Journal articles: 'Hopi Indians in fiction'

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Jeeva C and Velumani P. "Portrayal of Traditional Indian Womanhood in R.K. Narayan’s The Dark Room." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (October 30, 2015): 32–34. http://dx.doi.org/10.26524/ijsth50.

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The Indo-Anglican literature is different from the Anglo-Indian literature. The former is the genre written and created by the Indians through the English language; the latter is written by the Englishmen on themes and subjects related to India. The Indo-Anglican fiction owes its origin to the translations of various fictional works from the Indian languages into English, notably from Bengali into English. The Indo-Anglican writers of fiction write with an eye and hope on the western readers. This influenced their choice of the subject matter. In Indo-Anglican novels there are Sadhus, Fakirs, Caves, Temples, Vedanta, Gandhi, Rajahs and Nawabs, etc. to are to show the interest of western audience. They represent essentially the western idea of India. But at the same time there are elements of Indianness, Nationalism and Patriotism, glorification of India’s past and sympathy for the teeming millions of the country.

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Hedrick, Philip W. "Hopi Indians, ?cultural? selection, and albinism." American Journal of Physical Anthropology 121, no. 2 (May 5, 2003): 151–56. http://dx.doi.org/10.1002/ajpa.10180.

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Haley, Brian D. "Ammon Hennacy and the Hopi Traditionalist Movement: Roots of the Counterculture’s Favorite Indians." Journal of the Southwest 58, no. 1 (2016): 135–88. http://dx.doi.org/10.1353/jsw.2016.0000.

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King, William R. "Dionysos Among the Mesas: The Water Serpent Puppet Play of the Hopi Indians." American Indian Culture and Research Journal 11, no. 3 (January 1, 1987): 17–49. http://dx.doi.org/10.17953/aicr.11.3.l11173188683tuv7.

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Rogobete, Daniela. "On Garbage and Ice: Ethics of the Slums in Katherine Boo’s Behind the Beautiful Forevers." Romanian Journal of English Studies 14, no. 1 (November 27, 2017): 14–21. http://dx.doi.org/10.1515/rjes-2017-0003.

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Abstract The present paper dwells on the complex representation of the Indian slums in Katherine Boo’s 2012 novel Behind the Beautiful Forevers. Leaving behind the conventional oversentimentalised and over-optimistic literary and cinematographic depictions, the writer places her text on the boundary between fiction and journalism, discussing poverty, inequality, hope and despair in one of the most surprising cities of the globalised world, from a new perspective.

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Abdullah, Omar Mohammed, and Zainab Hummadi Fayadh. "Question of Identity." Al-Adab Journal, no. 134 (September 15, 2020): 13–28. http://dx.doi.org/10.31973/aj.v0i134.827.

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Since Jhumpa Lahiri has been regarded as a second generation Indian immigrant living in the United States. This has made her fully aware of the cultural mixing between India and America. This paper focuses on the process of mimicry and decolonization of Indian immigrants who live in the United States. Lahiri’s fiction Interpreter of Maladies reveals cultural identity, mimicry and decolonization that the immigrants experience while living in the target culture. This paper applies Homi Bhabha’s concept of mimicry and Frantz Fanon’s concept of decolonization to explore three short stories in Lahiri’s fiction Interpreter of Maladies namely; “When Mr. Pirzada Came to Dine” , “Mrs. Sen’s” and “This Blessed House”. The study concludes that some characters in these stories mimic the American culture as a result of their interaction with the Americans due to work or for being born and raised in America. Their imitation involves culture, tradition, language and religion. While, other characters decolonize and resist the American culture by rejecting everything related to this culture, in order to adhere to their original Indian identity and keep ties with their heritage.

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Beidler, Peter G. "First Death in the Fourth World: Teaching the Emergence Myth of the Hopi Indians." American Indian Quarterly 19, no. 1 (1995): 75. http://dx.doi.org/10.2307/1185352.

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Patterson, Michelle Wick. "The “Pencil in the Hand of the Indian”: Cross-Cultural Interactions in Natalie Curtis's The Indians' Book." Journal of the Gilded Age and Progressive Era 9, no. 4 (October 2010): 419–49. http://dx.doi.org/10.1017/s1537781400004205.

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Native American communities met the many challenges of the early twentieth century in ways that defy easy categories of “progressive” or “traditional.” Indian people used many different outlets, including cultural appeals to non-Indian audiences, to craft survival strategies. Natalie Curtis's The Indians' Book (1907), a collection of Native music, art, and folklore, became one of these outlets. Through an examination of the contributions made by two Native leaders, Lololomai (Hopi) and High Chief (Southern Cheyenne), this essay considers the ways in which local Native American leaders sought to shape popular representations of their tribes. Additionally, it explores how these leaders used Curtis's work to address local political and social issues in their communities. Their efforts to influence the themes of The Indians' Book represents an attempt to, as historian Frederick Hoxie terms it, “talk back to civilization.”

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Salvatore, Ricardo D. "From Fiction to History: The 1836 Execution of Indians." Quinto Sol 18, no. 2 (July 1, 2014): 1–31. http://dx.doi.org/10.19137/qs.v18i2.935.

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Ibarrola-Armendariz, Aitor. "Urban indians in the short fiction of Sherman Alexie." Revista de Estudios Norteamericanos, no. 23 (2019): 209–30. http://dx.doi.org/10.12795/ren.2019.i23.10.

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Jones, Raymond E. "The Plains Truth: Indians and Metis in Recent Fiction." Children's Literature Association Quarterly 12, no. 1 (1987): 36–39. http://dx.doi.org/10.1353/chq.0.0460.

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Fay, Julie. "Hannah and Her Sister: The Facts of Fiction." Prospects 23 (October 1998): 1–21. http://dx.doi.org/10.1017/s0361233300006244.

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When I was growing up in Southern Connecticut, my mother referred occasionally to an ancestor of ours who had killed some Indians. In 1970, I went away to college and Mom came up to Massachusetts for Parents' Weekend. Just across the river from my campus in Bradford stood a statue in the center of Haverhill's town green. My mother pointed it out to me (my sister had gone to the same school, so Mom knew her way around the area). I'd been passing this tribute to our ancestor – supposedly the first statue of a woman ever erected in this country – every time I went to town to pick up subs or hang out with the townies. Not sure whether to be proud or ashamed, my mother and I stood and looked up at the bronze woman streaked with bird droppings. Her hatchet was raised, her hefty thigh slightly raised beneath her heavy skirts; we imagined we saw a family resemblance – the square jaw and round cheeks that are distinctive in our family. At the base of the statue, bas relief plaques narrated Hannah Emerson Dustin's story: taken by Abenaki Indians from her Haverhill home along with her week-old infant and her midwife, Mary Neff, Dustin watched as her infant was killed by the Indians. She was then marched up along the Merrimack River, through swamps and woods, to a small island where the Merrimack meets the Contoocook River, in present-day New Hampshire. Shortly after her arrival at the island, Dustin – with the aid of Mary Neff and perhaps that of an English boy, Samuel Lenardson, then living with the Indians – hatcheted to death the sleeping people, scalped them, then made her way back down the Merrimack in a canoe. As I looked at the statue, I wondered many things about Dustin.

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Howes, David. "Combating Cultural Appropriation in the American Southwest: Lessons from the Hopi Experience Concerning the Uses of Law." Canadian journal of law and society 10, no. 2 (1995): 129–54. http://dx.doi.org/10.1017/s082932010000435x.

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AbstractCultural appropriation involves the unauthorized use of elements of another culture (e.g., voice, practices, image or name) to the appropriator's commercial advantage. Cultural appropriation is experienced by some Native American cultures as an attack on their integrity which jeopardizes their very survival. The case of the Hopi Indians of Arizona is examined. The essay goes on to explore and evaluate various recourses which Native American peoples might employ to check the vulgarization and commercialization of their culture—namely the right to privacy, copyright, and the right of publicity. It is concluded that, to maximize cultural preservation, the right of publicity should be deployed.

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Shah, Pratima. "Jhumpa Lahiri’s World of Fiction." SMART MOVES JOURNAL IJELLH 8, no. 2 (February 28, 2020): 11. http://dx.doi.org/10.24113/ijellh.v8i2.10418.

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Jhumpa Lahiri is one of the most dynamic and enthusiastic writers among her contemporaries, She is definitely blessed with rare kind of art which she has achieved by virtue of her incessant labour and courage. Although she was born and brought up in the foreign countries, her attachment with India and the Indians became indispensable, which can easily be noticed all through her work. Lahiri subsequently developed her own technicalities, which she deployed in her fictional works. She is heartily associated with Indian culture and traditions, and this is the real cause for her huge popularity and fame.

