Relevant bibliographies by topics / Horn and electronic music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Horn and electronic music'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Horn and electronic music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Horn and electronic music"

1

Spasov, Miroslav. "Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition." Computer Music Journal 39, no. 3 (2015): 25–45. http://dx.doi.org/10.1162/comj_a_00313.

Full text
Abstract:
This article explores the possibility of using chaotic attractors to control sound processing with software instruments in live electroacoustic composition. The practice-led investigation involves the Attractors Library, a collection of Max/MSP externals based on iterative mathematical equations representing nonlinear dynamical systems; Attractors Player, a Max/MSP patch that controls the attractors' performance and live processing; and the two compositions based on the software: Strange Attractions for flute, clarinet, horn, and live electronics, and Sabda Vidya No. 2 for flute, tenor saxopho
APA, Harvard, Vancouver, ISO, and other styles
2

Zekang, Chen. "JIA DAQUN CONCERTO ″FUSION II″: INTERPRETATION OF CHINESE PERCUSSION INSTRUMENTS." Arts education and science 1, no. 2 (2021): 136–43. http://dx.doi.org/10.36871/hon.202102017.

Full text
Abstract:
The article introduces Jia Daqun's Concerto for Percussion and Symphony Orchestra "Fusion II" into Russian musicology for the first time. The work is considered as one of the illustrative examples of the inclusion of traditional Chinese percussion instruments in symphony orchestra. Following modern trends in unconventional ways of playing the tanggu solo drum, the composer achieves a timbre transformation which, along with rhythmic and dynamic qualities, allows to imitate the sound of Indian drums and African tambourines. The new sound created in this way becomes one of the indicators of the c
APA, Harvard, Vancouver, ISO, and other styles
3

ARDOIN, JOHN. "Horn of Plenty." Opera Quarterly 4, no. 1 (1986): 43–53. http://dx.doi.org/10.1093/oq/4.1.43.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Adlington, Robert, Holloway, Kovacic, et al. "Violin Concerto; Horn Concerto." Musical Times 136, no. 1825 (1995): 163. http://dx.doi.org/10.2307/1004015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mullen, Erin. "Suite for Horn and Piano, and: Suite (Twelve Duets) for Horn and Tuba, and: Horn Sonata, and: Horn! for Horn in F and Piano, and: Sonata for Horn and Piano (review)." Notes 60, no. 3 (2004): 801–4. http://dx.doi.org/10.1353/not.2004.0030.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lembke, Sven-Amin, Scott Levine, and Stephen McAdams. "Blending Between Bassoon and Horn Players." Music Perception 35, no. 2 (2017): 144–64. http://dx.doi.org/10.1525/mp.2017.35.2.144.

Full text
Abstract:
Achieving a blended timbre between two instruments is a common aim of orchestration. It relates to the auditory fusion of simultaneous sounds and can be linked to several acoustic factors (e.g., temporal synchrony, harmonicity, spectral relationships). Previous research has left unanswered if and how musicians control these factors during performance to achieve blend. For instance, timbral adjustments could be oriented towards the leading performer. In order to study such adjustments, pairs of one bassoon and one horn player participated in a performance experiment, which involved several musi
APA, Harvard, Vancouver, ISO, and other styles
7

Reynolds, Verne, and William Holab. "Soliloquy; Horn Solo." Notes 44, no. 4 (1988): 826. http://dx.doi.org/10.2307/941055.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Haug, Andreas. "Zum Gedenken an Wolfgang Horn (1956-2019)." Die Musikforschung 73, no. 1 (2021): 1. http://dx.doi.org/10.52412/mf.2020.h1.26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gbur, Bruce. "Twentieth-Century Music for English Horn and Oboe." American Music 17, no. 2 (1999): 242. http://dx.doi.org/10.2307/3052725.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Johnson, Christopher M., Clifford K. Madsen, and John M. Geringer. "A Study of Music Students’ Tempo Changes of a Soloist’s Performance of Mozart’s 1st Horn Concerto." Journal of Research in Music Education 60, no. 2 (2012): 217–31. http://dx.doi.org/10.1177/0022429412445486.

