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Dissertations / Theses on the topic 'Hospital architecture – Designs and plans'

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Published: 4 June 2021

Last updated: 11 February 2022

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1

Chalfant, Cheryl Lynn. "Design guidelines for therapeutic gardens serving cancer patients." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1231344.

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A growing body of research suggests that certain environmental conditions may positively contribute to the healing process. Consequently, the medical and design professions are now exploring how the medical environment - both indoors and out - can better support the health and well being of its patients and their caregivers. Landscape architects and environmental psychologists are contributing to the growing interest in healing environments by exploring the relationship between nature, therapeutic gardens, and patient healing.One result of this interest has been the formulation of design recommendations for therapeutic gardens serving specific populations such as those with Alzheimer's Disease, AIDS or psychiatric illnesses. However, little attention has been given to therapeutic gardens designed to meet the needs of cancer patients even though a number of such gardens already exist. The purpose of this project is to identify design guidelines for therapeutic gardens that support the health and well being of cancer patients and to use these guidelines to design a model garden.The research for this project focused on two areas. First, literature review and interviews with employees of Ball Memorial Hospital were used to establish a base knowledge of cancer, including the emotional, physical and psychological characteristics associated with it. Next, characteristics of healing environments for cancer patients were determined through literature review, review of case studies and interviews with Ball Memorial Hospital employees. Based upon this research, design guidelines were established for therapeutic gardens serving cancer patients and applied in a design for Ball Memorial Hospital's soon to be completed CancerCenter.
Department of Landscape Architecture

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2

Stegenga, Paul William. "Postsurgical recovery care : spatial organization and social relationships." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22979.

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3

Leung, Hiu-sum, and 梁曉心. "Healing environment in hospitals: improving and redesigning the outdoor areas in the Haven of Hope Hospital." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45009648.

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4

Li, Po-ling, and 李寶玲. "Castle Peak Hospital redevelopment." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983509.

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5

Markussen, Erika L. "Objects of architecture." Thesis, Virginia Polytechnic Institute and State University, 1993. http://hdl.handle.net/10919/53353.

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Architecture has meaning and purpose when it is seen not as something that firmly must exist, but as the possibilities that a situation creates. I have not yet found that which is concretely architecture, but I can say that which is concretely architecture, but I can say that which could exist as beauty in this world. The design of everyday objects becomes architecture to me, whether it be of a building, a piece of jewelry, or a piece of pottery. My undergraduate thesis was a study of the interaction of a curved wall and a straight wall, as autonomous elements. I proposed not only the spacial design but also how it is affected and changed by the site; namely the repetition and orientation. In my graduate work, I undertook an investigation of the connection between old and new. My thesis suggests, in the form of three schemes or plans, what that connection could be and how it creates and affects architecture.
Master of Architecture

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6

Long, Richard C. "Resort architecture : the architecture of leisure." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22355.

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7

De, Moya Francisco Vicente. "Architecture: as a matter of fact." Thesis, Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/52063.

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As reality continues to shift from the made fact to the idea: We conclude that creativity is a state of mind; measured by what is made. It is only when extended beyond oneself that an idea can become real to more than one. We Extend thru our talents and skills. The significance of that made is its Presence measured in time
Master of Architecture

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8

Stodghill, Kathleen. "Architecture as narrative." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/52105.

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9

Betadam, Joburt. "Geometry of pre-revolutionary Virginia architecture." Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/53092.

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Virginia architecture of the seventeenth and eighteenth centuries prior to the American Revolution has distinctive geometries which determine proportion. The square, root-two rectangle and equilateral triangle are the figures which establish most proportions. Plans and elevations underwent a development based on a rational method of incorporating the figures into a coherent building. This investigation establishes the use of geometry as a starting point for the culmination of many elements which together composed a building.
Master of Architecture

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10

Lettieri, Lisa A. "The architecture of masts." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53263.

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The origin of this project came from careful consideration for a threshold between the fabric of Old Town for its historic presence and the Potomac River for its freedom to sail. The order for the threshold came from recognition of the historic grid of the city and its brick construction. A sailing school was chosen as the activity to draw the community to the river. The inspiration for the design was derived from the nature of boats and their delicate rigging. The architecture was generated from the principles of material economy of the masts and ties to create a tensile structure. Although the project fulfills the basic needs of a sailing school, its form came from the desire to express the spirit of sailing at the edge between land and water.
Master of Architecture

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11

McGill, David Paul. "An Appalachian Architecture, an Appalachian Architect." Thesis, This resource online, 1985. http://scholar.lib.vt.edu/theses/available/etd-11072008-063240/.