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George, Diana, and Susan Sanders. "Reconstructing Tonto: Cultural formations and American Indians in 1990s television fiction." Cultural Studies 9, no. 3 (October 1995): 427–52. http://dx.doi.org/10.1080/09502389500490501.

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Marez, Curtis. "Aliens and Indians: Science Fiction, Prophetic Photography and Near-Future Visions." Journal of Visual Culture 3, no. 3 (December 2004): 336–52. http://dx.doi.org/10.1177/1470412904048566.

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Stewart, Michelle Pagni. ""Counting Coup" on Children's Literature about American Indians: Louise Erdrich's Historical Fiction." Children's Literature Association Quarterly 38, no. 2 (2013): 215–35. http://dx.doi.org/10.1353/chq.2013.0019.

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Abbas, Abbas. "The Racist Fact against American-Indians in Steinbeck’s The Pearl." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 3 (September 25, 2020): 376–92. http://dx.doi.org/10.34050/elsjish.v3i3.11347.

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the social conditions of Indians as Native Americans for the treatment of white people who are immigrants from Europe in America. This research explores aspects of the reality of Indian relations with European immigrants in America that have an impact on discriminatory actions against Indians in John Steinbeck's novel The Pearl. Social facts are traced through fiction as part of the genetics of literary works. The research method used is genetic structuralism, a literary research method that traces the origin of the author's imagination in his fiction. The imagination is considered a social reality that reflects events in people's lives. The research data consist of primary data in the form of literary works, and secondary data are some references that document the background of the author's life and social reality. The results of this research indicate that racist acts as part of American social facts are documented in literary works. The situation of poor Indians and displaced people in slums is a social fact witnessed by John Steinbeck as the author of the novel The Pearl through an Indian fictional character named Kino. Racism is an act of white sentiment that discriminates against Native Americans, namely the Indian community.

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Geertz, Armin W. "Uto-Aztecan studies: A discussion." Method & Theory in the Study of Religion 8, no. 1 (1996): 51–64. http://dx.doi.org/10.1163/157006896x00071.

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AbstractThis article grew out of participation in the Workshop on Uto-Aztecan Religions and Cosmologies. The goal of the workshop was to explore similarities and differences in the religions and cosmologies of the various Uto-Aztecan societies. In this article I follow two lines of inquiry: The one promotes a comparative discussion of cosmological structural systems, and the other attempts to identify one or more motifs which might prove to be evident in Uto-Aztecan mythologies. Based on the religion of the Hopi Indians of Arizona, I suggest that one of the most productive motifs is that of gender. For the Hopis it is shown that cosmology and gender seem to converge in social and religious statements about gender that include androgynous and duogynous themes. Insights from mythology and ritual are then applied to the social ideals and practices of the Hopis.

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Yehnert, Curtis A., Richard E. Meyer, and Keith Cunningham. "American Indians' Kitchen-Table Stories: Contemporary Conversations with Cherokee, Sioux, Hopi, Osage, Navajo, Zuni, and Members of Other Nations." Journal of American Folklore 111, no. 442 (1998): 439. http://dx.doi.org/10.2307/541055.

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Schillaci, Michael A., and Christopher M. Stojanowski. "A Reassessment of Matrilocality in Chacoan Culture." American Antiquity 67, no. 2 (April 2002): 343–56. http://dx.doi.org/10.2307/2694571.

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Recent research presented in American Antiquity (66:36-46) proposed that the prehistoric Puebloan communities of Chaco Canyon in the American Southwest conformed to a matrilocal pattern of postmarital residence. The inference of matrilocality at Chaco Canyon was based on the assumption that a number of the most likely modern descendants of the Chacoans are matrilocal, including the present-day Zuni and Hopi Indians, and that the household floor area had increased to a level indicative of female-based residence. The present study assesses these two important assumptions using biological and architectural data. Our results indicate the assumptions needed to infer matrilocal residence at Chaco Canyon might not be satisfied. The biological evidence indicates close relationships with both matrilocal and bilocal present-day populations, while the architectural evidence is more consistent with a male-based pattern of postmarital residence. Limitations to the study of postmarital residence at archaeological sites are discussed.

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Ruoff, A. LaVonne Brown. "Justice for Indians and Women: The Protest Fiction of Alice Callahan and Pauline Johnson." World Literature Today 66, no. 2 (1992): 249. http://dx.doi.org/10.2307/40148127.

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Sills, Marc. "Roads in the Sky: The Hopi Indians in a Century of Change, by Richard O. Clemmer. Boulder: Westview Press, 1995. Reviewed by Marc Sills." Journal of Political Ecology 4, no. 1 (December 1, 1997): 24. http://dx.doi.org/10.2458/v4i1.21379.

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Bhatti, Shaheena Ayub, Ghulam Murtaza, and Aamir Shehzad. "Revisiting Paul Kanes Wanderings of an Artist Among the Indians of North America." Global Language Review IV, no. II (December 31, 2019): 89–94. http://dx.doi.org/10.31703/glr.2019(iv-ii).13.

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Paul Kanes paintings and sketches which form the basis of Wanderings of an Artist, were made with the aim of presenting an “extensive series of illustrations of the characteristics, habits and scenery of the country and its inhabitants.” However, a careful and detailed reading of his paintings and writings show that he actually violated the trust that the American Indians placed in him by depicting false images. Working in the background of Lasswells theory of propaganda this study seeks to demonstrate how the images and writings that he created, fulfilled no purpose, other than that of propaganda. The essay takes as its base the short fiction of Sherman Alexies Scalp Dance by Spokane Indians and attempts to show through the text how Kane, in reality, violated the trust that the American Indian tribes placed in him, by allowing him to photograph them in various poses and at various times of the day and year.

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Slotkin, J. "Igorots and Indians: Racial Hierarchies and Conceptions of the Savage in Carlos Bulosan's Fiction of the Philippines." American Literature 72, no. 4 (December 1, 2000): 843–66. http://dx.doi.org/10.1215/00029831-72-4-843.

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M, Athira. "Torn between Cultures: Reading Shashi Tharoor’s Riot." SMART MOVES JOURNAL IJELLH 9, no. 1 (January 29, 2021): 60–66. http://dx.doi.org/10.24113/ijellh.v9i1.10878.

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Shashi Tharoor is a distinctivevoice in the Postcolonial Indian literature in English with his remarkable contribution of more than 16 works of fiction and non-fiction. Postcolonialism refers to a set of theoretical concepts, approaches and interventions which deals with the diverse effects of the interaction between the colonizer and the colonized. History, politics and culture have always been a dominant preoccupation of the Indian English novelists. The compulsive obsession was perhaps inevitable since the genre originated and developed concurrently with the climatic phase of colonial rule. As a diplomat and writer, Shashi Tharoor has explored the diversity of culture in his native country. He has made his point in many of his interviews that the novel is full of collisions of various sorts- personal, political, cultural, emotional and violent. Riot is a novel about the ownership of history, about love, hate, cultural collision, religious fanaticism and the impossibility of knowing the truth. The novel chronicles the mystery of an American 24-year old lady, Priscilla Hart. The intention of this paper is to explore the cultural conflict between the East and the West and an attempt is made to examine Shashi Tharoor’s Riot as a conveyor of the various distinguishable features to the divergent cultures. The characters of Riot are facing problems and striving to achieve their identities as Indians and as individuals in Indian society. Lakshman, though an educated Indian, cannot share his intellectual ideas with any fellow Indians, but feels quite comfortable with Priscilla, an American lady. Yet, he cannot completely forego his Indian identity and is aware of their irreconcilable gap between their culture, values and outlook towards life.

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Howes, David. "Richard O. CLEMMER : Roads in the Sky. The Hopi Indians in a Century of Change, Boulder, Westview Press, 1995, xiv +377 p., cartes, fig., tabl., bibliogr., index." Anthropologie et Sociétés 19, no. 3 (1995): 244. http://dx.doi.org/10.7202/015386ar.

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Henry, Nancy. "GEORGE ELIOT AND THE COLONIES." Victorian Literature and Culture 29, no. 2 (September 2001): 413–33. http://dx.doi.org/10.1017/s1060150301002091.