Full text
Abstract:
The purpose of the present investigation was to investigate music students’ tempo changes of a soloist’s performance in an excerpt from Mozart’s Concerto No. 1 in D Major for Horn and Orchestra. We then compared the composite rubato pattern to tendencies found in a previous investigation using Mozart’s Concerto No. 2 in E ♭ Major for Horn and Orchestra. Data were collected directly from listeners’ Continuous Response Digital Interface (CRDI) dial movements, which controlled the instantaneous tempo of the solo horn performance. Some tendencies from previous rubato performances were replicated;
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Horn and electronic music"

1

ROONEY, KIMBERLY DIANNE. "Compositional Trends in Solo Horn Works Composed by Horn Performers (1970-2005): A Survey and Catalog." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218545699.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Krohn, Garrett N. "Horn and Live Electronics A Survey of and Performance Guide for a Neglected Repertoire." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616186332963868.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lee, Terry Alan. "Grancloud, a real-time granular synthesis application and its implementation in the interactive composition Creo." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12151.

Full text
Abstract:
For flute, violin, French horn, piano, and live electronics. Includes graphic notation for computer. Includes performance notes. System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 93-94).
APA, Harvard, Vancouver, ISO, and other styles
4

Crowley, Timothy R. (Timothy Robert). "In Nomine Domini." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279249/.

Full text
Abstract:
In Nomine Domini is an eighteen-minute composition for two chamber orchestras with two soloists using real-time interactive signal processing techniques. The first chamber orchestra is scored for flute (piccolo), English horn, trumpet in C, trombone, two percussionists (cowbells, wood blocks, tenor drum, suspended cymbal, gongs, tam-tam, temple blocks, tambourine, snare drum, timbales, and bass drum), horn in F (soloist), viola, and string bass. The second chamber orchestra is scored for oboe, clarinet in Bb (bass clarinet in Bb), bassoon, tuba, two percussionists (crotales, two marimbas, vibr
APA, Harvard, Vancouver, ISO, and other styles
5

Knechtel, J. Beaumont. "Horn Outside the Concert Hall| Nontraditional Implementation of the Horn." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10784448.

Full text
Abstract:
<p> The horn is renowned for its contributions to traditional orchestral repertoire and concert hall performances. Since its induction into the symphony, its uses outside the concert hall have been diverse albeit comparatively sparse. However rare, its implementation still spans from the high arts, to world of pop, and to the avant-garde. In 1976, the haunting, sonorous timbre of Peter Gordon's legendary solo horn would inspire Jaco Pastorius to feature it on his titular album. This paper will analyze and define key nontraditional uses of the horn, discuss the effects of non-notated performanc
APA, Harvard, Vancouver, ISO, and other styles
6

Falvey, Joseph T. "An Equipment Guide to Performing Baroque Horn Music." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/525.

Full text
Abstract:
Since the renewed interest in Baroque music in the twentieth century, no instrument has been more vexing for performers than the horn. The valveless Baroque horn, coupled with the anachronistic technique of clarino playing places hornists at a major disadvantage when faced with music of the Baroque Period. This study is an equipment guide that can be used as a starting point for conquering the upper-register, sound quality, and endurance challenges posed by Baroque horn writing. Chapter Two focuses on the options available to present-day period horn performers. Although it is not practical to
APA, Harvard, Vancouver, ISO, and other styles
7

Nichols, Richard A. "Trio for horn, cello and piano /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486546889382746.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Richards, Paul Sidney 1969. "Concerto for Horn and Orchestra (Original composition)." Thesis, The University of Arizona, 1993. http://hdl.handle.net/10150/292008.

Full text
Abstract:
This three movement work, in roughly the classical concerto mold, is designed to explore the combinatorial and soloistic color possibilities of the horn with a chamber orchestra accompaniment. This instrument-oriented composition is reflected in both the structure and substance throughout. Each individual movement focuses on a different aspect of the horns capabilities (broad range in movement I, "singing" quality in movement II, and virtuosic potential in movement III). Harmonies and motives are likewise derived from the horn itself, including it's historic "hunting-horn" origins, as well as
APA, Harvard, Vancouver, ISO, and other styles
9

Suchodolski, Heather Blase. "Douglas Campbell: American Horn Pedagogue and Performer." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500009/.

