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Journal articles on the topic 'Housewife feminist feminism'

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Published: 4 June 2021

Last updated: 7 February 2022

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1

STRNAD, Grażyna. "Feminizm amerykański trzeciej fali – zmiana i kontynuacja." Przegląd Politologiczny, no. 2 (November 2, 2018): 19–27. http://dx.doi.org/10.14746/pp.2011.16.2.2.

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The history of American women fighting for equal rights dates back to the 18th century, when in Boston, in 1770, they voiced the demand that the status of women be changed. Abigail Adams, Sarah Grimke, Angelina Grimke and Frances Wright are considered to have pioneered American feminism. An organized suffrage movement is assumed to have originated at the convention Elizabeth Stanton organized in Seneca Falls in 1848. This convention passed a Declaration of Sentiments, which criticized the American Declaration of Independence as it excluded women. The most prominent success achieved in this period was the US Congress passing the Nineteenth Amendment to the Constitution granting women the right to vote. The 1960s saw the second wave of feminism, resulting from disappointment with the hitherto promotion of equality. The second-wave feminists claimed that the legal reforms did not provide women with the changes they expected. As feminists voiced the need to feminize the world, they struggled for social customs to change and gender stereotypes to be abandoned. They criticized the patriarchal model of American society, blaming this model for reducing the social role of women to that of a mother, wife and housewife. They pointed to patriarchal ideology, rather than nature, as the source of the inequality of sexes. The leading representatives of the second wave of feminism were Betty Friedan (who founded the National Organization for Women), Kate Millet (who wrote Sexual Politics), and Shulamith Firestone (the author of The Dialectic of Sex: The Case for Feminist Revolution). The 1990s came to be called the third wave of feminism, characterized by multiple cultures, ethnic identities, races and religions, thereby becoming a heterogenic movement. The third-wave feminists, Rebecca Walker and Bell Hooks, represented groups of women who had formerly been denied the right to join the movement, for example due to racial discrimination. They believed that there was not one ‘common interest of all women’ but called for leaving no group out in the fight for the equality of women’s rights. They asked that the process of women’s emancipation that began with the first wave embrace and approve of the diversity of the multiethnic American society.

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2

Kuss, Natalie. "Family and Feminism in Ursala K. Le Guin's The Dispossessed." Digital Literature Review 6 (January 15, 2019): 63–72. http://dx.doi.org/10.33043/dlr.6.0.63-72.

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The current American familial structure consists of a mother who serves as the housewife anda father who serves as the breadwinner. Although American society is breaking away fromthis norm, the nuclear family structure is still idealized, causing women to struggle against thepatriarchal confnes of this structure as they choose to remain single, enter the workforce, andrefuse to reproduce. Ursula K. Le Guin’s The Dispossessed utilizes the utopia genre to explore afctional planet, Anarres, that values collectivism over individualism in an attempt to become trulyegalitarian. This essay analyzes the egalitarian structure of Anarres through the experiences ofthe main character, Shevek, and uses it to examine the anti-feminist issues of the current familialstructure of America.

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Francis, Beverly Maria, and Dr Cheryl Davis. "Postfeminism’s Impact on Gendered labour." History Research Journal 5, no. 4 (August 22, 2019): 55–58. http://dx.doi.org/10.26643/hrj.v5i4.7116.

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Since the advent of postfeminist culture in the 1990s, women’s desire has often been described as wanting to return to a domestic, feminine lifestyle in which women are portrayed as “keen to re-embrace the title of housewife and re-experience the joys of a ‘new femininity’” (Genz and Brabon, 2009: 57). In movie and TV programs such as Footballer's Wives (2002-2006), The Real Housewives franchise, and Desperate Housewives (2004-2012), the rebranding of domestic labor as a place of enjoyment and liberty expressed through popular culture rejects feminist worries about tedious, repetitive, and exploitative housework.

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Johnson, Lesley. "'Revolutions are not made by down-trodden housewives'. Feminism and the Housewife." Australian Feminist Studies 15, no. 32 (July 2000): 237–48. http://dx.doi.org/10.1080/08164640050138743.

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Solodukhina, Elvira V. "CONSTRUCTING GENDER IN SOCIAL NETWORKS ON THE EXAMPLE OF THE NIKE SPORTSWEAR BRAND: THE NEW WOMEN AND THE SAME MEN." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 122–30. http://dx.doi.org/10.17223/22220836/40/10.