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Women are occasionally governors of prisons for women, overseers of the poor, and parish clerks. A woman may be ranger of a park; a woman can take part in the government of a great empire by buying East India Stock.— Barbara Bodichon, A Brief Summary in Plain Language, of the Most Important Laws Concerning Women (1854)ON OCTOBER 5, 1860, GEORGE HENRY LEWES VISITED a solicitor in London to consult about investments. He wrote in his journal: “[The Solicitor] took me to a stockbroker, who undertook to purchase 95 shares in the Great Indian Peninsular Railway for Polly. For £1825 she gets £1900 worth of stock guaranteed 5%” (qtd. in Ashton, Lewes 210). Thus Marian Evans, called Polly by her close friends, known in society as Mrs. Lewes and to her reading public as George Eliot, became a shareholder in British India. Whether or not Eliot thought of buying stock as taking part in the government of a great empire, as her friend Barbara Bodichon had written in 1854, the 5% return on her investment was a welcome supplement to the income she had been earning from her fiction since 1857. From 1860 until her death in 1880, she was one of a select but growing number of middle-class investors who took advantage of high-yield colonial stocks.1 Lewes’s journals for 1860–1878 and Eliot’s diaries for 1879–80 list dividends from stocks in Australia, South Africa, India, and Canada. These include: New South Wales, Victoria, Cape of Good Hope, Cape Town Rail, Colonial Bank, Oriental Bank, Scottish Australian, Great Indian Peninsula, Madras. The Indian and colonial stocks make up just less than half of the total holdings. Other stocks connected to colonial trade (East and West India Docks, London Docks), domestic stocks (the Consols, Regents Canal), and foreign investments (Buenos Aires, Pittsburgh and Ft. Wayne) complete the portfolio.2

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Kruger, Loren. "‘Black atlantics’, ‘white Indians’ and ‘Jews’: Locations, locutions, and syncretic identities in the fiction of Achmat Dangor and others." Scrutiny2 7, no. 2 (January 2002): 34–50. http://dx.doi.org/10.1080/18125441.2002.9709656.

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Kruger, L. "Black Atlantics, White Indians, and Jews: Locations, Locutions, and Syncretic Identities in the Fiction of Achmat Dangor and Others." South Atlantic Quarterly 100, no. 1 (January 1, 2001): 111–43. http://dx.doi.org/10.1215/00382876-100-1-111.

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Zubair, Hassan Bin, and Nighat Ahmed. "Exploring Bicultural Ambivalence in Jhumpa Lahiri’s The Namesake: Representational Diasporic Identities in Indian Anglophone Fiction." International Journal of English Linguistics 8, no. 6 (July 29, 2018): 98. http://dx.doi.org/10.5539/ijel.v8n6p98.

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This paper explores the cultural ambivalence and bicultural identity issues in Jhumpa Lahiri’s The Namesake. This Indian Anglophone novel carries different diasporic sensibilities. Issues of marriage and culture are very prominent with the importance of family relationships in the context of immigrant feelings and loss of identity. Unconditional love and acceptance of family relations emerge victorious at the end of the narrative. The writer shares the second generation migrant experience since they were born to parents who immigrated and settled to United States. While migrants from some of the Asian states, mainly those characterized by most recent immigrant waves, have really worse socio-economic situation than average immigrants; Indians people are rather prosperous minorities. Theories presented by Bhabha, Clifford and Appadurai about culture and diaspora support this research. Lahiri do not portray immigrants’ lives as a struggle to survive but rather concentrate on their affiliation to the country into which they arrived and also on their relationship with their American-born children. This research is helpful to know about the concerns associated with the liminal space and issues related to identity loss of first and second generations and living with a bicultural identity.

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Tariq, Sana, and Bahramand Shah. "Environment and Literary Landscape: An Ecological Criticism of Louise Erdrich’s Novel Tracks." Global Social Sciences Review IV, no. I (March 30, 2019): 158–63. http://dx.doi.org/10.31703/gssr.2019(iv-i).21.

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Connecting the environment with societies’ cultures through literature has created a new awareness of environmental issues. The current environmental crisis is a product of modern human culture. The thought of using land as a commodity and disregard for environmental ethics has worsened the ecological crisis. The paper focuses issues of environment highlighted in Native American literature. The anthropocentric behavior of Euro-Americans is contrary to Native American idea of biocentrism. For American Indians, land is considered not merely a stage on which the act is played but also as an active participant in the drama with major role to play in the lives of the characters. This article applies Ecocriticism theory on Louise Erdrich’s fiction Tracks to generate an ecological criticism of the text. This paper highlights new ways of treating the natural world, putting responsibility on humans to see how their cultures are affecting environment.

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Feldman-Kołodziejuk, Ewelina. "Reading space in Michael Crummey's River Thieves." Świat i Słowo 34, no. 1 (March 10, 2020): 336. http://dx.doi.org/10.5604/01.3001.0014.3064.

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The fiction of Michael Crummey, one of the renowned contemporary Canadian writers, is deeply rooted in the landscape of his home-island, that is, Newfoundland. In his debut novel River Thieves published in 2001, the author shows the land as a non-anthropological determinant of human history and the only witness to keep a vivid, undistorted memory of the vanished tribe of Beothuks. This article invites the reading of Crummey's works through the prism of geopoetics and cultural geography. It shows what functions the space/land plays in the discussed narrative and how it adds new meanings to an old story, that is the extinction of Red Indians. Endowed with agency, nature is as important an agent in history-making as the settlers and first inhabitants; moreover, at present day it acts a live repository of memory. The article also investigates the differences between the English and Polish editions of the novel, focusing on the maps that precede the narrative.

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Blackburn, Stuart. "Corruption and Redemption: The Legend of Valluvar and Tamil Literary History." Modern Asian Studies 34, no. 2 (April 2000): 449–82. http://dx.doi.org/10.1017/s0026749x00003632.

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This [the Valluvar legend] is one of the traditions which are so repugnant to inveterate popular prejudice that they appear too strange for fiction, and are probably founded on fact. (Robert Caldwell 1875:132).If we now recognize that literary history is more than a history of literature, it is perhaps less widely accepted that the writing of literary history is an important subject for literary historiography. Yet literary histories are a rich source for understanding local conceptions of both history and literature. More accessible than archaeology, more tangible than ethnology, literary histories are culturally constructed narratives in which the past is reimagined in the light of contemporary concerns. Certainly in nineteenth-century India, the focus of this essay, literary history was seized upon as evidence to be advanced in the major debates of the time; cultural identities, language ideologies, civilization hierarchies and nationalism were all asserted and challenged through literary histories in colonial India. Asserted and challenged by Europeans, as well as Indians.

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Prylipko, Iryna. "Image of the Other in O. Honchar’s Fictional and Journalistic Discourse." Академічний журнал "Слово і Час", no. 1 (January 20, 2019): 38–51. http://dx.doi.org/10.33608/0236-1477.2019.01.38-51.

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The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of the Other’s ethnic mentality in fiction and journalistic publications by O. Honchar helps in understanding the range of the writer’s literary paradigms, reveals his ideological and creative accents and contributes to considering the author as a writer of European tradition. Different imagological aspects in the texts by O. Honchar were interpreted using the markers of ethnic identification: mental values, history, culture, science, economy, nature. In the context of the war theme O. Honchar depicted ethnic peculiarities of Hungarians (“Spring behind Morava”, “Foothold”) and Slovaks (“Modry Stone”). The other-culture realities in Czechoslovakia, China, Japan, and America were described in the genres of essay and sketch. In essays “On the Land of Camões” and “The Shore of His Childhood” the reception of the Other is given in the characters of glorious writers representing their nations. Based on the analysis of text it may be stated that fictional and journalistic discourse of O. Honchar has such special features as distinctive author’s voice, stereotype-free reception and interpretation of the ethnic images and other-culture realities, destructed opposition in representation of the paradigms “Me – Other”, “Own – Alien”, emphasis on the main human values.

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Kumar, Dr Raman. "R. K. Narayan’s Mr. Sampath: A Study in the Dialectic of Being and Becoming." SMART MOVES JOURNAL IJELLH 7, no. 12 (December 28, 2019): 10. http://dx.doi.org/10.24113/ijellh.v7i12.10216.

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Rasipuram Krishnaswami Iyer Narayanaswami (1906-2001) popularly known as R. K. Narayan, an award winning novelist, essayist and storywriter is generally considered one of the greatest Indians writing in English. He shares this honour with Mulk Raj Anand and Raja Rao. D. S. Maini has observed in this regard: “Mulk Raj Anand, Raja Rao, and R. K. Narayan- brought the Indian novel to the point of ripeness”. But R. K. Narayan enjoys a place of rare distinction among these great writers too and it is partly because of the rare setting of his novels, his close association with the traditional Indian society, his simple language, his humour and irony, and his characterization, which is so varied and colourful. Many critics have praised R. K. Narayan for his literariness and for his aestheticism. V. Y. Kantak has observed, “…when we come to weigh Indian writing of fiction in English to date, Narayan with his penny whistle seems to have wrought more than most others with their highly pretentious and obstreperous brass” (21). R. K. Narayan has fourteen novels to his credit alongwith a large number of short stories. Narayan’s The Guide (1958) won him great fame and was widely acknowledged as a masterpiece by the world’s literary community. It also won him the much-coveted Sahitya Akademi Award in 1960.

