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1
Hodge, Diana Victoria, and dhodge@utas edu au. "Victorianisms in twentieth century young adult fiction." Deakin University. School of Communication and Creative Arts, 2006. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20060525.151043.
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This thesis investigates the origins of contemporary fictional constructions of childhood by examining the extent to which current literary representations of children and childhood have departed from their Victorian origins. I set out to test my intuition that many contemporary young adult novels perpetuate Victorian ideals and values in their constructions of childhood, despite the overt circumstantial modernity of the childhoods they represent. The question this thesis hopes to answer therefore is, how Victorian is contemporary young adult fiction?
To gauge the degree of change that has taken place since the Victorian period, differences and points of continuity between representations of nineteenth century childhood and twentieth century childhood will be sought and examined in texts from both eras. The five aspects of fictional representation that I focus on are: notions of innocence; sexuality; the child as saviour; the use of discipline and punishment to create the ideal child; and the depiction of childhood and adulthood as separate worlds.
The primary theoretical framework used derives from Michel Foucaults concepts of the construction of subjectivity through discourse, discipline and punishment, and his treatment of repression and power, drawn mainly from The History of Sexuality vol. 1 (1976) and Discipline and Punish; the Birth of the Prison (1977). I have chosen to use Foucault primarily because of the affinity between his work on the social construction of knowledge and the argument that childhood is a constructed rather than essential category; and because Foucaults work on Victorian sexuality exposes links with current thinking rather than perpetuating assumptions about sexual repression in this period.
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Lou, Sabrina. "Paradise girls : contemporary realistic young adult fiction /." Access resource online, 2009. http://scholar.simmons.edu/handle/10090/12593.
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Escuadro, Nicole. "Desire and discourse in innovative young adult fiction." CONNECT TO ELECTRONIC THESIS, 2008. http://dspace.wrlc.org/handle/1961/5526.
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Jangula, Mootz Kaylee Blanche. "Resisting Rape Myths in Young Adult Fiction: An Analysis of Young Adult Novels Speak and Crank." Thesis, North Dakota State University, 2016. https://hdl.handle.net/10365/28035.
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Introducing young people to fiction that depicts rape is important in that reading this type
of fiction can be a more effective strategy for reducing rape-myth acceptance in young people
than lecture-based prevention programs. To be fully effective, literature used for lowering rapemyth
acceptance must fully resist rape myths. This paper analyzes Speak by Laurie Halse
Anderson and CRANK by Ellen Hopkins to find the ways in which each novel resists and
conforms to rape myths, to determine whether these texts would be suitable for reducing rapemyth
acceptance, and to identify ways in which future texts that aim to reduce rape-myth
acceptance in young readers can be more effective. Neither Speak nor CRANK fully resists rape
myths, which reinforces the validity of rape myths to young adult readers. Both novels resist rape
myths that attempt to deny the reality of rape while conforming to rape myths that blame the
victim.
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Martin, Patricia L. "Minority protagonists in the young adult historical fiction novel." [Denver, Colo.] : Regis University, 2007. http://165.236.235.140/lib/PMartin2007.pdf.
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Moore, John Noell. "Tracing the weave : reading and interpreting young adult fiction /." Diss., This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-02022007-133645/.
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Komninou, Nikolitsa. "The awarded young adult novel in Greece (1985-2004)." University of Sydney, 2006. http://hdl.handle.net/2123/2764.
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Master of PhilosophyThe purpose of this study was to examine the adolescent novels that were awarded in Greece from 1985 till 2005 by four major organizations. The primary focus was to outline the main characteristics of the awarded adolescent novel that developed during the last 20 years in Greece and secondly, to examine the main characteristics of those awarded novels so as to understand the importance of this newly formed genre and the important role it can play in the development of the adolescent. In the first part of the study we outlined the development and the main characteristics of the adolescent novel while we focused on the different criteria that are used by the four major organizations that award and promote this literary genre in Greece. The second part of the study analyzes the various stages of the buildingsroman as it’s seen through the themes of the novels, while a major component of it deals with the way the Greek identity is portrayed and promoted as well as the model of the adolescent hero. The study suggested that adolescence is the period between childhood and adulthood, during which the adolescent changes both biologically and psychologically and those changes are directly related to his/her future personality. The study also indicates that the adolescent novel describes that period that coincides with the final stages of the maturation of the teenager. Therefore, the adolescent readers identify themselves with the heroes, their emotions, and the various problems with references to the surrounding environment and the every day life. It was also suggested that the adolescent reader can discover a role model in the novel’s heroes and heroines which could lead to a self evaluation and an evaluation of the others around him, while at the same time he/she can enjoy the entertainment and aesthetic values of the novel.
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Maggiulli, Katrina. "Going Feral: The Utopian Horror of Human-Animal Hybrids." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20463.
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According to the material feminist corpus, namely Stacy Alaimo’s concept of trans-corporeality, material flows and interconnectivity between humans and their environment insists that the human body has never been atomistic, but rather a porous figure that continually interacts/intra-acts with its environment. The recent biotechnological boom allowing for the production of human-animal hybrids (chimeras) provides the kind of visualization of these interconnectivities that can help instigate a reconception of the human—as not human at all, but rather posthuman. This study looks at the presence of these human-animal hybrids in popular art media, specifically: the horror film, Splice (Dir. Natali 2009); the YA novel, Inhuman (Falls 2013); and the comic, Sweet Tooth (Lemire 2009-2013). This thesis argues that the human-animal hybrid figure exhibits utopian horror, or the use of horror to produce new, better, ways of conceptualizing human-animal relationships, ones that acknowledge our already posthuman plurality of self.
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Al, Jomaa Mervat. "Re-mapping adolescence : psychoanalysis and narrative in young adult fiction." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715720.
