most likely to vape and should be priority audiences for vaping prevention campaigns. Findings should guide the development of targeted health communication campaigns delivered via carefully designed media strategies.

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Oredein, Tyree, Kiameesha Evans, and M. Jane Lewis. "Violent Trends in Hip-Hop Entertainment Journalism." Journal of Black Studies 51, no. 3 (2020): 228–50. http://dx.doi.org/10.1177/0021934719897365.

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While the prevalence and adverse effects of violence in hip-hop music and music videos have been studied extensively, hip-hop entertainment journalism, which reports on hip-hop news and events, has been largely unexplored. The purpose of this study was to examine violent trends in hip-hop journalism. We conducted a content analysis on a random sample of 970 news articles, 218 interview articles and the accompanying photographs from three hip-hop themed websites, and 56 radio interviews from hip-hop themed FM radio stations. Content was coded for type of violence, reality status, narrative sequence, and tone. The findings suggest that a significant portion of hip-hop journalism communications contain violence. More than half of all articles (52.3%; n = 663) contained violence. The prevalence of violence was higher for interview articles (73.4%, n = 218) than for news articles (45.9%, n = 445). The most common categories were violent metaphors, weapons, feuding (e.g., verbal aggression), and fighting. Almost 70% of radio interviews ( n = 37) contained at least one mention of violence and the most common types of violence were fighting/physical assault and feuding. Furthermore, the majority of violence for all articles and radio content were reported as real and were presented from the performer sequence. News articles depicted more consequences, whereas interview articles and radio interviews depicted more positive portrayals. Potential implications for youth exposure hip-hop journalism are discussed.

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Hess, Mickey. "Hip-hop Realness and the White Performer." Critical Studies in Media Communication 22, no. 5 (2005): 372–89. http://dx.doi.org/10.1080/07393180500342878.

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Dissertations / Theses on the topic "Hop to Hop to communication"

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Haery, Todd Cameron. "(Pro-) Socially conscious hip hop: Empathy and attitude, prosocial effects of hip hop." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587747399137313.

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Scofield, Dan. "Hop-by-hop transport control for multi-hop wireless networks /." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd1812.pdf.

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Morris, David Z. "Minzoku madness: hip hop and Japanese national subjectivity." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/558.

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Japan is currently undergoing a subtle but pervasive social upheaval, a period of broad structural reform and soul-searching triggered by the rigors of the collapse of the hyperinflated "Bubble Economy" of the late 1980s. As the nation confronts the irretrievable loss of that economic mass delusion, it is turning instead to the reclamation of a quality of life sacrificed for much of the 20th century to national ambition for first military, and then economic pre-eminence. Historian Jeff Kingston has claimed that the ongoing changes, ranging from the reduction of working hours to the institution of freedom of information laws, have been equal in magnitude to those following the Meiji Restoration and Japan's defeat in World War II. Arguably, they represent the long-delayed fruition of postwar democratizing reforms. This dissertation examines the role of American popular music, and particularly hip hop, in reflecting and shaping these changes. Starting with the 1920s and 1930s, when jazz-loving "modern girls" stood for the alluring and threatening decadence of urbanization, the influence of American music on Japan has been strong for decades. This influence came to full flower during and after Japan's surrender and subsequent occupation, as exemplified by successive trends for everything from rockabilly to country and western to folk. Though obviously the condition of occupation enhanced the exchange of musical texts, and did exercise particularly economic pressure on Japanese musicians to adopt American styles, it is not simply a case of cultural adaptation motivated by domination of force. The central testament to this is the eventual role African-American music - not just jazz, but rock, funk, and soul - took on as the 'music of resistance,' initially in connection with the student protests that marked Japan in the 1960's. Such an articulation shows the powerful role of Japanese desire, particularly on the part of youth, for the America represented by popular music. Most recently, hip hop has shown the continued attraction African-American music holds for Japanese people, and youth in particular. Hip hop reached Japan in the early 1980s and entered the mainstream with East End X Yuri's million-selling pop-rap singles of the mid-1990s. Its prominence continues to this day, in many cases embodied in Japanese artists who imitate African-American styles and sounds wholesale. Such imitation has been roundly criticized by international critics and commentators, condemned as contextless cultural theft and a testament to Japanese insensitivity on matters of race. In my study I examine a cadre of contemporary musicians who, while equally dedicated to hip hop, firmly resist such uncritical imitation of blackness, instead emphasizing their own unique musical and cultural innovations. I argue that this transition from imitation to innovation mirrors a broader cultural shift away from widespread deference to authority and towards a greater openness to innovation and change, and is just one way that the work of Japan's underground hip hop artists resonates with the ongoing 'quiet revolution.' Hip hop has encountered a few particularly important ongoing social changes: that from a lifetime employment system to one increasingly characterized by temporary and part-time labor; from a self-declared homogenous society to a multicultural one; and, more generally, from one defined by elite emphasis on social compliance and loyalty to a wider acceptance of iconoclasm and individuality. It is tempting to classify this as the transition from an 'oppressive' system to a 'free' one - from bad to good. But there are complexities and ambivalence inherent in the emergent situation. For example, while the new employment model provides much greater flexibility for individuals and frees them from the past tyranny of the corporate system, it also exposes them to much greater financial uncertainty. The rising sense of self-worth among minorities, for which hip hop is an important channel, simultaneously threatens to transform these identities into objectified fetishes. Individuality is not without its costs. Meanwhile, hip hop is also being deployed in ways that reinforce the old model of deference and authoritarianism, particularly by artists who promote revisionist histories and the revival of militarism. The significance of hip hop for social change derives from a long history of interaction between Japanese and African-American culture. This history resurfaces in hip hop recordings, as well as in the lifestyle of urban musicians and fans. This dissertation follows the daily lives and viewpoints of hip hop artists in Tokyo and throughout Japan, from some of its most successful to those just starting their careers. It tracks their music-making processes and their practices of cultural adaptation, and places them within the larger context of Japanese society. It ultimately describes how an art form derided as imitative and derivative has come to reflect the very unique contours of the new soil to which it has been transplanted.