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12

Olette, Denis. "A sense of place: architecture and territoriality." Thesis, Virginia Polytechnic Institute and State University, 1993. http://hdl.handle.net/10919/64023.

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13

Bennett, Greg. "Architecture and the sense of place." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/23424.

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14

王希慎 and Hi-sun Wong. "Perfect but impersonal: photographic recording of Chinese imperial architecture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31464051.

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15

Anderson, Curtis Warren. "The relationship between design theory and architectural practice." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23406.

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16

Panoscha, Juergen. "Architecture from elemental parts." Thesis, Virginia Polytechnic Institute and State University, 1993. http://hdl.handle.net/10919/53356.

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A simple element that is repeated in a thoughtful, organized manner, can generate a whole that is greater than the sum of the individual elements. Conversely, a large ungainly project can be generated out of the repetition of smaller more manageable parts. This principle is explored in this thesis on a range of scales from town blocks to details.
Master of Architecture

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17

Kennedy, Jean Marie. "Architecture and the sacred way." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/21695.

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18

McManus, Joseph F. "Unbuilding architecture: a non-normative exploration." Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/52137.

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On the following pages are images of an architecture which pushes the limits of design. Conceived as an amalgamation of semiautonomous fragments, the thesis project strives to decompose into complete disarray. At the verge of structural (compositional) collapse, the building asks the question 'where does structure break down, and chaos begin?'. A table I have designed and built is an experiment in spontaneity, and questions the validity of traditional ways of building furniture. Building analysis drawings I have included at the end of the book are compositional exercises and have, from a graphic perspective, some of the density and formal complexity of the images of the thesis. While I have relied upon Deconstructionist terminology to describe the building represented, I must admit that the building is not truly Deconstructed. It is fragmented. Some visual continuity between design elements remains. If I were to produce a deconstructed building, I would have to go beyond playing formal games and question what forms signify. Then, perhaps, I could find alternative significations; I might also be able to make a new link between the signifier and the signified. I think I would be searching for a new conception of form, one free of convention, of precondition.
Master of Architecture

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19

Anand, Rohit. "Conditions in architecture." Thesis, Virginia Polytechnic Institute and State University, 1989. http://hdl.handle.net/10919/52079.

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Mortal Limit by Robert Penn Warren I saw the hawk ride updraft in the sunset over Wyoming. It rose from coniferous darkness, past gray jags Of mercilessness, past whiteness, into the gloaming Of dream spectral light above the last purity of snow-snags. There-west-were the Tetons. Snow peaks would soon be In dark profile to break constellations. Beyond what height Hands now the black spec? Beyond what range will gold eyes see New ranges rise to mark a last scrawl of light? Or, having tasted that atmosphere’s thinness, does it Hang motionless in dying vision before It knows it will accept the mortal limit, And swing into the great circular downwardness that will restore The breath of earth? Of rock? Of rot? Of other such Items, and the darkness of whatever dream we clutch? This is an endeavour in learning about architecture. The project, a competition on Charles Bulfinch’s Old Jail Site in Old Town Alexandria, to make Townhouses, serves as a vehicle towards that end.
Master of Architecture

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20

Carpenter, William Joseph. "Center for Art and Architecture: Center for Art and Architecture at the Aspen Institute for Humanistic Studies, Wye River Plantation, Queenstown, Maryland." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53286.

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21

Papamarkaki, Krystalia V. "Growth in above ground apartments with special reference to the Greek apartment houses." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55622.

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22

Marquardt, Vincent. "Architecture: the making." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/52102.

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Significance in how the building is made. To celebrate the materiality, the making, of Building is to give it significance, meaning. To make Building a meaningful work there needs to be an inherent structure, order, to the work. This order must be revealed and strengthened through harmony, articulation, and rhythm.
Master of Architecture

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23

Wong, Ching-long Jerome, and 黃政朗. "Opera centre & cultural park at Central-Wanchai waterfront." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985506.

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24

Lee, Corina Yuan Shiu. "Towards an architecture of reality." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/53325.