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Dmitrieva, T. A. "Evolution of the representation of folk artistic culture in cinema." Northern Archives and Expeditions 4, no. 4 (December 25, 2020): 21–28. http://dx.doi.org/10.31806/2542-1158-2020-4-4-21-28.

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In the presented article, the features of the reflection of folk art culture in the cinema are considered. The author examines films that reflect the folk art culture of the American Indians, Udege, meadow mari, residents of the village of Palekh, as well as the folk art culture of the colonial countries, China and Japan. This article examines the films of both foreign and Russian directors, as the author refers to global trends in cinema. The author identifies several stages, considering the evolution of folk art culture, starting from films of the early twentieth century and ending with modern cinematography: “Folk art culture in early films. Ethnographic cinematography”, “Criticism of the urban industrial space in the cinema of the 20s. XX century»,»Colonial cinema», «Postcolonial cinema», «Cultural appropriation», «Orientalism», «Transnational culture in the postmodern era», «Cinematography of the metamodern». Based on the material of Russian and foreign films, the author notes that folk art culture is manifested in both documentary and fiction cinematography. The author concludes that folk art culture was reflected in the cinema at every stage of its historical development. The author notes that in modern cinema the topic of folk art culture has not simply lost its relevance, but has become one of the most relevant trends in connection with the processes of glocalization in the culture of the 21st century. Each stage considered by the author has its own specific features and reasons for the display of folk art culture. The article describes the main ways of representing folk art culture in cinema – folklore, traditional textiles, embroidery, folk songs.

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Farah, Lubna, and Abdul Bari Owais. "http://habibiaislamicus.com/index.php/hirj/article/view/215." Habibia Islamicus 5, no. 2 (June 23, 2021): 51–61. http://dx.doi.org/10.47720/hi.2021.0502a05.

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This research is an attempt to trace and corelate the evolution of short story in the Arabic and Urdu languages besides highlighting contributions made by the most prominent pioneers and the trends prevailing in different eras of both the languages. The short story is one of the most famous and widely read genres of fiction that seems to answer almost everything near to the nature of human being and whenever it is narrated it feels as if, something exceptional has been created which contains substance of our inferred experience and transitory sense of our common, tempestuous journey of life. Irrespective of the prevailing belief that short story also belongs to the West, its roots in the Arabic language go back to the pre-Islamic times and especially the Golden Age of Islamic civilization which spans from the 8th to the 14th centuries. Anecdotes of the Bedouins and the rhymed Ma’qama were the early foundations of short story in the Arabic language. Then this art reached its epitome in the modern era by the big names like al-Manfaluti, Tawfiq al-Hakim, Naguib Mahfouz, Yahya Haqqi, Ihsan Abdul Quddus, Yusuf Idris and Hasib Kayali. Likewise, the Urdu language that is a product of centuries long interaction between the native Indians and the invading Muslim culture, has borrowed the genre of short story form diverse sources. Then it was matured in the early 20th century by the pioneers like Rashid al-Khairi, Sajjad Haider Yaldram, Saadat Hasan Manto, Ahmed Nadeem Qasmi, Mansha Yaad and Intizar Hussain.

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Elliott, M. A. "Public Native America: Tribal Self-Representation in Museums, Powwows, and Casinos; Disturbing Indians: The Archaeology of Southern Fiction; Matter, Magic, and Spirit: Representing Indian and African American Belief; Crossing Waters, Crossing Worlds: The African Diaspora in Indian Country." American Literature 80, no. 2 (January 1, 2008): 416–19. http://dx.doi.org/10.1215/00029831-2008-012.