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Tan, Sumei Karen Anne. "The comfort of horror and the ambiguities of youth : contemporary Gothic fiction and young readers." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/417859/.
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Contemporary young readers have not just derived comfort from their consumption of gothic texts, they have offered generative responses that indicate huge diversity in both content and format in their interrogation of the gothic. These generative responses, ranging from persuasive writing containing complex argument structures; parodies and satiric play, among other responses, indicate young readers’ confidence and comfort critiquing gothic texts. This is in contrast to well-documented adult fears and moral panic, past and present, about gothic texts’ perceived negative influence on young readers, such as having difficulty differentiating fact from fiction, or being easily misled by gothic’s compelling narratives. Borrowing research from sociology and psychology, in addition to literary theories, and data from neurological studies, this thesis offers a systematic investigation on young readers consuming gothic texts which are targeted at them, as opposed to the implied young reader of the gothic, or gothic texts targeted at adults. Using a historical case study of young adult readers, this study also demonstrates that the phenomenon of young readers avidly and comfortably interrogating the gothic, with no signs of being confused, is in fact, not new. Instead, having identified and defined two separate genres of gothic texts – romance gothic focusing on romance with the monster; and horror gothic which has explicit violence, and grotesque and disgusting elements – this investigation presents original data from fieldwork conducted at two local schools of 23 students (age eleven to thirteen) reading and discussing Darren Shan’s horror gothic text, Lord Loss. Data on reader reception for romance gothic is from young adult readers (age 25 and below), who have comfortably and confidently posted their responses online based on Stephenie Meyer’s romance gothic Twilight series of books and films. Evidence indicates that contemporary young readers are carving out their own unique (albeit transient) conceptual space, in which they have derived great comfort and enjoyment in consuming gothic texts of romance gothic or horror gothic. By sharing their opinions online, and in discussion groups, these young readers are discovering their own voice in passionately embracing or gleefully vanquishing the monster in the comfort of consuming horror.
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Chen, Jou-An. "An exploration of nature and human development in young adult historical fantasy." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/282878.
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Traditional historical writing focuses on the cause and effect of human action, assuming that it is the historian's responsibility to recount the ebbs and flows of human progress. In the process of laying hold of the past as a narrative of human action, historical writing has developed the tendency to marginalise nature and undermine its power to influence the historical narrative. My investigation explores the fantastic in historical fantasy as a means of resisting historical writing's anthropocentrism. Historical fantasy uses fantastical elements to create counterfactual and alternative historical realities that have the potential to resist and undermine history's anthropocentric norm. My thesis examines four contemporary young adult historical fantasy trilogies that reimagine key turning points in history such as industrialisation, the American frontier, European imperialism, and World War I. They share the theme of retrieving and subverting anthropocentric discourses in the history of human development and thereby creating space for nature's presence and agency. My study finds that the fantastic is an effective means of subverting historical writing's anthropocentrism. But it also uncovers ambiguities and contradictions in historical fantasy's ecological revisionism, pointing to the idea that despite the fantastic's capacity for subversion, historical representations of nature cannot be separated from considerations of human identity and survival.
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Lash, Holly L. "Evaluating Young Adult Literature through Transactional Theory." Ohio Dominican University Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1449497760.
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Shen, Fu-Yuan. "Narrative strategies in Robert Cormier's young adult novels." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1135277215.
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Thamm, Shane Peter. "My private pectus : the construction of masculinities in Australian young adult fiction." Queensland University of Technology, 2008. http://eprints.qut.edu.au/17221/.
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In recent decades, male protagonists in Australian realist fiction for young adult readers have increasingly become more others-regarding, emotionally intelligent, and self-aware. (John Stephens 2000; Perry Nodelman 2002). Psychologist Roger Horrocks (1995) claims these protagonists are less “tendentious and more realistic” than male protagonists of the past. These boys, despite not bearing the hallmarks of hegemonic masculinity, develop subjective agency and ultimately propose new ways for young men to construct their gender identity.
Using Phillip Gwynne’s (1998) Deadly Unna? and David Metzenthen’s (2000) Boys of Blood and Bone as case studies, and my own novel My Private Pectus as creative practice, I explore the construction and deconstruction of hegemonic, complicit, and alternative masculinities in Australian realist young adult fiction. I also analyse the construction of the New Age Boy—a label used by John Stephens for young male protagonists who develop positive self esteem because of their perceived gender differences compared to boys of the hegemonic masculine type.
By critiquing the manner in which masculinities are constructed in each case study, and supporting my critique through the literature of leading gender theorists, I question the seemingly homogenous manner in which the New Age Boy gains agency.
This question is further explored through my creative practice, as I put into dialogue a protagonist who also recognises his gender differences, but instead of proposing a new and better masculinity, he tries to adhere to and reap the rewards of hegemonic masculinity.
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Clarke, Adrienne L. "Making literature meaningful, exploring cultural identity in realistic young adult multicultural fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ31187.pdf.
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Chen, Jou-An. "Airship, Automaton, and Alchemy: A Steampunk Exploration of Young Adult Science Fiction." Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7423.
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Steampunk first appeared in the 1980s as a subgenre of science fiction, featuring anachronistic technologies with a veneer of Victorian sensibilities. In recent years steampunk has re-emerged in young adult science fiction as a fresh and dynamic subgenre, which includes titles such as The Girl in the Steel Corset by Kady Cross, The Hunchback Assignment by Arthur Slade, and Mortal Engines by Philip Reeve. Like their predecessors, these modern steampunk novels for teens use retrofuturistic historiography and innovative mechanical aesthetics to dramatize the volatile relationship between man and technology, only in these novels the narrative is intentionally set in the context of their teen protagonist's social and emotional development. However, didactic conventions such as technophobia and the formulaic linearity of the bildungsroman narrative complicate and frustrate steampunk's representation of adolescent formation. Using case studies of Leviathan by Scott Westerfeld and The Alchemy of Stone by Ekaterina Sedia, retrofuturism and technological hybridity are presented as defining features of steampunk that subvert
young adult science fiction's technophobic and liberal humanist traditions. The dirigible and the automaton are examined as the quintessential tropes of steampunk fiction that reproduce the necessary amphibious quality, invoking new expressions and
understanding of adolescent growth and identity formation that have a distinctly utopian, nostalgic, and ecocentric undertone.