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Relevance of the study. Researches of advertising and media are important components of social and cultural research, as it allows to take a critical look at gender images that exist not only in the media, but also in the public consciousness. We chose Nike for the study because of two reasons. First, they purposefully use a gender approach. The brand chooses its models based on what gender issues they can attract attention to. Secondly, Nike is the global brand that influences consumers in many countries, including Russia, setting not only fashion trends, but also lifestyle and values. Purpose. To demonstrate what gender images and standards the Nike brand uses to construct gender in the social network Instagram. Methodology. The research is based on the theory of social construction of gender, critical studies of advertising and the theory of postfeminism. Main methods: content analysis and comparative analysis. Research result. Analysis of the visual content of the Nike brand account in Instagram allowed us to draw the following conclusions: 1. Nike, like many clothing brands, on the one hand, demonstrates the binary of “male” and “female” in its media. They focus on “women's” as discriminated against by society and an issue that needs to be discussed. On the other hand, by making both men and women heroes and putting them in the context of “competition and victory”, Nike unites them and erases the gender boundaries. 2. The image of a man in Nike remains within the existing stereotypes, and the image of a woman shows the duality: on the one hand, she acquires masculine characteristics, on the other – she strives to preserve her femininity. This duality may be because the introduction of women into the masculine field (sport) deconstructs masculinity and turns masculine into universal. 3. The female audience feels the need for the new role models. If earlier in advertising there were two predominant types of women aimed at the female audience – the housewife and the beauty woman, now there is a third type – a feminist woman who claims for the previously male spheres. Nike, in their social networks, strive to meet the requirements of postfeminism in sports, where equality is embodied through the accessibility of all sports and the uniqueness of each gender through gender issues. 4. The gender of all brand characters is still built through two poles: male and female. Cisgender individuals have their own explicit gender characteristic in the brand, and a transgender man and woman with high testosterone levels, according to World Athletics, protect their right to be a “man” or a “woman”. This again leads to a discussion about the binary division of gender. Conclusions. In the context of the presence of men and women in the main brand account, a woman is positioned as an equal player to a man, but at the same time discriminated against. Women in this account, on the one hand are in the field of sports, heroism, leadership (the field of traditionally masculine characteristics), but on the other hand, should be focused on women's issues, and such a new issue is postfeminism, which constructs the new woman. In the context of a women's account, where you no longer need to compete with a man, the brand delves more into the topic of “femininity”. Feminism is also important here, but it is no longer necessary to reach so far for equality with men. Here you can see another facet of post-feminism-the emphasis on femininity as itself important and unique. This uniqueness can be expressed by women's sexuality and physicality. We assume that in the future, global brands such as Nike will continue to look for images for genders that go beyond the binary order. This may lead to an increase in gender-neutral collections, but the advantage, in our opinion, will remain, on the contrary, for the expansion and uniqueness of genders, since this gives a variety of examples for identification. This will primarily be influenced by public thought and values, especially the feminist and LGBT movements, as they set the gender agenda.

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Sharp, Elizabeth A. "Betty Crocker Versus Betty Friedan: Meanings of Wifehood Within a Postfeminist Era." Journal of Family Issues 39, no. 4 (December 16, 2016): 843–67. http://dx.doi.org/10.1177/0192513x16680092.

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In this article, deploying Betty Friedan’s The Feminine Mystique and the fictional American icon Betty Crocker within a poststructural feminist analysis, the author analyzes a social science data set investigating how 18 contemporary wives think about wifehood. Crocker and Friedan are emblematic of the cultural DNA that make up wifehood: The mythical Betty Crocker represents the happy, traditional housewife of the 1950s, and Betty Friedan offers a critique of the happy, traditional housewife figure. Thinking about historical trends, in the 1950s to 1960s, femininity and families were rigidly prescribed and, thus, largely unquestioned. In the 21st century, with the influx of postfeminism, prescriptions for femininity and families are thought to be less rigid—but are they? Contemporary wives’ identity negotiations mapped onto both Betty Crocker and Betty Friedan but remained anchored in the Betty Crocker image.

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Rush, Florence, and Nicole Rich. "From Suburban Housewife to Radical Feminist." Women & Therapy 17, no. 3-4 (December 28, 1995): 419–24. http://dx.doi.org/10.1300/j015v17n03_15.

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Nicolás Gavilán, María Teresa, Carmen Quintanilla Jiménez, María de los Ángeles Padilla Lavín, and Perla Paola Vargas Zamorano. "Una Mujer de los ’60 Atrapada en un Serie de la TV Contemporánea: Claire Dunphy una Ama de Casa en “Modern Family”." Communication & Social Change 3, no. 1 (October 31, 2015): 19. http://dx.doi.org/10.17583/csc.2015.1774.

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<p class="hppag28TextAbstract">The character of Claire Dunphy from the TV series Modern Family is a married housewife with three kids who is fully dedicated to her home, husband and kids. The present analysis confronts the feminine model proposed by the character with the feminist conception of actual women during the first four seasons of the series. This allows establishing the kind of lifestyle and values that she transmits to the audience. By applying an ethical analysis model which questions about her anthropological spheres, Claire appears as a modern woman who chose her family over her career and has found in her current role, the feeling of a succeeding and loving life.</p>

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., Rully, Abdul Basit, and Muji Prabella. "FEMINISM IN ‘AFTER 11’ AN ADVERTISIMENT OF BUKALAPAK." Profetik: Jurnal Komunikasi 13, no. 1 (September 5, 2020): 168. http://dx.doi.org/10.14421/pjk.v13i1.1963.

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Abstrak. Perkembangan era digital saat ini telah memperlihatkan transformasi nyata dari perubahan ruang periklanan. Iklan dalam bentuk film telah menjadi bagian dari media massa sebagai salah satu media representasi yang merupakan cerminan dari masyarakat. Bukalapak melalui YouTube, membalut makna feminisme dalam kemasan film AFTER 11 yang sekaligus merupakan iklan untuk membangun pandangan agar masyarakat lebih berdaya. Dengan memperlihatkan figur perempuan seorang ibu yang tidak hanya berkiprah di ranah domestik, namun dapat melakukan aktifitas ataupun pekerjaan yang bersifat maskulin. Karakter perempuan yang menyadari kebebasannya membuat menarik untuk menguak dan menelitinya dari sisi feminisme, dengan menggunakan analisis semiotika Roland Barthes yang memaparkan denotasi, konotasi dan mitos. Kesimpulan dari penelitian ini menunjukan bahwa ada ideologi feminisme yang ingin dibawa oleh Bukalapak melalui media iklan dalam film AFTER 11, bahwa perempuan saat ini dapat beraktifitas sebebas-bebasnya tanpa perlu khawatir dan mampu berperan ganda dalam memenuhi kebutuhan anaknya, selain itu juga Bukalapak ingin mendobrak stereotip menjadi pengusaha harus dengan modal yang besar dan biasanya hal ini hanya dapat dilakukan oleh kaum kapitalis, namun dengan Bukalapak, UKM atau individu, ataupun hanya seorang ibu rumah tangga, dapat berdaya dan tangguh.Abstract. The development of the digital era today has shown a real transformation of the changing advertising space. Advertising in the form of films has become part of the mass media as one of the media representations that are a reflection of society. Bukalapak through YouTube, wrapped the meaning of feminism in the AFTER 11 film packaging which is also an advertisement to broaden views so that people are more empowered. By showing a female figure as a mother who not only takes part in the domestic sphere, but also carry out activities or jobs that are masculine. The character of women who realize their freedom makes it interesting to uncover and examine it from the side of feminism, using Roland Barthes's semiotic analysis which presents denotations, connotations and myths. The conclusion of this study shows that there is an ideology of feminism that Bukalapak wants to bring through the advertising media in the film AFTER 11, that women today can work as freely as possible without worrying and being able to play a dual role in meeting their children's needs, besides that Bukalapak also wants to break stereotypes being an entrepreneur must be with big capital and usually this can only be done by the capitalists, but with Bukalapak, UKM or individual, or just a housewife, can be empowered and resilient.