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Andersson, Elin. "Multi-hop communication network." Thesis, KTH, Skolan för elektro- och systemteknik (EES), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-199324.

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Antic, Filip S. "Capactiy of single-hop communication links in wireless ad hoc networks." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/33100.

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Thesis (M. Eng.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2004.<br>Includes bibliographical references (leaves 67-68).<br>This thesis defines the capacity of single-hop communication links in wireless ad hoc networks as the transferable data rate over that link determined by the Shannon limit and by the fixed modulation scheme and bit error rate. The resulting capacity formulas are derived under the assumption of r-3.8 path loss and uniform, but random, distribution of users. Rank of the link R is defined and included in the capacity formulas. After defining link capacity, the improvement of capacity is studied when different network components are implemented. These include successive interference cancellation (SIC), and multiple antenna arrays at the transmitting and the receiving end of the link. These strategies are then compared in terms of the dB improvement of capacity that they provide. Network parameter NP is defined in order to characterize spatial reuse in the network, and optimal network parameter is determined for maximizing link capacity in the process of dividing the network single frequency channel into equally sized subchannels.<br>by Filip S. Antic.<br>M.Eng.

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Yang, Daiqin. "Transmission scheduling in single-hop and multi-hop wireless networks." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37319371.

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Yang, Daiqin, and 楊代琴. "Transmission scheduling in single-hop and multi-hop wireless networks." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37319371.

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Sachs, Aaron Dickinson. "The hip-hopsploitation film cycle: representing, articulating, and appropriating hip-hop culture." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/591.

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In this dissertation, I examine the articulation of hip-hop in the mid-1980s as it emerged onto the national stage of American popular culture. Using Articulation Theory, I weave together an argument explaining how and why hip-hop went from being articulated as a set of multicultural and inclusive practices, organized around breaking, graffiti, and DJing, to being articulated to a violent, misogynistic, and homophobic hyper-masculine representation of blackness as essentially rap music culture. In doing so I also argue that there are real political, social, racial, cultural, and ideological implications to this shift in articulation; that something is at stake in defining hip-hop as both black and rap music culture. I put forward this argument by making three distinct steps over the course of this dissertation. First, I identify a change in how hip-hop was represented and thus articulated in popular media. Through an intertextual analysis of the hip-hopsploitation genre films I show that early hip-hop was being represented primarily as a set of cultural practices cohering around breaking, graffiti, and DJing rather than the now dominant articulation as rap music culture. Next I set forth one possible reason for this shift within the limiting conditions set by the available media technologies and means of commodification. The visual nature of hip-hop's early articulation coupled with the economic inaccessibility of consumer home video made breaking and graffiti difficult to commodify compared to rapping as an aural element. Using "technological determinist" theorists like McLuhan, Innis, and Kittler, I argue that understanding how hip-hop as been historically constructed requires analyzing the limiting effect that the material conditions of media technologies have on the production of hip-hop. Finally, I offer a second, racial and cultural reason for this shift in articulation, and begin identifying some of the significance of this shift. A key aspect of the articulation of hip-hop as rap music is the further connection to blackness. This connection may function to maintain white patriarchal hegemony by displacing it on the black body via rap music: a complex dynamic of disidentification and appropriation.