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Reber, Lauren Lewis. "Negotiating Hope and Honesty: A Rhetorical Criticism of Young Adult Dystopian Fiction." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/284.
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Young adult dystopian fictions follow the patterns established by the classic adult dystopias such as George Orwell's 1984 and Aldous Huxley's Brave New World, but not completely. Young adult dystopias tend to end happily, a departure from the nightmarish ends of Winston Smith and John Savage. Young adult authors resist hopelessness, even if the fictional world demands it.
Using a rhetorical approach established by Wayne Booth in The Rhetoric of Fiction and The Company We Keep, this thesis traces the reasons for the inclusion of hope and the strategies by which hope is created and maintained. Booth's rhetorical approach recognizes that a narrative is a relational act. At issue in this study is the consideration of what follows from viewing a narrative as a dynamic exchange between text, author and reader. Through a focus on rhetoric as identification, the responsibilities of both the author and the reader to a text are identified and discussed.
Three young adult novels, A Wrinkle in Time by Madeleine L'Engle, The Giver by Lois Lowry and Feed by M.T. Anderson will be analyzed as case studies. Together the analysis of these novels reveals that storytelling is an act of forging identifications and forming alliances. The reader becomes more than just a spectator of the author's rhetoric; the reader is a fully involved member of the interpretive and evaluative process.
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Fenech, Giuliana. "Reconfiguring the reader : convergence and participation in modern young adult fantasy fiction." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/3681.
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This thesis explores digital-age literary and reading practices as they were influenced by participatory culture at the turn of the century. Participatory culture is analysed here through the work of Henry Jenkins, Hans Heino Ewers, Margaret Mackey and Katy Varnelis and is recognised as one in which individuals are socially connected to each other in an environment that offers support for creating and sharing interpretations and original works. It has relatively low barriers to artistic expression and civic participation, and fosters the sense of community growing around people’s common interests and ideologies, as expressed through performative manifestations such as gaming and fandom. Because juvenile fantasy fiction generally, and J. K. Rowling’s Harry Potter series (1997-2007) specifically, were at the centre of significant developments in response to participatory culture, Rowling’s books are used as a case study on the basis of which changing practices of reading, writing and interpretation of story, principally by children and young people, are mapped and appraised. One aim of this thesis is to evaluate how far participatory culture has affected what it means to be a reader of a text that exists in multiple formats: how each version of the text constructs and addresses its readers/viewers/players/co-creators, and the dynamics and interdependence between the different versions. A second but related aim is to test the claims of new media theorists, including Janet Murray, Pierre Lévy and Marie-Laure Ryan, among others, to establish how far texts, readers and the processes of reading have in fact changed. Specifically, it looks at how far the promises of reader participation and co-creation have been fulfilled, especially within the genre of children’s literature.
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Voskuyl, Heather. "Plainsong or polyphony? : Australian award-winning novels of the 1990s for adolescent readers /." Electronic version, 2008. http://epress.lib.uts.edu.au/dspace/handle/2100/923.
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Nelson, Kyra McKinzie. "Lexical Trends in Young Adult Literature: A Corpus-Based Approach." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5805.
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Young Adult (YA) literature is widely read and published, yet few linguistic studies have researched it. With an increasing push to include YA texts in the classroom, it becomes necessary to thoroughly research the linguistic nature of the register. A 1-million-word corpus of YA fiction and non-fiction texts was created. Children's and adult fiction corpora were taken from a subset of the Corpus of Contemporary American English (COCA) database. The study noted differences in use of modals and pronouns among children's, YA, and adult registers. Previous research has suggested that children's literature focus more on spatial relations, while adult literature focuses on temporal relationships. However, the results of this study were unable to verify such relationships. The study also found that YA varied from children's and adult literature in regards to expletives, body part words, and familial relationships. The findings of this study suggest that YA is linguistically distinct from children's and adult. This indicates that future studies should focus more on target audience age. These results could also be applied to L1 reading pedagogy.
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Wilcox, Mary Elizabeth. "Canadian cultural identity, disillusionment, and isolation in contemporary realistic Canadian young adult fiction." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/23505.
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This study explores Canadian cultural identity in a selection of contemporary realistic dark-themed Canadian Young Adult (YA) fiction: The Lottery by Beth Goobie, The Space Between by Don Aker, The Beckoners by Carrie Mac, and Swimming in the Monsoon Sea by Shyam Selvadurai. Using close reading, these adolescent novels are analyzed for the “bleak” themes of disillusionment and isolation. The themes are compared to corresponding trends in American YA literature, including self-reflection, ambiguous endings, the role of violence, absent parents, and the forms of the socially and psychologically abject characters. The novels are then analyzed using Canadian critical lenses adapted from John Ralston Saul’s theory of false myths and Daniel Coleman’s theory of wry civility. The critical lenses are also linked to Dennis Lee’s theory of inauthenticity and authenticity in Canadian culture and Northrop Frye’s definitions of unity and uniformity. The analysis concludes that the themes of isolation and disillusionment reflect deep engagement with authentic Canadian cultural theories.
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Reavis, E. "Adolescent Female Identity Development and Its Portrayal in Select Contemporary Young Adult Fiction." Thesis, School of Information and Library Science, 2004. http://hdl.handle.net/1901/116.