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10

Mayasari, Mayasari. "Kontribusi Perspektif Ekonomi Feminis dalam Pendidikan Ekonomi Keluarga Suku Melayu Jambi untuk Menanamkan Perilaku Ekonomi Pancasila." Jurnal Ilmiah Dikdaya 9, no. 1 (August 16, 2019): 62. http://dx.doi.org/10.33087/dikdaya.v9i1.141.

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The aims of this study was to determine the contribution of a feminist economic perspective in the family economic education of the Jambi Malay to instill the Pancasila economic life as seen from the mindset, attitude and behavior patterns. Research methods using qualitative methods with a phenomenological approach. The subjects of this study were housewives as key informants namely SHJ, RTW, RTSE, IDRI, SILSY, and FAU in providing economic education to embed Pancasila economic life. The results of this study are the contribution of a feminist economic perspective in this study is the perspective of housewives viewed from the mindset, attitude patterns, and behavior in family economic education teaches that it must prioritize adat bersendi syara’, syara’bersendi kitabullah that is combined with values -cultural values such as the value of helping to help, the value of togetherness, the value of cooperation, the value of responsibility, the value of surrender, the value of planning, the value of opportunity, and the value of hard work. These values are applied in carrying out economic life in both the family and community environment. Conclusion family economic education provided from the point of view of the Malay housewife has instilled the Pancasila economic behavior.

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Elias, Megan. "Sentenced to Everyday Life: Feminism and the Housewife." Journal of Popular Culture 40, no. 5 (October 2007): 885–87. http://dx.doi.org/10.1111/j.1540-5931.2007.00462.x.

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12

Gajjala, Radhika. "Feminism, Labour and Digital Media: The Digital Housewife." Australian Feminist Studies 33, no. 96 (April 3, 2018): 275–77. http://dx.doi.org/10.1080/08164649.2018.1517251.

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13

Verma, Tarishi. "Feminism, Labour and Digital Media: The Digital Housewife." Australian Feminist Studies 33, no. 96 (April 3, 2018): 277–80. http://dx.doi.org/10.1080/08164649.2018.1517252.

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14

Rajagopal, A. "The Feminist, the Housewife and the Soap Opera." Screen 43, no. 4 (December 1, 2002): 447–51. http://dx.doi.org/10.1093/screen/43.4.447.

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15

Houser, Tammy Amiel. "Margaret Atwood’s Feminist Ethics of Gracious Housewifery." Partial Answers: Journal of Literature and the History of Ideas 11, no. 1 (2013): 109–32. http://dx.doi.org/10.1353/pan.2013.0008.

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16

Davies, Fred. "Charlotte Brunsdon, The Feminist, the Housewife, and the Soap Opera." Journal of British Cinema and Television 1, no. 1 (May 2004): 177–79. http://dx.doi.org/10.3366/jbctv.2004.1.1.177.

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17

de Carteret, Phoenix. "Book Review: Sentenced to Everyday Life: Feminism and the Housewife." Journal of Sociology 42, no. 2 (June 2006): 209–11. http://dx.doi.org/10.1177/144078330604200207.

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18

Zainab, Noreen. "Repression, Isolation, and Paranoia: A Psychoanalytic Feminist Study of ‘The Nightmare’ by Rukhsana Ahmad." University of Chitral Journal of Linguistics and Literature 1, no. 1 (March 3, 2018): 83–105. http://dx.doi.org/10.33195/uochjll/1/1/05/2017.

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Generally, literature written by Pakistani women writers in English depicts women as victims of patriarchy, social and cultural oppression. Meanwhile, in recent times the short fiction is exploring new paradigms related to the psychological oppression of married women in Pakistan. The following paper selects the short story, ‘The Nightmare’ by Pakistani writer, Rukhsana Ahmad, where a housewife suffers from paranoia because of disconsolate marriage. Therefore, this research aims to study the causes of psychological disorders specifically paranoia among apparently happy housewives. Moreover, the causes and effects of repression and isolation on personality of women would be discussed from the psychoanalytic feminist perspective using the framework of Sigmund Freud (1973- 86) through the character of Fariha. Through the method of character analysis (Dobie, 2011) this paper concludes that the childhood experiences of repression are the reason for victim’s passiveness towards psychological oppression during adult life. This paper would also help in establishing the conclusion that women who suffer abuse in their childhood are more likely to face abuse in their adult lives, which becomes the cause of their psychological instability.

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Levy, Yael. "Serial housewives: the feminist resistance of The Real Housewives’ matrixial structure." Continuum 32, no. 3 (March 21, 2018): 370–80. http://dx.doi.org/10.1080/10304312.2018.1450492.