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (June 30, 2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with the compilers of English dictionaries. With the passage of time the fine line of demarcation drawn on the basis of subject matter and author’s point of view has disappeared and currently even Anglo-Indians’ writings are classed as ‘Indo-Anglian’. Besides contemplating on various connotations of the term ‘Indo-Anglian’ the article discusses the related issues such as: the etymology of the term, fixing the name of its coiner and the date of its first use. In contrast to the opinions of the historians and critics like K R S Iyengar, G P Sarma, M K Naik, Daniela Rogobete, Sachidananda Mohanty, Dilip Chatterjee and Gayatri Chakravorty Spivak it has been brought to light that the term ‘Indo-Anglian’ was first used in 1880 by James Payn to refer to the Indians’ writings in English rather pejoratively. However, Iyengar used it in a positive sense though he himself gave it up soon. The reasons for the wide acceptance of the term, sometimes also for the authors of the sub-continent, by the members of academia all over the world, despite its rejection by Sahitya Akademi (the national body of letters in India), have also been contemplated on. References Alphonso-Karkala, John B. (1970). Indo-English Literature in the Nineteenth Century, Mysore: Literary Half-yearly, University of Mysore, University of Mysore Press. Amanuddin, Syed. (2016 [1990]). “Don’t Call Me Indo-Anglian”. C. D. Narasimhaiah (Ed.), An Anthology of Commonwealth Poetry. Bengaluru: Trinity Press. B A (Compiler). (1883). Indo-Anglian Literature. Calcutta: Thacker, Spink and Co. PDF. Retrieved from: https://books.google.co.in/books?id=rByZ2RcSBTMC&pg=PA1&source= gbs_selected_pages&cad=3#v=onepage&q&f=false ---. (1887). “Indo-Anglian Literature”. 2nd Issue. Calcutta: Thacker, Spink and Co. PDF. Retrieved from: http://www.jstor.org/stable/60238178 Basham, A L. (1981[1954]). The Wonder That Was India: A Survey of the History and Culture of the Indian Sub-Continent before the Coming of the Muslims. Indian Rpt, Calcutta: Rupa. PDF. Retrieved from: https://archive.org/details/TheWonderThatWasIndiaByALBasham Bhushan, V N. (1945). The Peacock Lute. Bomaby: Padma Publications Ltd. Bhushan, V N. (1945). The Moving Finger. Bomaby: Padma Publications Ltd. Boria, Cavellay. (1807). “Account of the Jains, Collected from a Priest of this Sect; at Mudgeri: Translated by Cavelly Boria, Brahmen; for Major C. Mackenzie”. Asiatick Researches: Or Transactions of the Society; Instituted In Bengal, For Enquiring Into The History And Antiquities, the Arts, Sciences, and Literature, of Asia, 9, 244-286. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.104510 Chamber’s Twentieth Century Dictionary [The]. (1971). Bombay et al: Allied Publishers. Print. Chatterjee, Dilip Kumar. (1989). Cousins and Sri Aurobindo: A Study in Literary Influence, Journal of South Asian Literature, 24(1), 114-123. Retrieved from: http://www.jstor.org/ stable/40873985. Chattopadhyay, Dilip Kumar. (1988). A Study of the Works of James Henry Cousins (1873-1956) in the Light of the Theosophical Movement in India and the West. Unpublished PhD dissertation. Burdwan: The University of Burdwan. PDF. Retrieved from: http://ir.inflibnet. ac.in:8080/jspui/bitstream/10603/68500/9/09_chapter%205.pdf. Cobuild English Language Dictionary. (1989 [1987]). rpt. London and Glasgow. Collins Cobuild Advanced Illustrated Dictionary. (2010). rpt. Glasgow: Harper Collins. Print. Concise Oxford English Dictionary [The]. (1961 [1951]). H. W. Fowler and F. G. Fowler. (Eds.) Oxford: Clarendon Press. 4th ed. Cousins, James H. (1921). Modern English Poetry: Its Characteristics and Tendencies. Madras: Ganesh & Co. n. d., Preface is dated April, 1921. PDF. Retrieved from: http://hdl.handle.net/ 2027/uc1.$b683874 ---. (1919) New Ways in English Literature. Madras: Ganesh & Co. 2nd edition. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.31747 ---. (1918). The Renaissance in India. Madras: Madras: Ganesh & Co., n. d., Preface is dated June 1918. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.203914 Das, Sisir Kumar. (1991). History of Indian Literature. Vol. 1. New Delhi: Sahitya Akademi. Encarta World English Dictionary. (1999). London: Bloomsbury. Gandhi, M K. (1938 [1909]). Hind Swaraj Tr. M K Gandhi. Ahmedabad: Navajivan Publishing House. PDF. Retrieved from: www.mkgandhi.org/ebks/hind_swaraj.pdf. Gokak, V K. (n.d.). English in India: Its Present and Future. Bombay et al: Asia Publishing House. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.460832 Goodwin, Gwendoline (Ed.). (1927). Anthology of Modern Indian Poetry, London: John Murray. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.176578 Guptara, Prabhu S. (1986). Review of Indian Literature in English, 1827-1979: A Guide to Information Sources. The Yearbook of English Studies, 16 (1986): 311–13. PDF. Retrieved from: https://www.jstor.org/stable/3507834 Iyengar, K R Srinivasa. (1945). Indian Contribution to English Literature [The]. Bombay: Karnatak Publishing House. PDF. Retrieved from: https://archive.org/details/ indiancontributi030041mbp ---. (2013 [1962]). Indian Writing in English. New Delhi: Sterling. ---. (1943). Indo-Anglian Literature. Bombay: PEN & International Book House. PDF. Retrieved from: https://archive.org/details/IndoAnglianLiterature Longman Dictionary of Contemporary English. (2003). Essex: Pearson. Lyall, Alfred Comyn. (1915). The Anglo-Indian Novelist. Studies in Literature and History. London: John Murray. PDF. Retrieved from: https://archive.org/details/in.ernet. dli.2015.94619 Macaulay T. B. (1835). Minute on Indian Education dated the 2nd February 1835. HTML. Retrieved from: http://www.columbia.edu/itc/mealac/pritchett/00generallinks/macaulay/ txt_minute_education_1835.html Mehrotra, Arvind Krishna. (2003). An Illustrated History of Indian Literature in English. Delhi: Permanent Black. ---. (2003[1992]). The Oxford India Anthology of Twelve Modern Indian Poets. New Delhi: Oxford U P. Minocherhomji, Roshan Nadirsha. (1945). Indian Writers of Fiction in English. Bombay: U of Bombay. Modak, Cyril (Editor). (1938). The Indian Gateway to Poetry (Poetry in English), Calcutta: Longmans, Green. PDF. Retrieved from http://en.booksee.org/book/2266726 Mohanty, Sachidananda. (2013). “An ‘Indo-Anglian’ Legacy”. The Hindu. July 20, 2013. Web. Retrieved from: http://www.thehindu.com/features/magazine/an-indoanglian-legacy/article 4927193.ece Mukherjee, Sujit. (1968). Indo-English Literature: An Essay in Definition, Critical Essays on Indian Writing in English. Eds. M. K. Naik, G. S. Amur and S. K. Desai. Dharwad: Karnatak University. Naik, M K. (1989 [1982]). A History of Indian English Literature. New Delhi: Sahitya Akademi, rpt.New Shorter Oxford English Dictionary on Historical Principles [The], (1993). Ed. Lesley Brown, Vol. 1, Oxford: Clarendon Press.Naik, M K. (1989 [1982]). A History of Indian English Literature. New Delhi: Sahitya Akademi, rpt. Oaten, Edward Farley. (1953 [1916]). Anglo-Indian Literature. In: Cambridge History of English Literature, Vol. 14, (pp. 331-342). A C Award and A R Waller, (Eds). Rpt. ---. (1908). A Sketch of Anglo-Indian Literature, London: Kegan Paul. PDF. Retrieved from: https://ia600303.us.archive.org/0/items/sketchofangloind00oateuoft/sketchofangloind00oateuoft.pdf) Advanced Learner’s Dictionary of Current English. (1979 [1974]). A. S. Hornby (Ed). : Oxford UP, 3rd ed. Oxford English Dictionary [The]. Vol. 7. (1991[1989]). J. A. Simpson and E. S. C. Weiner, (Eds.). Oxford: Clarendon Press, 2nd ed. Pai, Sajith. (2018). Indo-Anglians: The newest and fastest-growing caste in India. Web. Retrieved from: https://scroll.in/magazine/867130/indo-anglians-the-newest-and-fastest-growing-caste-in-india Pandia, Mahendra Navansuklal. (1950). The Indo-Anglian Novels as a Social Document. Bombay: U Press. Payn, James. (1880). An Indo-Anglian Poet, The Gentleman’s Magazine, 246(1791):370-375. PDF. Retrieved from: https://archive.org/stream/gentlemansmagaz11unkngoog#page/ n382/mode/2up. ---. (1880). An Indo-Anglian Poet, Littell’s Living Age (1844-1896), 145(1868): 49-52. PDF. Retrieved from: https://archive.org/stream/livingage18projgoog/livingage18projgoog_ djvu.txt. Rai, Saritha. (2012). India’s New ‘English Only’ Generation. Retrieved from: https://india.blogs.nytimes.com/2012/06/01/indias-new-english-only-generation/ Raizada, Harish. (1978). The Lotus and the Rose: Indian Fiction in English (1850-1947). Aligarh: The Arts Faculty. Rajan, P K. (2006). Indian English literature: Changing traditions. Littcrit. 32(1-2), 11-23. Rao, Raja. (2005 [1938]). Kanthapura. New Delhi: Oxford UP. Rogobete, Daniela. (2015). Global versus Glocal Dimensions of the Post-1981 Indian English Novel. Portal Journal of Multidisciplinary International Studies, 12(1). Retrieved from: http://epress.lib.uts.edu.au/journals/index.php/portal/article/view/4378/4589. Rushdie, Salman & Elizabeth West. (Eds.) (1997). The Vintage Book of Indian Writing 1947 – 1997. London: Vintage. Sampson, George. (1959 [1941]). Concise Cambridge History of English Literature [The]. Cambridge: UP. Retrieved from: https://archive.org/details/in.ernet.dli.2015.18336. Sarma, Gobinda Prasad. (1990). Nationalism in Indo-Anglian Fiction. New Delhi: Sterling. Singh, Kh. Kunjo. (2002). The Fiction of Bhabani Bhattacharya. New Delhi: Atlantic Publishers and Distributors. Spivak, Gayatri Chakravorty. (2012). How to Read a ‘Culturally Different’ Book. An Aesthetic Education in the Era of Globalization, Cambridge, Mass: Harvard University Press. Sturgeon, Mary C. (1916). Studies of Contemporary Poets, London: George G Hard & Co., Retrieved from: https://archive.org/details/in.ernet.dli.2015.95728. Thomson, W S (Ed). (1876). Anglo-Indian Prize Poems, Native and English Writers, In: Commemoration of the Visit of His Royal Highness the Prince of Wales to India. London: Hamilton, Adams & Co., Retrieved from https://books.google.co.in/ books?id=QrwOAAAAQAAJ Wadia, A R. (1954). The Future of English. Bombay: Asia Publishing House. Wadia, B J. (1945). Foreword to K R Srinivasa Iyengar’s The Indian Contribution to English Literature. Bombay: Karnatak Publishing House. Retrieved from: https://archive.org/ details/indiancontributi030041mbp Webster's Encyclopedic Unabridged Dictionary of the English Language. (1989). New York: Portland House. Yule, H. and A C Burnell. (1903). Hobson-Jobson: A Glossary of Colloquial Anglo-Indian Words and Phrases, and of Kindred Terms, Etymological, Historical, Geographical and Discursive. W. Crooke, Ed. London: J. Murray. Retrieved from: https://archive.org/ details/hobsonjobsonagl00croogoog Sources www.amazon.com/Indo-Anglian-Literature-Edward-Charles-Buck/dp/1358184496 www.archive.org/stream/livingage18projgoog/livingage18projgoog_djvu.txt www.catalog.hathitrust.org/Record/001903204?type%5B%5D=all&lookfor%5B%5D=indo%20anglian&ft= www.en.wikipedia.org/wiki/B.L._Indo_Anglian_Public_School,_Aurangabad www.everyculture.com/South-Asia/Anglo-Indian.html www.solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?fn=search&ct=search&initialSearch=true&mode=Basic&tab=local&indx=1&dum=true&srt=rank&vid=OXVU1&frbg=&tb=t&vl%28freeText0%29=Indo-Anglian+Literature+&scp.scps=scope%3A%28OX%29&vl% 28516065169UI1%29=all_items&vl%281UIStartWith0%29=contains&vl%28254947567UI0%29=any&vl%28254947567UI0%29=title&vl%28254947567UI0%29=any www.worldcat.org/title/indo-anglian-literature/oclc/30452040

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Shaharir, S. S., M. S. Mohamed Said, S. Rajalingham, H. Mahadzir, R. Mustafar, and A. Abdul Wahab. "THU0283 DISTINCT CLINICAL FEATURES OF LATE–ONSET SYSTEMIC LUPUS ERYTHEMATOSUS AMONG MALAYSIAN MULTI-ETHNIC COHORT." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 368.2–369. http://dx.doi.org/10.1136/annrheumdis-2020-eular.272.

