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1

Roger, Ling. The insula of the Menander at Pompeii. Oxford: Clarendon Press, 1997.

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2

author, Stella Marco Salvatore, ed. The House of Sallust in Pompeii (VI 2, 4). Portsmouth, Rhode Island: Journal of Roman Archaeology, 2014.

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3

The Christian inscription at Pompeii. Lewiston, NY: E. Mellen Press, 1995.

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4

Elena, Marcarini, ed. The house of the tragic poet ... =: La Casa del poeta tragico ... London: N. Wood, 1996.

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5

Wood, Nicholas. The house of the tragic poet =: La casa del poeta tragico. London: N. Wood, 1996.

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6

Zevi, Fausto. I mosaici della Casa del fauno a Pompei. Napoli: Luciano Pedicini, fotografo / Archivio dell'arte, 1998.

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7

Alberto, Custodi, and Sciortino Lino, eds. Rilievo, modellazione e restauro di murature antiche: Il caso dell'Insula del centenario a Pompei : atti della giornata di studio : Bologna, 16 settembre 2005. Arrone (TR) [i.e. Terni, Italy]: Thyrus, 2006.

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8

Gallo, Alessandro. La casa di Lucio Elvio Severo a Pompei. Napoli: Arte tipografica, 1994.

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9

Caro, Stefano De. I mosaici, la Casa del Fauno: Guida alla collezione. Napoli: Electa Napoli : Soprintendenza archeologica di Napoli e Caserta, 2001.

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10

Grete, Stefani, ed. Menander: La Casa del Menandro di Pompei. Milano: Electa, 2003.

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11

Ling, Roger, and Lesley Ling. The Insula of the Menander at Pompeii. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199266951.001.0001.

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This volume is the second in a series of five on the Insula (city block) of the Menander at Pompeii. The first (on the structures) and the fourth (on the silver treasure) have already been published; the third (on the objects) and the fifth (on the graffiti) are in preparation. The Insula of the Menander, approximately 3500 sq. m. in area, derives its name from the House of the Menander, one of the best-known dwellings of the ancient city. This was evidently the property of one of Pompeii's leading citizens. Renowned for its architectural grandeur and for the hoard of 110 pieces of silver plate found in a cellar, it also yielded room upon room of splendid wall-paintings and mosaic pavements, ranging in date from the first century BC to the eve of the eruption of AD 79. In addition to this dominant house, the block contains several smaller houses--notably the House of the Lovers and the House of the Craftsman--most of which contain further paintings and pavements of interest. The present volume publishes these decorations in full for the first time. Its importance lies in the fact that it covers the whole block, rather than concentrating upon isolated houses (as most previous volumes have done). This enables the reader not only to look at questions of chronology and iconography room by room and house by house, but also to observe broad patterns of taste and social differentiation within a particular neighborhood of Pompeii.
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12

Allison, Penelope M. The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.001.0001.

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This book contains catalogues, analyses, photographs and drawings of some 2,000 archaeological artifacts excavated from the Insula of the Menander in Pompeii. The catalogues, and analyses are organized by provenance--buildings, rooms, and location within rooms--so that the reader can understand the artifacts as household assemblages. The functions of artifacts and groups of artifacts are discussed, as are the Latin names which are often given to these artifacts, and the relationships of these assemblages to the state of occupancy of the buildings in the Insula during the last years of Pompeii. This study, therefore, provides a wealth of information, not only on the range and use of artifacts in Pompeian houses but also on Roman artifacts, and Roman society, more generally.
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13

The Insula of the Menander at Pompeii: Volume IV: The Silver Treasure (Insula of the Menander at Pompeii). Oxford University Press, USA, 2001.

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14

Ling, Roger, and Lesley Ling. The Insula of the Menander at Pompeii: Volume II: The Decorations (The Insula of the Menander at Pompeii). Oxford University Press, USA, 2005.

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15

The Insula of the Menander at Pompeii: Volume III: The Finds, a Contextual Study (Insula of the Menander at Pompeii). Oxford University Press, USA, 2007.

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16

Ling, Roger, Paul Arthur, Georgia Clarke, Estelle Lazer, Lesley A. Ling, Peter Rush, and Andrew Waters. The Insula of the Menander at Pompeii: Volume 1: The Structures. Oxford University Press, 1997. http://dx.doi.org/10.1093/oso/9780198134091.001.0001.

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This is the first of a three-volume analysis of the internationally renowned archaeological site called the Insula of the Menander, a major city block in ancient Pompeii. Volume one deals with the architecture within the block, especially with the House of Menander, the grand villa for which the site was named. Subsequent volumes will consider the decorations and household objects found during excavation.
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17

Allison, Penelope M. Insula of the Menander at Pompeii : Volume III: The Finds, a Contextual Study. Oxford University Press, Incorporated, 2007.