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Leonard, Suzanne. "The Americanization of Emma Bovary: From Feminist Icon to Desperate Housewife." Signs: Journal of Women in Culture and Society 38, no. 3 (March 2013): 647–69. http://dx.doi.org/10.1086/668551.

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21

Haddock, Geoffrey, and Mark P. Zanna. "Preferring “Housewives” To “Feminists”: Categorization and the Favorability of Attitudes Toward Women." Psychology of Women Quarterly 18, no. 1 (March 1994): 25–52. http://dx.doi.org/10.1111/j.1471-6402.1994.tb00295.x.

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Four studies are described outlining the favorability of attitudes toward women. In Study 1, participants indicated their attitudes toward women and men and their construal of the term “women.” The results revealed that women were evaluated more favorably than men, but that male right-wing authoritarians (RWAs) who construed women as referring primarily to feminists were least favorable in their attitudes. In Study 2, participants indicated their attitudes toward both “housewives” and “feminists.” The results revealed that feminists were evaluated less favorably than housewives, and that the most negative attitudes toward feminists were expressed by authoritarian men. Study 3 revealed that high-RWA males held more negative symbolic beliefs concerning feminists (i.e., beliefs that feminists failed to promote participants' values) and that these beliefs accounted for variation in attitudes among high RWAs and much of the RWA-attitude relation. Finally, Study 4 revealed that high RWAs perceived greater value dissimilarity between themselves and feminists. The implications of the findings for future research are discussed.

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22

Rangel Gómez, Sheila Janet, Fernando Fredi Rea García, and Yonaiker del Mar Navas-Montes. "Las mujeres y la economía social y solidaria: construyendo una nueva economía." South Florida Journal of Development 2, no. 3 (July 23, 2021): 4324–35. http://dx.doi.org/10.46932/sfjdv2n3-040.

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RESUMEN A lo largo de la historia, sobre todo en el ámbito local, el papel que llevaron a cabo las mujeres fue el de ser amas de casa, madres y esposas, además de proveer de alimentos. Sin embargo, en los últimos años se ha discutido y estudiado sobre si estas actividades son parte de lo privado y reproductivo o realmente pertenecen a lo público y productivo. Es así como, desde la perspectiva de género y de la economía feminista se pueden analizar estas proposiciones y visualizar los papeles que se designan a los hombres y a las mujeres en una sociedad, para de esta manera determinar las formas de comportamiento en lo social, jurídico, económico, cultural o en la vida cotidiana y rastrear el origen de tales condiciones. La presente investigación utiliza la metodología del análisis bibliográfico, mediante el cual se recopila el concepto y teória de la Economía Social y Solidaria y su conexión con la Economía Feminista, que, en conclusión, logran complementar y apuestan por una reorganización del trabajo en el que se valorice el trabajo de las mujeres en particular reconociendo la construcción de una nueva economía. ABSTRACT Throughout history, especially at the local level, the role of women was to be housewives, mothers and wives, as well as providing food. However, in recent years there has been discussion and study of whether these activities are part of the private and reproductive or actually belong to the public and productive. This is how, from the perspective of gender and the feminist economy, these proposals can be analyzed and the roles that men and women are appointed in a society, in order to determine the forms of behavior in the social, legal, economic, cultural or daily life and trace the origin of such conditions. This research uses the methodology of bibliographic analysis, which collects the concept and theory of the Social and Solidarity Economy and its connection with the Feminist Economy, which, in conclusion, succeed in complementing and committed to a reorganization of work in which the work of women in particular is valued recognizing the construction of a new economy.

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Parvulescu, Anca. "Import/Export: Housework in an International Frame." PMLA/Publications of the Modern Language Association of America 127, no. 4 (October 2012): 845–62. http://dx.doi.org/10.1632/pmla.2012.127.4.845.

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A close reading of Ulrich Seidl's Import Export (2007), a film on labor migration between eastern and western Europe, provides an international frame for revisiting the second-wave feminist debate on housework. In the last two decades, “women's work” has been outsourced transnationally on a large scale, leading to the emergence of an international private sphere inhabited by a new housewife figure. The feminist housework debate of the 1970s supplies the groundwork for a critique of autonomist neo-Marxism that foregrounds the role of language, translation, and visual gesture in the contemporary import/export of labor.

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Summers, Juliette, Doris Ruth Eikhof, and Sara Carter. "Opting out of corporate careers: portraits from a women's magazine." Employee Relations 36, no. 1 (December 20, 2013): 33–48. http://dx.doi.org/10.1108/er-03-2013-0028.

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Purpose – The purpose of this paper is to critically explore media representations of opting-out and how these present particular professional identities as appropriate career choices for women. Through an examination of a UK women's magazine the paper looks at how opting-out in favour of work based on traditionally female housewifery skills and attributes is communicated and justified in the texts. Design/methodology/approach – The paper adopts a social identity approach to a qualitative content analysis of 17 consecutive monthly magazine features. Findings – While the magazine frames women's career choices as unlimited, identity is presented as gendered, biologically fixed and therefore inescapable. The magazine presents opting out as an appropriate route for women based on a “female identity” grounded in traditional female attributes of caring, hosting, baking, etc. However, this leaves women's work open to potentially negative interpretations of these traditional female attributes. The texts appeal to a post-feminist discourse and imply that problems experienced by women in public sphere careers are partly the outcome of the feminism of the 1960s and 1970s. Research limitations/implications – Future research should study how readers interpret the texts. Originality/value – The paper demonstrates the explanatory potential of using of a social identity approach in the analysis of media texts.