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This study describes a content analysis of six contemporary young adult fiction novels. Adolescence is a time of great change, particularly for girls. It is during this time that female adolescents develop their voice and identity. As literature reflects the reader’s world, it also affects in part how female adolescents perceive their identity. Latent content analysis was used to code eight variables to determine if select contemporary young adult fiction novels appropriately describe the development of identity among adolescent females. All of the novels included in the study provided sufficient evidence of accurate portrayal of female adolescent identity development, by having examples of at least four out of eight variables, with most having examples of seven out of eight variables.
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Carrington, Bridget. "Paths of virtue? : the development of fiction for young adult girls, 1750-1890." Thesis, University of Roehampton, 2009. https://pure.roehampton.ac.uk/portal/en/studentthesis/paths-of-virtue(61cf9384-b233-4b71-b0e6-605b97a0ccf7).html.
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This study considers the early history of the development of fiction for Young Adult girls, an area which has received little attention. Its focus is on selected novels published between 1750 and 1890 which were read by unmarried girls in their teenage years and early twenties, or recommended for them by educationalists and critics. In the thesis I consider why girls read these novels, and how the texts address the themes identified by twentieth- and twenty-first-century theorists of children’s literature as identifiers of fiction for young adults. Primary evidence is drawn from reading records and critical surveys made between the mid-eighteenth and early twentieth centuries. The Introduction puts forward the argument for investigating the origins of fiction for Young Adult girls. Part I examines the theoretical framework for the study, Chapter 1 seeking to define Young Adults girls as a distinct identity within a wider pre-mature social grouping. Chapter 2 reviews critical theories particularly relevant to the thesis: reader response and cultural materialism. A discussion of book history is made in Chapter 3. Part II explores the texts themselves, justifying each choice by referencing the evidence of reading and/or recommendation contemporary with the novels. In Chapters 4 and 5 Richardson’s Sir Charles Grandison and Burney’s Evelina are examined. The focus of Chapter 6 is the Gothic novel, identifying Radcliffe’s Romance of the Forest as a key text among the Young Adult female audience. Wood’s East Lynne and Braddon’s Lady Audley’s Secret, both immensely popular early examples of the sensation genre, are considered in Chapter 7. Chapter 8 investigates the largely forgotten work of Flora Shaw, with a close examination of her novel Colonel Cheswick’s Campaign. This chapter, together with the Conclusion, identifies the significant changes in female expectation apparent by 1890, changes which encouraged a new direction in fiction for girls.
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Barton, Tina. "Young Adult Fiction, Feminist Pedagogy, and Convergence Culture: “Fangirling” as a Feminist Act." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35672.
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JK Rowling’s Harry Potter series, Suzanne Collins’s Hunger Games trilogy, and Stephenie Meyer’s Twilight saga are widely recognized as three of the most successful recent young adult franchises. Although it may not seem so at first, each of these series has a preoccupation with feminist learning; each series’ author, whether explicitly or implicitly, addresses the extent to which their protagonists and fans can learn feminist lessons within, or from, these texts. Each protagonist does seem to undergo some kind of learning experience, and by measuring these against what feminist education scholars such as bell hooks call a feminist pedagogical model, I show that the reality of what is expressed in these texts does not necessarily align with the ways Hermione, Katniss, and Bella have been discussed by critics and fans. Further, I argue that despite their divergence from the didactic nature of earlier feminist young adult fiction, such as that written by Judy Blume, by making connections between young adult fiction and what fan theorist Henry Jenkins calls “convergence culture”, young readers of Rowling’s, Collins’s, and Meyer’s texts, through their critical and creative engagement with online fan activities, are actually participating in a kind of feminist education that interestingly embodies the aims of feminist pedagogy.
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Kimberley, Maree Ann. "Girl in the Shadows and resilience and coping strategies in contemporary young adult fiction." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29384/.
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The novel manuscript Girl in the Shadows tells the story of two teenage girls whose friendship, safety and sanity are pushed to the limits when an unexplained phenomenon invades their lives. Sixteen-year-old Tash has everything a teenage girl could want: good looks, brains and freedom from her busy parents. But when she looks into her mirror, a stranger’s face stares back at her. Her best friend Mal believes it’s an evil spirit and enters the world of the supernatural to find answers. But spell books and ouija boards cannot fix a problem that comes from deep within the soul. It will take a journey to the edge of madness for Tash to face the truth inside her heart and see the evil that lurks in her home. And Mal’s love and courage to pull her back into life. The exegesis examines resilience and coping strategies in adolescence, in particular, the relationship of trauma to brain development in children and teenagers. It draws on recent discoveries in neuroscience and psychology to provide a framework to examine the role of coping strategies in building resilience. Within this broader context, it analyses two works of contemporary young adult fiction, Freaky Green Eyes by Joyce Carol Oates and Sonya Hartnett’s Surrender, their use of the split persona as a coping mechanism within young adult fiction and the potential of young adult literature as a tool to help build resilience in teen readers.
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Harbour, Vanessa. "Problems of representation/representing sex, drugs and alcohol in contempoary British young adult fiction." Thesis, University of Winchester, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548200.