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Krause, Wolfram O. "Wireless communication networks : structure and dynamics of wireless multi-hop ad hoc communication networks /." Lichtenberg (Odenw.) : Harland media, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015507583&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Johnson, Tova Joanna. "Performances of Black Female Sexuality in a Hip Hop Magazine." W&M ScholarWorks, 2008. https://scholarworks.wm.edu/etd/1539626546.

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Books on the topic "Hop to Hop to communication"

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Gotzhein, Reinhard. Real-time Communication Protocols for Multi-hop Ad-hoc Networks. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33319-5.

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Hamid, Sherin Abdel. Routing for Wireless Multi-Hop Networks. Springer New York, 2013.

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Ciceron, Jimenez, and Ortego Maurice, eds. Cluster computing and multi-hop network research. Nova Science Publishers, Inc., 2009.

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Balakrishnan, Anantaram. Using a hop-constrained model to generate alternative communication network designs. Sloan School of Management, Massachusetts Institute of Technology, 1990.

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Samy, Alim H., Ibrahim Awad, and Pennycook Alastair 1957-, eds. Global linguistic flows: Hip hop cultures, youth identities, and the politics of language. Routledge, 2009.

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Paul, Ann Whitford. Hop! hop! hop! Random House, 2009.

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ill, Gerardi Jan, ed. Hop! hop! hop! Random House, 2005.

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Yŏn'guwŏn, Han'guk Chŏnja T'ongsin. Mŏlt'ihop WiBroyong relay/mesh t'ongsin sisŭt'em kaebal =: Development of relay/mesh communication system for multi-hop WiBro. Chisik Kyŏngjebu, 2009.

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Sabir. Hop hop nāmah. U. Mietag, 1999.

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Caroline, Church, ed. Hop, hop, kangaroo. Collins Educational, 1994.

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Book chapters on the topic "Hop to Hop to communication"

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Weik, Martin H. "hop." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_8451.

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Harder, Peter. "Communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 2006. http://dx.doi.org/10.1075/hop.10.comm3.

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Harder, Peter. "Communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/hop.5.comm3.

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Hinnenkamp, Volker. "Intercultural communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/hop.1.int9.

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Tomasello, Michael. "Primate communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 2003. http://dx.doi.org/10.1075/hop.7.pri1.

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Georgakopoulou, Alexandra. "Computer-mediated communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 2003. http://dx.doi.org/10.1075/hop.7.comm8.

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Payrató, Lluís. "Non-verbal communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 2003. http://dx.doi.org/10.1075/hop.8.non1.

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Weik, Martin H. "hop count." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_8452.

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Güneş, M., D. G. Reina, J. M. Garcia Campos, and S. L. Toral. "Communication Protocols for Multi-Hop Ad Hoc Networks." In SpringerBriefs in Electrical and Computer Engineering. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62740-3_3.

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Paradis, Michel. "Cerebral division of labour in verbal communication." In Handbook of Pragmatics. John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/hop.9.cer1.

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Conference papers on the topic "Hop to Hop to communication"

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Maivizhi, Radhakrishnan, and Palanichamy Yogesh. "A Lightweight Privacy-Preserving Hop-by-Hop Data Aggregation in Wireless Sensor Networks." In 2024 10th International Conference on Advanced Computing and Communication Systems (ICACCS). IEEE, 2024. http://dx.doi.org/10.1109/icaccs60874.2024.10717002.

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Sun, Weihao, Hai Wang, and Zhen Qin. "Task-Oriented Multi-Hop Backhaul in Flying Ad-Hoc Network." In 2024 10th International Conference on Computer and Communications (ICCC). IEEE, 2024. https://doi.org/10.1109/iccc62609.2024.10942060.

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Wang, Xuyang, and Dmitri Perkins. "Cross-Layer Hop-by-Hop Congestion Control in Mobile Ad Hoc Networks." In 2008 IEEE Wireless Communications and Networking Conference. IEEE, 2008. http://dx.doi.org/10.1109/wcnc.2008.432.

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Li, Changdong, Lianghui Ding, Jingan Li, Feng Yang, and Liang Qian. "Fountain Code based Hop-by-Hop Reliable Data Transmission Scheme in Multi-Hop MANETs." In 2022 IEEE 22nd International Conference on Communication Technology (ICCT). IEEE, 2022. http://dx.doi.org/10.1109/icct56141.2022.10072907.

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Супоненкова, В. А. "Formation of a Student's Identity in the Field of Additional Education (on the example of Hip-Hop Dance)." In Современное образование: векторы развития. Роль социально-гуманитарного знания в подготовке педагога: материалы V международной конференции (г. Москва, МПГУ, 27 апреля – 25 мая 2020 г.). Crossref, 2020. http://dx.doi.org/10.37492/etno.2020.35.15.064.