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Behrent, Megan. "Suburban Captivity Narratives: Feminism, Domesticity, and the Liberation of the American Housewife." Journal of Narrative Theory 49, no. 2 (2019): 247–86. http://dx.doi.org/10.1353/jnt.2019.0010.

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Weigel, Moira. "Book Review: Feminism, Labour and Digital Media: The Digital Housewife by Kylie Jarrett." Feminist Review 123, no. 1 (November 2019): 135–36. http://dx.doi.org/10.1177/0141778919878924.

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Guard, Julie. "A Mighty Power against the Cost of Living: Canadian Housewives Organize in the 1930s." International Labor and Working-Class History 77, no. 1 (2010): 27–47. http://dx.doi.org/10.1017/s0147547909990238.

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AbstractConsumer activists organizing in the 1930s against rising milk prices demonstrated the power of a strong grassroots movement to enlarge prevailing understandings of the political and to wring responses from an unwilling state. Their maternalism, combined with milk's emotional, social, and political meanings, attracted broad popular support and deflected criticism from the dairy industry, hostile public officials, and anticommunists. Their campaign for affordable milk became a synecdoche for broader demands that the state restrain business in the interests of consumers and protect ordinary people from the harsh injustices of the Depression. After winning immediate concessions, the Toronto Housewives Association failed to achieve their long-term goals, but their impact was nonetheless significant. Their campaign fueled and informed public debates about the political economy of food and government's responsibilities to protect citizens, pushing socialist policies onto the political agenda under the cover of maternalism. Participation in Housewives' campaigns transformed powerless victims into effective political actors. Housewife-activists challenged prevailing notions of normative feminine behavior, creating social space for ordinary women acting within their domestic roles to engage in direct political action.

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Miller, Meredith. "The Feminine Mystique: sexual excess and the pre-political housewife." Women: A Cultural Review 16, no. 1 (January 2005): 1–17. http://dx.doi.org/10.1080/09574040500045573.

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Priyatna, Aquarini, Mega Subekti, and Indriyani Rachman. "EKOFEMINISME DAN GERAKAN PEREMPUAN DI BANDUNG." Patanjala : Jurnal Penelitian Sejarah dan Budaya 9, no. 3 (November 27, 2017): 439. http://dx.doi.org/10.30959/patanjala.v9i3.5.

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AbstrakDengan menggunakan perspektif ekofeminisme, tulisan ini bertujuan untuk menggambarkan kegiatan dan aktivisme gerakan perempuan di Bandung yang fokus pada persoalan lingkungan. Subjek penelitian adalah tiga perempuan yang terlibat aktif dalam komunitas lokal di Bandung dalam kapasitasnya sebagai ibu rumah tangga. Penelitian ini menggunakan metode kualitatif yang menghasilkan data deskriptif dari hasil wawancara dan observasi langsung. Hasilnya didapatkan bahwa alih-alih menempatkan tiga perempuan itu sebagai objek, kapasitasnya sebagai ibu rumah tangga memicu mereka untuk berperan sebagai subjek yang sadar lingkungan. Ketiganya menunjukkan bahwa pengalaman domestik/feminin sebagai ibu dan istri membuat mereka bergerak untuk mengatasi dan memperbaiki lingkungan yang ada di sekitar mereka. Meskipun acapkali dianggap sebagai sesuatu yang sederhana dan bersifat lokal, kegiatan dan aktivisme yang mereka lakukan bersama komunitasnya dapat dikategorikan sebagai sebuah gerakan ekofeminisme. Tidak saja karena posisi dan status mereka sebagai ibu rumah tangga akan tetapi juga karena kegiatan dan aktivisme itu mampu berdampak pada kelestarian lingkungan.AbstractBy using ecofeminism perspective, this paper aims to describe the activity and activism of women's movement in Bandung that focuses on environmental issues. The subjects of this research are three women who pioneered environmental movements in urban communities in Bandung in their capacity as housewives. This research uses qualitative methods that produce descriptive data from interviews and direct observation. The results of research reveals that despite positioning themselves as objects, their status as housewives and their domestic/feminine roles have enabled them to act as environmentally conscious subjects. Though often regarded as simple and local, their activities and activism can be categorized as an eco-feminist movement. Not only because of their position and their status as housewives but also because of the activities and activism have obviously a direct positive impact on environmental sustainability and improvement, particularly in the area where they live.

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Smith, Caroline J. "“Writer. Eater. Cook.”: Deconstructing the Feminist/Housewife Debate in the Works of Ruth Reichl." Women's Studies 48, no. 7 (October 3, 2019): 661–79. http://dx.doi.org/10.1080/00497878.2019.1667805.

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Berry, Francesca. "Housewife Writ Large: Marie mécanique, Paulette Bernège, and New Feminist Domesticity in Interwar France." Oxford Art Journal 40, no. 1 (March 2017): 7–26. http://dx.doi.org/10.1093/oxartj/kcx002.

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Cavallero, Lucía. "From Finance to Bodies." South Atlantic Quarterly 119, no. 3 (July 1, 2020): 637–45. http://dx.doi.org/10.1215/00382876-8601482.

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Since the organization of the first international feminist strikes, Argentina’s feminist movement has used the method of the assembly to produce analyses of the relationship and interconnection between sexist violence and economic violence. As part of that political process, in May 2017, the feminist movement convened a mobilization, with the slogan “We Want Ourselves Alive, Free, and Debt Free” in the doorways of the Central Bank to denounce the process of massive indebtedness of domestic economies that occurred in parallel to the taking out of debt by the state. From that moment on, a form of fighting back against financialization and the invasion of finance into increasingly more areas of the reproduction of life emerged. Today the feminist movement is questioning access to rights through debt in the struggle against the end of social security extensions (which provided important benefits to housewives and other informally employed women) and in the processes of compulsory urbanization in the peripheries of Buenos Aires. This article seeks to account for the fabric of this political process and its innovative forms of weaving together resistance against the government of finance.