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There is an ongoing debate into whether contentious issues, such as sex, drugs and alcohol, should be contained in young adult fiction (YAF). In this debate, the popular press most often represents the view that children, including young adults (YA), should be protected, and thereby remain innocent, thus characterising the inclusion of sensitive topics in children's fiction (including YAF) as an unacceptable assault on that innocence. Conversely, and as explored in this thesis, there are others, especially authors and academic critics (including myself) who suggest that fiction is an ideal place to explore such issues because of the nature of the vicarious experience it offers. This thesis is presented in two parts. The first is the creative aspect which is a YA novel entitled Ham & Jam. This is the story of four students on a school trip. They embark on a mission to save a young Afghan girl who had been trafficked and was being sold for sex. 'The novel developed out of the research undertaken for the second aspect of this thesis which is a critical exploration into how the contentious issues of sex, drugs and alcohol have been represented within YAF since 1996. Using Melvin Burgess's novel, Junk (1996) as a starting point, and his representation of sex, drugs and alcohol as a benchmark, a selection of British contemporary realist YAFfrom 1996 and for each subsequent year up to, and including, 2010 were compared critically and culturally from the dual perspective of writer and reader. The cultural research involved understanding society's perception of these contentious issues by examining current statistics and government reports. The results of which were used as a form of narrative system, enabling me to critically compare the representation of sex, drugs and alcohol in YAFwith this 'perceived' reality.
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Heuschele, Margaret, and n/a. "The Construction of Youth in Australian Young Adult Literature 1980-2000." University of Canberra. Creative Communication, 2007. http://erl.canberra.edu.au./public/adt-AUC20081029.171132.
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Adolescence is an incredibly complex period of life. During this time young people are searching for and wanting to create their own unique identity, however being confronted with a plethora of roles and directions is challenging and confusing. These challenges are reflected in the vast array of young adult literature being presented to young people today. As a result young adult literature has the potential to function as scaffolding to assist teenagers in the struggles of adolescence by serving as an important source of information about the world and the people in it. Teenage novels also give young people the opportunity to try on different identities and vicariously experience consequences of actions while developing their own distinctive personality and character.
As this study reveals, the Australian young adult novel has undergone considerable developments, with 1989 serving as a milestone year in which writers and publishers turned in new directions. In general, Australian young adult novels have changed from books set predominately in rural areas, incorporating major themes of child abuse, death, friendship and survival with introverted characters aged between twelve and sixteen in the early 1980s to novels with urban settings, a large increase in books about crime, dating, drugs and mental health and sexually active, extroverted characters aged between fourteen and eighteen in the late 1990s.
To chart the progression of these changes and gain an understanding of the messages young adults receive from adolescent novels an evaluative framework was developed. The framework consists of two main sections. The first part applies to the work as a whole,
obtaining data about the novel such as plot, style, setting, temporal context, use of humour,
issues within the text and ending, while the second part collects information about character demographics including gender, age, occupational status, family type, sexual orientation, relationships with family and authority figures, personality traits and outlook for character. To qualitatively and quantitatively assess the construction of youth in Australian young adult literature a random selection of 20 per cent of Australian young adult books published in each year from 1980 to 2000 were analysed using the evaluative framework, with 186 novels being studied altogether.
During the 1990s in particular, Australian young adult literature was heavily criticised for being too bleak, too dark, presenting a picture of life that was all gloom and doom. This research resoundingly dismisses this argument by showing that rather than being a negative influence on the lives of young people, Australian books for young people present a comprehensive portrayal of youth. They probe the entire gamut of teenage experiences, both the good and the bad, providing a wide range of scenarios, roles, relationships and characters for young people to explore. Therefore Australian young adult literature provides an important source of information and support for the psycho-social development of young people during the formative years of adolescence.
This research is significant because it gives hard evidence to support the promotion of a representative selection of Australian young adult novels both in the classroom and in home, school and public libraries. By establishing the available range of contemporary Australian young adult literature through this study, young adult readers, teachers and librarians can be confident in the knowledge that appropriate titles are accessible which meet the needs and interests of young people. Consequently, the substantial amount of data gathered from this
study will considerably add to the knowledge and understanding ofAustralian young adult novels to date and provide an excellent starting point for further research in the future.
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Wedwick, Linda Crumpler Thomas P. "The socialization of a reader the literary treatment of fatness in adolescent fiction /." Normal, Ill. : Illinois State University, 2005. http://proquest.umi.com/pqdweb?index=0&did=1225101201&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1176734714&clientId=43838.
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Thesis (Ed. D.)--Illinois State University, 2005.Title from title page screen, viewed on April 16, 2007. Dissertation Committee: Thomas P. Crumpler (chair), R. Kay Moss, Gary Weilbacher, Amelia Adkins, Sally Parry. Includes bibliographical references (leaves 151-168) and abstract. Also available in print.
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Lu, Catherine Lu. "Empowering Teens Beyond the Page: The Evolution of Journalistic Coverage of the Young Adult Fiction Genre." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1526054196263185.
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Cordier, Nicole M. "Aliens in our Own Bodies; Representations of Epilepsy in Young Adult Literature." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1571264824902148.
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Hehir, Sylvia. "Writing characters from under-represented communities : a perspective from an emerging young adult fiction writer." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30716/.
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The category of young adult (YA) fiction encompasses a wide range of genres; but despite this generic diversity, it has so far failed to represent the full range of communities that make up contemporary British society. Discussions are ongoing between professionals in the publishing industry and campaigning individuals and organisations who are aiming to redress this imbalance. Writers making new work are in a position to help effect a change, but acknowledging and responding to the call for inclusion can be far from straightforward, with questions being raised such as: ‘how far can a writer stray from their own lived experience?’ and ‘how can a writer avoid tokenism or cultural appropriation when writing for inclusion?’ This thesis consists of a new YA contemporary novel, Sea Change, and an accompanying critical essay, which reflects on the challenges I encountered while aiming to write for inclusion. Set in the Scottish Highlands, Sea Change is a contemporary YA crime novel, in which the world of the sixteen-year-old protagonist, Alex, is thrown into turmoil when he discovers a dead body next to his fishing boat. The decisions Alex makes following this discovery set in motion the plot of the story. The narrative, as it unfolds, facilitates the exploration of themes frequently associated with adolescence, such as friendship, risk-taking and the maturation into an adult identity, along with themes specifically linked to Alex’s status as a member of marginalised communities because of his sexuality and social class, such as prejudice, acute stress brought on by economic pressure, and low self-esteem. This thesis, then, reviews the opinions and recommendations being expressed by campaigners for greater diversity, and exposes the uncertainties and challenges a writer faces when aiming to write for inclusion.
