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Relevant bibliographies by topics / Horror Fiction in English

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Dissertations / Theses

Academic literature on the topic 'Horror Fiction in English'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Dissertations / Theses on the topic "Horror Fiction in English"

1

Levine, Jonathan David. "'One wiser, better, dearer than ourselves' : gothic friendship /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6643.

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2

Jespersdotter, Högman Julia. "Repeating Despite Repulsion: The Freudian Uncanny in Psychological Horror Games." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42829.

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This thesis explores the diverse and intricate ways the psychological horror game genre can characterise a narrative by blurring the boundaries of reality and imagination in favour of storytelling. By utilising the Freudian uncanny, four video game fictions are dissected and analysed to perceive whether horror needs a narrative to be engaging and pleasurable. A discussion will also be made if video game fictions should be considered in the literary field or its own, and how it compares to written fiction in terms of interactivity, engagement, and immersion.

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3

Koras, Demetra. "Primrose and Other Stories." Digital Commons @ Butler University, 2020. https://digitalcommons.butler.edu/grtheses/519.

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4

Hodgen, Jacob Michael. ""Boot Camp for the Psyche" : inoculative nonfiction and pre-memory structures as preemptive trauma mediation in fiction and film /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2506.pdf.

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5

Hervey, Benjamin Alan. "Late Victorian horror fiction." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397430.

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6

Khalidi, Anbara Mariam. ""It was the worst of times; it was the worst of times" : popular prophecy, Rapture fiction, and the imminent apocalypse in contemporary American Evangelism." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:e2e7da46-9462-448c-88ae-8a98a9482b8d.

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This thesis explores how the Rapture fiction and popular prophecy of modern American premillennial dispensationalism shapes the eschatological beliefs of its readership. This will be accomplished through a text-based critical analysis of the anxiety narratives of the Bible study and exegetical guides of the Tim LaHaye Prophecy Library, and its counterpart, the Left Behind fiction series. This thesis represents the first scholarly analysis of the Tim LaHaye Prophecy Library, and the first situation of Left Behind fiction within its theological context. It will be proposed that these two sets of

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7

Stewart-Shaw, Lizzie. "The cognitive poetics of horror fiction." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/43340/.

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This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic perspective. The approach adopted in this thesis combines thorough consideration of Text World Theory, attention and resonance, emotion studies, and online reader responses to provide a detailed analysis of the texture of the horror-reading experience. Three classic contemporary horror novels are the analytical focus of this investigation: Ira Levin’s (1967) Rosemary’s Baby, Stephen King’s (1986) IT, and William Peter Blatty’s (1971) The Exorcist. These popular novels were chosen for their ability t

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8

Reinhart, Marilee J. "The evolution of women's roles in horror fiction." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1990. http://www.kutztown.edu/library/services/remote_access.asp.

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9

Shafiq, Zubair. "Beyond 'Masala' : horror and science fiction in contemporary Bollywood." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/383878/.

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Since the early 1990s, Bollywood has witnessed a significant shift from its traditional ‘formulae’, particularly in terms of formal elements (i.e. narrative, themes, mise-en-scène) in its attempt to reach international audiences. The term Masala, often used to refer to all Bollywood films, has become one of the most popular genres of Bollywood. The ‘angry young man’ era of the 1970s and 1980s has lost its popularity in the last two decades as a self-conscious genre cinema has developed in Bollywood. This change has not only influenced genre conventions but also audience expectations. As a resu

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10

Ethridge, Benjamin Kane. "Causes of unease: Horror rhetoric in fiction and film." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2766.

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How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and disturbance in their respective audiences. The rhetorical and stylistic strategies employed to evoke these feelings are unique to the genre. Divulging these strategies will be the major focus of this thesis, yet there will also be discussion on the social and cultural background of the Horror genre.

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