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25

Pickering, H. Elbert III. "A way of making architecture." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23068.

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26

Yung, Kei-yau Jason, and 容基佑. "Visitor and community centre, Stanley." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984356.

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27

Milani, Ernest J. "A fractional proposal for architecture." Thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/46261.

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"It has neither name nor place. I shall repeat the reason why I was describing it to you: from the number of imaginable cities we must exclude those whose elements are assembled without a connecting thread, an inner rule, a perspective, a discourse. With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or its reverse, a fear. Cities, like dreams are made of desires and fears, even the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else." "Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours."
Master of Architecture

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28

Chi, Curtis H. "Architecture and site: a field research center for the studies of environmental science, horticulture, landscape architecture, and forestry." Thesis, Virginia Polytechnic Institute and State University, 1993. http://hdl.handle.net/10919/53344.

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The relationship of building to site is the most fundamental aspect in the creation of architecture. As man is a product of nature and his environment the way in which he chooses to after that environment in the process of building reveals not only his attitude towards his physical surroundings, but his purpose and justification for dwelling there. Not all attitudes will be the same, just as purpose will vary from person to person and structure to structure. Mario Botta has said, “The first step in the architectural act is taking possession of the site. It is a conscious act of transforming a unicum, an awareness that grounds the new intervention in the geography, history, and culture of a particular site. The architecture is the constriction of this site. There can be no indifference toward the site. It is the very territory of architecture as well as the primary condition determining the laws by which one must build.” Within the scope of my project I hoped to define this awareness within myself, this conscious act of defining and creating architecture against a background that demands the site be recognized as a primary generator of architectural form and attitude.
Master of Architecture

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29

Betzel, Bob. "Necessity and experience in the making of architecture." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/23397.

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30

Lee, Wing-yee Wendy, and 李穎怡. "Hospital as playground." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985294.

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31

Shade, Scott Bennett. "An architecture of the birth of a tragedy, a search for neo-modern architecture." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/21478.

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32

Mole, Amanda Lee. "Irony in the art of architectural construction." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22409.

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33

Kelley, Mary Christena. "The generative power of the holonomic process in architecture : an analysis of its origin, its meaning, and its principles of application." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/22987.

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34

Schoelles, Gerondelis Ann Isabell. "A personal exploration into the conceptualization phase of the design process." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/24161.

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35

Ames, John Clinton. "A path to Heidegger's "Releasement" in architectural design." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/23428.

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36

Vaghari, Khosrow D. "An architecture of interlocking order." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53306.

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Ludwing Mies van der Rohe (1886-1969) was by consensus one of the twentieth century’s most illustrious architects. He stated, “Things by themselves create no order. Order as the definition of meaning and measure of being is missing today; it must be worked toward, anew”. Order is a visual effect of a cumulative sequence of views. Viewing a presence of order in a building is cause for good feeling and it is the speaker of existence and reason for being. The repetition of walls in a composition creates patterns, and patterns effect order in creation of space. Changing the presence of order in a relative fashion is the dance of the walls, pleasure of a great sense of interest, motive of thought and ambiguity. Going from a broad expansion to a narrow slot, coming from a dark place to a bright place, moving from lower level to higher platform, going from inside to outside, using steps for positioning of better views of nature and stepping down to touching cold clear spring water, all are reasons for our being, sense of pleasure and great feelings. Any building which can give us a good feeling and sense of pleasure close to that of nature is Architecture. This study is about interlocking order among architectural elements in the design of an architecture. For this study, the building which is designed to emulate an architecture of interlocking order is an Institute for Scholarly Studies. This building is designed for the thinker to come and be educated, to learn from, to teach others and to relax and enjoy the essence of a beautiful place. It is to be a place of meditation and a place of conversation for two people who desire privacy or for more people who wish to engage in conversation. Program requirements dictate to provide facilities to serve the purpose of the organization and to give a sense and meaning that its existence enhance the feeling and sense of pleasure of the viewers and the users. The design of this place is generated from repetition of a wall within a wall which has been gained by constantly reframing the problems and repeatedly searching for solutions. The problems occurring throughout the design have been resolved by learning, experiencing, and journeying in search of discovery through visual inspection and sensing through imagination of physical models and drawings which are made interactively. The sense of experiencing a place, what we see, hear, smell, and feel, is very important in design of architecture. These factors were carried along and incorporated into design in order to improve the quality of the building. Also, it was very important to locate and determine where and what the center of focus of the building should be. These were the subject matter and the motives of design. Some of these were captured in the preliminary sketches and have remained dominant themes throughout the design.
Master of Architecture

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37

Dean, Craig Franklin. "Form + order: investigations into architecture + the architectural." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/52116.