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Background:Systemic Lupus Erythematosus (SLE) commonly affects young women in their reproductive age group. However, there is an increase prevalence of late-onset SLE, parallel to the higher life expectancies among general populations worldwide. It has been reported that up to 25% SLE populations have a later onset of disease and their disease expression and course may be different.Objectives:To determine the clinical features and outcomes of late-onset SLE patients in a multi-ethnic Malaysian cohort.Methods:Medical records of SLE patients who attended regular follow-up clinics in Universiti Kebangsaan Malaysia Medical Centre (UKMMC) from 2011 until June 2019 were reviewed. Late-onset SLE was defined as the onset of SLE symptoms or diagnosis after the age of 50 years old. Information on their socio-demographics and disease characteristics were obtained from the clinical records. Disease damage was assessed using the SLICC/ACR (Systemic Lupus International Collaborating Clinics/American College of Rheumatology) Damage Index (SDI) scores. The disease characteristics and autoantibody profiles were compared between late-onset and younger onset patients. Damage accrual at disease onset and at 5 years was obtained and compared between the two groups.Results:A total of 429 patients were included and majority of them were Malays (n= 225, 52.4%) followed by Chinese (n=180, 42), Indian (n=21, 4.9%) and others (n=3,0.7%). This multi-ethnic SLE cohort was consisted of predominantyly female patients (n=372,86.7%) with disease duration of 9.9 years ± 6.8 years. A total of 13.8% (n=59) had late onset SLE with mean onset of disease at 58.1 ± 6.3 years while younger group was 27.2 ± 9.4 years. The commonest system involvement among the late-onset group was haematological manifestation (69.5%).Compared to the younger-onset SLE, late-onset SLE occurred significantly higher among the Chinese (66.1%) as compared to Malay (32.3%), Indians and other ethnics (1.7%), p<0.01. Patients with late-onset SLE also had significantly less musculoskeletal (37.3% vs 62.4%) and renal (23.7% vs 71.1%), p<0.001 and tend to have less muco-cutanoues manifestations (28.8 vs 42.4%, p=0.06). Meanwhile, pulmonary involvement was more common among the late onset SLE patients (11.9% vs 0.8%, p<0.001). Extractable nuclear antigen (ENA) results were available in 197 patients and patients with late-onset SLE had significantly higher rate of anti-RO positive (63% vs 3.9%), p=0.01. Otherwise, no significant difference in the other autoantibodies expressions including anti-La, anti-Sm, anti-RNP, anti-ribosomal P and anti-phospholipid antibodies. Patients with late-onset SLE tend to have more damage accrual at 5 years as compared to the younger age group (p=0.07). The mortality in the late onset group was 13.6% (n=8) as compared to 2.7% (n=10) in the younger age group, p=0.01. Majority of the cause of death in the later onset SLE was infection (87.5%) while in the younger age group was infection and active disease (90%).Conclusion:Late onset SLE occurs more commonly among Chinese ethnics in Malaysia and Malaysian SLE patients with late onset of the disease have distinct clinical manifestations. Damage accrual at 5 years tend to be higher in the late-onset group and the mortality is significantly higher with the major cause of death is infection. The different disease expression and outcome in late onset SLE suggest different factors in influencing the disease course and hence further studies including their genetic profiles are warranted.References:[1]Paula I. Burgos; Graciela S. Alarcón. Late-onset Lupus: Facts and Fiction. Future Rheumatol. 2008;3(4):351-356.[2]S Stefanidou, C Gerodimos, A Benos et al. Clinical expression and course in patients with late onset systemic lupus erythematosus. Hippokratia. 2013; 17(2): 153–156.Acknowledgments:This research was supported by the “Fundamental Research Grant Scheme (FRGS/1/2018/SKK02/UKM/03/1)” by Ministry of Education MalaysiaDisclosure of Interests:Syahrul Sazliyana Shaharir: None declared, Mohd Shahrir Mohamed Said: None declared, Sakthiswary Rajalingham Speakers bureau: Pfizer (500USD), Hazlina Mahadzir: None declared, Ruslinda Mustafar: None declared, Asrul Abdul Wahab: None declared

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 69, no. 3-4 (January 1, 1995): 315–410. http://dx.doi.org/10.1163/13822373-90002642.