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18

Allison, Penelope M. Insula of the Menander at Pompeii: The Finds, a Contextual Study. Oxford University Press, 2007.

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19

Painter, Kenneth S. Insula of the Menander at Pompeii Vol. 4: The Silver Treasures. Oxford University Press, 2001.

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20

Space, Movement and Visibility in the Pompeian House. Taylor & Francis Group, 2023.

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21

Lauritsen, M. Taylor. Rethinking the Pompeian House: Doors, Closure Systems and the Organisation of Space. Taylor & Francis Group, 2023.

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22

Anderson, Michael, and Damian Robinson. House of the Surgeon, Pompeii: Excavations in the Casa del Chirurgo. Oxbow Books, Limited, 2018.

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23

Die Casa del Fauno in Pompeji (VI 12), Part I: Stratigraphische Befunde der Ausgrabungen in den Jahren 1961 bis 1963 und Bauhistorische Analyse (Archaologische Forschungen) (German Edition). Reichert Verlag, 2009.

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24

Osborne, Mary Pope. Magic Tree House 13: Racing with Gladiators. Random House Children's Books, 2011.

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25

Vacation Under the Volcano (Magic Tree House). 2009.

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26

Vacation Under the Volcano (Magic Tree House #13). Scholastic, Inc., 1999.

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27

Kuttner, Ann. (Re)presenting Romanitas at Sir John Soane’s House and Villa. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0002.

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This paper considers the houses of Neoclassical British architect Sir John Soane (1753–1837): his famous House Museum in Lincoln’s Inn Fields, London; and the considerably less-well known Pitzhanger Manor House, Ealing. With architectural precedents set by Sir Francis Bacon and Lord Burlington, nothing could have been more Roman in Soane and his contemporaries than the conviction that a house and its decor express the persona of the inhabitant. Soane was a working-class Englishman with enormous social and professional ambitions. Both Pitzhanger Manor and the house at Lincoln’s Inn Fields and drew inspiration and showcased materials from Soane’s travels in Italy with Frederick Hervey, Earl-Bishop of Derry and the design of his classicizing estate at Downhill; contemporary excavations at Pompeii and the Villa Negroni; and Soane’s own collection of Classical sculpture, and plaster casts. These houses, with their faux-ruins and talismanic interiors of “Pompeiian red,” were not only dwelling places for Soane and his family, they signaled his gentrification, while simultaneously advertising what he could produce for elite clients. Soane’s interpretation of Classical forms and creation of Neoclassical forms was grounded in archaeological discoveries and a knowledge of Classical antiquity, marking an important distinction between him and many of his contemporaries.
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28

Italy. Ministero per i beni culturali e ambientali. and Centro mostre di Firenze (Italy), eds. Il Giardino dipinto nella Casa del bracciale d'oro a Pompei e il suo restauro. Firenze: Università internazionale dell'arte, 1991.

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29

(Illustrator), Sal Murdocca, and Marcela Brovelli (Translator), eds. Vacaciones Al Pie De Un Volcan/ Vacation Under the Volcano (La Casa Del Arbol Magic Tree House). Lectorum Publications, 2007.

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30

Berg, Ria, and Ilkka Kuivalainen. Domus Pompeiana M. Lucretii IX 3, 5.24. The Inscriptions, Works of Art and Finds from the Old and New Excavations. Suomen Tiedeseura, 2019. http://dx.doi.org/10.54572/ssc.131.

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The Pompeii Project of the University of Helsinki (Expeditio Pompeiana Universitatis Helsingiensis, EPUH), first directed by Paavo Castrén (2002-2009) and then by Antero Tammisto (2009-), has as its goal the documentation, analysis, and publishing of all the structural and material remains, wall paintings, and finds of a single Pompeian city block, Insula IX 3. This volume is dedicated to the exceptionally rich finds of its largest unit, the House of Marcus Lucretius (IX3,5.24).
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31

Baird, J. A., and April Pudsey, eds. Housing in the Ancient Mediterranean World. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108954983.

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One of the greatest benefits of studying the ancient Greek and Roman past is the ability to utilise different forms of evidence, in particular both written and archaeological sources. The contributors to this volume employ this evidence to examine ancient housing, and what might be learned of identities, families, and societies, but they also use it as a methodological locus from which to interrogate the complex relationship between different types of sources. Chapters range from the recreation of the house as it was conceived in Homeric poetry, to the decipherment of a painted Greek lekythos to build up a picture of household activities, to the conjuring of the sensorial experience of a house in Pompeii. Together, they present a rich tapestry which demonstrates what can be gained for our understanding of ancient housing from examining the interplay between the words of ancient texts and the walls of archaeological evidence.
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