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статья посвящена раскрытию роли хип-хоп танца в формировании идентичности школьника в сфере дополнительного образования (на примере функционирования танцевального коллектива «Young Nation» на базе ГБОУ г. Москвы «СОШ № 554»). Цель работы состоит в том, чтобы показать значимость и возможности хип-хоп танца в развитии идентичности школьника в рамках программы дополнительного образования. В исследовании рассматривается влияние хип-хоп танца на возникновение у школьников необходимых жизненных качеств (творческих, коммуникативных, профессиональных). Хип-хоп танец тесно связан с общеобразовательными предметами и способствует комплексному развитию школьника (социальному, культурному, физическому, интеллектуальному). the article is devoted to the role of hip-hop dance in the formation of identity of the student in the field of education (exemplified by the dance group «Young Nation» on the basis of GBOU city of Moscow «school № 554»). The purpose of the work is to show the significance and possibilities of hip-hop dance in the development of a student's identity in the framework of additional education programs. The study examines the influence of hip-hop dance on the emergence of necessary life qualities in schoolchildren (creative, communicative, professional). Hip-hop dance is closely related to General education subjects and contributes to the comprehensive development of the student (social, cultural, physical, intellectual).

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Sun, Hui, and Mort Naraghi-Pour. "Performance Analysis of a Hop-by-Hop Relay Selection Strategy in Multi-Hop Networks." In 2016 25th International Conference on Computer Communication and Networks (ICCCN). IEEE, 2016. http://dx.doi.org/10.1109/icccn.2016.7568556.

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7

Wu, Y. S., D. H. Lee, and J. I. Jung. "Routing Algorithm Limiting Next Hop Selection Distance in Multi Hop Ad Hoc Networks." In 2009 IEEE International Conference on Communications Workshops. IEEE, 2009. http://dx.doi.org/10.1109/iccw.2009.5208075.

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8

Bui Ki Chan, S. Chan, and D. Pao. "Receiver Initiated Algorithm for Multi-Hop Ad Hoc Networks." In 8th International Conference on Advanced Communication Technology. IEEE, 2006. http://dx.doi.org/10.1109/icact.2006.206039.

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Amarasuriya, Gayan, Chintha Tellambura, and Masoud Ardakani. "Hop-by-Hop Beamforming for Dual-Hop MIMO AF Relay Networks." In ICC 2011 - 2011 IEEE International Conference on Communications. IEEE, 2011. http://dx.doi.org/10.1109/icc.2011.5962567.

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Chen, Shenghai, Lingfang Zhou, Lili Wan, Linlin Mo, Xiaoliang Peng, and Wei Shu. "Performance Analysis of Dual-hop UAV-FSO Dual-Hop Communication Systems." In ICEITSA 2023: The 3rd International Conference on Electronic Information Technology and Smart Agriculture. ACM, 2023. http://dx.doi.org/10.1145/3641343.3641364.

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Reports on the topic "Hop to Hop to communication"

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Hegde, M. V., and W. E. Stark. Capacity of Frequency-Hop Spread-Spectrum Multiple-Access Communication Systems. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada200616.

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Karan, Cem. The Communications Maintenance and Optimization Problem in Robotic Multi-hop Networks: Assumptions, Models, and Algorithms. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada570862.

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3

Hinden, R., and G. Fairhurst. IPv6 Hop-by-Hop Options Processing Procedures. RFC Editor, 2024. http://dx.doi.org/10.17487/rfc9673.

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Cochran, Diana, and Brandon Carpenter. Hop Research Project: Installation of the Hop Yard. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/farmprogressreports-180814-37.

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Hinden, B., and G. Fairhurst. IPv6 Minimum Path MTU Hop-by-Hop Option. RFC Editor, 2022. http://dx.doi.org/10.17487/rfc9268.

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Polonia Suarez, Abraham. Q-Hop Waiting Experience. Iowa State University, 2021. http://dx.doi.org/10.31274/cc-20240624-1177.

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Brim, S., B. Carpenter, and F. Le. Per Hop Behavior Identification Codes. RFC Editor, 2000. http://dx.doi.org/10.17487/rfc2836.

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Black, D., S. Brim, B. Carpenter, and F. Le. Per Hop Behavior Identification Codes. RFC Editor, 2001. http://dx.doi.org/10.17487/rfc3140.

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Luciani, J., D. Katz, D. Piscitello, B. Cole, and N. Doraswamy. NBMA Next Hop Resolution Protocol (NHRP). RFC Editor, 1998. http://dx.doi.org/10.17487/rfc2332.

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Carlson, R., and L. Winkler. Guidelines for Next Hop Client (NHC) Developers. RFC Editor, 1999. http://dx.doi.org/10.17487/rfc2583.

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