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Juanda, Juanda, and Azis Azis. "PENYINGKAPAN CITRA PEREMPUAN CERPEN MEDIA INDONESIA: KAJIAN FEMINISME." LINGUA: Journal of Language, Literature and Teaching 15, no. 2 (August 29, 2018): 71. http://dx.doi.org/10.30957/lingua.v15i2.478.

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One of the female phenomena which was authored by the authors short stories in Media Indonesia is the narrative of oppressed women. The purpose of this study is to explore the image of women in short stories in the Media Indonesia. This research is descriptive qualitative research that focuses on the image of women. The approach used in this research is the feminism approach. The data were analysis techniques using heuristic and hermeneutic techniques. The results of the study indicate that there are various negative treatments experienced by women. The author used the short stories as a representation of their images through the Media Indonesia daily. Women's image is manifested in the form of physical image, psychic, helpless, resigned to the situation, housewife, loyalty, child guard, domestic, husband's companion, and social.

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Gill, Rosalind. "Sentenced to Everyday Life: Feminism and the Housewife, Mediating the Family: Gender, Culture and Representation." International Journal of Cultural Studies 8, no. 4 (December 2005): 504–8. http://dx.doi.org/10.1177/1367877905061526.

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Shin, Ki-Young. "An Alternative Form of Women's Political Representation: Netto, a Proactive Women's Party in Japan." Politics & Gender 16, no. 1 (December 16, 2019): 78–98. http://dx.doi.org/10.1017/s1743923x19000606.

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AbstractThis article examines a Japanese local party, Netto, as a new type of women's party. The Netto is defined as a “proactive women's party” to illustrate how it is different not only from conventional political parties but also from parties organized to promote feminist platforms. The Japanese Netto is a women-dominated party in which women constitute the majority of members and candidates, as well as party leadership. The party platform prioritizes practical women's interests such as safe food and child-rearing over women's labor or feminist issues. The gendered characteristics of Netto appeal to middle-class housewives and mothers, facilitating the electoral success of the party in urban areas. The party's notable features, such as rotation of deputies, term limits, donation of deputy salary, and volunteerism, distinguish Netto from conventional political parties. As such, the party provides an alternative model of political representation. The Netto party illustrates that not all women's parties use a feminist platform, but they still play an important role in changing male-dominated electoral politics.

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Widarti, Widarti. "ANALISIS WACANA FEMINISME PROGRAM ACARA SANTAI SIANG EDISI KAMIS KEUANGAN DI WOMAN RADIO JAKARTA." JIKE : Jurnal Ilmu Komunikasi Efek 2, no. 2 (June 30, 2019): 156–76. http://dx.doi.org/10.32534/jike.v2i2.607.

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The existence of radio segmented by women makes new hope for women's public space to form a positive image for women. Through the Santai Siang di Woman Radio program the formation of a positive image of women was developed in the presence of various different topics that were presented to support women's independence in the process of forming a positive image of women in the community. Researching the Sanatai Siang Thursday Financial Edition program program by discussing regulating family finances. Using feminist discourse analysis in the Santai Siang program. The research approach is a qualitative descriptive method developed by Sara Mills, which is also often called critical discourse analysis with a 'feminist' perspective. The results showed that Woman Radio in the Santai Siang program tried to position women into a positive image, women emerged as not inferior to men, but in the domestic sector women still carried out their responsibilities to carry out their roles as working mothers, housewives and wife. Keywords: Feminist Discourse Analysis, Relaxing Day Program, Woman Radio

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Fuchs, Christian. "Capitalism, Patriarchy, Slavery, and Racism in the Age of Digital Capitalism and Digital Labour." Critical Sociology 44, no. 4-5 (February 9, 2017): 677–702. http://dx.doi.org/10.1177/0896920517691108.

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This article asks: How can understanding the relationship of exploitation and oppression inform the study of digital labour and digital capitalism? It combines the analysis of capitalism, patriarchy, slavery, and racism in order to analyse digital labour. The approach taken also engages with a generalization of David Roediger’s wages of whiteness approach, Marxist feminism, Angela Davis’s Marxist black feminism, Rosa Luxemburg, Kylie Jarrett’s concept of the digital housewife, Jack Qiu’s notion of iSlavery, Eileen Meehan’s concept of the gendered audience commodity, and Carter Wilson and Audrey Smedley’s historical analyses of racism and class. The article presents a typology of differences and commonalities between wage-labour, slave-labour, reproductive labour, and Facebook labour. It shows that the digital data commodity is both gendered and racialized. It analyses how class, patriarchy, slavery, and racism overgrasp into each other in the realm of digital capitalism. It also introduces the notions of the organic composition of labour and the rate of reproductive labour and shows, based on example data, how to calculate these ratios that provide insights into the reality of unpaid labour in capitalism.

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Padilla Carroll, Valerie. "The Radical Possibilities of New (Feminist, Environmentalist) Domesticity: Housewifery as an Altermodernity Project." Interdisciplinary Studies in Literature and Environment 23, no. 1 (March 2016): 51–70. http://dx.doi.org/10.1093/isle/isw013.

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Mcgonegal, Julie. "Of harlots and housewives: a feminist materialist critique of the writings of wollstonecraft." Women's Writing 11, no. 3 (October 1, 2004): 347–62. http://dx.doi.org/10.1080/09699080400200316.

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Kurniawan, Erol. "The Representation of Emak-Emak (Indonesian Housewives) in Gojek Indonesia’s Advertisement Titled Belanja di GoMart, Dibelanjain #EmakJago!" International Journal of Multicultural and Multireligious Understanding 8, no. 4 (May 5, 2021): 715. http://dx.doi.org/10.18415/ijmmu.v8i4.2682.