Full text
Abstract:
While the word “pedagogue” may evoke a vision of an instructor who is dogmatic and set in his own ways, the word descends from Greek origins: ped “child” + agogos “leader.” A pedagogue is, by definition, literally the servant who escorts the child to and from school – the “pedagogue” accompanies the student on the journey for knowledge. True to this definition, Douglas Campbell is model pedagogue – one who gently guided his countless students throughout their musical journeys. As Professor of Music (Horn) at Michigan State University for 45 years, and Horn Instructor at Interlochen Arts Camp
APA, Harvard, Vancouver, ISO, and other styles
10

Naigus, James Andrew. "A creative pedagogical approach to the continuum of tonality to atonality for the horn through sixty progressive etudes." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/5576.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Horn and electronic music"

1

Stubley, Eleanor Victoria. A guide to solo french horn music by Canadian composers. Canadian Music Centre, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hernon, Michael. French horn discography. Greenwood Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

French horn discography. Greenwood Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Graham, Melville-Mason, ed. The basset-horn & its music. 2nd ed. J.P. Newhill, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Newhill, John P. The basset-horn & its music. 2nd ed. the author, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lazarof, Henri. Intrada for solo horn. Merion Music, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Harbison, John. Twilight music: Horn, violin, and piano. Associated Music Publishers, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hild, Jack. Vultures of the horn. Worldwide, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Horn technique. 2nd ed. Oxford University Press, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Handmade Electronic Music. Taylor and Francis, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Horn and electronic music"

1

Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Horn." In The Teaching of Instrumental Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hartmann, William M. "Electronic Music." In Principles of Musical Acoustics. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kaul, Timor. "Electronic Body Music." In Handbuch Popkultur. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Battier, Marc. "Analyzing Electronic Music." In Teaching Electronic Music. Routledge, 2021. http://dx.doi.org/10.4324/9780367815349-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Ross, Sara. "Overlooking the Scene: Electronic Music and Toronto’s Music City Project (1999–2019)." In Electronic Cities. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Collins, Nicolas, and Simon Lonergan. "Introduction." In Handmade Electronic Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Collins, Nicolas, and Simon Lonergan. "How to Make a Contact Mike." In Handmade Electronic Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Collins, Nicolas, and Simon Lonergan. "Turn Your Wall Into a Speaker." In Handmade Electronic Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rowland, Jess. "Paper Speakers." In Handmade Electronic Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Collins, Nicolas, and Simon Lonergan. "Tape Heads." In Handmade Electronic Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Horn and electronic music"

1

Li, Dejun, and Tian Xia. "Electronic music clothing." In International conference on Management Innovation and Information Technology. WIT Press, 2014. http://dx.doi.org/10.2495/miit130121.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bie, Zhian. "Research on the Music Performance of the Sheep Horn-bell." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.77.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Irons, Jonathan, and Martin Schmucker. "Fingerprinting of music scores." In Electronic Imaging 2004, edited by Edward J. Delp III and Ping W. Wong. SPIE, 2004. http://dx.doi.org/10.1117/12.526758.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Guoping You and Wanghui Zeng. "Electronic music box design." In 2016 2nd IEEE International Conference on Computer and Communications (ICCC). IEEE, 2016. http://dx.doi.org/10.1109/compcomm.2016.7924848.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hayes, Lauren. "Live Electronic Music Performance." In MOCO '18: 5th International Conference on Movement and Computing. ACM, 2018. http://dx.doi.org/10.1145/3212721.3212891.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Trickett, Terry. "Visual Music." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.53.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Raphael, Christopher, and Rong Jin. "Optical music recognition on the International Music Score Library Project." In IS&T/SPIE Electronic Imaging, edited by Bertrand Coüasnon and Eric K. Ringger. SPIE, 2013. http://dx.doi.org/10.1117/12.2040247.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Smith, Wilson. "Music lessons." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313026.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Crysandt, Holger, and Jens Wellhausen. "Music classification with MPEG-7." In Electronic Imaging 2003, edited by Minerva M. Yeung, Rainer W. Lienhart, and Chung-Sheng Li. SPIE, 2003. http://dx.doi.org/10.1117/12.476257.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jian, Min-Hong, Chia-Han Lin, and Arbee L. P. Chen. "Perceptual analysis for music segmentation." In Electronic Imaging 2004, edited by Minerva M. Yeung, Rainer W. Lienhart, and Chung-Sheng Li. SPIE, 2003. http://dx.doi.org/10.1117/12.527911.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Horn and electronic music"

1

Hickey, James. The Electronic Hardware Music Subculture in Portland, Oregon. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7470.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

Full text
Abstract:
The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Horn and electronic music' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography