Relevant bibliographies by topics / How Not to Summon a Demon Lord

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Academic literature on the topic 'How Not to Summon a Demon Lord'

Author: Grafiati
Published: 25 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "How Not to Summon a Demon Lord"

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BELAYA, IRINA V. "How to summon a demon for questioning: kao zhao rite in Tianxin Taoism." Гуманитарные исследования в Восточной Сибири и на Дальнем Востоке, no. 4 (2017): 29–36. http://dx.doi.org/10.24866/1997-2857/2017-4/29-36.

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Richman, Paula. "“We Don't Change It, We Make It Applicable”: Ramlila in Trinidad." TDR/The Drama Review 54, no. 1 (2010): 76–105. http://dx.doi.org/10.1162/dram.2010.54.1.76.

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Why did audiences for Ramlila, which recounts how Lord Ram rescued his wife from the ten-headed demon king, wane in Trinidad in the 1970s and '80s? English narration along with the traditional Hindi verses, topical improvisation, new methods of script development, and breaking old gender and caste restrictions have revived the genre and led to the founding of 10 new troupes between 1995 and 2005.
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Bicheev, Baazr A., та Gerelmaa Guruuchin. "Ойратский текст дхарани-сутры Ганапати". Монголоведение (Монгол судлал) 15, № 3 (2023): 430–45. http://dx.doi.org/10.22162/2500-1523-2023-3-430-445.

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Introduction. The tradition of worshiping Ganapati in Buddhism, including in religious traditions of Mongols, is an interesting — though understudied — issue. In Hinduism, this ancient deity was believed an evil demon (Vinayaka) inclined to create obstacles. Subsequently, when included in the Buddhist pantheon, its tantric forms became widespread enough in Tibet and Mongolia. In Buddhist teachings, Ganapati is seen as an emanation of Avalokiteshvara, and in some of its forms is associated with Chakrasamvara and Tara, hence having little in common with the Hindu Ganesha, the son of Parvati and
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Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds
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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f
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Brabazon, Tara. "Freedom from Choice." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2461.

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 On May 18, 2003, the Australian Minister for Education, Brendon Nelson, appeared on the Channel Nine Sunday programme. The Yoda of political journalism, Laurie Oakes, attacked him personally and professionally. He disclosed to viewers that the Minister for Education, Science and Training had suffered a false start in his education, enrolling in one semester of an economics degree that was never completed. The following year, he commenced a medical qualification and went on to become a practicing doctor. He did not pay fees for any of his University courses. When reminded o
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Books on the topic "How Not to Summon a Demon Lord"

1

edition, Summon. How NOT to Summon a Demon Lord. Independently Published, 2021.

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Murasaki, Yukiya. How NOT to Summon a Demon Lord: Volume 2 (How NOT to Summon a Demon Lord (light novel)). J-Novel Club, 2019.

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Murasaki, Yukiya. How NOT to Summon a Demon Lord: Volume 3 (How NOT to Summon a Demon Lord (light novel)). J-Novel Club, 2019.

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Murasaki, Yukiya. How NOT to Summon a Demon Lord: Volume 1 (How NOT to Summon a Demon Lord (light novel)). J-Novel Club, 2019.

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How NOT to Summon a Demon Lord - Band 14. Kazé Manga, 2021.

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Murasaki, Yukiya. How NOT to Summon a Demon Lord Vol. 9 ). Seven Seas, 2020.

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7

Murasaki, Yukiya, and Takahiro Tsurusaki. How NOT to Summon a Demon Lord (Manga) Vol. 15. Seven Seas Entertainment, LLC, 2023.

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Murasaki, Yukiya, and Takahiro Tsurusaki. How NOT to Summon a Demon Lord (Manga) Vol. 14. Seven Seas Entertainment, LLC, 2022.

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Murasaki, Yukiya, and Takahiro Tsurusaki. How NOT to Summon a Demon Lord: Volume 6. J-Novel Club, 2019.

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Murasaki, Yukiya, and Takahiro Tsurusaki. How NOT to Summon a Demon Lord: Volume 7. J-Novel Club, 2019.

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Book chapters on the topic "How Not to Summon a Demon Lord"

1

Miller, William Ian. "Lord of the Table: Judges 19 and the Last Supper." In Outrageous Fortune. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197530689.003.0008.

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This chapter provides an extended treatment of how giving and receiving food is perhaps the primal obligation-creating and -discharging of social actions. The chapter deals with what it means to be host and guest, two sides of the same Indo-European verbal root, yielding also opposites like hospitality and hostility. The chapter also deals with adoption, grafting a person into one’s kin group as an heir by means of rituals where drinking and eating figure as the sine qua non of offializing the new relation. One ceremony is of Salian Frankish origin, another one old Norwegian. The chapter ties these in with baptism and circumcision and covenant formation by means of mixing blood, or cutting flesh, human and animal. This leads to a discussion of the dismemberment of the Levite’s concubine in Judges 19. After she had been gang-raped to death her husband cuts her into twelve parts which are sent out to summon the nation and oblige them to take revenge on the tribe of Benjamin, the tribe of the inhospitable rapists. The argument is that Jesus is referring directly to Judges 19 when he divides his body into twelve parts just as the Levite did his concubine, the ceremony obliges one to carry out his mission, in effect, to take revenge.
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