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Books on the topic 'Horn with orchestra'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Lazarof, Henri. Fantasia for horn and orchestra. Bryn Mawr, Pa: Merion Music, 1995.

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2

Zwilich, Ellen Taaffe. Concerto for horn and string orchestra. Bryn Mawr, Pa: Merion Music, 1995.

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3

Saint-Saëns, Camille. Romanzen für Horn und Klavier =: Romances for horn and piano. München: G. Henle, 2013.

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4

Yancich, Milan. An orchestra musician's odyssey: A view from the rear. Rochester, N.Y: Wind Music, 1995.

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5

Amadeus, Mozart Wolfgang. Konzert in Es für Horn und Orchester KV 417 =: Concerto in E-flat major for horn and orchestra. Kassel: Bärenreiter, 1990.

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6

Gstättner, Rudolf. Solo-Oboe/Englischhorn und Blasorchester: Verzeichnis von über 150 Solowerken für ein oder zwei Oboen oder Englischhörner und Blasorchester. Wien: Musikverlag J. Kliment, 1997.

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7

Hallnäs, Eyvind. Elegi : för valthor o. stråk ork.: 1985. [Stockholm: STIM, 1985.

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8

Copland, Aaron. Third symphony ; Quiet city. Hamburg: Deutsche Grammophon, 1986.

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9

Benjamin, Britten. Serenade, op. 31, for tenor, horn, and strings ; Winter words: Op. 52 ; Seven sonnets of Michelangelo : op. 22. London: London Jubilee, 1986.

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10

I found my horn: One man's struggle with the orchestra's most difficult instrument. London: Weidenfeld & Nicolson, 2008.

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11

A devil to play: One man's year-long quest to master the orchestra's most difficult instrument. New York, NY: Harper, 2008.

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12

Lazarof, Henri. Concertante for 16 strings and 2 French horns. Bryn Mawr, Pa: Merion Music, 1988.

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13

Meek, Harold L. Horn and conductor: Reminiscences of a practitioner with a few words of advice. Rochester, NY: University of Rochester Press, 1997.

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14

Epstein, Eli. Horn playing from the inside out: A method for all brass musicians. Brookline, Massachusetts: Eli Epstein Productions, 2012.

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15

Belenov, L. D. Valtorna v orkestrovoĭ muzyke russkikh kompozitorov XVIII-XX vekov: Monografii︠a︡. Moskva: Rossiĭskai︠a︡ akademii︠a︡ muzyki im. Gnesinykh, 2006.

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16

Vivaldi, Antonio. Concerto. Saint-Romuald, QC: Productions d'Oz, 2004.

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17

Dukas, Paul, and Dale Hedding. Villanelle for Horn & Orchestra: Woodwind Quintet. Wehr's Music House, 1992.

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18

Goedicke, Alexander. Concerto for Horn and Orchestra, Kalmus Edition. Alfred Publishing Company, 1985.

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19

Concertos for Horn. Schirmer Books, 1994.

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20

Holland, James. Concerto for Horn No. 2: Horn Part with Orchestra Reduction for Piano. Independently Published, 2020.

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21

Sierra, Roberto. Concierto Evocativo: French Horn and Piano. G. Schirmer, Inc., 1992.

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22

Music Minus One French Horn: Band Aids for French Horn: Concert Band Favorites with Orchestra. Music Minus One, 1997.

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23

Treasury of Scales for Band and Orchestra: 1st F Horn. Alfred Publishing Company, 1985.

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24

Smith, Leonard. Treasury of Scales for Band and Orchestra: 2nd F Horn. Alfred Publishing Company, 1985.

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25

Messiaen, Olivier. Des canyons aux étoiles. 2015.

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26

ShtikhÂ I.Â V. (PuntoÂ Giovanni). Concerto No. 5 for French Horn and Orchestra. Piano score and part. Compozitor (SPb.), 2004.

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27

De Souza, Jonathan. Horns To Be Heard. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190271114.003.0007.

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How do listeners relate to musial instruments that they do not play? This chapter investigates technically mediated modes of listening in the context of Haydn’s horn music. The valveless horns in Haydn’s orchestra had distinctive pitch affordances, which gave rise to several idiomatic figures. This instrumental invariance can shape tonal expectations, affecting how the music appears to listeners. Haydn (and other composers) also used horn calls in compositions for other instrumental forces. If situated listeners are attuned to schematic instrumental textures—if, for example, they can hear virtual horns in a string quartet or piano piece—this implies that their perception is grounded in multimodal experiences of instruments. Like performance, then, listening is both embodied and conditioned by technology.

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28

(Composer), Igor Stravinsky, and Bela Bartok (Composer), eds. Stravinsky, Bartok and More - Vol. 8: The Orchestra Musician's CD-ROM Library - Horn (The Orchestra Musician's CD-Rom Library). Hal Leonard Corporation, 2007.

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29

(Composer), Ludwig van Beethoven, and Franz Schubert (Composer), eds. Beethoven, Schubert and More - Volume 1: The Orchestra Musician's CD-ROM Library - Horn. Hal Leonard Corporation, 2003.

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30

(Composer), Edward Elgar, and Maurice Ravel (Composer), eds. Ravel, Elgar and More - Volume 7: The Orchestra Musician's CD-ROM Library - F Horn. Hal Leonard Corporation, 2006.

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31

Monteverdi, Claudio. Vespro Della Beata Vergine =: Vespers (1610) (Oxford Tutors for Horn). Oxford University Press, 1999.

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32

Publishing, Kalas. Other French Horn Students You: Funny Gift Musicians Band Orchestra Members Coworker Boss Friend Lined Notebook. Independently Published, 2019.

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33

Amadeus, Mozart Wolfgang. Mozart - Concerto for Horn and Orchestra KV 412/514 (386b) in D-Major (3 Tempi Play Along). Dowani, 2006.

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34

Kielian-Gilbert, Marianne. Disabled Moves. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.38.

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If music and music experience are more than internal representation and symbol manipulation, how might one flesh out and understand their multidimensionality? This essay describes “disabled moves” toward that question by imagining and disturbing what it might mean to think and be through the variant body. First, it considers the implications of the unexamined and assumed centricity of the abled body and the kinds of material-bodily-mental interventions that might unfix or jostle (musical) identity with respect to that centricity. Second, it considers the potential and limitations of medical and aural metaphors in Ethel Smyth’s Concerto for Horn, Violin and Orchestra (1926–1927). Third, it stages musical “theatres of madness,” juxtaposing descriptive listening accounts of Marta Ptaszyńska’s “Thorn Trees” from her Concerto for Marimba and Orchestra, to suggest a multidimensional approach to analysis that works with side-by-side encounters and the critical potential and desire for change.

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35

(Editor), Alfred Mann, ed. Horn and Conductor: Reminiscences of a Practitioner. University of Rochester Press, 1997.

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36

Rees, Jasper. A Devil to Play: One Man's Year-Long Quest to Master the Orchestra's Most Difficult Instrument. Harper Perennial, 2009.

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37

Smith, Leonard. Treasury of Scales for Band and Orchestra: 3rd & 4th F Horns. Alfred Publishing Company, 1985.

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38

Andraud, Albert J. Vade-mecum of the oboist: 230 selected technical and orchestral studies for oboe and English horn. 9th ed. 2014.

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39

Amadeus. Divertimenti: K. 251, 252, 253, 287, 289, 334 (Kalmus Edition). Alfred Publishing Company, 1985.

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40

Chamber Music I/Musique De Chambre I: Piano Trios (The Canadian Musical Heritage/Le Patrimoine Musical Canadien). Canadian Musical Heritage Society, 1989.

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