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-Dennis Walder, Robert D. Hamner, Derek Walcott. New York: Twayne Publishers, 1993. xvi + 199 pp.''Critical perspectives on Derek Walcott. Washington DC: Three continents, 1993. xvii + 482 pp.-Yannick Tarrieu, Lilyan Kesteloot, Black writers in French: A literary history of Negritude. Translated by Ellen Conroy Kennedy. Washington DC: Howard University Press, 1991. xxxiii + 411 pp.-Renée Larrier, Carole Boyce Davies ,Out of the Kumbla: Caribbean women and literature. Trenton NJ: Africa World Press, 1990. xxiii + 399 pp., Elaine Savory Fido (eds)-Renée Larrier, Evelyn O'Callaghan, Woman version: Theoretical approaches to West Indian fiction by women. London: Macmillan Caribbean, 1993. viii + 126 pp.-Lisa Douglass, Carolyn Cooper, Noises in the blood: Orality, gender and the 'vulgar' body of Jamaican popular culture. London: Macmillan Caribbean, 1993. ix + 214 pp.-Christine G.T. Ho, Kumar Mahabir, East Indian women of Trinidad & Tobago: An annotated bibliography with photographs and ephemera. San Juan, Trinidad: Chakra, 1992. vii + 346 pp.-Eva Abraham, Richenel Ansano ,Mundu Yama Sinta Mira: Womanhood in Curacao. Eithel Martis (eds.). Curacao: Fundashon Publikashon, 1992. xii + 240 pp., Joceline Clemencia, Jeanette Cook (eds)-Louis Allaire, Corrine L. Hofman, In search of the native population of pre-Colombian Saba (400-1450 A.D.): Pottery styles and their interpretations. Part one. Amsterdam: Natuurwetenschappelijke Studiekring voor het Caraïbisch Gebied, 1993. xiv + 269 pp.-Frank L. Mills, Bonham C. Richardson, The Caribbean in the wider world, 1492-1992: A regional geography. Cambridge: Cambridge University Press, 1992. xvi + 235 pp.-Frank L. Mills, Thomas D. Boswell ,The Caribbean Islands: Endless geographical diversity. New Brunswick NJ: Rutgers University Press, 1992. viii + 240 pp., Dennis Conway (eds)-Alex van Stipriaan, H.W. van den Doel ,Nederland en de Nieuwe Wereld. Utrecht: Aula, 1992. 348 pp., P.C. Emmer, H.PH. Vogel (eds)-Idsa E. Alegría Ortega, Francine Jácome, Diversidad cultural y tensión regional: América Latina y el Caribe. Caracas: Nueva Sociedad, 1993. 143 pp.-Barbara L. Solow, Ira Berlin ,Cultivation and culture: Labor and the shaping of slave life in the Americas. Charlottesville: University Press of Virginia, 1993. viii + 388 pp., Philip D. Morgan (eds)-Andrew J. O'Shaughnessy, Karen Ordahl Kupperman, Providence Island, 1630-1641: The other puritan colony. Cambridge: Cambridge University Press, 1993. xiii + 393 pp.-Armando Lampe, Johannes Meier, Die Anfänge der Kirche auf den Karibischen Inseln: Die Geschichte der Bistümer Santo Domingo, Concepción de la Vega, San Juan de Puerto Rico und Santiago de Cuba von ihrer Entstehung (1511/22) bis zur Mitte des 17. Jahrhunderts. Immensee: Neue Zeitschrift für Missionswissenschaft, 1991. xxxiii + 313 pp.-Edward L. Cox, Carl C. Campbell, Cedulants and capitulants; The politics of the coloured opposition in the slave society of Trinidad, 1783-1838. Port of Spain, Trinidad: Paria Publishing, 1992. xv + 429 pp.-Thomas J. Spinner, Jr., Basdeo Mangru, Indenture and abolition: Sacrifice and survival on the Guyanese sugar plantations. Toronto: TSAR, 1993. xiii + 146 pp.-Rosemarijn Hoefte, Lila Gobardhan-Rambocus ,Immigratie en ontwikkeling: Emancipatie van contractanten. Paramaribo: Anton de Kom Universiteit, 1993. 262 pp., Maurits S. Hassankhan (eds)-Juan A. Giusti-Cordero, Teresita Martínez-Vergne, Capitalism in colonial Puerto Rico: Central San Vicente in the late nineteenth century. Gainesville: University Press of Florida, 1992. 189 pp.-Jean Pierre Sainton, Henriette Levillain, La Guadeloupe 1875 -1914: Les soubresauts d'une société pluriethnique ou les ambiguïtés de l'assimilation. Paris: Autrement, 1994. 241 pp.-Michèle Baj Strobel, Solange Contour, Fort de France au début du siècle. Paris: L'Harmattan, 1994. 224 pp.-Betty Wood, Robert J. Stewart, Religion and society in post-emancipation Jamaica. Knoxville: University of Tennessee Press, 1992. xx + 254 pp.-O. Nigel Bolland, Michael Havinden ,Colonialism and development: Britain and its tropical colonies, 1850-1960. New York: Routledge, 1993. xv + 420 pp., David Meredith (eds)-Luis Martínez-Fernández, Luis Navarro García, La independencia de Cuba. Madrid: MAPFRE, 1992. 413 pp.-Pedro A. Pequeño, Guillermo J. Grenier ,Miami now! : Immigration, ethnicity, and social change. Gainesville: University Press of Florida, 1992. 219 pp., Alex Stepick III (eds)-George Irving, Alistair Hennessy ,The fractured blockade: West European-Cuban relations during the revolution. London: Macmillan Caribbean, 1993. xv + 358 pp., George Lambie (eds)-George Irving, Donna Rich Kaplowitz, Cuba's ties to a changing world. Boulder CO: Lynne Rienner, 1993, xii + 263 pp.-G.B. Hagelberg, Scott B. MacDonald ,The politics of the Caribbean basin sugar trade. New York: Praeger, 1991. vii + 164 pp., Georges A. Fauriol (eds)-Bonham C. Richardson, Trevor W. Purcell, Banana Fallout: Class, color, and culture among West Indians in Costa Rica. Los Angeles: UCLA Center for Afro-American studies, 1993. xxi + 198 pp.-Gertrude Fraser, George Gmelch, Double Passage: The lives of Caribbean migrants abroad and back home. Ann Arbor: University of Michigan Press, 1992. viii + 335 pp.-Gertrude Fraser, John Western, A passage to England: Barbadian Londoners speak of home. Minneapolis: University of Minnesota Press, 1992. xxii + 309 pp.-Trevor W. Purcell, Harry G. Lefever, Turtle Bogue: Afro-Caribbean life and culture in a Costa Rican Village. Cranbury NJ: Susquehanna University Press, 1992. 249 pp.-Elizabeth Fortenberry, Virginia Heyer Young, Becoming West Indian: Culture, self, and nation in St. Vincent. Washington DC: Smithsonian Institution Press, 1993. x + 229 pp.-Horace Campbell, Dudley J. Thompson ,From Kingston to Kenya: The making of a Pan-Africanist lawyer. Dover MA: The Majority Press, 1993. xii + 144 pp., Margaret Cezair Thompson (eds)-Kumar Mahabir, Samaroo Siewah, The lotus and the dagger: The Capildeo speeches (1957-1994). Port of Spain: Chakra Publishing House, 1994. 811 pp.-Donald R. Hill, Forty years of steel: An annotated discography of steel band and Pan recordings, 1951-1991. Jeffrey Thomas (comp.). Westport CT: Greenwood, 1992. xxxii + 307 pp.-Jill A. Leonard, André Lucrèce, Société et modernité: Essai d'interprétation de la société martiniquaise. Case Pilote, Martinique: Editions de l'Autre Mer, 1994. 188 pp.-Dirk H. van der Elst, Ben Scholtens ,Gaama Duumi, Buta Gaama: Overlijden en opvolging van Aboikoni, grootopperhoofd van de Saramaka bosnegers. Stanley Dieko. Paramaribo: Afdeling Cultuurstudies/Minov; Amsterdam: Koninklijk Instituut voor de Tropen, 1992. 204 pp., Gloria Wekker, Lady van Putten (eds)-Rosemarijn Hoefte, Chandra van Binnendijk ,Sranan: Cultuur in Suriname. Amsterdam: Koninklijk Instituut voor de Tropen/Rotterdam: Museum voor Volkenkunde, 1992. 159 pp., Paul Faber (eds)-Harold Munneke, A.J.A. Quintus Bosz, Grepen uit de Surinaamse rechtshistorie. Paramaribo: Vaco, 1993. 176 pp.-Harold Munneke, Irvin Kanhai ,Strijd om grond in Suriname: Verkenning van het probleem van de grondenrechten van Indianen en Bosnegers. Paramaribo, 1993, 200 pp., Joyce Nelson (eds)-Ronald Donk, J. Hartog, De geschiedenis van twee landen: De Nederlandse Antillen en Aruba. Zaltbommel: Europese Bibliotheek, 1993. 183 pp.-Aart G. Broek, J.J. Oversteegen, In het schuim van grauwe wolken: Het leven van Cola Debrot tot 1948. Amsterdam: Muelenhoff, 1994. 556 pp.''Gemunt op wederkeer: Het leven van Cola Debrot vanaf 1948. Amsterdam: Muelenhoff, 1994. 397 pp.

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Jardine, Michael, Graham Parry, Ivan Roots, Robert Shaughnessy, Mark Bayer, R. C. Richardson, Ivan Roots, et al. "Reviews: Northern English: A Social and Cultural History, Foxe's ‘Book of Martyrs' and Early Modern Print Culture, Food in Early Modern England: Phases, Fads, Fashions 1500–1760, Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household, Shakespeare's Histories and Counter Histories, the Uses of History in Early Modern England, Women and the Pamphlet Culture of Revolutionary England, 1640–1660, the Arts of the Anglican Counter Reformation: Glory, Laud and Honour, Transatlantic Encounters: American Indians in Britain, 1500–1776, the Social Life of Money in the English Past, Provincial Readers in Eighteenth-Century England, Plagiarism and Literary Property in the Romantic Period, Race, Slavery, and Liberalism in Nineteenth-Century American Literature, Epic and Empire in Nineteenth-Century Britain, Panic!: Markets, Crises, and Crowds in American Fiction, the Imagination of Class: Masculinity and the Victorian Urban Poor, Writers, Readers, and Reputations: Literary Life in Britain 1870–1918, Thomas Hardy, British Representations of the Spanish Civil War, Mass Observation and Everyday Life. Culture, History, Theory, Narratives of Memory: British Writing of the 1940s, Local Shakespeare's: Proximations and Power, Angela Carter: A Literary LifeKatieWales, Northern English: A Social and Cultural History , Cambridge University Press, 2006, pp. xvii + 257, £50.JohnN. King, Foxe's ‘Book of Martyrs' and Early Modern Print Culture , Cambridge University Press, 2006, pp. xviii+ 351, £60.00JoanThirsk, Food in Early Modern England: Phases, Fads, Fashions 1500–1760 , London, Hambledon Continuum, 2007, pp. xx + 396, £30CatherineRichardson, Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household , Manchester University Press, 2006, pp. xii + 235, £50.00DermotCavanagh, StuartHampton-Reeves, and StephenLongstaffe,(eds), Shakespeare's Histories and Counter Histories , Manchester University Press, 2006. pp. ix + 243, £50.PaulinaKewes (ed.), The Uses of History in Early Modern England , Huntington Library, 2006, pp. ix + 449, £26.95MarcusNevitt, Women and the Pamphlet Culture of Revolutionary England, 1640–1660 , Ashgate, 2006, pp. xii + 218, £45.GrahamParry, The Arts of the Anglican Counter Reformation: Glory, Laud and Honour , Boydell Press, 2006, pp. xi + 207, £45AldenT. Vaughan, Transatlantic Encounters: American Indians in Britain, 1500–1776 , Cambridge University Press, 2006, pp. xxv + 337, £35DeborahValenze, The Social Life of Money in the English Past , Cambridge University Press, 2006, pp. xv + 308£43.JanFergus, Provincial Readers in Eighteenth-Century England , Oxford University Press, 2006. pp. xii + 314. £60.00TilarJ. Mazzeo, Plagiarism and Literary Property in the Romantic Period , University of Pennsylvania Press, 2006, pp. xiv + 236, £36.ArthurRiss, Race, Slavery, and Liberalism in Nineteenth-Century American Literature , Cambridge University Press, 2006, pp. viii + 238, £45.SimonDentith, Epic and Empire in Nineteenth-Century Britain , Cambridge University Press, 2006, pp. viii + 245, £48.00.DavidA. Zimmerman, Panic!: Markets, Crises, and Crowds in American Fiction , University of North Carolina Press, 2006, pp. 294, $22.50 pb.DanBivona and HenkleRoger B., The Imagination of Class: Masculinity and the Victorian Urban Poor , Ohio State University Press, 2006, pp. 256, $39.95PhilipWaller, Writers, Readers, and Reputations: Literary Life in Britain 1870–1918 , Oxford University Press, 2006, pp. 1181, £85.ClaireTomalin, Thomas Hardy , Penguin Press, 2007, pp. 512, $35BrianShelmerdine, British Representations of the Spanish Civil War , Manchester University Press, 2006, pp. 185, £55NickHubble, Mass Observation and Everyday Life. Culture, History, Theory , Palgrave Macmillan, 2006, pp. xi + 250, £45.VictoriaStewart, Narratives of Memory: British Writing of the 1940s . Palgrave2006, pp. 218, £45.MartinOrkin, Local Shakespeare's: Proximations and Power , Routledge, 2005, x + 220, £18.99.SarahGamble, Angela Carter: A Literary Life , Palgrave2006, pp. viii + 239, £47." Literature & History 17, no. 1 (May 2008): 78–105. http://dx.doi.org/10.7227/lh.17.1.7.