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The process of the architect involves the contradictory yet coexisting realms of form and order, the soul and the intellect, the nondiscursive and the literal. Meaning can be found in both worlds. The rational and linguistic manifests itself in the architectural; architecture, however, expresses ideas as art and reveals that which is verbally ineffable.
Master of Architecture

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38

Ser, Hing-yi, and 佘慶儀. "Po Leung Kuk headquarters redevelopment." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31982141.

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39

To, Tai-fai Peter, and 杜泰輝. "An urban "Catholic" space." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984162.

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40

Ho, Wing-ming, and 何穎銘. "Design Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983339.

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41

Wong, Wai-leung Danny, and 黃偉良. "Hong Kong Central Library: a place of action and reflection." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984277.

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42

潘慧貞 and Wai-ching Christina Poon. "Design Centre in Wan Chai." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984800.

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43

Chan, Wing-yip Thomas, and 陳永業. "Redevelopment of Mong Kok urban complex: an urban valley along Fife Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31985646.

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44

Yik, Wai-yuen Wilson, and 易威遠. "Expansion of Mongkok Baptist Church." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985609.

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45

Kwok, Ka-chun Peter, and 郭家俊. "Remodelling U.C. Complex in Kennedy Town." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31982438.

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46

Janis, Julie B. "Exploring the interactive element in architecture: a children's discovery museum for Washington, D.C." Thesis, Virginia Polytechnic Institute and State University, 1993. http://hdl.handle.net/10919/53351.

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The fresh new approach taken by today's children's museums offers great potential for an equally fresh approach to the architecture which houses these special places. Just as the "exhibits" at the children's museums invite a new relationship between the visitor and the museum collection, so too should the architecture encourage a new interaction between the individual and the built structure, between the institution and the urban environment. The new Children's Discovery Museum proposed for Washington, D.C. takes the theme of interaction as its basis. The design aims to promote a new level of participation between the people, the building, and the city. In this way, the attitude which is central in making children's museums so special was adapted to form an architectural framework: that all children -- regardless of age -- might discover a more meaningful connectedness to the built world around them.
Master of Architecture

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47

To, Kin-chung Frank, and 杜建宗. "Mosque & Muslim community centre in the New Territories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985452.

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48

Clark, Robert H. Jr. "Towards an imperial architecture." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/23986.

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49

Zirkle, Donald Hartford. "Integral pieces: an elemental approach to architecture." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53314.

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The roles of the individual elements and their constituent pieces that form the basis for the language of architecture were investigated. Walls, stairs, floors, beams, and other elements are the primary means necessary for the expression of ideas in architectural terms. To effectively use these elements, an understanding of their material properties and characteristics is essential. The role of the wall in architecture was especially important in this thesis. Walls have been considered primarily in response to their physical and material properties. Other elements were dealt with according to how they react with the wall. The project is a complex of multi-use buildings to be shared by the university and the town of Blacksburg and is located on the site of the current parking lot of the Continuing Education Center at the corner of College Avenue and Otey Street in Blacksburg.
Master of Architecture

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50

Corwin, Scott O. "Freight warehouse to architecture school: a representation of ideas in hardline, sketch, and text." Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53369.

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The Freight Warehouse Architecture Studio is adjacent to Virginia Commonwealth University in Richmond. Although designed as an adaptive reuse, it is a direct result of two things: a reading of Eisenman's Koizumi Project and working in the office for a few weeks immediately proceeding commencement on the studio. The reading was the onset of the theory necessary for the study, and the experience in the office offered the opportunity to establish the direction for the project. The question of culture, understanding, and reading yields the question of the reconciliation of personal history and community history, how an architect intervenes in a location fraught with tradition. As a result, there is "a condition of a space evolving from within, not an insertion, from without.... So what is interesting about this space is we set up the mechanism of interplay, but we did not know what was going to happen. In other words, I am not saying it is a beautiful design.... In a sense it is mediated because the hand of design is taken away..."
Master of Architecture

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