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As a product of pop culture, advertisement is intentionally designed to entice people to get interested in buying products and services, or even ideas. It also often utilizes local social-cultural phenomena that are close to our daily lives. This article will analyze the representation of emak-emak (housewives) in the video advertisement entitled Belanja di Gomart, Dibelajanin #EmakJago (shopping in GoMart, guided by #superbhousewives) released by Gojek Indonesia official YouTube Channel. In this advertisement, the notion of ‘the power of emak-emak’ is used in as the main concept to represent women in two different characters, the ‘funny’ and ‘superb’. To feminist theorists, pop culture is always problematic for women as it strengthens the gender stereotypes putting them as either subordinate or inferior subjects. Additionally, scholars and Indonesian feminist activists have argued that the term emak-emak has either derogatory or negative connotations. Using cultural studies perspective as well as textual analysis, this qualitative research aims at analyzing how these emak-emak are represented in the ad. At the end of discussion, I would argue that this ad serves to actually maintain and exercise the patriarchal ideology in terms of gender stereotypes.

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Wiyatmi, Wiyatmi. "Citraan Perlawanan Simbolis Terhadap Hegemoni Patriarki Melalui Pendidikan dan Peran Perempuan di Arena Publik dalam Novel-Novel Indonesia." ATAVISME 13, no. 2 (December 31, 2010): 243–56. http://dx.doi.org/10.24257/atavisme.v13i2.135.243-256.

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Penelitian ini bertujuan mengungkap gambaran perlawanan simbolis terhadap hegemoni patriarki melalui pendidikan dan peran perempuan di arena publik dalam novel-novel Indonesia dengan kritik sastra feminis. Untuk mencapai tujuan tersebut, secara purposif dipilih sejumlah novel periode 1920 sampai 1980-an yang secara intens mengangkat isu pendidikan bagi perempuan dan peran perempuan di ranah publik. Hasil penelitian menunjukkan adanya perlawanan terhadap hegemoni patriarki dalam bentuk perjuangan para perempuan untuk mendapatkan kesempatan menempuh pendidikan yang masih digunakan untuk mempersiapkan tugas-tugas domestiknya, sebagai ibu rumah tangga (Azab dan Sengsara dan Sitti Nurbaya), pendidikan bagi perempuan yang mempersiapkan dirinya ke dalam pekerjaan di sektor publik, terutama sebagai guru (Layar Terkembang, Kehilangan Mestika, Widyawati, dan Manusia Bebas), yang dilanjutkan dengan masuknya perempuan terpelajar tersebut dalam organisasi perempuan untuk memperjuangan emansipasi perempuan dan perjuangan menuju kemerdekaan Indonesia (Layar Terkembang, Manusia Bebas, dan Burung-burung Manyar). Abstract: This study is aimed at exposing the depiction of symbolic resistance of patriarchal domination through education and the role of women in public domain and in the novels of Indonesia by feminist literary criticism. To achieve these objectives, a number of novel from 1920 until 1980s that raised the issue of intensive education for women and the role of women in the public domain were purposively selected. The result shows the resistance to the hegemony of patriarchy in the form of women’s struggle to get a chance to still use their education to prepare for domestic tasks, as housewives (Kehilangan Mestika and Sitti Nurbaya), education for women who are preparing themselves to work in a public sector, primarily as a teacher (Layar Terkembang, Kehilangan Mestika, Widyawati, and Manusia Bebas), continuing with the entry of women educated in women’s organizations to women’s emancipation and the struggle towards independence of Indonesia (Layar Terkembang, Manusia Bebas, and Burung-burung Manyar). Key Words: symbolic resistance, patriarch, novel

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Dale, Corinne. "The Housewife's Tale: Maternal Poetics in Eudora Welty's Delta Wedding." Keeping Ourselves Alive 3, no. 2-3 (January 1, 1993): 209–22. http://dx.doi.org/10.1075/jnlh.3.2-3.07hou.

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Abstract In Delta Wedding, Welty immerses the reader in the world of the traditional home-centered woman. The novel explores the transformational, even sacred, nature of housework and domestic ritual through the experiences of five female characters at different stages of development, from 9-year-old Laura to Ellen, the "mother of them all." Structurally, the novel is organized by the intertwined and repeated circular journeys of the women, journeys that echo primal stories of female development. The repetition and sense of stasis that are integral to these elements as archetypal female experiences have irritated some critics. But the novel provides a framework for the maternal ethic of "holding" and offers a feminist poetics, essential for fully appreciating other texts that celebrate traditional female experiences. (Literary criticism; gender studies)

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Zainab, Noreen, Aisha Jadoon, and Muhammad Nawaz. "The Culture of Silence and Secrets: Repressions and Psychological Disorders among Pakistani Housewives in Fiction." Global Language Review II, no. I (December 30, 2017): 114–29. http://dx.doi.org/10.31703/glr.2017(ii-i).09.

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Pakistani housewives suffer emotional and psychological repression in their daily lives, which result in the mental instability and psychological disorders. Through the analysis of two short stories by Pakistani feminist writers Shaila Abdullah and Rukhsana Ahmad, this paper studies the repressions of Pakistani housewives, and their emotional sufferings, to identify the long-lasting effects of emotional abuse among Pakistani women. Using the Freudian theory of unconscious as theoretical basis, this paper analyzed the unconscious of both female protagonists, the stereotypical Pakistani housewives. Through narrative analysis of both short stories, it is concluded that due to the Pakistani culture of silence and secrets unconscious of women becomes their cage, a cage that restrains all their unexpressed emotions, fears and memories. This paper suggests consciousness raising among Pakistani women regarding the significance of their psychological health, which can destroy their lives without them knowing about it

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Görges, Luise. "Of housewives and feminists: Gender norms and intra-household division of labour." Labour Economics 72 (October 2021): 102044. http://dx.doi.org/10.1016/j.labeco.2021.102044.