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Ford, Peggy Kathleen Ollar. "Authors, Protagonists, and Moral Decision Making in Contemporary Young Adult Realistic Fiction: a Content Analysis." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278823/.
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The purpose of this study was to investigate if there is a difference in the way male and female authors of contemporary realistic fiction for young adults portray decision making by their male or female protagonists. Questions asked in the study were: (1) Do female writers of contemporary young adult realistic fiction employ an ethic of justice or an ethic of care for male protagonists involved in moral decision making? (2) Do female writers of contemporary young adult realistic fiction employ an ethic of justice or an ethic of care for female protagonists involved in moral decision making? (3) Do male writers of contemporary young adult realistic fiction employ an ethic of justice or an ethic of care for male protagonists involved in moral decision making? and (4) Do male writers of contemporary young adult realistic fiction employ an ethic of justice or an ethic of care for female protagonists involved in moral decision making? Content analysis was used as the method of collecting data. The sample consisted of 194 novels written from 1989 to 1998, 53 of which contained a moral dilemma. A discussion of the novels included examples of moral dilemmas, alternative solutions, dilemma resolutions, and resolutions based upon care or justice. Analysis of the data revealed: (1) Female writers employ an ethic of care and an ethic of justice for male protagonists involved in moral decision making. (2) Female writers prefer an ethic of care for female protagonists involved in moral decision making. (3) Male writers prefer an ethic of justice for male protagonists involved in moral decision making. (4) Male writers prefer an ethic of justice for female protagonists involved in moral decision making.
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Williams, Jenna Elizabeth. "A changing didacticism : the development of South African young adult fiction from 1985 to 2006." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1004293.
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This thesis endeavours to establish how political transformation in South Africa has impacted on the didactic function of locally produced young adult fiction between the years of 1985 and 2006. To this end, a selection of young adult novels and short stories are examined in relation to the time period during which they were written or are set, namely the final years of apartheid (from 1985 to the early 1990s), the period of transition from apartheid to democracy (approximately 1991 to 1997), and the early years of the twenty-first century (2000 to 2006). Chapter One provides a brief overview of publishing for the juvenile market in South Africa over the last century, noting how significant historical and political events affected both the publishing industry itself and the content of children's and young adult literature. This chapter also adumbrates the theoretical foundations of the study. The second chapter examines a selection of texts either written or set during the final years of the apartheid regime. This chapter establishes how authors during this period challenged notions of racial inequality and undermined the policies of the apartheid government, with varying degrees of success. The authors' methods in encouraging their (predominantly white) readers to question apartheid ideology are also interrogated. Those novels written after, but set during, the apartheid era are examined with the aim of determining their authors' didactic objectives in revisiting this period in their novels. Chapter Three explores how authors writing during the transition period aimed to encourage readers to participate in the building of a 'rainbow nation,' by portraying idealised modes of relating to the racial 'other.' While some of the authors examined in this chapter are optimistic, and even naïve, in their celebration of a newly established democracy, others are more cautious in suggesting that decades of oppression and separation can so easily be overcome. Chapter Four demonstrates how the freedoms afforded by a democratic society have prompted young adult authors to explore the possibilities of adapting the sub-genre of the teenage problem novel to suit a distinctly South African context. While some of these texts are not overtly didactic in nature, they confront the unique issues faced by a generation of South African teenagers raised in a democratic society, and in some cases challenge readers to reconsider their approach to such issues.
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Coleman, Susanna Roozen Kevin Roger. ""A real reflection of how I write" young adult female authors seizing agency through fan fiction /." Auburn, Ala, 2008. http://repo.lib.auburn.edu/EtdRoot/2008/SPRING/English/Thesis/Coleman_Susanna_29.pdf.
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Gullberg, Beata. "The Hate U Give and Interpretive Communities : How Young Adult Fiction Can Strengthen a Political Movement." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35864.
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In the wake of the guilty verdict of George Floyd’s murderer, police officer Derek Chauvin, there is hope for change in the pattern of police brutality against black people in the United States. The Hate U Give by Angie Thomas was published three years prior to George Floyd’s death, in 2017, and is a realistic fictional novel in the young adult genre that has gained attention for its relevant contribution in the debate of racism and police violence, as the fictional victim Khalil Harris, an unarmed black teenager, does not receive the same justice as George Floyd. In this essay, reader response to The Hate U Give is analysed in order to examine how it affects the opinions and worldview of the reader during and after the read. A close reading and analysis of pivotal scenes was carried out using affective stylistics, in order to interpret what the text does to the reader word-by-word, and subsequently the reader’s creation of meaning was examined and discussed. The reader’s response was then analysed with Stanley Fish’s theoretical framework of interpretive communities, groups with shared social norms and worldviews, which dictate how individuals create meaning in the first place. The analysis suggests that readers of The Hate U Give, while starting out in different, albeit to a certain extent similar, interpretive communities, will gradually align themselves with the interpretive community of Black Lives Matter through shared ideas and opinions and the increased understanding they develop when they read the novel.
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Davis, Megan S. "A R(EVOLUTION) OF ENVIRONMENTAL ETHICS: YOUNG-ADULT DYSTOPIAN FICTION AS A VEHICLE FOR ECOCRITICAL AWARENESS." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/787.