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Macdougall, Brenda. "The Power of Legal and Historical Fiction(s): The Daniels Decision and the Enduring Influence of Colonial Ideology." International Indigenous Policy Journal 7, no. 3 (July 28, 2016). http://dx.doi.org/10.18584/iipj.2016.7.3.1.

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It’s been several months since the Supreme Court of Canada (SCC) rendered its judgment in Daniels v. Canada (2016), affirming that the term “Indian” in s. 91(24) of the Constitution Act (1867) includes Métis and Non-Status Indians. There is a general hope that the decision marks a turning point for Métis and Non-Status Indians within Canada’s colonial structures. I’m not certain this optimism is justified. The judgment was reached based on the types of historical evidence presented and, consequently, there are a couple of statements within the written judgment that give me pause to question how the evidence regarding the histories of Métis and Non-Status Indians were presented to, and then interpreted by, the justices. Bearing in mind that the crux of the case rested on the linguistic meaning and evolution of the term “Indian” in Canadian society through law and policy, evidence was introduced about how the term was used at various points in the past, as well as the context of that usage in order to demonstrate the evolution of a Canadian legal and historical fiction that increasingly restricted the idea of what an Indian was. What the SCC did with the Daniels Decision is reverse that restrictive trend for Indians while constructing new problems.

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"Roads in the sky: the Hopi Indians in a century of change." Choice Reviews Online 33, no. 04 (December 1, 1995): 33–2199. http://dx.doi.org/10.5860/choice.33-2199.

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"Disturbing Indians: the archaeology of southern fiction." Choice Reviews Online 45, no. 05 (January 1, 2008): 45–2488. http://dx.doi.org/10.5860/choice.45-2488.

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Desmarais, Robert. "Happy New Year!" Deakin Review of Children's Literature 6, no. 3 (January 29, 2017). http://dx.doi.org/10.20361/g2sp6z.

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Dear Readers,Our winter issue features many excellent book reviews that cover a fascinating range of subjects and experiences, such as: crossing a harbour to an extraordinary island full of treasure (The Riddlemaster), examining issues such as poverty, racism, addiction, and healing (Dreaming in Indian); and exploring the delightful flora and fauna of Australia (Simone in Australia). There are many more books to choose from and we hope you enjoy the variety.We also take great pleasure announcing that our new issue has book reviews from the recently updated Children’s Health Fiction Titles List, including: Fishing with Grandma, Mon ami Claire, Noni Speaks Up, Saila and Betty, and Tattle-tell. The update includes titles from 2014 to 2016 and we encourage readers to have a look at the full list, A Selective Collection of Children’s Health Fiction 2014 – 2016, in the University of Alberta’s Education and Research Archive (ERA).The Children’s Health Fiction list was created to help libraries and parents looking for high quality stories that help children to better understand and cope with health issues in their lives. Information about the project, a link to the original titles list, and guidance for selecting children’s fictional works on health-related topics, was published in the October 2014 Special Issue of the Deakin Review of Children’s Literature (Vol. 4, No. 2).On a final note in the way of announcements, we are delighted to offer a peer-reviewed article that “describes why and how the University of Alberta Libraries built a Spanish language children’s literature collection.” You will find it under the “Articles” heading of the Table of Contents. All of us at the Deakin Review wish you a peaceful and happy winter season filled with good books and many visits to the library.Best wishes,Robert Desmarais, Managing Editor (with thanks to Sandy Campbell & Maria Tan for an update on the Children’s Health Fiction Titles List)

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"American Indians' kitchen-table stories: contemporary conversations with Cherokee, Sioux, Hopi, Osage, Navajo, Zuni, and members of other nations." Choice Reviews Online 30, no. 04 (December 1, 1992): 30–1919. http://dx.doi.org/10.5860/choice.30-1919.

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Oliveira, Ana Paula, and Tatiana Romagnolli Peres. "Antropologia e Imagem sobrevivente na obra de Aby Warburg." ILUMINURAS 15, no. 35 (July 31, 2014). http://dx.doi.org/10.22456/1984-1191.49317.

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O presente artigo analisa a relevância de estudos antropológicos para o conceito de pós-vida ou sobrevivência das imagens criado por Aby Warburg. A análise da imersão de Warburg em grupos humanos em períodos da história distintos constituirão o cerne do proposto estudo. Partindo de uma pesquisa bibliográfica e do pressuposto de que imagens são importantes documentos antropológicos e culturais, será levada em consideração a teoria proposta pelo citado autor, de que existem determinados elementos imagéticos que ressurgem ao longo da história. Este fato será por ele constatado a partir de estudos antropológicos da imagem feitos entre, e sobre, os índios Hopi e Pueblo, num período em que conviveu entre eles. Tais considerações permitem avaliarmos as nítidas influências e consequências proporcionadas pela antropologia visual nos trabalhos de Aby Warburg. Palavras-chave: Antropologia. Imagens. Aby Warburg. Pós-vida das imagens. Imersão em grupos indígenas. Anthropology and surviving imagein the work of Aby WarburgAbstract This article seeks to consider the anthropological studies relevance for the warburguiana proposal of afterlife or survival of the images. The Warburg immersion in human groups and different periods of history analysis are going to constitute the crux of the proposed study. Taking into account the bibliographical research and the assumption that images are important anthropological and cultural documents, for this work will be taken into consideration the theory proposed by the cited author, that there are certain pictorial elements that recur throughout history. This fact will be recorded by him from anthropological studies of images made between and about and on the Hopi and Pueblo indians, in a period in which he lived among them. Such considerations allow us to evaluate the clear influences and consequences provided by the anthropology visual in the works of Aby Warburg. Keywords: Anthropology. Images. Aby Warburg. Afterlife of images. Immersion in indigenous groups.

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Boëthius, Ulf. "”Hinner vi inte ta en grogg tillsammans, innan ångaren sjunker?”." Barnboken, June 18, 2021. http://dx.doi.org/10.14811/clr.v44.581.

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”How about a drink together, before the ship sinks?” Fact and Fiction in Erik Pallin’s Kaparkaptenen på Emden The First World War gave rise to a surge of war novels, many of which were aimed at a young audience. These novels can be characterized as adventure stories with boys as their main target group. Swedish author Erik Pallin’s Kaparkaptenen på Emden: Romantiserad skildring från det stora världskriget 1914 (The Privateer Captain of Emden: Romanticized Depiction from the Great World War in 1914) was published in December 1914. It is not only one of the first Swedish youth novels about the war, but also one of the most intriguing as the tension between reality and fiction is particularly strong in Pallin’s novel. It tells the story of the German cruiser Emden whose raids in the Indian Ocean attracted much attention from journalists and authors. The article investigates how Pallin depicted the war for his young readers, focusing on the relationship between fact and fiction. The analysis shows that Pallin, much like the journalists reporting on Emden, transforms Emden’s warfare into heroic adventure tales and portrays Emden’s captain as a charismatic hero who symbolizes the male ideal of the time. The analysis concludes that Kaparkaptenen på Emden to some extent can be considered a “newsreel novel” (Paris), but that Pallin also romanticizes Emden’s warfare to appeal to his young readers. Rather than depicting the atrocities of real-life war, Pallin presents the war as an adventure with idyllic, romantic, and comical elements. The novel’s happy ending, with the war coming to an end, suggests that Pallin wished to take a stance against the war, but it can also be read as a strategy used to appeal to his young audience by offering them a story of hope.

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Journal articles on the topic 'Hopi Indians in fiction'

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