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Hauser, Emily. "IN HER OWN WORDS: THE SEMANTICS OF FEMALE AUTHORSHIP IN ANCIENT GREECE, FROM SAPPHO TO NOSSIS." Ramus 45, no. 2 (December 2016): 133–64. http://dx.doi.org/10.1017/rmu.2016.8.

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What we call things is important—it reveals what we think about the world. What we call ourselves, however, is even more important. It reveals ideas and assumptions about identity, gender, community. It helps us to see where we fit in in society; what we understand our purpose, our role to be; the kinds of activities we undertake. In a history where women have been largely barred from higher-paying, traditionally male occupations, the way in which women in particular use terminology to lay claim to skills and expertise in counterpoint to a generally male-dominant culture speaks volumes about the ways in which women see themselves and their relationship to their work. As Erica Jong puts it in her feminist essay,The Artist as Housewife, ‘naming is a form of self-creation’.

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김영선. "Feminist Projects for New Subject Formation and the Housewife Movement Discourses in the Progressive Women’s Movement of the 1980’s." Women and History ll, no. 28 (June 2018): 241–66. http://dx.doi.org/10.22511/women..28.201806.241.

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Hambur, Fransiska Marsela. "DEPRESSED HOUSEWIVES AS RESULTS OF WOMAN-OPPRESSION FOUND IN SHORT-STORIES: A COMPARATIVE LITERATURE STUDY." Dinamika Bahasa dan Budaya 14, no. 1 (March 15, 2019): 48–62. http://dx.doi.org/10.35315/bb.v14i1.6717.

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Literature represents and portrays variation of society and all human life’s aspects. This includes common happenings. On behalf of this matter, there is an importance to study the literature as a model of real life and society, followed by certain phenomena happened in certain time. For ages, oppression and depression are one of frequents phenomena. Oppressions are often found in women, especially in housewives. This may lead to implication that housewives may undergo psychological problem, such as depression. In literary work, both woman-oppression and depression are often found in many kinds of works, such as movie and short-story. This research focused on two short-stories written by Thomas Hardy “An Imaginative Woman” (1893) and Jhumpa Lahiri “Interpreter of Maladies” (1999). Both were analyzed using feminism and psychoanalysis approach in terms of proving the hypothesis that woman-oppression can become source of depression in housewives’ lives. The findings showed that domestic women, especially those who only work as housewives experienced depression because of their lack of social-connection. In both short-stories, the depressed housewives would lead her life into troublesome habits, such as having delusions, having affair beyond marriage, being ignorant toward her family, being in destructive behaviors, and even wishing her own death. This findings surely became an implication that women-oppression will indeed lead women into self-destructing behaviors.

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Saeed, Amna, and Noreen Zainab. "Gender Role Stereotyping Of Women As Housewives In Conventional Pakistani Society." Pakistan Journal of Gender Studies 15, no. 1 (September 8, 2017): 1–16. http://dx.doi.org/10.46568/pjgs.v15i1.125.

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This study aims to analyze the short story, The Spell and the Ever Changing Moon (2014) by Rukhsana Ahmad, from the feminist perspective. A close reading of the text reveals that facing everyday challenges and juggling between multiple roles is a common practice for middleclass house wives in Pakistani society. The economic instabilities added with emotional, psychological as well as physical abuse plays a vital role in their oppression and humiliation on regular basis. These roles as assigned to them define their social standing and suffering becomes their destiny. Multiple roles of such women and social expectations outside and inside the house define their way of living. Each and every movement and thought becomes codependent on their social familial roles. Being selfless becomes an obligation and ‘sacrifice’ becomes convention for middle class women who spend their whole lives living under the thumb of their men folk. Moreover, the movement and status of women inside and outside the home is also a major concern addressed in this paper including the concept of home, and its significance in lives of Pakistani women.

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Martinelli, Chiara. "Training mothers: feminine vocational education in Italy during Fascism." Rivista di Storia dell’Educazione 7, no. 1 (July 9, 2020): 71–82. http://dx.doi.org/10.36253/rse-9395.

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Throughout the XX century, the term “feminine vocational education” changed its meaning several times. Were the vocational feminine schools aimed at training skilled industrial workers or at educating perspective high-ranked housewives? This paper aims at answering at this question. For such a pursue, it investigates national and local sources and it analyzes how the field changed during the first ten years Fascism ruled Italy. All the vocational schools were struck by a radical reform and by the efforts the Minister of National Education Giuseppe Belluzzo made for rationalize the field. In such a context, curricula taught in feminine vocational schools changed: more time was devoted to domestic economy and to subjects like literature and foreign languages. As the latter were traditionally included in women’ curricula since XIX century, the issue highlights a relevant links between liberal and fascistic educational policies. However, the increasing role domestic education played shows the regime designed vocational feminine schools not for training skilled industrial workers, but for educating mothers. During Fascism, women workers were called to unskilled and low-paid roles for which no training was need; however, lacks in welfare state and economic crisis made the Regime pursue mothers to work hard for saving money and for elevating people’s living standard.

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Rotskoff, Lori E. "Home-grown Radical or Home-bound Housewife? Rethinking the Origins of 1960s Feminism through the Life and Work of Betty Friedan." Reviews in American History 28, no. 1 (2000): 120–27. http://dx.doi.org/10.1353/rah.2000.0014.

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