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Prominent within various scientific journals, news media outlets, and online publications are conversations surrounding what is dubbed “climate anxiety.” This wide-stemmed social unrest is caused, in large part, by the unrelenting, consistent data from the scientific community reporting rising sea levels, species extinction, and “record-breaking” heatwaves as well as an increasing average of global temperatures, that seem to top the next every year for the past decade. However, an underlying thread to these reports remains largely consistent. Unless serious regard is given to our natural surroundings and how we have come to interact within it, regions of the Earth considered desirable for human life will likely become uninhabitable, and other parts horrifically inhospitable to humans and other species. When addressed so simply and plainly, it seems that the response to such life-altering implications ought to be simple: do whatever it takes to ensure that a diversity of life, including that of humankind, can continue on the planet Earth. Voices of the scientific community have decreed that a driving force behind the lackadaisical approach to deterring such dire climatological circumstances, is the inability to grasp the immense scope of climate change issues.
This thesis, then, aims at proposing a directive to correct this problematic mentality, and a specific generation to combat this nature. Using the lens of ecocriticism, the study of literature and the environment, combined with cutting-edge theoretical findings in the field, I will focus on the literary portrayal of climate change within young-adult dystopian fiction.
While regarding the scholarship on the recent increase of YA fiction that takes a critical approach to human ethics and the portrayal of the demise of the natural environment in those texts, I will examine how this trend responds to my ideas of young-adult fiction functioning within Ecocriticism. Moreover, you will see a pattern charting how literature can revolutionize and evolve the mind frame of human ethics on a planetary scale, starting with the young adult readers. Further, I will highlight how these ideologies could and ought to be incorporated into a composition classroom. Composition already has a strong history of grounding itself in the notion of identity, and how contingent factors (social, political, economic, ecological, etc.) are integrated into the construction of that identity. This thesis poses that if we can introduce a sense of how those factors affect our ability to act in the natural world and potential consequences of these actions by way of pop culture outlets like YA Climate Fiction, readers can begin to re-shape our identities and actions, individually and collectively, towards Ecocritical ethics and awareness.
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Goodenberger, Beth Ann. "Then and Now: A Look at the Messages Young Adult Fiction Sends Teenage Girls in the 1970s and 2000s." Ohio Dominican University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=odu1449249421.
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Reynolds, Stephanie D. O'Connor Brian C. "Reading selection as information seeking behavior a case study with adolescent girls /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3921.
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Lesuma, Caryn Joan Lefaga. "Windows and Mirrors: Selecting Multiethnic Young Adult Fiction to Increase Adolescent Engagement with Academic and Cultural Literacy." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3516.
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Current scholarship in literacy education underscores the inefficacy of standardized education in public schools, particularly for minority students. At the same time, a longstanding lack of understanding between the various culture groups that live in the United States often results in minority groups that are either stereotyped, misunderstood, or viewed as Other. Both of these issues can be traced to the literature that students read in school, which focuses on "classic" literature—often synonymous with "white" literature—that excludes minority narratives. While minorities struggle more with "academic literacy" (the ability to read and write in an active, reflective manner), there is also a pressing need to educate all students in "cultural literacy," or a knowledge of and appreciation for difference in worldview, culture, and opinion. One possible solution is a more effective implementation of multiethnic young adult literature in the classroom. Careful consideration of specific cultural texts can help minority students connect positively with literature, increasing student engagement with academics. Providing educators, librarians, and parents with a framework for selecting literature that begins to address this issue is a critical first step in empowering minority students with emotional and intellectual development as well as providing mainstream students with alternative perspectives that establish common ground, develop social awareness, and reduce stereotyping across groups. This thesis examines literacy and education studies to develop criteria and rationales for selecting books that appeal not only to minorities, but to readers from outside those groups. These criteria provide useful guidelines for educators and librarians in selecting multicultural novels for young adults that (1) act as "mirrors" of relatability to boost self-esteem and foster a love of reading in minority youth, and (2) provide "windows" into other cultures that promote greater cross-cultural respect and understanding. After setting up a theoretical framework that lays out the challenges and benefits to this approach as well as criteria for selecting these novels, this paper provides analyses of several books that meet these criteria as well as a booklist of additional titles. Addressing these issues within the context of young adult literature is crucial to the development of self-assertive, productive adults who value themselves and the different individuals that they interact with on a daily basis; on the other hand, failure to address these issues early perpetuates a cycle of marginalization and distrust that is difficult to break in the adult world.
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Shakeshaft, Richard. "Finding the 'human' in the 'posthuman' : the representation of the technologically enhanced posthuman in Young Adult fiction." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/288074.
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Technology has become an increasingly significant element of humans' lives in recent years, and it continues to shape them in ways hitherto only imaginable in science-fiction. Moving beyond humanism, the human/technology relationship has caused the question of what it means to be human to be considered through posthuman thought. I see the reality of technology's effect on human lives giving rise to the figure of the posthuman, in which aspects of the human are replaced or enhanced by technology. Through the posthuman subject, I propose the idea of a postchild and the notion of a posthuman trialism as new ways in which to examine representations of posthumans. Texts aimed a teenage readers frequently offer perspectives on questions of identity formation and the need for adolescent protagonists to find their place in the world. I use a range of young adult texts, with a variety of different types of posthuman protagonists written over the past twenty years, to explore how the posthuman is represented through the narratives, and how power structures and ideologies are conveyed. Through my analyses I demonstrate that, despite technology's apparent superiority, it is human qualities that remain more important in the posthuman, although the extent to which the human is prioritised depends on the way in which technology is employed. My findings provide a clear illustration of how teenage readers are being shown about the ways in which technology can be used and viewed in their lives, and how the human/technology relationship may shape their lives. While the presentations do not portend the dystopian vision of the future still prevalent in many people's minds, they stress the need for humans' use of technology to be questioned by its users and those with power in societies. My new approaches to the posthuman also mean that my work gives ways in which representations of the posthuman in any media can be critically examined.
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Marlatt, Jarred J. "The Montagnards." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2338.
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Long, Sheryl. ""He had the words" : the search for truth in the fiction of Bruce Brooks /." Electronic version (PDF), 2005. http://dl.uncw.edu/etd/2005/longs/sheryllong.pdf.
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Abatan, Adetutu Abosede. "Cultural perspectives and adolescent concerns in Nigerian young adult novels." Diss., Virginia Tech, 1994. http://hdl.handle.net/10919/40308.
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Multicultural literature is a very important tool in today's classrooms because it enables teachers and students to learn about the practices, historical background for attitudes, norms and customs of other cultures and peoples.Ph. D.
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Meilleur, Sidney W. "Bend Against the Wind." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1656.
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Groves, Sarah R. "River City (A Novel)." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5408.
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This contemporary young adult fantasy novel aims to challenge genre conventions around gender, race, and sexuality by having the protagonists (an assortment of young queer people) fighting not against a physically present villain, but against the driving force of “story”, which aims to reduce them to archetypal roles in order to act out familiar scenes. The Story attempts to force each of the four protagonists into roles (hero, monster, princess, witch) for which they are in some way fundamentally unsuited, and which would ultimately destroy them if they succeeded in conforming. This novel aims to call into question the motivations of archetypes in stories, and asks readers to examine how those archetypes resemble stereotypes. In this way, it also asks writers and other artists to consider their complicity in hegemonic thought through the perpetuation of stereotypes and norms in their writing and art as easy stand-ins for more complicated truth.
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Spring, Erin Elizabeth. "'Our Torontos are different places' : a qualitative, multiple case study, designed to investigate the interconnections between young adult fiction and young adult readers' constructions of place within and beyond the text." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648638.
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Cahill, Rebecca E. "The relationship between political environment and size of a library's collection of GLBTQ fiction for young adults." Connect to this title online, 2004. http://hdl.handle.net/1901/124.
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"A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science."Title from PDF title page (viewed on May 21, 2006). Includes bibliographical references (p. 22-23, 28-33).
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Wamsley, Dorothy Katherine Davis. "Adolescent Self-Concept: An Analysis and Comparison of Selected Young Adult Fiction and Current Theories of Adolescent Psychology." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392047141.
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Brodie, Jessica J. "Children in science fiction utopias: feminism's blueprint for change." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2425.
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The purpose of this thesis was to examine the treatment and portrayal of children in science fiction utopian literature and determine whether this effectively indicated the writers’ feminist visions for social change. A feminist theoretical perspective and critical interpretation of several of the genre’s canon, Sheri Tepper’s The Gate to Women’s Country, Suzy McKee Chamas’s Motherlines, Sally Miller Gearhart’s The Wanderground, Ursula Le Guin’s The Dispossessed and Octavia Butler’s Xenogenesis series, were used as research methodologies.
The findings revealed that children communicate feminist prescriptions for change in three ways: children as the literal, biological future, the link between two opposing societies, or the explanation for the difficult philosophies and structural elements of the societies. As this subject has been an unexplored area of criticism, it is recommended that critics begin to examine this treatment of children to more easily understand the writers’ social visions and effect their blueprints for change.
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Chappell, Shelley Bess. "Werewolves, wings, and other weird transformations fantastic metamorphosis in children's and young adult fantasy literature /." Doctoral thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/226.
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Thesis (PhD)--Macquarie University, Division of Humanities, Department of English, 2007.Bibliography: p. 239-289.
Introduction -- Fantastic metamorphosis as childhood 'otherness' -- The metamorphic growth of wings : deviant development and adolescent hybridity -- Tenors of maturation: developing powers and changing identities -- Changing representations of werewolves: ideologies of racial and ethnic otherness -- The desire for transcendence: jouissance in selkie narratives -- Conclusion -- Bibliography -- Appendix: "The great Silkie of Sule Skerry": three versions.
My central thesis is that fantastic motifs work on a metaphorical level to encapsulate and express ideologies that have frequently been naturalised as 'truths'. I develop a theory of motif metaphors in order to examine the ideologies generated by the fantastic motif of metamorphosis in a range of contemporary children's and young adult fantasy texts. Although fantastic metamorphosis is an exceptionally prevalent and powerful motif in children's and young adult fantasy literature, symbolising important ideas about change and otherness in relation to childhood, adolescence, and maturation, and conveying important ideologies about the world in which we live, it has been little analysed in children's literature criticism. The detailed analyses of particular metamorphosis motif metaphors in this study expand and refine our academic understanding of the metamorphosis figure and consequently provide insight into the underlying principles and particular forms of a variety of significant ideologies.
By examining several principal metamorphosis motif metaphors I investigate how a number of specific cultural beliefs are constructed and represented in contemporary children's and young adult fantasy literature. I particularly focus upon metamorphosis as a metaphor for childhood otherness; adolescent hybridity and deviant development; maturation as a process of self-change and physical empowerment; racial and ethnic difference and otherness; and desire and jouissance. I apply a range of pertinent cultural theories to explore these motif metaphors fully, drawing on the interpretive frameworks most appropriate to the concepts under consideration. I thus employ general psychoanalytic theories of embodiment, development, language, subjectivity, projection, and abjection; poststructuralist, social constructionist, and sociological theories; and wide-ranging literary theories, philosophical theories, gender and feminist theories, race and ethnicity theories, developmental theories, and theories of fantasy and animality. The use of such theories allows for incisive explorations of the explicit and implicit ideologies metaphorically conveyed by the motif of metamorphosis in different fantasy texts.
In this study, I present a number of specific analyses that enhance our knowledge of the motif of fantastic metamorphosis and of significant cultural ideologies. In doing so, I provide a model for a new and precise approach to the analysis of fantasy literature.
Mode of access: World Wide Web.
[12], 294 p